3 Years Later: Burna Boy’s “I Told Them…” The Album That Made History, Earned 4 Grammy Nominations & Became Another Landmark Album for Afrobeats

Three years ago, on August 25, 2023, Burna Boy released “I Told Them…”, a 15-track album that arrived at a pivotal point in the Nigerian superstar’s international rise.

Coming after the Grammy-winning Twice As Tall and the commercially successful Love, Damini, the project was positioned as another statement from an artist increasingly comfortable moving between Afrobeats, hip-hop, R&B and global pop.

Three years later, I Told Them… stands as one of the defining albums of Burna Boy’s career, producing major chart records, Grammy recognition, international hits and a blockbuster touring era.

I Told Them… featured 15 songs, including “I Told Them,” “Normal,” “On Form,” “Sittin’ on Top of the World,” “Tested, Approved & Trusted,” “Cheat on Me,” “Virgil,” “Big 7,” “Dey Play,” “City Boys,” “Giza,” “Jewels,” “If I’m Lying,” “Thanks” and “Talibans II.”

The album also brought together an impressive collection of international and African collaborators, including 21 Savage, Dave, J. Cole, Seyi Vibez and Byron Messia, while hip-hop legends RZA and GZA were also connected to the project’s creative world. 

Songs such as “City Boys,” “Sittin’ on Top of the World” and “Cheat on Me” became some of the era’s biggest records, while “Big 7” and “On Form” helped reinforce the confident, larger than life persona that has become synonymous with Burna Boy.

One of the album’s biggest achievements came almost immediately after its release.

https://twitter.com/streamdorm/status/2092030312263917640?s=46

I Told Them… debuted at No. 1 on the UK Albums Chart, making Burna Boy the first-ever international Afrobeats artist to achieve a UK No. 1 album

The achievement was particularly significant because it represented a steady progression in Burna’s UK chart history.

His previous albums had peaked at:

  • African GiantNo. 16
  • Twice As TallNo. 11
  • Love, DaminiNo. 2
  • I Told Them…No. 1

Official Charts records I Told Them… with one week at No. 1 and 16 weeks on the UK Albums Chart. 

The album also reached No. 1 on the UK Albums Streaming Chart, further demonstrating the strength of its streaming audience in the market. 

The project also made an impact in the United States.

I Told Them… debuted at No. 31 on the Billboard 200, giving Burna Boy another Top 40 appearance on the US albums chart. 

The album remained on the Billboard 200 in the weeks following its debut, reflecting the growing ability of Afrobeats projects to compete within the wider American music market.

Perhaps the most significant recognition from the I Told Them… era came at the 66th Annual Grammy Awards.

The album and its songs earned Burna Boy four Grammy nominations, making it a career-high at the time. 

The nominations were:

  • Best Global Music AlbumI Told Them…
  • Best Global Music Performance — “Alone”
  • Best Melodic Rap Performance — “Sittin’ on Top of the World” featuring 21 Savage
  • Best African Music Performance — “City Boys”

“City Boys” was particularly historic because it was nominated in the inaugural Best African Music Performance category at the Grammys. 

The nominations also demonstrated the album’s versatility. Burna was being recognized not only within the global music category but also in a rap category and the newly introduced African music category.

At the ceremony, Burna Boy further brought the I Told Them… era to the Grammy stage, performing “City Boys” and “Sittin’ on Top of the World,” with 21 Savage and Brandy joining him for the latter. 

The album’s most prominent crossover moment came through “Sittin’ on Top of the World,” Burna Boy’s collaboration with 21 Savage built around Brandy’s classic “Top of the World.”

The song represented a different side of Burna’s sound, leaning further into hip-hop and R&B while maintaining his own musical identity.

Its Grammy nomination for Best Melodic Rap Performance placed Burna Boy alongside major American rap stars and further illustrated the increasingly blurred boundaries between Afrobeats and mainstream US music. 

If “Sittin’ on Top of the World” represented Burna’s crossover ambitions, “City Boys” represented his unapologetic confidence.

The song became one of the defining records of the I Told Them… era and earned a nomination for Best African Music Performance at the 2024 Grammys. 

Its inclusion in Burna Boy’s Grammy performance also gave the song another major global platform.

The I Told Them… era extended well beyond streaming and charts.

The accompanying “I Told Them…” Tour eventually became one of the biggest touring runs ever recorded for an African artist.

According to Touring Data figures reported by Billionaires.Africa, the tour generated $30.46 million from 302,801 tickets across 22 reported shows

One of its biggest moments came at London Stadium on June 29, 2024, where Burna Boy reportedly grossed $6.15 million from 58,973 tickets.

The touring numbers are particularly important because they show that I Told Them… was not simply a successful streaming project. It translated into significant demand for Burna Boy as a live performer across North America and Europe.

The significance of I Told Them… becomes even clearer when viewed alongside Burna Boy’s previous projects.

His UK album progression went from No. 16 with African Giant to No. 11 with Twice As Tall, then No. 2 with Love, Damini before I Told Them… finally reached No 1. 

Three years on, I Told Them… feels less like an isolated successful album and more like another chapter in Burna Boy’s transformation into a global superstar.

Drake Becomes First Artist With Three Albums Spending 10 Years on Billboard 200

Global music superstar Drake has made history after becoming the first artist ever to have three albums spend at least 10 years on the Billboard 200 chart.

The record breaking albums include Take Care, Nothing Was the Same, and Views, all of which have now surpassed the 520-week mark on the prestigious chart. 

According to chart tracking reports, Drake surpassed the previous milestone held by legendary pop icon Michael Jackson after Views officially crossed the 10-year charting milestone. The Billboard 200 ranks the most popular albums in the United States based on sales, streaming activity, and track-equivalent albums.

Released in 2011, Take Care is widely regarded as one of Drake’s most important projects, helping redefine contemporary hip-hop and R&B with its emotional storytelling and atmospheric production. The album earned critical acclaim and featured hit songs such as “Marvins Room” and “Headlines.”

His 2013 album “Nothing Was the Same” further elevated his global dominance, delivering fan-favorite tracks like “Started From the Bottom” and “Hold On, We’re Going Home.” The project is often considered one of the strongest albums in Drake’s catalog.

Meanwhile, Views, released in 2016, became a streaming powerhouse and produced worldwide hits including “One Dance,” “Hotline Bling,” and “Controlla.” The album spent multiple weeks at No. 1 on the Billboard 200 and remains one of the defining projects of the streaming generation.

Drake’s consistency, streaming dominance, and loyal fanbase is something to be celebrated. Over the years, the Canadian rapper has continued to break several Billboard records, including most Hot 100 entries and most top 10 hits by any artist.

The latest achievement adds yet another milestone to Drake’s already historic career.

Omah Lay’s Clarity of Mind First Week Debut Run at No. 1 on Nigeria’s Apple Music Albums Chart

Nigerian singer-songwriter Omah Lay has secured another major milestone as his latest project, Clarity of Mind, claims the No. 1 spot on the Nigeria Apple Music Top Albums chart, where it has now spent its first full week on the chart.

The run marks a strong opening run for the project, reinforcing Omah Lay’s position as one of the most consistent hitmakers in Afrobeats’ current generation. Known for his introspective songwriting and emotionally layered delivery, the artist leans further into vulnerability on Clarity of Mind, a direction that appears to be resonating deeply with listeners across the country.

Since its release, the album has generated steady streaming momentum, fueled by fan engagement, repeat listens, and widespread conversation on social media. While Omah Lay has built a reputation for crafting moody, reflective records, Clarity of Mind feels particularly intentional. 

This No. 1 debut also reflects the growing influence of streaming platforms like Apple Music in shaping Nigeria’s music consumption landscape. Landing atop the chart, even for a week, signals both commercial strength and cultural relevance.

For an artist who broke into mainstream consciousness with emotionally charged records and has steadily refined his sound since, this moment feels less like a surprise and more like a continuation. As the weeks unfold, attention will now shift to the album’s staying power, whether it can maintain its position or spark standout records that extend its chart dominance. 

Omah Lay Releases Tracklist for Upcoming Album Clarity of Mind

Nigerian singer and Afrobeats star Omah Lay has revealed the official tracklist for his forthcoming project, Clarity of Mind. The 12-track project features a mix of introspective, spiritual, and emotionally driven songs. The album is scheduled for release on April 15, 2026.

Tracklist:

Artificial Happiness
Jah Jah Knows
Canada Breeze
Water Spirit
Don’t Love Me
Coping Mechanism (feat. Elmah)
Julia
Waist
Mary Go Round
I Am
Holy Ghost
Amen

The project includes a single collaboration, with Elmah featuring on Coping Mechanism.

Several tracks from the project have already been released as singles, generating strong engagement ahead of the album’s release. Holy Ghost, released in 2024, became a major streaming hit, peaking at number two on the Official Afrobeats Chart and maintaining a presence on charts for multiple weeks. Waist has received consistent streaming activity and radio rotations in Nigeria and across African platforms, while Don’t Love Me, the most recent single, has gained traction on streaming platforms and social media, fueling discussions around its emotional and lyrical content. These pre-released singles have helped maintain momentum for the album and built anticipation.

Káshìmaawòó — Laycon Delivers a 10 Track Project With Introspective Themes

The release of Káshìmaawòó by Laycon, hasn’t felt like just another drop from the Nigerian Singer and Rapper. It felt more intentional.

After years of navigating fame and artistic identity since his breakout moment, this project comes across as something deeper. 

Laycon first gained national recognition after winning Big Brother Naija Season 5 in 2020.

Entering the show as a relatively unknown rapper, he quickly stood out for his intelligence, relatability, and background. His strong connection with viewers earned him a decisive victory, securing 60% of the final votes and the ₦85 million grand prize.

Following his win, he built on that visibility with projects like Shall We Begin and Bioba, establishing himself as a recording artist with a consistent, message-driven approach.

Káshìmaawòó is a 10-track project that blends hip-hop with Afro-fusion elements, maintaining a steady, mid-tempo sound across its runtime.

Lyrically, the project centers on themes of personal growth, self-awareness, relationships, and everyday experiences. Tracks like “Acceptance” and “Full Circle” lean into introspection, while “Everyday Anthem” and “Oyoyo” introduce lighter, more rhythmic moments.

Official Káshìmaawòó Tracklist

Prelude
Reason (feat. Tytanium)
Oyoyo (feat. Mayolee)
Night and Day (feat. Joeboy & Tytanium)
Full Circle (feat. Tytanium)
Like Father, Like Son (feat. Mayolee)
His and Hers (feat. Fimi)
Acceptance
Everyday Anthem
Àṣẹ (feat. Mayolee)

Káshìmaawòó brings together a mix of vocal features and production contributions that shape the project’s overall sound.

Joeboy appears on “Night and Day,” adding his signature melodic style. Known for his blend of Afropop and R&B, his contribution introduces a smoother, more accessible layer to the project.

Tytanium plays a key role behind the scenes, producing multiple tracks including “Reason,” “Night and Day,” and “Full Circle.” His recurring presence helps maintain sonic consistency across the project.

Mayolee contributes both as a featured artist and producer, working on tracks such as “Oyoyo,” “Like Father, Like Son,” and “Àṣẹ,” where he adds melodic and production depth.

Fimi appears on “His and Hers,” contributing to one of the project’s collaborative moments and representing a newer voice within the lineup.

The project maintains a clear structure, with concise tracks and a steady progression from start to finish.

Within the Nigerian music landscape, where sonic experimentation and global crossover sounds are increasingly dominant, Káshìmaawòó takes a more restrained approach.

The project leans into narrative and expression, aligning with a style of artistry that emphasizes storytelling alongside sound.

Harry Styles’ Kiss All the Time. Disco, Occasionally. Spends Second Week at No. 1 on Billboard 200

Harry Styles continues his lead run on the charts as his latest album, Kiss All the Time. Disco, Occasionally., secures a second consecutive week at No. 1 on the Billboard 200.

Released on March 6, 2026, the project moved 99,000 equivalent album units in its second week, maintaining the top position after a massive opening performance.

The album launched with over 400,000 units in its first week, marking one of the biggest debuts of 2026. The follow-up total of 99K represents a typical second-week drop for a major release but remains strong enough to still hold the lead. 

With this achievement, Kiss All the Time. Disco, Occasionally. becomes Harry Styles’ fourth consecutive No. 1 album in the United States. This consistency places him among a select group of artists who have maintained a flawless streak at the top of the Billboard 200 in recent years.

Harry Styles is an English singer, songwriter, and actor who first rose to global fame as a member of the boy band One Direction. Following the group’s breakout, he launched a solo career that has been defined by artistic evolution and commercial success.

His previous albums including Harry Styles (2017), Fine Line (2019), and Harry’s House (2022), have all debuted at No. 1 in multiple countries, producing global hits and earning critical acclaim. Known for blending pop, rock, and retro influences, Harry Styles has established himself as one of the most influential artists of his generation.

Fireboy DML’s Playboy Album Hits 1 Billion Streams on Spotify

Fireboy DML has reached another career defining milestone, as his third studio album Playboy officially surpasses 1 billion streams on Spotify.

Released in 2022, Playboy represented a shift, a more assured, internationally aware version of Fireboy, without losing the melodic identity that first set him apart. It was an album built on intention.

Standout tracks like “Bandana” featuring Asake and the global hit “Peru” boosted further by its remix with Ed Sheeran, played a central role in the album’s worldwide reach. But beyond the hits, Playboy has thrived on consistency, with multiple tracks contributing to its steady rise in streams.

Now, it joins one of the most exclusive benchmarks in Nigerian music today.

Nigerian Projects With Over 1 Billion Spotify Streams

The billion-stream mark has increasingly become a measure of global impact for Nigerian artists. With Playboy crossing that threshold, it now sits alongside some of the most successful Afrobeats projects of the streaming era:

Rave & Roses (Ultra) — 3.26B (Rema)
Love, Damini — 1.59B (Burna Boy)
The Year I Turned 21 — 1.3B (Ayra Starr)
Boy Alone (Deluxe) — 1.3B (Omah Lay)
African Giant — 1.24B (Burna Boy)
Made in Lagos (Deluxe) — 1.16B (Wizkid)
CKay The First (EP) — 1.04B (CKay)

Unlike projects driven purely by viral moments, Playboy success has been gradual and sustained. More broadly, the growing number of Nigerian projects hitting this mark underscores a larger shift which is becoming a norm in the Nigerian music industry. 

Two Quran Audio Albums Chart in Nigeria Apple Music Top 40 for the First Time

For the first time ever, two full Qur’an recitation albums are currently charting on the Nigeria Apple Music Top 40 Albums chart, marking a rare moment where spiritual audio sits alongside mainstream music releases.

According to the latest Nigeria rankings on Apple Music, the following albums are charting:

At #22 — The Holy Quran by Saad El Ghamidi

At #33 — The Holy Quran (Complete) by Abdul Rahman Al-Sudais

Both projects are complete audio recitations of the Qur’an in Arabic and have been available on streaming platforms for years. However, this is the first recorded instance of two Qur’an recitation albums simultaneously appearing within Nigeria’s Top 40 Albums chart; a space typically dominated by Afrobeats, hip-hop, gospel, and international pop releases.

Saad El Ghamidi and Abdul Rahman Al-Sudais are among the most recognized Qur’an reciters globally. Their recordings are widely streamed during religious seasons such as Ramadan and other spiritually significant periods, often seeing noticeable spikes in listenership.

The development highlights how streaming platforms are increasingly reflecting not just entertainment trends, but also faith-based and devotional listening habits among Nigerian users.

While Apple Music’s charts update regularly and positions may shift, the current appearance of both albums in the Top 40 signals strong demand for religious audio content on mainstream music platforms especially in this Ramadan season. 

If sustained, this could mark a notable moment in Nigeria’s digital listening culture;  where devotion is charting alongside pop.

Beautiful Nubia Accuses Yinka Ayefele and BBO of Allegedly Stealing “Seven Lifes” Melody

Veteran Nigerian folk musician Beautiful Nubia (Segun Akinlolu) has publicly accused prominent gospel artists Yinka Ayefele and BBO of lifting the melody of his 2001 classic track “Seven Lifes” without credit.

In a post on X on February 19, 2026, the Roots Renaissance Band founder wrote:

There was Yinka Ayefele with ‘My Faith in God (Igbagbo Ireti)’ in 2012 and now someone called BBO with ‘Amin’ this year. Both stole their melodies from our original song ‘Seven Lifes’. When will Nigerians (especially the so-called gospel musicians) learn to respect copyright?

Screenshot

The post quickly went viral, drawing hundreds of likes, reposts, and dozens of comments in a matter of hours.

“Seven Lifes”, released on the album What a Feeling! in the early 2000s, is one of Beautiful Nubia’s most enduring works. The song blends Yoruba lyrics with rich instrumentation and philosophical undertones, celebrating African resilience, survival, and spiritual strength. Its folk-infused style has influenced generations of Nigerian musicians.

The current controversy focuses on two gospel tracks. Yinka Ayefele’s “Igbagbo Ireti” (My Faith in God, 2012) has long drawn attention for melodic similarities to “Seven Lifes,” with many describing it as a gospel reinterpretation of Nubia’s classic. The more recent BBO release, “Amin” (2026), sparked Nubia’s public statement. X users highlighted what they called a “glaring” resemblance, with some joking that they could almost sing Nubia’s lyrics over BBO’s track. Streaming algorithms even queue the two songs together in certain searches, amplifying the perceived connection.

Fans on X have rallied behind Beautiful Nubia, expressing frustration over uncredited borrowing in Nigerian music. Many urged legal action, praising Nubia as a legend whose work should not be disrespected. Others referenced Ayefele’s past controversies, including alleged heavy sampling of late highlife legend Orlando Owoh across an entire album. A minority of commenters argued that the similarities are exaggerated or fall under artistic inspiration, noting that musical ideas are often recycled.

This incident underscores ongoing challenges in Nigeria’s music industry, including weak protection for older compositions, the fine line between homage, interpolation, sampling, and plagiarism; especially in gospel music borrowing folk melodies and social media’s growing role in giving veteran artists a direct platform to call out perceived theft.

Ironically, “Seven Lifes” is now experiencing renewed attention in 2026, thanks to the tracks accused of borrowing from it. Whether this dispute leads to legal action, public apologies, or sparks broader industry reform remains to be seen.

J. Cole Drops New Album “The Fall-Off” — Full Tracklist & Global Features 

American rapper J. Cole has officially released his highly anticipated seventh studio album, The Fall-Off, on February 6, 2026. The project arrives as a double album and marks one of the biggest moments in his career, blending introspection, legacy-driven storytelling, and significant international collaborations. 

The Fall-Off is distributed through Dreamville and Interscope Records, with executive production credits including J. Cole himself, Ibrahim Hamad, and T-Minus. The album spans 24 tracks split across two discs, each reflecting a different chapter in Cole’s life and journey as an artist. 

On The Fall-Off, Cole incorporates a range of guest vocals that broaden his sound and global reach. Confirmed featured artists include:

  • Tems: Nigerian singer-songwriter known for her emotive voice and worldwide collaborations.
  • Burna Boy: Nigerian Afro-fusion star blending Afrobeat rhythms with global music.
  • Future: American rapper featured with vocal contributions.
  • Erykah Badu: Legendary American neo-soul artist.

Album Structure: Double Disc Explained

J. Cole designed The Fall-Off as two distinct parts:

  • Disc 29 – Reflects Cole’s mindset around age 29, tracing his early rise in hip-hop.
  • Disc 39 – Offers insight into his thoughts at age 39, showcasing growth, reflection, and maturity.

This structure frames the album as a musical autobiography, connecting his past with where he stands today. 

Full Tracklist

DISC 29

  1. 29 Intro
  2. Two Six
  3. SAFETY
  4. Run a Train
  5. Poor Thang
  6. Legacy
  7. Bunce Road Blues
  8. WHO TF IZ U
  9. Drum n Bass
  10. The Let Out
  11. Bombs in the Ville / Hit the Gas
  12. Lonely at the Top (Bonus) 

DISC 39

  1. 39 Intro
  2. The Fall-Off Is Inevitable
  3. The Villest
  4. Old Dog
  5. Life Sentence
  6. Only You
  7. Man Up Above
  8. I Love Her Again
  9. What If
  10. Quik Stop
  11. and the whole world is the Ville
  12. Ocean Way (Bonus) 

At the time of release, streaming platforms and social media reacted strongly to The Fall-Off. Fans praised the lyrical depth of the new songs and the blend of voices, especially the contributions from Tems and Burna Boy which many see as a positive step in the crossover between American hip-hop and African music.

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