Calling Superman nostalgic will be a hyperbole, but it is. James Gunn’s ‘Superman’ takes me back to the days when I woke up at 3 in the morning to watch cartoons without my parents’ knowledge (I’m pretty sure my mum was aware), the days when everything seemed bright in the world, and the days that made me fall in love with superheroes and comics.
James Gunn’s Superman is meant to remind us of why we fell in love with the character and comics as a whole, but did it achieve its job?
In the plethora of points made by the ever-divided fandom of DC, a standout point of argument is that “Man of Steel” is too dark. For the general audience, this means nothing; movies are movies. Why should a parent who has worked all month take their precious money to see this movie?
The creatives and execs at the time of DCEU left a big dent in the DC brand, and with James Gunn steering the ship, will everything be bright and beautiful? Can this DCU rival the already falling MCU? Time will tell.
Movie Overview
Superman follows Clark Kent/Superman, who must reconcile his Kryptonian heritage with his human upbringing while saving the world from a self-centered billionaire with a saviour complex, determined to destroy him both emotionally and literally.
While the movie has a nod to today’s world, I will argue that this is a classic case of life imitating art. From tone to action and dialogue, this is a movie that raises the question, “What does being good in today’s world look like?”
The Positives
Think of the first time you opened a comic book, or the first animation you watched as a kid… In rare cases, your introduction to that world is an origin story. James Gunn has said this on multiple occasions: this is not an origin story; expect to be dropped right in the middle.
The concerns of many, rightfully so, will be the amount of jokes in this movie and to my surprise, it’s way less than you will expect.
James Gunn managed to create a film with heartfelt moments without his jokes, which may come off as corny to some. The funniest jokes are those in real situations that everyday people can relate to. Some jokes sadly did not stick, and some could be felt a mile away, but the funniest of them is a surprise cameo.
With past iterations trying to drag and showcase Superman’s power set, this movie is about who he is or, at the very least, believes himself to be at the core. Questions like, should those with too much power oppress or intervene? Superman ignorantly believes in the good of humanity.
The casting of this movie is arguably the best casting of all iterations of Superman. Every cast did 150% with what they had. More on our YouTube:
Neutral Point
Despite being the coal to the Orient Express, the score was all over the place. The nostalgia in the John Williams theme was useful in some parts of the movie, but in most places, it felt over the top.
The flying scenes were a choice, but the action mid-flight was beautiful.
Negative Point
Despite how “comic booky” this movie is, the number of characters could use more screen time, especially a female superhero. Each tertiary character tried to shine, but with such great talent, you forget this is a Superman movie.
To compensate for not being an origin story, James Gunn found the worst way to make the audience understand why things are the way they are. I don’t think there is a reason why actual people will have to explain, without being asked, why you only wear a gold chain. This movie found a way to make callbacks annoying. What’s worse is there’s nothing to call back to.
Conclusion
Superman delivers on its promises: a great movie experience that poses the question, “What does it mean to be good?” This is a great start to the vision of the DCU, but will it end up like the old DC and new Marvel?
In K.O., director Antoine Blossier delivers a tense, emotionally layered thriller that strikes with quite an intensity and moral complexity. Set in the undercurrent of Paris’s fight scene, the film explores the collision between violence, guilt, and the human desire for redemption. At the center of the story is Bastien Durand, a once-promising MMA fighter whose career and conscience shatter when he accidentally kills an opponent during a sanctioned bout. Wracked with guilt and shunned by the world that once celebrated him, Bastien disappears from public life, retreating into isolation. But his past refuses to stay buried. K.O. is not about the glory of combat but the emotional wreckage it leaves behind. Blossier steers the film away from traditional fight drama clichés, focusing instead on psychological tension, intimate character dynamics, and the thin line between justice and forgiveness. K.O. examines themes of atonement, the ripple effect of loss, and the fragile hope that even broken people can heal. It’s a gripping, morally complex story where the greatest battle isn’t fought in a ring but within.
Movie Summary
The movie begins in an MMA Stage fight between two figter and in the hit of the moment one of the fighters (Bastien) kills the other while trying to escape from his grapple hook. He visits the opponents wake-keeping to pay his respect but he is sent away by the son and wife of the deceased.
Two years after, an incident occurs in an old factory where a gang killing by drug dealers happens. The son of the late fighter (Leo) is now a drug dealer and also an informant to a police officer (Alaoui) and he is a witness to the killing that occured at the factory. The gang well feared in Marseille even by the Police force now wants him dead so his mother runs to Bastien for help with her son whose life is in danger.
Bastien full of grieve and regrets of what had happened two years ago, quits fighting and resolve to living in isolation but now he must atone for his sins by saving the life of the son of the man he murdered. Getting to Marseille he meets with Alaoui who is also looking for Leo and their parts cross when he goes to the apartment of Leo’s cousin where the mother believed he was living.
They team up together to look for Leo after she was suspended from the Police force after fighting the security at a club where they went to get information about Leo’s whereabout. Bastien and Alaoui end up having a moment together and there after Leo is rescued from his hideout from the grip of the Manchours gang.
He is taken safely to the police station for statement but unknown to them there is a mole in the police station and they are attacked at the station.
Review: K.O. (2025) – A Quiet Thriller That Hits Where It Hurts
If you’re expecting a fast-paced fight movie filled with punches and cheers, K.O. will surprise you and in the best way possible. Directed by Antoine Blossier, this French thriller takes a very different route. It’s not about the fight in the ring; it’s about what happens after.
The movie is quiet and intense. There are a few violent moments, but they feel real and necessary not flashy but also begs of the question of what could have been. In regular films we see instances where common sense is required but if you are watching a film, most especially an action film and you try to apply your common sense to all the scenes then you will end up not enjoying the film.
There are some places you might have expected some things to be done differently but for the fun of the film it is done in the way it is. For example some of the mobs using cutlass and knifes to fight Bastien when they all have access to guns, (if they used guns and he used his bare hands then the movie will sure end sooner than it should be).
Commenting on the guilt and forgiveness part in the movie I understand from research that there are unspoken understanding between fighters on the dangers of the game and in some cases like UFC, Bellator, and PFL, fighters usually typically sign contracts and waivers acknowledging the risks of injury or death.
So my thoughts are that Bastien felt guilty because he wanted to and later on we found out that he had a similar childhood like Leo, his father was killed so he felt guilty that he was exposing someone else to such a world over again but aside that in its self he owed nothing to Leo and his mother for an accident that occured between both fighters, I know this would sound harsh and heartless but its just a movie and the story line I agree should have taken this turn for the purpose of everything that later happened.
The real focus is on the characters, their emotions, and how they try to make sense of a situation with no easy answers. What makes K.O. special is how real it feels. It doesn’t rush. It doesn’t pretend everything will be okay. It just shows two people trying to make peace with the past, while doing what they can in the present.
To calm the tension of the action packed film, like every other regular action movies Blossier creates a scene of romance and intimacy which was introduced between Bastien and Alaoui which to some like myself would say it’s unnecessary because they had just met and didn’t even know one another that well yet but the very first chance they get to be alone together they already end up having sex. The fighting scenes are well done to their standard and looks somewhat real though there are some places that could have been improved upon most especially in the last battle inside the Police station.
If you are someone who is used to watching films with subtitles and loves action packed movies then K.O. should be on your watch list though its original language is in French, with subtitle it is well understandable. I mean that is if you do not speak or understand French.
It’s been 20 years since Aang was discovered, the destined Avatar who was tasked to unite the four nations. Seven years later, it was Korra’s story, and now, 13 years later, that universe, which raised a generation, is getting another addition.
Nickelodeon has called on the original creators, Michael DiMartino and Bryan Konietzko, to release another chapter to the Avatar Universe.
The new show will be ‘Avatar: Seven Havens,‘ a 26-episode, 2D animation currently in the works. Each season (aka books in Avatar) will be 13 episodes each produced by Avatar Studios. Other information like casting and premiere date is yet to be revealed.
“When we created the original series, we never imagined we’d still be expanding the world decades later,” DiMartino and Konietzko said in a joint statement. “This new incarnation of the Avatarverse is full of fantasy, mystery, and a whole new cast of amazing characters. Get ready to take another epic and emotional adventure!”
The Netflix live-action show ‘Avatar: The Last Airbender’ is expected to run for two more seasons. The show’s original creators, DiMartino and Konietzko, were originally expected to develop the show for Netflix, but that fell through due to creative differences.
In 2021, they returned to Nickelodeon to run Avatar Studios as co-chief creative officers and help build Avatarverse across film and TV.
A feature film for TheLast Airbender focusing on the original series’ main character, Aang, is set for release in January 2026, starring Dave Bautista, Dionne Quan, Jessica Matten, Román Zaragoza, and Eric Nam.
There has been a lot of clamouring and anticipation about the new release of MCU’s new superhero movie “Fantastic Four: First Step with its official trailer release on 4th of February and coming to theaters on July 25. Lets’ take a look at the evolution of the superhero movie and its rerun over the years.
Marvel’s First Family, the Fantastic Four, has had a fascinating yet turbulent history in Hollywood. Spanning two decades, multiple reruns, and now an eagerly anticipated entry into the Marvel Cinematic Universe (MCU), their journey reflects both the challenges and success of adapting iconic comic book characters for the big screen. From their 2005 debut to the highly anticipated 2025 MCU rerun.
2005: The Fantastic Four
The Fantastic Four made their blockbuster debut in 2005 with 20th Century Fox’s Fantastic Four, directed by Tim Story. The film introduced audiences to IoanGruffudd as Reed Richards (Mr. Fantastic), Jessica Alba as Sue Storm (Invisible Woman), Chris Evans as Johnny Storm (Human Torch), and Michael Chiklis as Ben Grimm (The Thing).
While the movie didn’t receive widespread critical acclaim, it was a commercial success, grossing around $330 million globally. The film’s lighter tone and focus on family dynamics resonated with many viewers, though it faced criticism for its simplistic plot and underdeveloped villain, Doctor Doom. This success led to a sequel, Fantastic Four: Rise of the Silver Surfer (2007), which expanded the universe by introducing the enigmatic Silver Surfer.
However, despite its intriguing cosmic elements, the sequel received low reviews and struggled to elevate the franchise’s status. Plans for a third film and a potential Silver Surfer spin-off were eventually abandoned due to declining interest and box office performance.
2015: Fantastic Four
In 2015, Fox attempted to reinvent the franchise with a darker, more grounded reboot simply titled Fantastic Four, directed by Josh Trank. This version featured a younger cast, including Miles Teller as Reed Richards, Kate Mara as Sue Storm, Michael B. Jordan as Johnny Storm, and Jamie Bell as Ben Grimm.
The film shifted significantly from its predecessors, aiming for a more serious, science-fiction-driven narrative. Unfortunately, this new direction failed to resonate with both critics and audiences. Faced by behind-the-scenes issues, reshoots, and creative conflicts, the film struggled to find its identity.
It was criticized for its poor storytelling, uneven pacing, and underwhelming character development. Despite the promising cast, Fantastic Four (2015) became a box office disappointment, further discouraging any plans for any sequels in the future.
2025: The Fantastic Four: First Steps
The future of the Fantastic Four took a dramatic turn when Disney acquired 21st Century Fox in 2019, bringing the beloved characters under the Marvel Studios umbrella. This development opened the door for the team to finally join the MCU, sparking excitement among fans eager to see them interact with iconic heroes like Spider-Man, Doctor Strange, and the Avengers.
Marvel Studios officially announced the MCU’s Fantastic Four rerun, now titled “Fantastic Four: First Steps,” set for release on July 25, 2025. Directed by Matt Shakman, known for his work on “WandaVision”, the film promises a new take on the superhero team, blending their classic roots with the expansive MCU narrative.
The new cast includes:
Pedro Pascal as Reed Richards (Mr. Fantastic)
Vanessa Kirby as Sue Storm (Invisible Woman)
Joseph Quinn as Johnny Storm (Human Torch)
Ebon Moss-Bachrach as Ben Grimm (The Thing)
Unlike previous adaptations, First Steps will transport the Fantastic Four into a retro-futuristic version of the 1960s, a creative decision that aims to honour the era in which the characters were originally introduced in the comics. This unique setting, combined with Marvel’s signature storytelling style, is expected to breathe new life into the franchise.
The Fantastic Four’s cinematic journey has been anything but straightforward. From the average, family-friendly vibes of the 2005 films to the darker, experimental tone of the 2015 reboot, and now their long-awaited arrival in the MCU, the team has undergone numerous transformations in pursuit of capturing the magic that made them comic book legends.
As Marvel Studios prepares to introduce The Fantastic Four: First Steps to the world, hopes are high that this version will finally deliver the definitive portrayal fans have been waiting for since 2005.
Blending rich character development, cosmic adventures, and connections to the broader MCU, the 2025 film represents not just another reboot, but a new beginning for Marvel’s First Family.
The Super Bowl is the annual championship game of the National Football League (NFL), pitting the best teams from the American Football Conference (AFC) and the National Football Conference (NFC) against each other. It’s the culmination of a thrilling playoff season, with the winner taking home the coveted Vince Lombardi Trophy. At the games some top anticipated movies will release their trailers. List of movie trailers to be released at the Super Bowl are:
Captain America: Brave New World
The Anthony Mackie and Harrison Ford-led blockbuster is likely to get it’s trailer released on 9th, considering its release date is just five days after the Super Bowl.
Captain America: Brave New World is an upcoming American superhero film based on the Marvel Comics character Sam Wilson, aka Captain America. The movie is directed by Julius Onah and written by Malcolm Spellman and Dalan Musson.
The film takes place after the events of The Falcon and the Winter Soldier series and follows Sam Wilson (Anthony Mackie) as he navigates his new role as Captain America. The story explores the challenges Sam faces as a Black man wielding the shield and the weight of responsibility that comes with it.
Harrison Ford joins the cast as Thaddeus “Thunderbolt” Ross, a character with a complex history in the Marvel Cinematic Universe. The movie promises to delve into themes of identity, power, and what it means to be a hero.
Jurassic World Rebirth
Universal Pictures is reportedly planning to offer a first look at the movie during the game on February 9th.
Jurassic World Rebirth is an upcoming American science fiction adventure film directed by Colin Trevorrow and written by Trevorrow and Emily Carmichael. The movie marks the sixth installment in the Jurassic Park franchise and serves as a sequel to Jurassic World Dominion.
The story takes place four years after the events of the previous film and follows a new generation of characters as they navigate a world where dinosaurs and humans coexist. The movie promises to explore the consequences of playing with nature and the ethics of genetic engineering.
With a talented cast, including Chris Pratt, Bryce Dallas Howard, and Laura Dern, Jurassic World Rebirth promises to deliver an epic and thrilling adventure that will take audiences on a journey back to the world of Jurassic Park.
Mission: Impossible – The Final Reckoning
A new teaser for the Tom Cruise-starrer is expected on February 9th at the game, especially after the commercial failure of its predecessor.
Mission: Impossible – The Final Reckoning is an upcoming American action spy film directed by Christopher McQuarrie and written by McQuarrie and Erik Jendresen.
The movie marks the eighth installment in the Mission: Impossible franchise and promises to be the most epic and action-packed chapter yet. Tom Cruise reprises his role as Ethan Hunt, who must face off against his most formidable foe yet: a rogue agent with a personal vendetta against him.
The film promises to deliver heart-stopping stunts, intricate plot twists, and high-octane action sequences, as Ethan Hunt and his team navigate a complex web of espionage and deception. With Cruise performing many of his own stunts and a talented supporting cast, Mission: Impossible – The Final Reckoning is shaping up to be an unforgettable cinematic experience.
The Fantastic Four: First Steps
Although not confirmed, there’s a possibility that the first official teaser for the Marvel movie might drop during the Super Bowl.
Fantastic Four: First Steps is an upcoming American superhero film directed by WandaVision’s Matt Shakman and written by Jeff Kaplan and Ian Springer. The movie serves as a reboot of the Fantastic Four franchise and stars Miles Teller as Reed Richards (Mr. Fantastic), Emma Stone as Sue Storm (Invisible Woman), Michael B. Jordan as Johnny Storm (Human Torch), and Adam Driver as Ben Grimm (The Thing).
The story follows the origin of the Fantastic Four, a team of superheroes who gain their powers after being exposed to a strange energy source during a scientific expedition. As they learn to control their new abilities, they must also confront the villainous Doctor Doom, who seeks to exploit their powers for his own evil purposes.
With its talented cast, engaging storyline, and stunning visual effects, Fantastic Four: First Steps promises to be an exciting and action-packed adventure that will introduce the beloved superhero team to a new generation of fans.
Thunderbolts
Marvel Studios might showcase a new trailer for the ensemble movie, but it’s unclear if it’ll make the cut.
Thunderbolts is an upcoming American superhero film based on the Marvel Comics team of the same name. The movie is directed by Jake Schreier and written by Eric Pearson.
The film brings together a team of anti-heroes, including Florence Pugh’s Yelena Belova, Sebastian Stan’s Winter Soldier, and Wyatt Russell’s John Walker, among others. The story follows this misfit team as they embark on a high-stakes mission that requires them to work together and confront their troubled pasts.
Thunderbolts promises to be a gritty, action-packed ride that explores the gray areas between heroism and villainy. With a talented ensemble cast and a rich comic book source material, this movie has the potential to be a game-changer in the Marvel Cinematic Universe.
Snow White
Disney’s live-action remake might get a teaser or trailer during the game, especially after facing pre-release criticism.
Snow White is an upcoming American fantasy romance film directed by Marc Webb and written by Greta Gerwig, Erin Cressida Wilson, and Marc Platt.
The movie is a live-action reimagining of the classic Disney animated film, starring Rachel Zegler as Snow White and Gal Gadot as the Evil Queen. The story follows Snow White, a beautiful and kind-hearted princess who is forced to flee her kingdom when the Evil Queen becomes jealous of her beauty.
The film promises to offer a fresh take on the beloved fairy tale, with a focus on female empowerment, self-discovery, and the complexities of beauty and identity. With a talented cast and a visionary director, Snow White has the potential to become a modern classic.
Tron: Ares
Although less likely due to its October release date, Disney might still decide to give it a Super Bowl spot.
Tron: Ares is an upcoming American science fiction film directed by Joachim Rønning and written by Jared Bush. The movie serves as a sequel to Tron: Legacy and stars Jared Leto as Ares, a powerful and mysterious program.
The story takes place in a new, unexplored grid, where Ares has risen to power and threatens the very existence of the digital world. Sam Flynn (Garrett Hedlund), the son of Kevin Flynn (Jeff Bridges), must once again embark on a perilous journey to stop Ares and save the grid.
With its groundbreaking visual effects, pulse-pounding action sequences, and thought-provoking themes, Tron: Ares promises to be a thrilling and immersive cinematic experience.
Lilo & Stitch
A 2-minute trailer for the live-action remake might debut during the Super Bowl.
Lilo & Stitch is an upcoming American science fiction comedy-drama film directed by Dean Fleischer Camp and written by Mike Van Waes.
The movie is a live-action/CGI reimagining of the beloved Disney animated film, starring Maia Kealoha as Lilo and Zach Galifianakis as the voice of Stitch. The story follows Lilo, a quirky and eccentric young girl who adopts a genetically engineered alien experiment named Stitch, who becomes her unlikely friend and companion.
The film promises to capture the offbeat charm and humour of the original, while exploring themes of family, identity, and acceptance. With a talented cast and a unique visual style, Lilo & Stitch has the potential to become a cult classic.
Femi Adebayo’s Seven Doors is not just a movie series it’s a cultural and thematic journey that transcends the typical Nollywood offering. Released on Netflix in December 13th, 2024, this six-part series has gatheredsignificant attention for its profound exploration of tradition, personal sacrifice, leadership, and spirituality.
The series marks Adebayo’s debut as a director, and he undoubtedly proved himself as one that is a master of the craft already with this ambitious project that combines rich storytelling with exceptional cinematic craftsmanship.
Plot Overview
Set against the backdrop of the late 18th and early 19thcenturies, Seven Doors revolves around the central character, Adedunjoye (played by Femi Adebayo himself), the heir to the throne of Ilara Kingdom. Initially a humble man and content in his familial life, Adedunjoye is thrust into a role of great responsibility when circumstances force him to ascend to the throneafter he was convinced by his wife to take up the responsibility.
However, his reign is marred by a series of calamities, including a devastating famine, civil unrest, and personal loss, all of which are believed to be the result of an ancient curse tied to his ancestors’ unresolved sins.
The ancient tradition that governs the kingdom stipulates that in order to restore balance, Adedunjoyemust marry seven wives, symbolically knocking on “seven doors.” His refusal to comply with this ancestral decree sets the stage for a tense exploration of personal values, leadership responsibilities, and the impact of tradition on one’s choices.
As the series unfolds, we are drawn into Adedunjoye’sinternal struggle should he honour the customs of his kingdom or take a stand against practices that he believes are unjust and goes against his undying love for his wife which they had both promised one another that they were only both made for one another in this world.
This conflict forms the backbone of the narrative and is woven with themes of sacrifice, power, morality, and the generational burden of ancestral mistakes and misdeeds.
Critical Reception
Critics and audiences alike have applauded Seven Doors for its rich thematic depth and masterful direction. The movie series has been described by Premium Times describes as a “thematic masterpiece” that is compelling from start to finish. The careful blending of traditional Nigerian folklore with contemporary dilemmas creates a narrative that feels both timeless and timely. Adebayo’s ability to tackle complex issues surrounding leadership, destiny, and personal integrity resonates deeply with viewers, making it more than just a historical drama.
The series’ portrayal of Nigerian culture is also a standout feature. While historical fiction, Seven Doors does an exceptional job of integrating authentic Yoruba language and cultural elements. In fact, the language used throughout the series ranging from Yoruba to English to Igbo adds a layer of richness, immersing the viewer in a deeply cultural and multi-dimensional world that feels real and lived-in.
Production Design and Cinematography
Visually, Seven Doors is stunning. The production design is meticulous and well detailed, bringing the 18th and 19th centuries to life with an accuracy that enhances the storytelling. The intricate set designs, from grand royal palaces to the rustic settings of rural villages, serve to immerse the audience into the world of Ilara Kingdom. The costume design is equally impressive, with elaborate garments that reflect the wealth, power, and customs of the time.
Adebayo’s direction shines in the way he captures the emotional depth of each scene, especially in moments of internal conflict. The cinematography stands out, with sweeping shots of the kingdom’s landscapes contrasted with intimate close-ups of the characters’ faces, allowing the viewer to feel the tension, fear, and determination in their eyes. This attention to detail serves to ground the fantastical elements of the story in a believable reality.
Characters and Performances
The performances in Seven Doors are a driving force of the series. Femi Adebayo, who takes on the central role of Adedunjoye, delivers a powerful and professional portrayal of a man who is torn between duty and conscience.
His performance is deeply relatable, conveying the internal battle of a leader who must weigh the demands of his people against his personal beliefs. Adebayo skilfully navigates these emotional imbalances, adding layers of complexity to a character that could have easily been one-dimensional.
Chioma Akpotha as Queen Amaka is another standout. As a strong, compassionate, and pragmatic character, Amaka serves as both a pillar of support and a voice of reason to Adedunjoye. Portraying herself as a woman who’s got great love for her husband and family, a supporting wife and strong Igbo woman who stood by her husband till the very end despite the tragic occurrence.
Her creativeness of speaking Yoruba despite being an Igbo woman shows how rooted she had become with her husband.
Akpotha’s ability to convey deep emotional complexity with subtlety and grace makes her one of the most memorable characters in the series.
Muyiwa Ademola plays Oba Adedunjoye, bringing gravitas to the role of a king burdened by the weight of his lineage. His portrayal captures the inner turmoil of a ruler trying to balance personal happiness with the duty to his kingdom.
Aliu Gafar’s role as Esusu, the antagonist, is chilling, as he embodies a complex character whose motives are shrouded in mystery and manipulation. His performance brings an intensity to the series, creating a chilling tension between the forces of tradition and the evolving world.
Themes and Symbolism
Seven Doors is much more than a historical drama it is a deep dive into the philosophical and moral dilemmas that come with power and tradition.
The series tackles universal themes such as the consequences of one’s actions, the struggle between personal autonomy and societal obligation, and the age-old tension between progress and tradition.
The concept of the “seven doors” is symbolic, representing the trials and tribulations that Adedunjoyemust face. The doors are not just literal but also metaphorical, representing the thresholds of personal and spiritual growth. Each “door” symbolizes a challenge that the protagonist must overcome whether it be accepting his role as king, navigating the consequences of his ancestors’ actions, or coming to terms with his moral choices. This use of symbolism elevates the narrative, making it a rich text for interpretation and analysis.
The series also explores the consequences of ancestral actions. Adedunjoye’s struggle to escape the shadow of his forefathers’ sins is a potent reminder that the choices of previous generations have lasting effects. This generational burden resonates deeply with viewers, reflecting the broader societal conversations about history, legacy, and accountability.
Music and Soundtrack
The soundtrack of Seven Doors plays a crucial role in establishing the mood of the series. The music, composed to reflect the cultural and historical themes of the show, uses traditional Yoruba rhythms and instruments, further enhancing the immersive experience. The score serves as a kind of emotional guide, subtly urging the audience to feel the tension, sorrow, and hope that permeate the series.
It’s an essential part of what makes Seven Doors so compelling elevating scenes of great emotional depth and providing moments of introspection.
In the end, Seven Doors is an exemplary piece of Nigerian cinema that is made to resonate far beyond its immediate audience. With great performances, captivating direction, and a complex narrative filled with philosophical depth, Femi Adebayo has delivered a series that is as intellectually stimulating as it is entertaining.
The film is an exploration of power, responsibility, and the ever-relevant battle between tradition and progress. It is a visual and emotional journey that demands to be seen and discussed.
Seven Doors stands as a milestone in Nollywood’s evolution, setting a high bar for future productions. The costuming and props used in the series and creativity sets its on high amongst many Nollywood movies released in recent times. It combines the traditional with the modern, the personal with the universal, making it a must-watch for anyone interested in cinema that challenges the boundaries of storytelling.
Rating
Without much deliberation and prejudice to recent movies it is easy for audience to give the new series a rating of 9/10.
A must watch this festive season if you are a lover of Nigeria cultural and epic movies.
To reboot DC on screen, James Gunn—co-CEO at DC—will be banking on the success of the first DCU slate, Creature Commandos and Superman (Legacy). Yesterday the Creature Commandos launched the new DCU as a “soft intro” to the bigger story.
If you enjoy The Guardians of The Galaxy franchise, The Suicide Squad, or Peacemaker, then you will enjoy Creature Commandos, which has the same tone (of rogues doing something good) that is maintained. The adult animation blends gory fights and mature comedy that you can relate to, similar to Family Guy, Harley Quinn, and Hit Monkey.
To understand the show, you need to understand how Canon works when it comes to rebooting in DC. Until it is mentioned or referenced, nothing is canon. What’s canon so far includes Rick Flag Jr.’s death, Adebayo’s outing Waller’s Task Force X project, and a bunch of subtle things (watch Peacemaker and The Suicide Squad to get the references).
In my opinion, there are parts of the show that seem unnecessary; for example, James Gunn animated in the intro (which was later clarified as a surprise he later went with). Rick Flag’s relationship with the princess and how short each episode is are my major concerns.
Aside from the first episode, which feels weird, episodes 2 through 7 seem to properly introduce each character with a backstory.
Doctor Phosphorus /Creature Commandos
Creature Commandos Episode 1 & 2 Easter Eggs You Might Have Missed
Themyscira is a rumoured place in the DCU.
Amazon Models on GBS News
In a GBS News report when describing the events of Circe and the Sons of Themyscira, the Amazons were mentioned. In the New52 comics, The Sons of Themyscira are the male children of the Amazons who were abandoned at birth. The news anchor described Themyscira as a “perhaps mythical, perhaps real” place. This gives a better understanding of the timeline of the DCU.
It is important to note that GBS is a company owned by one of Superman’s villains, Morgan Edge. It’s a cable service and phone service in Metropolis.
Circe and Superman might have met.
Circe has an inmate /Creature Commandos
Circe is an exiled sorceress from Themyscira, and via news reports, we can assume she attacked Metropolis, which led to her encounter with Superman. Circe would later be arrested by the Metropolis Police Department, home of Superman.
Rap battle meme
The Sons of Themyscira referenced the famous “Supa hot fire rap battle” meme.
GBS News anchor
Rick Flag and Amanda WallerJake Tapper
The GBS News Reporter is voiced by an actual American journalist, known as Jake Tapper, a popular CNN News host.
Adebayo did expose her mother.
Adebayo and Waller /Peacemaker
Rick Flag Sr., in a conversation with Waller, mentioned Waller’s daughter exposing Project Starfish. What this means is that the events of Peacemaker Season 1 are canon. At the end of Season One, Leota Adebayo exposed Project Starfish, forcing Congress to place a ban on using humans for Task Force. Amanda Waller, being herself, used this loophole to make A.R.G.U.S. shift from using humans to monsters.
Jason and the Argonauts
Rick Flag, Sr. refers to Doctor Phosphorus as Jason and the Argonauts, a reference to the classic movie with the same name.
The Bride was born in 1831.
The Year The Bride was bornMary Shelly Frankenstein revised edition bookThe Bride, Creature Commandos
The Bride in the DCU was created as a wife for Frankenstein, but their relationship was never manifested as she developed feelings for her maker, Victor. Victor was then murdered by Frankenstein, who later stalked and chased her for over 200 years.
The year the bride holds a historic value in the real world is the same year Mary Shelley, the author of Frankenstein, the book, revised edition was released.
Ultra Bunny is back!
Ultra Bunny is a fictional character in the DCU. It appeared on Rick Flag Jr.’s shirt in a couple of scenes in Peacemaker, and now on Frankenstein’s shirt with the same slogan, “Obstacles are opportunities.”
Slither/Nina Mazursky
Slither (2006)Creature Commandos (2024)
The scene where Nina was in the bathtub referenced the movie Slither (2006). It is a science fiction comedy horror film written and directed by James Gunn.
Superman will die…?
In the season trailer, via a vision by Circe, it was revealed there is a future where Superman, Mr. Terrific, Starfire, Captain Atom, and Peacemaker will die.
Shaggy is canon
The Bride and Frankenstein fight with Shaggy high in the background
During The Bride’s flashback and origin scene, we were able to understand the relationship between The Bride and Frankenstein. Shaggy from Scooby-Doo appears in the flashback sequence.
Pokolistan
Lex LuthorPokolistan Map/ Creature Commandos
Pokolistan is a fictional country located in Eastern Europe, broken off from the Czech Republic. In the comics, they had secret deals with President Lex Luthor.
The Bride reads ‘Young Love.’
Young Love ComicsThe Bride, Creature Commandos
The Bride is spotted reading an issue of ‘Young Love’ in Belle Reeve prison. Young Love was a real romance comic, published by Crestwood/Prize, and was later sold to DC Comics. It ran through the 1950s and 60s.
How old are the Rick Flags?
Rick Flag JrRick Flag Snr
Rick Flag Sr. mentioned he and his ex-wife had their son when they were in the military at 18 years old. Rick Flag Jr. died in Corto Maltese by Peacemaker during Project Starfish.
Frankenstein’s dialogue
In episode 2, Frankenstein directly quoted Mary Shelley’s 1818 Frankenstein edition book. “Shall each man find a wife for his bosom, and each beast have his mate, and I be alone?” In the book, The Bride is never born. Victor discards her body parts out of fear.
Ratings: 4.5/5
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Hijack ’93 is a Nigerian historical drama based on the infamous October 1993 hijacking of a Nigerian Airways flight by four young men advocating for democracy during Nigeria’s military regime. Written by Musa Jeffery David and directed by Robert Peters, the movie dramatizes this real-life event while exploring themes of youthful idealism, disillusionment, and political resistance. The film debuted on Netflix in October 2024, marking a significant addition to Nollywood’s repertoire of historical thrillers.
The hijackers’ story centers on their desperate mission to bring attention to their democratic demands. Although the movie includes some fictional elements, such as altered character names and motivations, it retains the core of the event. It highlights the hijackers’ internal struggles, the tense interactions between passengers and captors, and the ultimate resolution through negotiations and force.
Strengths
Cinematography: The film excels visually, particularly in capturing the confined space of the airplane. The camera work during action sequences is commendable, enhancing the film’s intensity.
Themes: The exploration of tribalism, grief, and abuse offers relevant social commentary, reflecting issues still prevalent in Nigeria today. Historical Resonance: By revisiting a dark chapter in Nigerian history, the film prompts viewers to reflect on political struggles and societal change.
Weaknesses
Plot and Character Development: The film struggles with narrative cohesion, leading to flat emotional moments. Characters lack depth, and their motivations such as the hijackers’ transition from personal grievances to political activism are underexplored.
Dialogue and Acting: The script and performances fall short of delivering the tension and emotional stakes expected in such a high-stakes story.
Historical Authenticity: While visually modern, the film fails to convincingly portray the 1990s setting, with overly polished props and inconsistent period details detracting from the narrative’s credibility.
Overall, while Hijack ’93 provides a gripping premise and impressive cinematography, it falters in execution, leaving its emotional and historical impact underwhelming. However, its bold attempt to tackle a complex historical event makes it a noteworthy, albeit imperfect, addition to Nollywood’s catalog.
Rating 5/10
The men behind the real Hijack visual by Premium Times Nigeria
I want to believe most of us grew up with DC or, at the least, have consumed DC content; I know I did. When I was a kid, I used to have a sense of joy calling myself a fan of DC, but this past decade, it’s more than embarrassing watching what DC has turned to, especially in this MCU world we live in.
Warner Bros. and DC executives sometimes forget they sit on a gold mine of IPs, and it’s a shame we have to rotate between Superman and Batman repeatedly. Filmmakers have tried to do justice to these characters, but to the audience, it’s the same story. DC has continuity issues; the DCEU (Extended Universe), DCAU (Animated Universe), or all iterations of the film and TV universe all meet the same fate. CANCELLED.
Don’t get me wrong; DC has some successful projects, but it’s time they do something stable, and this is where James Gunn and Peter Safran come in. As a fan observing from the outside, looking in, it’s fascinating to see that they are finally getting a creative head, and hopefully, they get it right.
On January 31st, 2023, James Gunn announced the start of a new DC, the DCU, a reboot of everything DC on film, TV, and gaming. His vision includes the continuity of Peacemaker, Creature Commandos, a new Superman film, the Lantern shows, and many more. Today is the start of that universe.
What do you need to watch to understand this universe?
To be honest, nothing. If you’ve watched or consumed any DC content, then you should understand what “reboot,” “continuity,” or “canon” is in the context of DC. If not, let me explain. When you reboota universe, you are not necessarily starting over but moving the story in a better direction, resulting in the issue of continuity. How do you move what we’re following and enjoying? What are you bringing into this universe?
This new universe will include nods to some of the events of the DCEU, such as Peacemaker Season 1, The Suicide Squad, and Blue Beetle.
Peacemaker: James Gunn recently mentioned that the events of Peacemaker remain canon aside from the scene where the Justice League showed up. He explained that, in his DCU, the Justice League is yet to be formed.
The Suicide Squad: [Spoilers] In Creature Commandos, Weasel survived, and Rick Flag Jr. is still dead.
Blue Beetle: I’m still unsure, but with the announcement of a Blue Beetle animated TV show with the same actors, I want to believe the origin of Blue Beetle will remain canon.
The Timeline
The events of Creature Commandos begin two years after The Suicide Squad and just before Superman (Legacy).
Creature Commandos takes the same tone as The Suicide Squad but with monsters. If you’re done with that tone, it’s understandable not to watch Creature Commandos. James Gunn has announced the defining moment to begin the DCU starts with Superman.
Then why start Creature Commandos now?
James Gunn told fans he greenlit Creature Commandos after he became DC Co-CEO. He explained he wrote Creature Commandos after The Suicide Squad. Critics may argue that Creature Commandos, being the same tone as previous Marvel/DC work, will never be greenlit.
Will DCU remain permanent?
Previously, executives and creatives did not always agree on the way forward, which is why most projects get shelved. Giving Warner Bros. Discovery state, if David, James, and Peter continue to agree, the DCU is projected to be a success.
Lisabi: The Uprising is a cinematic story of the Egba people’s historic rebellion against the Oyo Empire’s oppressive reign in 18th-century Yorubaland.
Directed by Niyi Akinmolayan, the film spotlights the bravery and leadership of Lisabi, a farmer turned revolutionary who rallies his community against tyranny. The movie blends historical events, cultural representation, and personal sacrifices to craft a narrative that is both educational, thrilling and deeply emotive.
Thematic Depth
The film’s core themes include resistance to oppression, the strength of unity, and the power of cultural heritage in the face of adversity.
Lisabi symbolizes the transformative potential of collective action as he unites farmers and oppressed individuals to reclaim their dignity. Through the struggles depicted, the movie reflects the importance of standing up against injustice.
Additionally, the narrative incorporates themes of sacrifice, as Lisabi and his companions must endure personal losses for the greater good.
While these overarching themes resonate strongly, there is a noticeable lack of focus on women’s roles within the rebellion.
Abebi, Lisabi’s wife, is portrayed as a victim whose tragic demise propels the uprising, but her potential as a fully realized character is underexplored which could have been as a result of the old concept about women back in the historical days.
This omission limits the story’s depth, particularly in highlighting how women contributed to historical movements.
Cultural Authenticity
The film excels in its depiction of Yoruba traditions and lifestyle. From the detailed costumes to the realistic portrayal of rural Egba life, every visual aspect immerses viewers in the time period.
The traditional chants, songs, and rituals interwoven into the narrative enhance the cultural richness. The filmmakers also focus on the symbolic role of land and farming, which not only defined Egba identity but also became the very essence of the resistance.
The cinematography further elevates the cultural experience by capturing the serene beauty of Nigeria’s landscapes. These visuals contrast sharply with scenes of violence and oppression, emphasizing the stakes of the rebellion.
Performance and Characterization
Lateef Adedimeji’s portrayal of Lisabi anchors the film with a mix of determination, charisma, and vulnerability. His transformation from a humble farmer to a revolutionary leader is compelling and emotionally resonant. Ibrahim Chatta’s menacing performance as Songodeyi, the brutal tribute collector, brings a palpable sense of danger to the story.
Supporting characters, while impactful, sometimes lack narrative depth. For instance, Oshokenu’s storyline, feels incomplete, as does the portrayal of the Alaafin of Oyo, who is depicted more as a symbol of power than as a complex figure. Similarly, Abebi’s character arc, while central to Lisabi’s motivation, could have been expanded to give her more agency in the story.
Narrative Structure and Weaknesses of the Movie
The storytelling struggles with inconsistent pacing, alternating between slow, reflective moments and abrupt action sequences. While the reflective scenes effectively build the world and explore the characters’ struggles, they occasionally drag, disrupting the film’s momentum.
The inclusion of supernatural elements, meant to reflect Yoruba spirituality, feels underdeveloped and disconnected from the main narrative, diminishing its impact and the whole essence of incorporating it in the movie.
The film concludes on an unresolved note, leaving room for a potential sequel. While this approach allows for a broader narrative, it risks leaving the audience unsatisfied with the incomplete resolution of key storylines and feelings of a bad ending alongside a quest to know if there will be a next.
Production Value
The film’s production values are impressive, with attention to detail evident in the set designs, props, and costumes. The vibrant depiction of traditional Yoruba attire and the careful recreation of Egba and Oyo environments add to the film’s authenticity. The sound design, incorporating traditional music and chants, further immerses viewers in the world of the Egba rebellion.
Sociopolitical Resonance
Beyond its historical focus, Lisabi: The Uprising resonates with contemporary audiences by drawing parallels between historical oppression and modern struggles for justice and self-determination.
The story of Lisabi serves as a reminder of the enduring relevance of unity and resistance against exploitation, oppression and injustice making it both a tribute to Yoruba history and a call to action for current and future generations.
In conclusion, Lisabi: The Uprising is a culturally significant film that showcases the richness of Nigerian history and heritage.
Despite its narrative shortcomings, including pacing issues and underdeveloped characters, it succeeds in capturing the spirit of resistance and the beauty of Yoruba traditions. The film stands as a testament to Nollywood’s growing capability to produce grand historical epics and sets the stage for future projects that can refine and expand upon this foundation.
For viewers interested in historical dramas or African culture, this film is a worthwhile experience, offering both entertainment and a deeper understanding of Nigeria’s rich past.
