Wizkid At 35: Ranking Every Wizkid Album from Worst to Best

Wizkid turns a year older today, and while social media is flooded with tributes and throwbacks, we’re taking a different route. It’s time to rank every Wizkid album;the highs, the lows, and the game-changing moments that have defined his journey from Ojuelegba to the O2.

This isn’t just fan love. It’s a critical deep dive, praising what deserves praise, and calling out what could’ve been better. Because even legends have missteps, and that’s okay.

Note before you Proceed!

This list is based on:
– Artistic quality
– Cohesion and originality
– Cultural impact
– Replay value
– Growth and boldness

6. Sounds from the Other Side (2017)

Highlight Tracks: “Come Closer” ft. Drake, “Daddy Yo,” “African Bad Gyal”

Wizkid’s “Sounds from the Other Side” was his first major leap into the international market. It had ambition, dancehall, Caribbean-infused pop, and big-name collabs like Drake, Major Lazer, Chris Brown. But the album lacked soul.
Yes, it gave him global visibility. But it felt like Wizkid trying to fit into Western radio instead of bending them to his rhythm.

My thought: A strategic move but not a masterpiece. The most forgettable album in his discography.

5. More Love, Less Ego (2022)

Highlight Tracks: “Money & Love,” “2 Sugar,” “Frames (Who’s Gonna Know)”

The follow-up to Made in Lagos was always going to be tough. But “More Love, Less Ego” felt like a beautiful shell with no core. The production was elite, clean, vibe-heavy. But the writing lacked what Wizkid was more about compared to other Albums released by the music Icon.
It’s Wizkid at his smoothest, but also his most emotionally distant. The album didn’t push boundaries, nor did it feel like he had much to say. In many ways, it was a continuation of Made in Lagos, just less hungry.

My thought: Sonically pleasing, but too safe. For an artist of his calibre, we wanted more.

4. Ayo (2014)

Highlight Tracks: “Ojuelegba,” “Show You the Money,” “Jaiye Jaiye,” “In My Bed”

Ayo was a comeback and a stamp. Coming after Superstar, this project showed a Wizkid with more control, more polish, and bigger ambition. It had the hits, the hooks, the spiritual storytelling of “Ojuelegba.”

But it was also a bloated album, with too many tracks (19) and some clear fillers. A lot of it felt like a compilation of singles, not a cohesive project.

My thought: Imperfect but pivotal. An album that balanced fame and faith.

3. Superstar (2011)

Highlight Tracks: “Holla at Your Boy,” “Tease Me,” “Don’t Dull,” “Love My Baby”

This is where it all began — Wizkid’s breakout. He was young, hungry, cocky, and vibrating with potential. Superstar wasn’t just an album, it was an era that even the superstar we have today will never forget.

It changed Nigerian pop forever. The swagger. The slang. The sound. From “Pakurumo” to “Oluwa Lo Ni,” this was the soundtrack of a generation.

But let’s be honest; even as good as the album it isn’t his best project. The album hasn’t aged perfectly. Some tracks feel dated, and there’s a juvenile tone that’s natural for a debut.

My thought: A cultural classic. Not his best technically, but you can’t overstate its importance.

2. Made in Lagos (2020)

Highlight Tracks: “Essence,” “Ginger,” “Blessed,” “True Love,” “Reckless”

This is the album that redefined Wizkid for the world. Made in Lagos was sleek, patient, grown. It wasn’t chasing the charts — it was building a mood. And it worked. Globally.
Essence became the first truly global Afrobeats love song, and the album showed a matured artist comfortable in his skin.
Still, the album gets criticism for being too chill, not enough tempo variation, little experimentation. But that’s the point. Made in Lagos wasn’t made for the club. It was made for late nights and great moments.

My thought: A timeless piece of mood music. The moment the world took Afrobeats seriously and Wizkid led the charge.

1. Morayo (2024)

Highlight Tracks: “Morayo,” “Energy,” “Palm Trees,” “Sade,” “Better Days”

After years of smooth, laid-back vibes, Wizkid finally returns with clarity, heart, and hunger on Morayo; a title that feels personal, almost spiritual. 

The project is named after Wizkid’s late mother, Jane Morayo Balogun, who passed away in 2023. Her death left an open wound in the heart of an artist who, until then, had rarely spoken so openly about grief, loss or legacy in his music.

This album is Wizkid at his most honest and intentional since Ojuelegba first release.
“Morayo” (the title track) is a reflective, emotionally stirring opener that sets the tone. He’s not just singing; he’s telling stories. About love, Lagos, loss, legacy. There’s an intimacy to the lyrics we haven’t heard from him in years.
Sonically, Morayo balances mellow Afrobeats with bolder experiments — it’s smoother than Superstar, deeper than More Love, Less Ego, and less commercially calculated than Sounds from the Other Side.

My thought: Morayo is Wizkid’s most complete and cohesive album. It merges growth with grit, melody with message. After all these years, he still finds new ways to surprise us.

Final Thoughts:

Wizkid has evolved in real-time, from a young Nigerian singer to a global legend. His discography shows the growth, the experiments, the setbacks, and the wins.
Whether you miss the energy of Don’t Dull or prefer the silkiness of Essence, one thing is clear:
Wizkid is not done yet.

Happy Birthday to the Biggest Bird!

What do you think about this list?
Drop your rankings in the comments if you think otherwise.

Burna Boy’s 47 minutes run album review; No Sign of Weakness

If we are being honest, after Seven hit studio album, Burna Boy doesn’t really have anything left to prove. He’s sold-out stadiums, won Grammys, and put Afrofusion on the global map. But with No Sign of Weakness, he’s still pushing boundaries, experimenting with new sounds, and reminding us that he’s not just in the game, he is who he says he is.

Released on July 11, 2025, this album isn’t just another victory lap. It feels like a personal mission — a fearless, genre-hopping ride where Burna gets to show off all sides of who he is: the African Giant, the rock star, and the man behind the fame.

THE ALBUM: NO SIGN OF WEAKNESS

A 16 track album that run for approximately 47 minutes on play, the title says it all: No Sign of Weakness. Burna Boy uses this album to talk about survival, success, betrayal, legacy, and staying true to himself in a world that constantly wants him to fit a mold and an industry where nothing comes easy with beefs in the industry and everyday talk from the media.

He doesn’t just talk his talk, he backs it up with beats that range from Afrobeat and reggae to trap, rock, country, and everything in between. Somehow, it all works. This isn’t a scattered playlist; it’s a carefully curated soundscape that takes you through Burna’s headspace.

Collaborations

  • Empty Chairs feat. Mick Jagger – This can be said to be an unexpected one, but. It’s soulful, gritty, and has a rebellious edge.
  • TaTaTa feat. Travis Scott – A hard-hitting Afro-trap jam that blends both artists’ strengths.
  • Change Your Mind feat. Shaboozey – Burna tries a country vibe and it surprisingly with no doubt came out fine tune.
  • Pardon feat. Stromae – A soulful, emotional collab that sticks with you.
Album track list

A Global Sound With African Roots

Burna Boy is unapologetically African, but he’s also speaking to the world. From the pidgin lyrics to the rhythms inspired by Fela Kuti, the album stays rooted in Nigeria.

Still, he’s blending Afrobeat with rock, country, and trap in new and exciting ways.

How’s It Doing So Far?

  • #1 on Apple Music Nigeria
  • Charting on Billboard’s Afrobeats chart
  • Praised by The Times, AP, Clash and more
  • More than just numbers, fans are loving the honesty and creativity.

Rating: 8.5/10

No Sign of Weakness isn’t Burna’s flashiest album, but it might be his most daring. It’s mature, bold, and confident. It shows growth, vulnerability, and range.

It might take a few listens to fully hit you, but when it does, it sticks.

Tems, Rema, and Ayra Starr Feature on Rolling Stone’s Top 100 Albums of 2024

Your only excuse should be that you’re on a remote island with no access to the internet and don’t notice the wave of new talents in the Nigerian music industry. The wave is led by those I will consider the latest Big 4, starring Ayra Starr, Asake, Rema, and Tems. These talents have well-crafted and mastered the art of making good music, and it’s high time they get their flowers.

The Rolling Stone’s 2024 Top Albums List, released on Monday, features Rema’s ‘Heis,’ Tems’ ‘Born in the Wild,’ and Ayra Starr’s ‘The Year I Turned 21.’

Ranking them, we have:

Rema’s second studio album, Heis,‘ was ranked 11th overall. The album recently received a Grammy nomination for Best Global Album Performance.

Description: “Rema has taken to calling his own style of Afrobeats “Afro-rave,” in the tradition of Burna Boy and the like who have fought to differentiate themselves from what became a catchall for African music in general. Yet, there was no real sonic signifier for Rema’s Afro-wave — he seamlessly traverses hip-hop, house, R&B, and dancehall. Heis sounds more like a rave than almost anything Rema has made prior (excluding the excellent loosey “Bounce,” for example, raging while everything else simmers. The result is the buzzy, visceral, sweat-it-out music that no one else in the mainstream is making.”

Tems’ debut album, ‘Born in the Wild,‘ ranked 37th overall. Tems, whose voice is captivating, earned Grammy nominations for both ‘Best African Music Performance’ and ‘Best Global Music Album.’

Description: “Tems has already remade Nigerian pop in her own image. Her debut album measures the soul work it’s taken to get here. All of it has paid off on an album so rich that the listening experience is a physical one as much as it is emotional. “Wickedest” is primed for the dance floor, while the single “Love Me Jeje” is a masterpiece, soaked in the sun and major-key dopamine. Her vision is made timeless via a seamless blend of stripped-down ballads, the cool of 1990s R&B with flecks of SWV and Sade, joyous high life, Afro-dance music like amapiano, and rugged hip-hop.”

Ayra Starr’s sophomore album, ‘The Year I Turned 21,′ ranked 53rd on the list according to Rolling Stone.

Rolling Stone describes it as:
“With the follow-up to her 2021 debut, Ayra Starr asserts a musical maturity that could be considered far beyond her years, but perhaps more aptly serves as a reminder of the emotional depth, logical prowess, and enviable passion young people often possess. Across it, Starr refreshes tried-and-true Afrobeats elements with the type of songwriting that SZA fans flock to, darting between Nigerian Pidgin, Yoruba, and English with endless finesse and attitude in all three languages.”

I, for one, am glad for the recognition of Nigerian musical talents on a global stage, and this should continue for a long time. Last year the list featured legends like Mr. Eazi, Burna Boy, Adekunle Gold, and Asake.

Biggest First Day Streams Album on Spotify, Nigeria

Streamdorm has compiled the list of first day streams on Spotify as of May, 2024. Davido ‘Timeless’ released March 31st, 2023 currently holds the number one spot with 4.91 million streams.

This year alone Shallipopi holds the highest first day streams with “Shakespopi” having 1.59 million (11 April, 2024). Ayra Starr “The Year I Turned 21” (30th May, 2024) holds the biggest first day for a female artist with 1.27 million streams.

Here’s the top 10 list of biggest album first day stream on Spotify:

  1. Davido – “Timeless” (4.91M)
  2. Burna Boy – “I Told Them” (2.93M)
  3. Asake – “Work Of Art” (2.27M)
  4. Wizkid – “S2” EP (2.08M)
  5. Olamide – “Unruly” (1.81M)
  6. Shallipopi – “Shakespopi” (1.59M)
  7. Burna Boy – “Love, Damini” (1.36M)
  8. Ayra Starr – “The Year I Turned 21” (1.27M)
  9. Wizkid – “More Love, Less Ego” (1.21M)
  10. BNXN – “Sincerely, Benson” (1.17M)
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