What started as a warning directed at a fanbase has now turned into a full-blown clash between two of Nigeria’s most influential musical legacies.
The long-running tension between Seun Kuti and Wizkid FC officially crossed a new line after Wizkid broke his silence on social media, responding directly to the controversy for the first time. But this moment did not come out of nowhere.
It began weeks earlier with a pointed message from Seun Kuti; one that reignited debates around Fela Kuti’s legacy, celebrity worship, and fan culture in Nigeria.
The saga began when Seun Kuti publicly warned Wizkid FC to stop invoking Fela Anikulapo Kuti’s name in online debates and fan-driven arguments.
In his message, Seun made it clear that:
Fela’s legacy should not be used as ammunition in fanbase wars
Activism, resistance, and cultural critique should not be reduced to internet banter
His father’s name carried historical and political weight beyond pop culture arguments
The post quickly gained traction and was widely interpreted as a direct response to Wizkid fans who had repeatedly referenced Fela while defending the superstar against criticism.
While Wizkid himself did not respond at the time, Wizkid FC took the message personally, triggering days of online back and forth, insults, and ideological arguments.
Throughout this period, Wizkid remained silent, allowing the storm to play out between Seun Kuti and his fanbase.
That silence ended abruptly. This comes after Seun Kuti released another video hammering on Wizkid FC and stating that Wizkid didn’t care about them and that is why he is yet to say anything about the ongoing saga.
In a series of posts on X (formerly Twitter), Wizkid has started tweeting about the controversy and reposting tweets that talk about Seun Kuti, firing back in an unusually emotional and confrontational tone.
Nigerian superstars Wizkid and Asake officially kick off their first joint project with the release of “Jogodo”, the lead single from their upcoming EP titled REAL (Vol. 1). Set to drop on January 23, 2026, this collaboration marks a historic moment in the Nigerian music scene, bringing together two of the country’s most influential artists.
The announcement has sparked excitement across social media, with fans praising the chemistry between Wizkid’s smooth Afropop sound and Asake’s energetic street‑influenced rhythms.
“Jogodo” is the first taste of what listeners can expect from the joint EP. The track blends Asake’s rhythmic, chant-heavy style with Wizkid’s signature smooth vocals, creating a unique sound that is both catchy and culturally resonant.
The song has already started trending on streaming platforms, currently ranking at No. 7 Apple Music NG proving that fans are eager for more from the duo.
It’s a high-energy track that perfectly captures the strengths of both artists, giving a glimpse into the direction of REAL (Vol. 1)
About the EP: REAL (Vol. 1)
The full EP, REAL (Vol. 1), will feature multiple tracks highlighting the duo’s distinct musical styles. The project is expected to combine street-inspired Afrobeat grooves with global pop elements, appealing to both Nigerian and international audiences.
This marks the first full-length collaborative EP between Wizkid and Asake, building on previous successful features like Asake on Wizkid’s Morayo album (“Bad Girl”) and Wizkid on Asake’s 2024 hit “MMS.” These past collaborations set the stage for a deeper and more cohesive project.
Wizkid has been a global Afrobeats ambassador for over a decade, known for hits like Essence, Ojuelegba, and his latest Morayo album. His collaborations with international artists have helped bring Nigerian music to a worldwide audience.
Asake, on the other hand, has quickly risen to become one of Nigeria’s most exciting acts, known for his energetic delivery and street-to-mainstream appeal. With hits like Omo Ope and MMS, Asake has solidified his position as a rising star with a unique sound that complements Wizkid’s style.
Fan Reactions
The release of “Jogodo” has already dominated Twitter, TikTok, and Instagram, with fans sharing clips, reactions, and remixes. Some have even called it the “collaboration of the year”, highlighting the seamless synergy between the two artists.
With the EP’s release just days away, fans can expect more chart-topping singles and innovative Afrobeats sounds. “Jogodo” sets the tone for an exciting project that merges global pop sensibilities with Nigerian street energy.
The 2026 MOBO Awards nomination list has officially been revealed, spotlighting the biggest names across Black music and culture and African artists, particularly Nigerians, are once again at the center of global recognition.
Among the headline moments is Rema’s nomination for Best African Music Act, placing the Afrobeats star alongside heavyweights like Wizkid, Davido, Ayra Starr, and Tiwa Savage in one of the ceremony’s most competitive categories.
The awards ceremony is scheduled to hold later this year in Manchester, United Kingdom, continuing MOBO’s tradition of celebrating music of Black origin across the UK, Africa, the Caribbean, and the global diaspora.
Nigeria dominates the Best African Music Act nominations, reinforcing the country’s sustained influence on the global Afrobeats movement.
Best African Music Act – Nominees
Adekunle Gold (Nigeria)
Ayra Starr (Nigeria)
Davido (Nigeria)
Joshua Baraka (Uganda)
Moliy (Ghana)
Rema (Nigeria)
Shallipopi (Nigeria)
Tiwa Savage (Nigeria)
Tyla (South Africa)
Wizkid (Nigeria)
Major Categories: Full List of Nominees
Best Male Act
Central Cee
Elmiene
Jim Legxacy
Nemzzz
Odeal
Skepta
Best Female Act
FLO
kwn
Little Simz
Olivia Dean
PinkPantheress
Sasha Keable
Album of the Year
Central Cee – Can’t Rush Greatness
Ezra Collective – Dance, No One’s Watching
FLO – Access All Areas
Kojey Radical – Don’t Look Down
Little Simz – Lotus
Olivia Dean – The Art of Loving
Song of the Year
AJ Tracey ft. Jorja Smith – “Crush”
Donae’o ft. Omar, Lemar & House Gospel Choir – “Nights Like This”
Fred Again, Skepta & Plaqueboymax – “Victory Lap”
Jim Legxacy & Dave – “3X”
kwn – “Do What I Say”
Myles Smith – “Nice To Meet You”
Olivia Dean – “Man I Need”
PinkPantheress – “Illegal”
Raye – “Where Is My Husband!”
Tim Duzit – “Kat Slater”
Best Newcomer
DC3Es
DeeKid
Finessekid
Jim Legxacy
kwn
namesbliss
Nia Smith
Sekou
Skye Newman
YT
International & Diaspora Representation
Best International Act
Ayra Starr
Cardi B
Clipse
Gunna
Kehlani
Leon Thomas
Mariah The Scientist
Moliy
Tyla
Vybz Kartel
Best Caribbean Music Act
Ayetian
Lila Iké
Masicka
Shenseea
Vybz Kartel
Yung Bredda
Music Beyond Charts: Performance, Media & Production
The 2026 nominations also recognize excellence beyond music releases, with categories spanning film, television, media personalities, production, and genre-specific innovation.
Notable nominees include Damson Idris, Cynthia Erivo, Stephen Graham, Little Simz, Ezra Collective, and Inflo, highlighting MOBO’s broad cultural scope.
Nigerian Afrobeat musician Seun Kuti has sparked fresh controversy on social media after he publicly admonished fans of global pop star Wizkid, particularly members of Wizkid FC for comparing the award‑winning artist to his late father, Afrobeat pioneer Fela Anikulapo Kuti.
According to reports and the widely shared video circulating online, Seun delivered a pointed message in his video addressing what he described as an inaccurate and disrespectful narrative about Wizkid or any other artist being the “new Fela.”
“Wizkid FC needs to keep Fela’s name out of their mouth. You people try to steal the man’s image. You try to claim your fake artiste is the new Fela. It’s an insult to Fela to call Wizkid the new Fela. Wizkid FC are the most ignorant fanbase in the world.”
In recent weeks, debates have flared online around whether modern Nigerian stars like Wizkid should be celebrated in the same vein as Fela. Some fans and social media users beyond just Wizkid FC have jokingly or seriously heralded Wizkid’s success as being “on par” with Fela’s cultural legacy.
Seun’s message appears to draw a clear boundary between the politically charged Afrobeat legacy of his father and the commercial, global pop success of today’s Afrobeats artists particularly those who lean into mainstream sound and international collaborations. In calling out comparisons to Fela, Seun reiterated that Fela’s legacy was rooted in socio‑political resistance and cultural revolution, which he implies cannot be easily equated with modern pop stardom.
Seun Kuti, who has long positioned himself as a guardian of Afrobeat’s original spirit, has spoken publicly on similar themes in the past, including debates about Grammy nominations and how modern artists are compared to legacy figures.
Fela Anikulapo Kuti
Fan Reactions
The response online has been mixed and often heated:
Some social media users support Seun, praising him for defending Fela’s legacy and rejecting comparisons that feel shallow or forced.
Other fans argue that celebrating Wizkid’s achievements doesn’t diminish Fela’s impact, and that music can evolve without erasing history.
Whether fans agree with Seun or not, the viral video has reignited a significant cultural debate. It isn’t simply about fandom, it’s about how legends are remembered, how new talent is honored, and how different eras of music influence each other without losing their identity.
Fela’s legacy remains monumental. A revolutionary sound rooted in resistance. Wizkid’s success represents global Afrobeats reaching new audiences.
The Lagos State Government has confirmed enhanced transportation support for Wizkid’s upcoming “G.O.A.T: The Greatest Of All Time Experience” concert, scheduled to hold on Sunday, 28 December 2025 at Tafawa Balewa Square (TBS), Lagos. According to an official press release, the Lagos Rail Mass Transit (LRMT) Blue Line will operate a special service to manage mobility demands and ease movement for attendees.
The temporary upgrade will see the Blue Line boost its normal Sunday schedule from 22 trips to 54, with trains running at 30-minute intervals between 6:30 a.m. and 9:30 p.m. This adjustment is designed to accommodate the increased traffic expected around the concert venue and nearby Marina axis.
Concert Timeline
The “G.O.A.T Experience” concert, headlined by Wizkid, will run from: 8:00 a.m. on Sunday, 28 December 2025 to 6:00 a.m. on Monday, 29 December 2025.
With thousands of fans expected to attend, the additional rail support is intended to reduce road congestion, improve safety, and provide a more coordinated travel experience into central Lagos. The Blue Line service will return to its regular weekday schedule of 90 train trips daily starting Monday, 29 December 2025.
The Lagos Metropolitan Area Transport Authority (LAMATA) stated that the arrangement aims to keep Lagos moving efficiently during festive activities while ensuring concertgoers have a reliable alternative to road traffic.
Wizkid’s “G.O.A.T Experience” concert is already shaping up to be one of the biggest shows of 2025, and the Lagos State Government’s approval of a 54-trip Blue Line railway service signals a significant commitment to event logistics and public convenience. With extended operating hours and a scaled-up route schedule, concertgoers are expected to benefit from a safer and more organized movement system throughout the event.
Lagos witnessed a historic moment as Nigerian music superstars Davido and Wizkid both performed at the GTCO End-of-Year Party. The event, held in Lagos, became one of the biggest highlights of the 2025 Detty December celebrations and drew massive attention from fans, media, and social platforms.
The GTCO End-of-Year Party is an annual corporate event organized by Guaranty Trust Holding Company (GTCO) to celebrate the end of the year with customers, partners, and staff. Over the years, the event has grown into a major entertainment gathering, often featuring top Nigerian artists. However, this year’s edition stood out due to the presence of both Davido and Wizkid on the same stage.
The event took place in Lagos and attracted a large audience made up of music lovers, influencers, business leaders, and celebrities. Excitement was already high before the performances began, but it reached a new level when Wizkid and Davido both appeared.
Wizkid delivered a powerful performance, thrilling fans with some of his biggest hits. The crowd sang along as he performed with confidence and energy. His appearance officially signaled the start of Detty December, a period known for concerts, parties, and entertainment across Lagos.
Later in the night, Davido also took the stage and gave an equally energetic performance. Known for his strong stage presence, Davido performed several of his popular songs, keeping the audience fully engaged. Fans responded with loud cheers and excitement throughout his set.
What made the GTCO End-of-Year Party special was the fact that Davido and Wizkid both performed at the same event. The two artists are often seen as rivals by fans, even though both have contributed greatly to the global growth of Afrobeats. Seeing them perform at the same corporate event surprised many people and quickly became a trending topic online.
Videos from the event spread rapidly on social media platforms, with fans praising GTCO for bringing both stars together. Many described the moment as historic and a positive sign for the Nigerian music industry.
Forget the cliche holiday cheer. December 2025 is set to be one of the most creatively daring and commercially significant months in Nollywood history. Nigeria’s top producers and directors are delivering a powerful mix of deep social commentary, historical fantasy epics, and high-stakes political thrillers right to the cinema and your streaming devices.
Here is your detailed guide to the 10 must-watch Nigerian movies and documentaries releasing this festive season.
This Is Love (Documentary) Dec 1, 2025
Key Producer/Director: Victor Ugoo Njoku (Co-Director)
This is not your typical holiday romance. This powerful and essential documentary shines a light on the intimate lives of three LGBTQ+ Nigerian couples living and loving under the shadow of the Same-Sex Marriage Prohibition Act (SSMPA). Through warm, deeply personal interviews, the film explores their challenges, resilience, and the sheer normalcy of their romantic connections, making a subtle yet profound assertion of their existence within Nigerian society. It’s a crucial, tender piece of social-issue filmmaking.
Part of the esteemed First Features Slate Initiative, this drama stars Shalewa Ashafa as Sylvia Philips, a celebrated reality star whose meticulously constructed life collapses when her true, complicated identity is revealed. Forced to return to the childhood orphanage she tried to forget, the film explores the high cost of deceit, the journey of self-rediscovery, and what remains when the truth finally catches up.
This Is Not a Nollywood Movie (Dec 5, 2025)
Key Producer/Director: Wale Ojo (Director/Writer)
Making his directorial debut, veteran actor Wale Ojo delivers a wildly self-aware satire. The story follows Okechukwu Nwadibe (played by Ojo), a washed-up director from Nnewi who, inspired by a dream of winning an Oscar, attempts a chaotic comeback in Lagos. When he takes a shady loan from a powerful gangster, the film spirals into a dangerous, hilarious mess. Expect meta-humour and a candid, if exaggerated, look at the craziness of the industry.
Masaka Kids: A Rhythm Within (Documentary) Dec 9, 2025
This inspiring documentary focuses on the incredible Masaka Kids Africana, a group of talented children from Uganda who found global fame through their vibrant and energetic music and dance videos. It’s an uplifting, family-friendly film that captures the joy, resilience, and power of music in community. The documentary made this list because of its wide anticipation amongst Nollywood viewers.
From the undisputed “Box Office Queen,” Funke Akindele’s latest cinematic offering is a comedy-drama that peels back the curtain on the chaotic, high-pressure world of a Nollywood film set. The film captures the raw struggles, hidden experiences, and often untold stories of the crew members and actors (including an ensemble cast featuring Tobi Bakre, Iyabo Ojo, and Ini Dima-Okojie) as they navigate production mishaps, personal egos, and the fight to keep their project and their sanity intact.
A Very Dirty Christmas (Dec 16, 2025)
Key Producer/Director: Akay Mason (Director)
This film delivers on the classic holiday premise: a chaotic family gathering. When a large family comes together for the festive season, old issues resurface, long held secrets are explosively exposed, and the ‘peaceful’ celebration turns into a loud, messy, and hilarious wahala. The stellar cast includes veterans like Eucharia Anunobi and Femi Branch.
Oversabi Aunty (Dec 19, 2025)
Key Producer/Director: Toyin Abraham (Director/Producer)
Directed by and starring Toyin Abraham, this comic drama centres on Toun, a self-righteous church usher obsessed with “fixing” other people’s lives using her strong faith. Her overzealous, meddlesome advice spirals into disastrous consequences, peaking at a family wedding introduction. Toun is ultimately forced to confront the chaos her misplaced devotion has caused in a story that blends witty social commentary with relatable family dynamics.
Niyi Akinmolayan, known for his visual ambition (The Set Up, Elevator Baby), returns with a grand Fantasy/Epic Drama for Christmas Eve. The film follows a lone warrior sent on a mission to hunt down a dangerous beast unleashed by a rival clan. However, his journey reveals a much bigger hidden truth and a forbidden connection that forces him to question his loyalty and honour. Expect breathtaking cinematography and a thrilling narrative.
King of Boys 3: The Beginning of the End (Dec 25, 2025 – Christmas Day)
Key Producer/Director: Kemi Adetiba (Director)
This is arguably the most anticipated film of the year. Kemi Adetiba gifts fans of her explosive political thriller saga the next chapter on Christmas Day. Picking up the story of Eniola Salami, this installment promises to deliver the high-stakes political intrigue, gripping action, and powerful socio-political commentary that the franchise is famous for. Expect monumental performances and a truly cinematic event.
Wizkid: Long Live Lagos (Documentary) Dec 26, 2025
Key Producer/Director: Karam Gill (Director)
While it’s an HBO original set for release Dec 11, African fans will get the intimate experience on Showmax from Boxing Day. Directed by Karam Gill, this feature-length documentary follows Nigerian superstar Ayodeji “Wizkid” Balogun as he prepares for his historic performance at the Tottenham Hotspur Stadium in London. The film explores his rise from the Surulere streets of Lagos to global icon status, challenging Western media’s stereotypes and tracing the massive global shift in the perception of African music. It is a candid look at the process and persistence behind his stardom.
This diverse slate proves that Nollywood is operating at the peak of its creative and commercial power. Whether you’re seeking a fantasy escape, a deep look into social issues, or the simple joy of a star-studded comedy, December 2025 has cemented its place as a legendary month for Nigerian cinematic storytelling. Happy viewing!
All eyes are on Sarz as he gears up for the release of his new album Protect Sarz At All Costs, dropping tomorrow September 26, 2025. Widely regarded as one of Afrobeats’ most innovative producers, Sarz has taken his creativity a step further with a rollout strategy that feels more like cinema than traditional album promotion.
The project is expected to be a landmark moment for both his career and the global Afrobeats scene, blending Nigerian rhythms with international collaborations.
Tracklist and Sound Direction
The tracklist reveals Sarz’s ambition to craft a global soundtrack rather than just another Afrobeats project. Here are the confirmed features:
Grateful ft. WurlD & Ndlovu Youth Choir
Happiness ft. Asake & Gunna
Getting Paid ft. Asake, Wizkid & Skillibeng
Mademoiselle ft. Zeina, Shallipopi, Theodora & Odumodublvck
BMF ft Fireboy DML, Byron Messia
Body ft Joeboy
In A Mustang ft Qing Madi
Nice n Slow ft Wurld
Loved Me Then ft Lojay
African Barbie ft Teni, Libianca
Up ft Victony
Billions ft Lojay
A Cinematic Rollout: How Sarz Reinvented Album Promotion
Where most artists drop teasers and trailers, Sarz has opted for short films and skits to build anticipation. His rollout strategy is playful, self-aware, and layered with storytelling, making the campaign as engaging as the music itself.
Mini-Movies and Skits
A mock press conference where journalists demand answers about the album release date and features.
A group therapy scene with fans venting frustration about the wait.
A cinema parody featuring comedian Layi Wasabi, where a film villain demands Sarz’s album as the soundtrack.
These aren’t just promos, they’re part of the artistic universe Sarz is creating. By using humor, drama, and meta-commentary on the music industry itself, he has made his marketing content worth watching on its own.
Sarz has also been strategic about timing. By gradually unveiling features, artwork, and cinematic clips, he’s kept fans guessing and ensured that each reveal makes waves online.
Why This Rollout Matters for Afrobeats
Sarz is blurring the line between art and marketing. His rollout strategy elevates the album into a cultural event, positioning Afrobeats not just as music, but as storytelling with global appeal.
This approach mirrors how major international artists use cinematic universes to market albums, but it’s rare to see it executed at this scale in Nigeria. If Protect Sarz At All Costs delivers musically, it could set a new benchmark for how Afrobeats albums are launched in the digital era.
With Protect Sarz At All Costs, Sarz is not only giving fans new music but also reshaping how an album can be experienced.
As the album drops tomorrow, the real test will be whether the music matches the hype. But one thing is certain: Sarz has proven that creativity in promotion can be just as powerful as creativity in sound.
When fans attend a Wizkid concert, they don’t just go for the music, they go for the energy, the vibes, and the unforgettable moments. One of those moments, which has become a near-trademark for the Nigerian superstar, is his now-famous water-splashing ritual. Whether it’s a festival stage in Europe or an intimate Lagos crowd, Wizkid often grabs a bottle of water, showers the audience, and sends the crowd into a frenzy.
But why has this small act become such a big deal? Let’s dive in.
A Festival Highlight Turned Signature Move
The “water moment” gained major attention during Oya Festival 2023 in Oslo, Norway. In the middle of his set, performing hits like Fever, Samba, and Joro, Wizkid grabbed a water bottle and playfully sprayed the crowd. Fans screamed, phones flew in the air, and suddenly what seemed like a random act became one of the festival’s most replayed highlights online.
Clips of Wizkid splashing water circulated across Instagram, TikTok, and Twitter, with fans hailing it as peak “Big Wiz energy.”
For many fans, it’s not just water; it’s connection. In a concert world often dominated by pyrotechnics, giant screens, and choreographed dancers, Wizkid’s spontaneous gesture feels raw and personal.
Symbol of freedom: Splashing water can be said to capture the carefree, party spirit that Afrobeats represents.
A badge of experience: For fans, being in the splash zone is proof of “I was really there kinda feeling”
Online virality: Short clips of the splash moments trend easily, adding to Wizkid’s festival legacy.
And maybe, just maybe, the water is more than a playful sprinkle—it’s a baptism into the energy of Afrobeats.
Billboard has officially released its list of the 50 greatest Afrobeats songs of all time, highlighting some of the most iconic and groundbreaking tracks that have shaped the genre. Afrobeats, which has its roots in Nigeria and Ghana, has now become a global sound influencing artists worldwide. The list features a mix of legendary classics and recent international smashes that propelled the genre beyond Africa.
Spotlight on the Top 10 Afrobeats Songs of All Time
1. African Queen – 2Face Idibia (2004) This timeless love ballad remains one of the most iconic songs in African music. 2Face’s “African Queen” put Nigerian music on the global map and is celebrated as a masterpiece that helped pave the way for Afrobeats’ worldwide success.
2. Ojuelegba – Wizkid (2014) Wizkid’s “Ojuelegba” tells the story of struggle and triumph, capturing the spirit of Lagos. The remix featuring Drake and Skepta further expanded its global reach, solidifying Wizkid as one of the biggest Afrobeats stars.
3. Nwa Baby (Ashawo Remix) – Flavour (2005) Flavour’s highlife-infused anthem became a cultural staple, known for its infectious rhythm and relatable lyrics. It cemented Flavour’s place as a household name in African music.
4. Calm Down – Rema (2022) Rema’s “Calm Down” took the world by storm, especially with the Selena Gomez remix. It became one of the most streamed Afrobeats songs globally, highlighting the new wave of Nigerian artists pushing Afrobeats into the mainstream.
5. Essence – Wizkid ft. Tems (2021) Dubbed the “song of the summer,” “Essence” is the first Nigerian song to chart on the Billboard Hot 100. Tems’ soulful delivery and Wizkid’s smooth style created a masterpiece that captured hearts worldwide.
6. Love Nwantiti – CKay (2019)Initially a slow-burn hit, “Love Nwantiti” exploded through TikTok, becoming one of the most remixed and viral Afrobeats songs of all time. It solidified CKay’s place in the global music scene.
7. Oliver Twist – D’banj (2012) A song that marked Afrobeats’ breakthrough into the UK charts, D’banj’s “Oliver Twist” was a game-changer. It proved Afrobeats could thrive on the international stage.
8. Fall – Davido (2017) “Fall” became one of the longest-charting Nigerian pop songs on Billboard. Its fusion of Afrobeats and international pop influences helped Davido gain worldwide recognition.
9. Ye – Burna Boy (2018) “Ye” is widely regarded as Burna Boy’s breakthrough international hit. With its catchy hook and relatable themes, it became an anthem that transcended borders and genres.
10. Chop My Money (Remix) – P-Square ft. Akon (2012) This collaboration between Nigerian duo P-Square and Akon showcased Afrobeats’ crossover appeal. The track gained massive popularity and became a fan favorite across Africa and beyond.
Full Ranking: Positions 11–50 (with Release Dates)
11
Olufunmi
Styl-Plus
2003
12
Gongo Aso
9ice
2008
13
Do Me
P-Square
2007
14
Dami Duro
Davido
2011
15
Johnny
Yemi Alade
2013
16
Fall in Love
D’banj
2008
17
Bumper to Bumper
Wande Coal
2008
18
Adonai
Sarkodie ft. Castro
2014
19
Azonto
Fuse ODG ft. Itz Tiffany
2012
20
Fada Fada
Phyno ft. Olamide
2016
21
Eminado
Tiwa Savage & Don Jazzy
2013
22
Last Last
Burna Boy
2022
23
Bobo
Olamide
2015
24
Drogba (Joanna)
Afro B
2018
25
Pakurumo
Wizkid
2011
26
Skin Tight
Mr Eazi ft. Efya
2015
27
Iskaba
Wande Coal & DJ Tunez
2016
28
Peru
Fireboy DML
2021
29
Sad Girlz Luv Money
Amaarae & Moliy
2020
30
Killin Dem
Burna Boy & Zlatan
2018
31
Rush
Ayra Starr
2022
32
Dorobucci
Mavins
2014
33
Mad Over You
Runtown
2016
34
Personally
P-Square
2013
35
Pana
Tekno
2016
36
Kontrol
Maleek Berry
2016
37
Ku Lo Sa
Oxlade
2022
38
Monalisa
Lojay & Sarz
2021
39
Shake Body
Skales
2014
40
UNAVAILABLE
Davido ft. Musa Keys
2023
41
Peace Be Unto You
Asake
2022
42
People
Libianca
2022
43
Buga
Kizz Daniel & Tekno
2022
44
Oleku
Ice Prince ft. Brymo
2010
45
Yahooze
Olu Maintain
2007
46
Soweto
Victony & Tempoe
2022
47
Raise Da Roof
Jazzman Olofin & Adewale Ayuba
2004
48
Dem Mama
Timaya
2005
49
Tonight
Nonso Amadi
2016
50
Ijoya
Weird MC
Billboard’s list of the 50 Best Afrobeats Songs of All Time is more than a ranking—it’s a history of Afrobeats itself. From 2Face Idibia’s classic African Queen to Rema’s global smash Calm Down, it captures how a genre rooted in African rhythms has become a universal language.
The diversity of the list, spanning pioneers like Weird MC and contemporary stars like Ayra Starr and Asake, proves that Afrobeats is not only here to stay but also destined to keep evolving as one of the world’s dominant genres.
Personally I will make some few changes to this List. Will you? Drop a comment
