Category: Entertainment

Naira Marley, Nigerian music executive and head of Marlian Music, has spoken extensively about the death of his former signee, Mohbad (Ilerioluwa Oladimeji Aloba), in a new video interview released on August 20, 2025. The Afrobeats star maintained his innocence while calling for a reinvestigation into the circumstances surrounding Mohbad’s passing, which remains one of the most controversial cases in Nigeria’s music industry.

Maintaining Innocence and Presenting Evidence

In the interview, Naira Marley insisted he had no hand in Mohbad’s death, which occurred on September 12, 2023. He presented evidence, including WhatsApp conversations, bank transactions, and other receipts, to show that he had a supportive relationship with Mohbad. Marley stated that he not only gave financial assistance to the late artist but also intervened to protect him on several occasions.

He addressed longstanding accusations of bullying, which have lingered since Mohbad’s exit from Marlian Music in 2022. While acknowledging tensions within the camp, Marley denied personally bullying Mohbad, adding that he often advised him against drug use and stressed the impact of mental health struggles on the young artist’s wellbeing.

Frustration Over Detention

The Marlian Music boss also recounted his two-month detention in 2023 by the Lagos State Police Command. He described the ordeal as unfair, pointing out that he was out of the country at the time of Mohbad’s death. According to Marley, his arrest was more about public outrage than solid evidence, and he expressed dismay that his passport was seized for months even after no case was established against him.

A Call for Re-arrest and Fresh Probe

In a move that has stirred further debate, Marley urged authorities to reopen the case and re-arrest everyone linked to Mohbad’s death, including himself, Sam Larry, and others previously accused. He specifically called for a trusted police officer to oversee the reinvestigation, citing mistrust in how the initial process was handled.

“I came back to Nigeria to support the police because I can see fingers pointing our ways. If they believe there is still doubt, then re-arrest us and let justice be done,” Marley said in the video.

Clarifying Financial Allegations

Marley also addressed rumors of financial exploitation. He explained that some of the funds he sent to Mohbad went into an account belonging to Mohbad’s mother-in-law at Mohbad’s own request, countering narratives that he diverted money for personal gain.

Additionally, he revealed that he has reached an agreement with Mohbad’s lawyer to transfer all royalties from the late artist’s works to a family member legally appointed by the court to manage his estate.

Public Reaction

The interview has sparked divided opinions online, particularly on X (formerly Twitter). Some users see Marley’s evidence as proof of his innocence and a demonstration of transparency. Others remain unconvinced, arguing that even if Marley was not directly responsible for Mohbad’s death, allegations of intimidation and a toxic label culture remain unresolved.

No matter what you do, no allow them kill you.

— MBAH (@Mbahdeyforyou) August 20, 2025

Legal and Investigative Background

In February 2025, a Yaba Magistrate Court cleared Naira Marley, Sam Larry, and Prime Boy of direct responsibility in Mohbad’s death. The court instead charged an auxiliary nurse and an associate with reckless negligence. However, Mohbad’s father has since challenged the legal advice that discharged Marley and others, and a fresh hearing is still pending.

The autopsy conducted on Mohbad’s body provided inconclusive results due to decomposition, leaving the exact cause of death uncertain.

Two years after Mohbad’s death, the case continues to raise broader questions about accountability in the Nigerian music industry, particularly regarding artist welfare and record label dynamics. Marley’s latest remarks represent not just a personal defense but a renewed push for transparency in a case that has gripped public attention and continues to stir debate.

The Academy Awards, one of the most prestigious events in global entertainment, could soon find itself at the center of a broadcasting shake-up. According to fresh reports from Bloomberg and other outlets, YouTube has formally expressed interest in acquiring broadcast and streaming rights to the Oscars, positioning itself as a challenger to the traditional network dominance that has defined the ceremony for decades.

YouTube’s Ambition to Host the Oscars

YouTube, with its 2.7 billion monthly users, has long cemented its status as the world’s most influential video platform. Its recent inquiry into Oscars rights is being hailed by industry watchers as a bold move that could redefine how audiences experience live cultural events. The appeal is clear: while traditional television viewership has steadily declined, YouTube thrives among younger demographics who increasingly consume live events and highlights online rather than through cable television.

Analysts argue that the Oscars’ migration to YouTube. If this happens, it could inject the ceremony with fresh relevance. Features like live chat, polls, real-time audience engagement, and instant replay clips could make the show interactive in ways traditional TV cannot match.

ABC’s Standing Contract: A Barrier to Entry

However, YouTube’s ambitions face a significant hurdle. ABC currently holds exclusive U.S. broadcast rights to the Oscars through 2028, under a contract signed with the Academy of Motion Picture Arts and Sciences in 2016. This deal not only secures ABC’s coverage but also extends its global distribution partnerships.

The partnership between ABC and the Oscars is longstanding, dating back to 1976. While viewership has fluctuated over the years, hitting historic lows in the 2020s—ABC has retained the prestige of hosting Hollywood’s biggest night. For YouTube to step in, it would either need to negotiate terms for after 2028, or strike an unprecedented arrangement that coexists alongside ABC’s deal, which appears unlikely.

YouTube Expresses Interest To Host The Oscars, Plans To Buy Rights — Reports pic.twitter.com/fPP55qj6K5

— Streamdorm Film Updates 🎥 (@Streamdorm_) August 18, 2025

What This Means for the Oscars

The Oscars have battled declining TV ratings in recent years, prompting the Academy to explore new ways of reaching younger and global audiences. Moving to a digital-first platform like YouTube could potentially address both challenges:

• Global Reach: YouTube’s international accessibility could expand the Oscars’ footprint beyond traditional TV markets.  
• Youth Engagement: With Gen Z and millennials spending far more time on YouTube than cable, the ceremony could reclaim cultural relevance.
• Interactivity: Live engagement features could transform a passive viewing experience into an active, social one.

On the other hand, such a move raises questions about prestige and tradition. Would streaming dilute the Oscars’ aura as a formal, televised event? Could the Academy risk alienating long-time audiences who still prefer the TV broadcast format?

For now, ABC’s standing contract means YouTube’s interest remains speculative. But the fact that YouTube is actively inquiring about rights signals a shifting tide in entertainment broadcasting. If the Oscars were to transition to YouTube in the future, it could mark one of the most significant cultural and technological shifts in awards-show history.
One thing is clear: the conversation about where the Oscars belong in the digital era has officially begun.

In the ever-competitive world of Afrobeats, inspiration and imitation often walk a razor-thin line. Over the past week, Nigerian music fans have been consumed by a brewing controversy between two of the genre’s brightest stars; Omah Lay and Rema — following claims that one may have lifted the other’s creative blueprint.

The Spark: Omah Lay’s Revelation

The saga began when Omah Lay appeared on the Zach Sang Show in August 2024, revealing that he had shared the sonic direction and concept for his then-upcoming album Clarity of Mind with a fellow artist he trusted. According to him, about five months later, that artist released an album heavily echoing the very ideas he had disclosed. Feeling blindsided, Omah Lay said he scrapped large portions of his work and re-recorded the project from scratch.

While Omah Lay didn’t name the artist in that interview, the timing and sound of certain releases set fan speculation ablaze. On social media, names like Rema and Victony floated to the top of the suspect list — with Rema’s HEIS album drawing the most attention.

Screenshots and Social Media Fire

The controversy reached a boiling point on August 12, 2025, when an Instagram account believed to be linked to Omah Lay posted screenshots of what appeared to be an iMessage exchange from December 16, 2023. In the alleged conversation:

– Rema sent a track titled “Now I Know” (a song later appearing on HEIS).

– Omah Lay shared a file labeled “mara rough”, presumably containing his developing concept.

– The messages hinted at Rema showing interest in the idea and possibly collaborating on it.

These screenshots quickly made their way to blogs, Twitter threads, and WhatsApp groups, igniting intense debates over intellectual property, artistic integrity, and the blurred boundaries of “influence” in music.

Silence from Both Camps

Interestingly, neither Omah Lay nor Rema has officially addressed the leaked screenshots. Omah Lay has not confirmed whether the burner account belongs to him, while Rema has remained entirely silent on the matter. This vacuum of direct statements has only fueled fan theories and kept the issue trending across Nigerian entertainment spaces.

The Bigger Picture

Allegations of idea theft are not new to the music industry, but in the streaming era; where artists constantly share snippets, demos, and unfinished concepts with peers — the risk of creative overlap is higher than ever. Without clear public evidence beyond the screenshots, this saga exists in a murky space between perception and proof.

For now, fans are left dissecting lyrics, comparing sounds, and speculating about what really happened in those private exchanges. Whether the truth eventually emerges or fades into the background, the conversation it has sparked about ownership, originality, and collaboration in Afrobeats is unlikely to die down anytime soon.

If you’ve ever noticed that your favorite Nigerian and international artists seem to release new tracks almost every Friday, you’re not alone. This pattern isn’t a coincidence it’s a global industry strategy. Welcome to the world of Music Friday, the unofficial launchpad for new music drops.

But why Friday? Why not Monday or even the weekend like Saturday?

Let’s break down the real reasons behind this popular music release trend and why Friday has become the industry’s favorite day to drop heat.

The Global Standardization of Release Days

In July 2015, the International Federation of the Phonographic Industry (IFPI) announced a global shift in music release schedules. From that point forward, Friday became the official global release day for new music in over 45 countries.

Before this move, countries had their own music release days—Tuesdays in the U.S., Mondays in the U.K., and Fridays in Australia. This lack of coordination led to staggered releases, early leaks, and piracy.

A global Friday release day helped:
– Combat piracy
– Synchronize promotion efforts worldwide
– Make tracking easier for streaming platforms and charts

It Maximizes Chart Performance

Most official music charts like Billboard, Apple Music Top 100, Spotify Nigeria, Boomplay Charts, and more—track activity from Friday through Thursday.

Dropping a song on a Friday gives artists and labels:
– 7 full days to accumulate streams, sales, and radio plays
– A better shot at debuting high on the charts
– More time for a song to go viral and gain traction before the next chart cycle

Releasing music midweek shortens this window—and could cost valuable charting points.

People Listen More on Weekends

There’s a reason why parties, club nights, weddings, and road trips spike from Friday to Sunday the weekend is when most people actually have time to vibe.

This consumer behaviour benefits artists because:
– Streaming increases on Fridays and weekends
– Fans are more likely to discover and share new music when they’re not working
– DJs, event planners, and radio hosts look for fresh songs for weekend sets

Dropping music on Friday means it has a better chance of becoming “that new jam” everyone’s playing by Saturday night.

Playlist Power: Catching the Friday Update Wave

Major streaming platforms like Spotify, Apple Music, Audiomack, Boomplay, and YouTube Music refresh their top playlists every Friday. These playlists include:
– New Music Friday
– Fresh Naija
– Africa Now
– Afrobeats Hits
– Hot Rotations

Artists who drop music on Fridays are more likely to be considered for playlist features, which can dramatically boost visibility and streaming numbers.

Marketing Works Better on Fridays

Labels and independent artists alike align their PR campaigns, interviews, press releases, and social media teasers to peak on Fridays.

A Friday release allows an artist to:
– Drop the music
– Post behind-the-scenes content over the weekend
– Build momentum with media and fans into the following week

From TikTok challenges to lyric breakdowns and music video teasers, the Friday launch creates a marketing rhythm that’s hard to beat.

In Nigeria: A Growing Tradition

In Nigeria, Music Friday is becoming a cultural habit:
– Afrobeats stars like Rema, Ayra Starr, Burna Boy, and Davido consistently schedule Friday drops
– Fans anticipate new releases every Friday—making the day a mini music holiday online
– Blogs, DJs, and music platforms curate Friday playlists, amplifying each new release’s reach

Music Friday is not just a trend; it’s a well-oiled global strategy. Releasing on Fridays means more eyes, more ears, better streaming numbers, and a solid shot at chart success. For artists, especially in the ever-competitive Nigerian music scene, timing can make all the difference—and Friday is the magic day.

Few characters in cinema are as iconic as James Bond, the stylish MI6 agent known worldwide by his codename: 007. For over six decades, the Bond movie franchise has redefined the spy genre, influenced global pop culture, and brought audiences thrilling adventures steeped in danger, luxury, and mystery.

As the world prepares for a new Bond era following Daniel Craig’s departure, one actor, Taron Egerton has captured attention not for his interest, but for openly stepping away from the speculation. Before diving into his reasons, it’s essential to understand the powerful legacy he’s saying no to.

The James Bond Franchise: A Global Film Phenomenon

Launched in 1962 with Dr. No, the James Bond franchise is based on the novels by Ian Fleming, a British intelligence officer turned author. Bond quickly evolved from literary spy to global screen sensation, becoming one of the longest-running and most successful movie franchises of all time.

Franchise Highlights:

• 25 official films (as of 2021)
• Over $7 billion in global box office revenue
• Produced by EON Productions under the Broccoli family
• Known for legendary gadgets, globe-trotting locations, and iconic villains

The Men Behind the Tux: All Six Bond Actors

• Sean Connery (1962–1967, 1971, 1983) – The original Bond, Connery brought unmatched charisma and masculine toughness.
• George Lazenby (1969) – Delivered a one-time performance in On Her Majesty’s Secret Service.
• Roger Moore (1973–1985) – Took a lighter, humorous approach, starring in seven films.
• Timothy Dalton (1987–1989) – Gave Bond a serious, gritty edge in The Living Daylights and Licence to Kill.
• Pierce Brosnan (1995–2002) – Modern, tech-savvy Bond who helped the franchise into the 21st century.
• Daniel Craig (2006–2021) – Brought emotional realism and depth to Bond across five films.

Thematic Depth and Cultural Evolution

Bond films have reflected changing world politics, from the Cold War to modern terrorism. Recent entries explore mental health, aging, and institutional trust, evolving with modern audiences.

Bond Essentials: What Makes a 007 Film?

• Style & Glamour: From Savile Row suits to Omega watches.
• Gadgets & Cars: From invisible cars to exploding pens.
• Villains: Blofeld, Goldfinger, Silva, and more.
• Bond Women: Complex portrayals from Honey Ryder to Vesper Lynd.
• Music: Theme songs by Adele, Billie Eilish, Sam Smith, and others.

Global Influence and Impact

James Bond has inspired countless spy spoofs, TV dramas, fashion trends, and boosted tourism in its filming locations. Bond isn’t just a movie—it’s a global cultural force.

The Next Bond: Who Will Take the Mantle?

Following No Time to Die, producers have teased a reinvention of Bond. Rumored actors include Aaron Taylor-Johnson, Henry Cavill, Regé-Jean Page, and Damson Idris. Taron Egerton, however, has taken himself out of the conversation.

Why Taron Egerton Isn’t Pursuing the Role

Despite fan enthusiasm, Taron Egerton has respectfully bowed out of the Bond race—and he has his reasons.

He Doesn’t See Himself as Bond

Egerton has said:

“I don’t think I’m the right choice for it.”

He believes Bond requires a certain aloofness and maturity he doesn’t naturally project. He’s charismatic, yes—but he leans more toward emotional depth and relatability than icy sophistication.

The Pressure Is Immense

Being Bond is more than just acting—it’s a decade-long commitment, intense media scrutiny, and the responsibility of carrying a beloved global brand. Egerton has voiced a preference for artistic freedom over franchise obligations.

He’s Already Played a Bond-Like Role

Egerton’s performance as Eggsy in Kingsman is already a cheeky, action-packed riff on Bond. Playing 007 after that could feel redundant—especially since Kingsman already pays tribute to the genre.

He Prefers Diverse, Emotional Roles

From playing Elton John in Rocketman to real-life entrepreneurs in Tetris, Egerton enjoys roles that stretch his dramatic muscles. Bond could box him into one cinematic persona for years.

He’s Guarding His Career Path

Egerton is building a résumé of varied, critically respected performances. Taking on Bond might elevate his fame, but possibly at the cost of his creative range.

Taron Egerton is not interested to be the next James Bond:

“I think I’m too messy for that… and I think there’s so many cool, younger actors who would be great for it. I think it would be wasted on me, probably”

via Collider pic.twitter.com/XtERwjue3R

— Streamdorm Film Updates 🎥 (@Streamdorm_) July 30, 2025

Bond Will Continue—But Without Egerton

The James Bond franchise is a cinematic juggernaut that has endured for generations. Taron Egerton, while a strong actor, knows what Bond demands and has wisely chosen a different path. Whoever becomes the next Bond will not only inherit a role but a legacy.

Ten seasons in, and Big Brother Naija is only getting louder, bolder, and more unpredictable. This year’s milestone edition, dubbed the “10/10” season, has thrown open the doors to 29 housemates—a mixed bag of fiery creatives, corporate minds, street kings, and everyday dreamers ready to chase fame and ₦150 million in prize money. It’s a house bursting with talent, strategy, and drama before eviction even begins.

Split across two nights, the housemates were unveiled in two waves: 15 Women on Day 1, followed by 14 Men on Day 2. 

The Female Housemates

From royalty and law to DJ decks and beauty empires, these 15 Females aren’t just here to play—they came to dominate.

Zita (Elizabeth Oloruntola, 24 – Ogun State)
A visual artist and makeup creative with a confident streak. Zita brings youthful energy and strong opinions—an unfiltered firestarter in the making.

Mide (Ayomide Iwasokun, 23 – Ondo State)
A fashion entrepreneur with a sharp mind and a sharper tongue. She says she can spot lies from a mile away, and she’s not afraid to test her theory in the house.

Sultana (Farida Auduson, 25 – Adamawa State)
Plus-size model and unapologetic Gemini. She commands space with presence and pride, and isn’t here to play small.

Doris (Doris Okorie, 33 – Ogun State)
Actress, mother, and full-blown firecracker. Doris knows who she is, and she’s not scared to challenge egos or expectations.

Big Soso (Sonia Amako, 28 – Kaduna State)
A trained lawyer and chef, Sonia blends intellect with domestic flair. She’s passionate about advocacy and unbothered by house drama.

Tracy (Uchenna Ekwe, 27 – Anambra State)
A single mum and corporate trainee with a quiet storm brewing. She brings softness wrapped in steel and is likely to be underestimated.

Ivatar (Ifeyinwa Okafor, 37 – Anambra State)
The oldest female housemate, Ivatar is a media guru and tattoo-loving DJ with class, control, and a mysterious aura.

Sabrina (Sabrina Idukpaye, 32 – Edo State)
A literal princess with a London School of Economics Master’s degree. Beauty, brains, and boldness wrapped in royalty.

Gigi Jasmine (Nicole Simon-Ogan, 31 – Akwa Ibom/Lagos)
A Nigerian-American DJ, storyteller, and mother with quiet confidence and a touch of mystery.

Thelma Lawson (26 – Rivers State)
This skincare CEO doesn’t waste words. She’s classy, brutally honest, and on a mission to expand her brand under the BBNaija spotlight.

Imisi (Opeyemi Ayanwale, 23 – Oyo State)
She’s a rising fashion voice and actress who wears her emotions on her sleeve. Sweet, loud, and refreshingly real.

Ibifubara Davies (28 – Rivers State)
A mental health advocate with a background in psychology. Her presence is gentle, but her intentions are sharp.

Isabella (Esther Georgewill, 29 – Rivers State)
A spiritual entrepreneur and mom of a teenage daughter. Isabella radiates calm, seduction, and silent authority.

Joanna (Josephine Iwoh, 21 – Benue State)
A pageant queen-turned-designer with a fierce drive. She’s young, competitive, and fully aware of the power of glam.

Dede (Precious Ashiogwu, 23 – Delta State)
Drama magnet and self-proclaimed “problem.” She’s in the house to stir energy, not blend into the background.

The Male Housemates

The men of this season are walking contradictions—brawny and brainy, stylish yet strategic, streetwise but sensitive.

Koyin (Koyinsola Sanusi, 21 – Ogun State)
The youngest male contestant. A full-time model and street-styled Lagos boy with flair and fast-talking energy.

Danboskid (Daniel Olatunji, 25 – Ekiti State)
Model, actor, and pageant king who says he prefers being chased. Charming and clearly aware of his looks.

Bright Morgan (27 – Imo State)
Popular actor known for intense roles. He’s bringing Nollywood drama to the reality stage.

Rooboy (Olakunle Samuel, 30 – Ogun State)
Professional hype man with a rich personal story. Vibrant, sensitive, and driven to rewrite his narrative.

Faith (Faith Adewale, 25 – Osun State)
Doctor by training, AR creator by hustle. Charismatic, brilliant, and a low-key playboy.

Kaybobo (Kayode Oladele, 26 – Ekiti State)
Former American footballer who now doubles as a chef. He’s loud, confident, and determined to win.

Denari (Arinze Ekwenme, 27 – Anambra State)
Comedian and mimic artist with a strong sales background. The entertainer of the group.

Kayikunmi (Kayikunmi Ajibade, 25 – Ekiti State)
A proud twin and banker who blends street-smart moves with Yoruba royal confidence.

Victory (Victory Okokon, 28 – Akwa Ibom State)
A psychologist and the brooding philosopher of the group. He’s deep, reactive, and emotionally vulnerable.

Jason Jae (Ayomide James, 29 – Ondo State)
Creative director and choreographer. His energy is artsy, flirty, and visually captivating.

Kola (Kolapo Omotosho, 28 – Ekiti State)
Calm strategist, quality analyst by day and content creator by passion. His confidence is quiet, but commanding.

Otega (Oghenetega Eritomi, 32 – Delta State)
Chef and techie with an old soul. Reserved, deliberate, and deep-thinking.

Kuture (Unekwuojo Godswill Ameh, 27 – Kogi State)
Fashion designer and sailor, proudly repping Ajegunleenergy. Real, rugged, and street-approved.

Mensan (Mensan-Awaji James, 29 – Rivers State)
A budding lawyer with poetic charisma and unfiltered honesty. Strong-headed and unapologetically sharp.

What Makes This Season Different?

Big Brother didn’t just increase the prize money—he changed the rules. For the first time:

• ₦150 million is to be earned gradually through weekly challenges and influence scores.
• “Most Influential Housemate” will be announced weekly, giving strategic social gameplay a big reward.
• New twists like “Monday Challenges,” immunity tags, “Most Valuable Player,” and even return tickets for evicted housemates have made it a game of endurance, not just survival.

With 29 highly diverse personalities and a rulebook that rewards more than just fan love, Season 10 is shaping up to be the most explosive yet. Whether you’re here for alliances, love triangles, fashion, kitchen chaos, or epic fights—you won’t be disappointed as a fan of the show.

South African star Tyla is clearly not here for one-dimensional artistry. Just a year after her self-titled debut album and a whirlwind global breakout with “Water,” she’s switching gears again and this time with a tight, bold, and experimental EP titled We Wanna Party, released under FAX and Epic Records.

The 4-track project is short, but far from small. It’s playful, confident, and rhythm-heavy — giving us a version of Tyla that isn’t trying to prove anything, just enjoying her growth in real time. If Tyla the album was her formal debut, We Wanna Party is her pulling up to the function in silk and sunglasses, telling us she’s not only ready to party — she’s hosting it.

The EP in Four Tracks

1. Dynamite ft. Wizkid

This is the moment. “Dynamite” is smooth, slow, and sexy — the kind of track you want to put on repeat during a humid evening. Tyla and Wizkid deliver chemistry without doing too much. The beat doesn’t rush, the lyrics don’t beg, and the vibe is locked in. For fans of laid-back Afropop and effortless energy, this is gold.

2. Mr. Media

This track is Tyla at her cheekiest. She calls out gossip culture, online noise, and the obsession with image — all while sounding unbothered and fabulous. “Mr. Media” is fun and shady in the best way, with production that snaps and bounces like a digital catwalk. It’s a clapback, a wink, and a flex — all wrapped in one.

3. Is It

A more emotional, slowed-down moment. “Is It” has that late-night feel where the party fades and questions start rising. Tyla’s delivery is soft and vulnerable here, and the production gives space for that honesty. She doesn’t just sing — she questions, she hesitates, she wonders out loud. And we feel it.

4. Bliss

Ending the EP on a floaty, reflective note, “Bliss” lives up to its name. It’s dreamy and mellow, like the last scene in a coming-of-age movie. Tyla lets her vocals glide over airy production, giving us a gentle close that lingers after the beat fades. Not flashy — just beautifully calm.

The Sound & Mood

We Wanna Party isn’t trying to follow the same path as her debut album. Where Tyla was sleek and full of world-building, this Mixtape is more vibe-first, more experimental, and definitely less polished. 

Why It Works

Tyla has always known how to balance softness with strength, and We Wanna Party proves it again. She’s giving attitude without arrogance. She’s calling out the media, teasing desire, showing some emotional depth — all within four tracks. It’s cohesive without being predictable.

And that Wizkid collab; Honestly, overdue because we all know Tyla is a big fan of Wizkid and has been looking forward to working with him. “Dynamite” feels like a natural meeting of two calm-but-commanding stars. No overproduction, no gimmicks — just quality.

My Rating 8.5/10 

It’s short, stylish, and quietly bold — exactly what an artist in her position should be dropping right now. She’s not doing too much, but she’s doing just enough to remind us: the party’s not stopping anytime soon.

With To Kill a Monkey, filmmaker Kemi Adetiba returns with her most daring and socially confrontational work yet — a brooding, eight-part cybercrime thriller that swaps political theatrics for a deep dive into the moral compromises of survival in modern Nigeria. Streaming on Netflix as of July 18, 2025, the series is a raw and layered portrait of a man seduced by tech-enabled fraud, haunted by loss, and hunted by consequence.

Anchored by strong performances and atmospheric tension, To Kill a Monkey is as much about internet scams as it is about identity, desperation, and the haunting price of trying to outrun your past.

Plot Summary: Into the Heart of Digital Darkness

The story follows Efemini — simply “Efe” — a down-on-his-luck, intelligent young man played with controlled intensity by William Benson. Efe has lost everything that once grounded him: his job, his family, and most importantly, his sense of moral compass. Living in Lagos and trying to find his footing, he reconnects with Oboz (Bucci Franklin), a notorious cybercrime kingpin running a covert fraud syndicate.

The syndicate operates under the guise of “monkeys” — an ironic label for men who scam their way to wealth by pretending to be what they’re not. Efe, with his background in tech and artificial intelligence, quickly proves useful, building tools that help the gang target foreigners.

But beneath the wealth, women, and wild nights, the cracks begin to show. Efe’s inner world is fragile, riddled with grief, survivor’s guilt, and the slow realization that he’s spiraling into something unrecognizable.

On the other side of the hunt is Mo Ogunlesi (Bimbo Akintola), an emotionally scarred cybercrime officer determined to bring down the syndicate. As the lines blur between right and wrong, her pursuit of justice collides with Efe’s desperate need for escape.

Performance & Characterization: A Breakout and a Masterclass

William Benson is a revelation in the role of Efe. His performance is quiet, haunting, and deeply internal. Benson doesn’t play Efe as a one-note criminal but as a man struggling to survive the emotional wreckage of his life. His pain never screams — it simmers.

Bucci Franklin, as Oboz, brings charisma and controlled menace. The Edo accent, the swagger, the manipulative confidence — Franklin crafts a character that is seductive yet untrustworthy. Oboz is as much a metaphor for the streets as he is a reflection of its dangers: fast wealth, shallow loyalty, inevitable betrayal.

Bimbo Akintola returns to the screen with force. Her portrayal of Mo Ogunlesi — driven, grief-ridden, unshakably moral — offers the perfect foil to Efe’s morally gray journey. Their eventual face-off is among the most emotionally potent in the series.

Other cast members, including Stella Damasus, Chidi Mokeme, and Lilian Afegbai, deliver strong performances, though a few characters, especially within law enforcement, could have used more backstory and depth.

Direction & Writing: Kemi Adetiba’s Bold Evolution

This is Adetiba’s first major work since the King of Boys franchise, and it’s an intentional departure. Gone are the dramatic monologues and crown politics. In their place: subtlety, grit, and the silence of desperation.

As the creator, director, and writer, Adetiba shapes a story rooted in the here and now — from dating app scams to dark web forums. The dialogue is authentic, street-smart, and emotionally resonant. The writing captures both the banter of Lagos boys and the desperation of a generation trading dreams for survival hacks.

Still, the series isn’t without its flaws. At eight episodes, it occasionally lingers too long on scenes that don’t move the story forward. The mid-section, in particular, could’ve benefited from tighter pacing. But when the show finds its rhythm, it doesn’t let go.

Cinematography & Sound

Visually, To Kill a Monkey is a triumph. Shot by KC Obiajulu, the series uses deep shadows, neon backlights, and smartphone overlays to immerse viewers in the digital underworld. The use of screen graphics; messages, code, AI models, and is clever without feeling gimmicky.

Sound plays a crucial role too. The series hums with tension: the buzz of a hacked laptop, the ping of a notification just before betrayal, the muffled roar of Lagos nightlife. The soundtrack, blending ambient electronica with low-key Afrobeats, heightens both danger and emotion.

Costume & Styling: The Look of Fast Life

From knock-off designer belts to crisp kaftans and “big boy” jewelry, the costume design mirrors the delusion of luxury that defines the fraud world. Oboz is always overdressed, a walking ad for his own success story , while Efe’s style shifts from humble to gaudy, then back to broken as his inner world begins to collapse.

It’s in the subtle styling — the oversized shades, the loud watches, the new iPhones — that the show tells a silent story about aspiration and identity.

Themes & Symbolism

The title To Kill a Monkey is both literal and metaphorical. In Nigerian slang, it implies removing a nuisance — but here, it represents a deeper question: what does it mean to kill the part of yourself shaped by trauma, poverty, and anger?

The “monkey” is Efe’s alter ego — the face he wears to survive a system that failed him. Killing it isn’t just about walking away from crime; it’s about reclaiming his humanity. But can a man who’s benefited from darkness ever fully escape it?

Other powerful themes include:
– Grief and isolation
– Tech as both savior and curse
– The price of betrayal
– The thin line between survival and corruption

My Rating: 8/10

To Kill a Monkey is a sharp, emotionally resonant, and stylistically confident series. It’s not just about cybercrime; it’s about the personal cost of chasing shortcuts in a world that offers so few long roads.

With a career-defining performance from William Benson, a pitch-perfect villain in Bucci Franklin, and a director who continues to evolve and challenge herself, this is one of Nollywood’s most relevant thrillers in recent years.

In the world of the “monkeys,” survival is never free, and sometimes, the hardest person to escape is yourself.

In the ever-evolving landscape of Nollywood, few filmmakers carry as much weight, influence, and anticipation as Kemi Adetiba. Known for her bold storytelling, strong character arcs, and cinematic style, the King of Boys director has carved a unique lane for herself in Nigerian cinema. Now, with her new film To Kill a Monkey officially released today, July 18th, 2025, all eyes are once again on the self-proclaimed “storyteller supreme.”

A Title That Grabs You

Right from the title, To Kill a Monkey isn’t trying to blend in. It’s loud. It’s daring. And it promises a storyline unlike anything we’ve seen in recent Nollywood blockbusters. Kemi Adetiba has described the film as a psychological thriller filled with suspense, power play, and deep emotional conflict. It’s a cinematic experiment that leans into darker, more provocative themes.

The plot explores betrayal, survival, political tension, and the cost of silence, a compelling mix that sets the stage for high-stakes drama. With the success of King of Boys still resonating, this new outing feels like the next evolution in Adetiba’s storytelling arsenal.

A Queen of Her Craft

Kemi Adetiba has never been one to play it safe. From her breakout directorial debut in The Wedding Party, which became a box office sensation, to the gritty, politically charged world of King of Boys, she has constantly raised the bar. What makes her work even more impressive is the consistency of quality across storytelling, casting, visuals, and sound.

Her brand is now synonymous with excellence and edge, and To Kill a Monkey seems positioned to further strengthen that reputation.

Trailer for Kemi Adetiba “To Kill A Monkey” coming to Netflix.

Starring Chidi Mokeme, Stella Damasus, Bimbo Akintola, William Benson, Lilian Afegbai, Bucci Franklin, Michael .O. Ejoor and Damilola Adegbite.

pic.twitter.com/Dgg5nRUt50

— Streamdorm Film Updates 🎥 (@Streamdorm_) June 26, 2025

Star Power Casting

This time, Adetiba assembles a powerful cast to bring her vision to life. The film features veteran actor Chidi Mokeme, the graceful Stella Damasus, and the ever-commanding Bimbo Akintola, William Benson, Bucci Franklin in key roles. Joining them are, Lilian Afegbai, Michael .O. Ejoor, and Damilola Adegbite; each bringing unique flair and depth to the screen.

With this cast, audiences can expect powerhouse performances, emotional complexity, and standout moments that will linger long after the credits roll.

Stills from Kemi Adetiba “To Kill A Monkey” coming to Netflix.

Starring Chidi Mokeme, Stella Damasus, William Benson, Lilian Afegbai, Bucci Franklin, Michael .O. Ejoor and Damilola Adegbite. pic.twitter.com/AfubMKnXV3

— Streamdorm Film Updates 🎥 (@Streamdorm_) June 26, 2025

Raising Nollywood’s Global Profile

Beyond entertainment, Kemi Adetiba represents something larger; the global ambition of Nollywood. With her international fan base, sleek production style, and ability to tap into culturally resonant stories, she’s helping reshape how the world views African cinema. Every project she releases becomes a cultural conversation, and To Kill a Monkey is no different.

Final Thoughts

To Kill a Monkey isn’t just another film — it’s another power move. A declaration that Nollywood isn’t just growing, it’s evolving. And at the helm of that evolution is a woman who knows exactly what she’s doing. It premieres on Netflix today!

Are you planning to see To Kill a Monkey? What are your expectations? Share your thoughts with us after you’ve seen the movie.

Wizkid turns a year older today, and while social media is flooded with tributes and throwbacks, we’re taking a different route. It’s time to rank every Wizkid album;the highs, the lows, and the game-changing moments that have defined his journey from Ojuelegba to the O2.

This isn’t just fan love. It’s a critical deep dive, praising what deserves praise, and calling out what could’ve been better. Because even legends have missteps, and that’s okay.

Note before you Proceed!

This list is based on:
– Artistic quality
– Cohesion and originality
– Cultural impact
– Replay value
– Growth and boldness

6. Sounds from the Other Side (2017)

Highlight Tracks: “Come Closer” ft. Drake, “Daddy Yo,” “African Bad Gyal”

Wizkid’s “Sounds from the Other Side” was his first major leap into the international market. It had ambition, dancehall, Caribbean-infused pop, and big-name collabs like Drake, Major Lazer, Chris Brown. But the album lacked soul.
Yes, it gave him global visibility. But it felt like Wizkid trying to fit into Western radio instead of bending them to his rhythm.

My thought: A strategic move but not a masterpiece. The most forgettable album in his discography.

5. More Love, Less Ego (2022)

Highlight Tracks: “Money & Love,” “2 Sugar,” “Frames (Who’s Gonna Know)”

The follow-up to Made in Lagos was always going to be tough. But “More Love, Less Ego” felt like a beautiful shell with no core. The production was elite, clean, vibe-heavy. But the writing lacked what Wizkid was more about compared to other Albums released by the music Icon.
It’s Wizkid at his smoothest, but also his most emotionally distant. The album didn’t push boundaries, nor did it feel like he had much to say. In many ways, it was a continuation of Made in Lagos, just less hungry.

My thought: Sonically pleasing, but too safe. For an artist of his calibre, we wanted more.

4. Ayo (2014)

Highlight Tracks: “Ojuelegba,” “Show You the Money,” “Jaiye Jaiye,” “In My Bed”

Ayo was a comeback and a stamp. Coming after Superstar, this project showed a Wizkid with more control, more polish, and bigger ambition. It had the hits, the hooks, the spiritual storytelling of “Ojuelegba.”

But it was also a bloated album, with too many tracks (19) and some clear fillers. A lot of it felt like a compilation of singles, not a cohesive project.

My thought: Imperfect but pivotal. An album that balanced fame and faith.

3. Superstar (2011)

Highlight Tracks: “Holla at Your Boy,” “Tease Me,” “Don’t Dull,” “Love My Baby”

This is where it all began — Wizkid’s breakout. He was young, hungry, cocky, and vibrating with potential. Superstar wasn’t just an album, it was an era that even the superstar we have today will never forget.

It changed Nigerian pop forever. The swagger. The slang. The sound. From “Pakurumo” to “Oluwa Lo Ni,” this was the soundtrack of a generation.

But let’s be honest; even as good as the album it isn’t his best project. The album hasn’t aged perfectly. Some tracks feel dated, and there’s a juvenile tone that’s natural for a debut.

My thought: A cultural classic. Not his best technically, but you can’t overstate its importance.

2. Made in Lagos (2020)

Highlight Tracks: “Essence,” “Ginger,” “Blessed,” “True Love,” “Reckless”

This is the album that redefined Wizkid for the world. Made in Lagos was sleek, patient, grown. It wasn’t chasing the charts — it was building a mood. And it worked. Globally.
Essence became the first truly global Afrobeats love song, and the album showed a matured artist comfortable in his skin.
Still, the album gets criticism for being too chill, not enough tempo variation, little experimentation. But that’s the point. Made in Lagos wasn’t made for the club. It was made for late nights and great moments.

My thought: A timeless piece of mood music. The moment the world took Afrobeats seriously and Wizkid led the charge.

1. Morayo (2024)

Highlight Tracks: “Morayo,” “Energy,” “Palm Trees,” “Sade,” “Better Days”

After years of smooth, laid-back vibes, Wizkid finally returns with clarity, heart, and hunger on Morayo; a title that feels personal, almost spiritual. 

The project is named after Wizkid’s late mother, Jane Morayo Balogun, who passed away in 2023. Her death left an open wound in the heart of an artist who, until then, had rarely spoken so openly about grief, loss or legacy in his music.

This album is Wizkid at his most honest and intentional since Ojuelegba first release.
“Morayo” (the title track) is a reflective, emotionally stirring opener that sets the tone. He’s not just singing; he’s telling stories. About love, Lagos, loss, legacy. There’s an intimacy to the lyrics we haven’t heard from him in years.
Sonically, Morayo balances mellow Afrobeats with bolder experiments — it’s smoother than Superstar, deeper than More Love, Less Ego, and less commercially calculated than Sounds from the Other Side.

My thought: Morayo is Wizkid’s most complete and cohesive album. It merges growth with grit, melody with message. After all these years, he still finds new ways to surprise us.

Final Thoughts:

Wizkid has evolved in real-time, from a young Nigerian singer to a global legend. His discography shows the growth, the experiments, the setbacks, and the wins.
Whether you miss the energy of Don’t Dull or prefer the silkiness of Essence, one thing is clear:
Wizkid is not done yet.

Happy Birthday to the Biggest Bird!

What do you think about this list?
Drop your rankings in the comments if you think otherwise.