In the ever-evolving landscape of Nollywood, few filmmakers carry as much weight, influence, and anticipation as Kemi Adetiba. Known for her bold storytelling, strong character arcs, and cinematic style, the King of Boys director has carved a unique lane for herself in Nigerian cinema. Now, with her new film To Kill a Monkey officially released today, July 18th, 2025, all eyes are once again on the self-proclaimed “storyteller supreme.”

A Title That Grabs You

Right from the title, To Kill a Monkey isn’t trying to blend in. It’s loud. It’s daring. And it promises a storyline unlike anything we’ve seen in recent Nollywood blockbusters. Kemi Adetiba has described the film as a psychological thriller filled with suspense, power play, and deep emotional conflict. It’s a cinematic experiment that leans into darker, more provocative themes.

The plot explores betrayal, survival, political tension, and the cost of silence, a compelling mix that sets the stage for high-stakes drama. With the success of King of Boys still resonating, this new outing feels like the next evolution in Adetiba’s storytelling arsenal.

A Queen of Her Craft

Kemi Adetiba has never been one to play it safe. From her breakout directorial debut in The Wedding Party, which became a box office sensation, to the gritty, politically charged world of King of Boys, she has constantly raised the bar. What makes her work even more impressive is the consistency of quality across storytelling, casting, visuals, and sound.

Her brand is now synonymous with excellence and edge, and To Kill a Monkey seems positioned to further strengthen that reputation.

Trailer for Kemi Adetiba “To Kill A Monkey” coming to Netflix.

Starring Chidi Mokeme, Stella Damasus, Bimbo Akintola, William Benson, Lilian Afegbai, Bucci Franklin, Michael .O. Ejoor and Damilola Adegbite.

pic.twitter.com/Dgg5nRUt50

— Streamdorm Film Updates 🎥 (@Streamdorm_) June 26, 2025

Star Power Casting

This time, Adetiba assembles a powerful cast to bring her vision to life. The film features veteran actor Chidi Mokeme, the graceful Stella Damasus, and the ever-commanding Bimbo Akintola, William Benson, Bucci Franklin in key roles. Joining them are, Lilian Afegbai, Michael .O. Ejoor, and Damilola Adegbite; each bringing unique flair and depth to the screen.

With this cast, audiences can expect powerhouse performances, emotional complexity, and standout moments that will linger long after the credits roll.

Stills from Kemi Adetiba “To Kill A Monkey” coming to Netflix.

Starring Chidi Mokeme, Stella Damasus, William Benson, Lilian Afegbai, Bucci Franklin, Michael .O. Ejoor and Damilola Adegbite. pic.twitter.com/AfubMKnXV3

— Streamdorm Film Updates 🎥 (@Streamdorm_) June 26, 2025

Raising Nollywood’s Global Profile

Beyond entertainment, Kemi Adetiba represents something larger; the global ambition of Nollywood. With her international fan base, sleek production style, and ability to tap into culturally resonant stories, she’s helping reshape how the world views African cinema. Every project she releases becomes a cultural conversation, and To Kill a Monkey is no different.

Final Thoughts

To Kill a Monkey isn’t just another film — it’s another power move. A declaration that Nollywood isn’t just growing, it’s evolving. And at the helm of that evolution is a woman who knows exactly what she’s doing. It premieres on Netflix today!

Are you planning to see To Kill a Monkey? What are your expectations? Share your thoughts with us after you’ve seen the movie.

Wizkid turns a year older today, and while social media is flooded with tributes and throwbacks, we’re taking a different route. It’s time to rank every Wizkid album;the highs, the lows, and the game-changing moments that have defined his journey from Ojuelegba to the O2.

This isn’t just fan love. It’s a critical deep dive, praising what deserves praise, and calling out what could’ve been better. Because even legends have missteps, and that’s okay.

Note before you Proceed!

This list is based on:
– Artistic quality
– Cohesion and originality
– Cultural impact
– Replay value
– Growth and boldness

6. Sounds from the Other Side (2017)

Highlight Tracks: “Come Closer” ft. Drake, “Daddy Yo,” “African Bad Gyal”

Wizkid’s “Sounds from the Other Side” was his first major leap into the international market. It had ambition, dancehall, Caribbean-infused pop, and big-name collabs like Drake, Major Lazer, Chris Brown. But the album lacked soul.
Yes, it gave him global visibility. But it felt like Wizkid trying to fit into Western radio instead of bending them to his rhythm.

My thought: A strategic move but not a masterpiece. The most forgettable album in his discography.

5. More Love, Less Ego (2022)

Highlight Tracks: “Money & Love,” “2 Sugar,” “Frames (Who’s Gonna Know)”

The follow-up to Made in Lagos was always going to be tough. But “More Love, Less Ego” felt like a beautiful shell with no core. The production was elite, clean, vibe-heavy. But the writing lacked what Wizkid was more about compared to other Albums released by the music Icon.
It’s Wizkid at his smoothest, but also his most emotionally distant. The album didn’t push boundaries, nor did it feel like he had much to say. In many ways, it was a continuation of Made in Lagos, just less hungry.

My thought: Sonically pleasing, but too safe. For an artist of his calibre, we wanted more.

4. Ayo (2014)

Highlight Tracks: “Ojuelegba,” “Show You the Money,” “Jaiye Jaiye,” “In My Bed”

Ayo was a comeback and a stamp. Coming after Superstar, this project showed a Wizkid with more control, more polish, and bigger ambition. It had the hits, the hooks, the spiritual storytelling of “Ojuelegba.”

But it was also a bloated album, with too many tracks (19) and some clear fillers. A lot of it felt like a compilation of singles, not a cohesive project.

My thought: Imperfect but pivotal. An album that balanced fame and faith.

3. Superstar (2011)

Highlight Tracks: “Holla at Your Boy,” “Tease Me,” “Don’t Dull,” “Love My Baby”

This is where it all began — Wizkid’s breakout. He was young, hungry, cocky, and vibrating with potential. Superstar wasn’t just an album, it was an era that even the superstar we have today will never forget.

It changed Nigerian pop forever. The swagger. The slang. The sound. From “Pakurumo” to “Oluwa Lo Ni,” this was the soundtrack of a generation.

But let’s be honest; even as good as the album it isn’t his best project. The album hasn’t aged perfectly. Some tracks feel dated, and there’s a juvenile tone that’s natural for a debut.

My thought: A cultural classic. Not his best technically, but you can’t overstate its importance.

2. Made in Lagos (2020)

Highlight Tracks: “Essence,” “Ginger,” “Blessed,” “True Love,” “Reckless”

This is the album that redefined Wizkid for the world. Made in Lagos was sleek, patient, grown. It wasn’t chasing the charts — it was building a mood. And it worked. Globally.
Essence became the first truly global Afrobeats love song, and the album showed a matured artist comfortable in his skin.
Still, the album gets criticism for being too chill, not enough tempo variation, little experimentation. But that’s the point. Made in Lagos wasn’t made for the club. It was made for late nights and great moments.

My thought: A timeless piece of mood music. The moment the world took Afrobeats seriously and Wizkid led the charge.

1. Morayo (2024)

Highlight Tracks: “Morayo,” “Energy,” “Palm Trees,” “Sade,” “Better Days”

After years of smooth, laid-back vibes, Wizkid finally returns with clarity, heart, and hunger on Morayo; a title that feels personal, almost spiritual. 

The project is named after Wizkid’s late mother, Jane Morayo Balogun, who passed away in 2023. Her death left an open wound in the heart of an artist who, until then, had rarely spoken so openly about grief, loss or legacy in his music.

This album is Wizkid at his most honest and intentional since Ojuelegba first release.
“Morayo” (the title track) is a reflective, emotionally stirring opener that sets the tone. He’s not just singing; he’s telling stories. About love, Lagos, loss, legacy. There’s an intimacy to the lyrics we haven’t heard from him in years.
Sonically, Morayo balances mellow Afrobeats with bolder experiments — it’s smoother than Superstar, deeper than More Love, Less Ego, and less commercially calculated than Sounds from the Other Side.

My thought: Morayo is Wizkid’s most complete and cohesive album. It merges growth with grit, melody with message. After all these years, he still finds new ways to surprise us.

Final Thoughts:

Wizkid has evolved in real-time, from a young Nigerian singer to a global legend. His discography shows the growth, the experiments, the setbacks, and the wins.
Whether you miss the energy of Don’t Dull or prefer the silkiness of Essence, one thing is clear:
Wizkid is not done yet.

Happy Birthday to the Biggest Bird!

What do you think about this list?
Drop your rankings in the comments if you think otherwise.

If we are being honest, after Seven hit studio album, Burna Boy doesn’t really have anything left to prove. He’s sold-out stadiums, won Grammys, and put Afrofusion on the global map. But with No Sign of Weakness, he’s still pushing boundaries, experimenting with new sounds, and reminding us that he’s not just in the game, he is who he says he is.

Released on July 11, 2025, this album isn’t just another victory lap. It feels like a personal mission — a fearless, genre-hopping ride where Burna gets to show off all sides of who he is: the African Giant, the rock star, and the man behind the fame.

THE ALBUM: NO SIGN OF WEAKNESS

A 16 track album that run for approximately 47 minutes on play, the title says it all: No Sign of Weakness. Burna Boy uses this album to talk about survival, success, betrayal, legacy, and staying true to himself in a world that constantly wants him to fit a mold and an industry where nothing comes easy with beefs in the industry and everyday talk from the media.

He doesn’t just talk his talk, he backs it up with beats that range from Afrobeat and reggae to trap, rock, country, and everything in between. Somehow, it all works. This isn’t a scattered playlist; it’s a carefully curated soundscape that takes you through Burna’s headspace.

Collaborations

• Empty Chairs feat. Mick Jagger – This can be said to be an unexpected one, but. It’s soulful, gritty, and has a rebellious edge.
• TaTaTa feat. Travis Scott – A hard-hitting Afro-trap jam that blends both artists’ strengths.
• Change Your Mind feat. Shaboozey – Burna tries a country vibe and it surprisingly with no doubt came out fine tune.
• Pardon feat. Stromae – A soulful, emotional collab that sticks with you.

A Global Sound With African Roots

Burna Boy is unapologetically African, but he’s also speaking to the world. From the pidgin lyrics to the rhythms inspired by Fela Kuti, the album stays rooted in Nigeria.

Still, he’s blending Afrobeat with rock, country, and trap in new and exciting ways.

How’s It Doing So Far?

• #1 on Apple Music Nigeria
• Charting on Billboard’s Afrobeats chart
• Praised by The Times, AP, Clash and more
• More than just numbers, fans are loving the honesty and creativity.

Rating: 8.5/10

No Sign of Weakness isn’t Burna’s flashiest album, but it might be his most daring. It’s mature, bold, and confident. It shows growth, vulnerability, and range.

It might take a few listens to fully hit you, but when it does, it sticks.

Calling Superman nostalgic will be a hyperbole, but it is. James Gunn’s ‘Superman’ takes me back to the days when I woke up at 3 in the morning to watch cartoons without my parents’ knowledge (I’m pretty sure my mum was aware), the days when everything seemed bright in the world, and the days that made me fall in love with superheroes and comics. 

James Gunn’s Superman is meant to remind us of why we fell in love with the character and comics as a whole, but did it achieve its job?

In the plethora of points made by the ever-divided fandom of DC, a standout point of argument is that “Man of Steel” is too dark. For the general audience, this means nothing; movies are movies. Why should a parent who has worked all month take their precious money to see this movie? 

The creatives and execs at the time of DCEU left a big dent in the DC brand, and with James Gunn steering the ship, will everything be bright and beautiful? Can this DCU rival the already falling MCU? Time will tell.

Movie Overview

Superman follows Clark Kent/Superman, who must reconcile his Kryptonian heritage with his human upbringing while saving the world from a self-centered billionaire with a saviour complex, determined to destroy him both emotionally and literally.

While the movie has a nod to today’s world, I will argue that this is a classic case of life imitating art. From tone to action and dialogue, this is a movie that raises the question, “What does being good in today’s world look like?”

The Positives

Think of the first time you opened a comic book, or the first animation you watched as a kid… In rare cases, your introduction to that world is an origin story. James Gunn has said this on multiple occasions: this is not an origin story; expect to be dropped right in the middle. 

The concerns of many, rightfully so, will be the amount of jokes in this movie and to my surprise, it’s way less than you will expect. 

James Gunn managed to create a film with heartfelt moments without his jokes, which may come off as corny to some. The funniest jokes are those in real situations that everyday people can relate to. Some jokes sadly did not stick, and some could be felt a mile away, but the funniest of them is a surprise cameo.

With past iterations trying to drag and showcase Superman’s power set, this movie is about who he is or, at the very least, believes himself to be at the core. Questions like, should those with too much power oppress or intervene? Superman ignorantly believes in the good of humanity.

The casting of this movie is arguably the best casting of all iterations of Superman. Every cast did 150% with what they had. More on our YouTube:

Neutral Point

Despite being the coal to the Orient Express, the score was all over the place. The nostalgia in the John Williams theme was useful in some parts of the movie, but in most places, it felt over the top.

The flying scenes were a choice, but the action mid-flight was beautiful.

Negative Point

Despite how “comic booky” this movie is, the number of characters could use more screen time, especially a female superhero. Each tertiary character tried to shine, but with such great talent, you forget this is a Superman movie.

To compensate for not being an origin story, James Gunn found the worst way to make the audience understand why things are the way they are. I don’t think there is a reason why actual people will have to explain, without being asked, why you only wear a gold chain. This movie found a way to make callbacks annoying. What’s worse is there’s nothing to call back to.

Conclusion

Superman delivers on its promises: a great movie experience that poses the question, “What does it mean to be good?” This is a great start to the vision of the DCU, but will it end up like the old DC and new Marvel?

Streamdorm Movie Rating: 8.5/10

About the Film: K.O. (2025)

In K.O., director Antoine Blossier delivers a tense, emotionally layered thriller that strikes with quite an intensity and moral complexity. Set in the undercurrent of Paris’s fight scene, the film explores the collision between violence, guilt, and the human desire for redemption.
At the center of the story is Bastien Durand, a once-promising MMA fighter whose career and conscience shatter when he accidentally kills an opponent during a sanctioned bout. Wracked with guilt and shunned by the world that once celebrated him, Bastien disappears from public life, retreating into isolation. But his past refuses to stay buried.
K.O. is not about the glory of combat but the emotional wreckage it leaves behind. Blossier steers the film away from traditional fight drama clichés, focusing instead on psychological tension, intimate character dynamics, and the thin line between justice and forgiveness.
K.O. examines themes of atonement, the ripple effect of loss, and the fragile hope that even broken people can heal. It’s a gripping, morally complex story where the greatest battle isn’t fought in a ring but within.

Movie Summary

The movie begins in an MMA Stage fight between two figter and in the hit of the moment one of the fighters (Bastien) kills the other while trying to escape from his grapple hook. He visits the opponents wake-keeping to pay his respect but he is sent away by the son and wife of the deceased.

Two years after, an incident occurs in an old factory where a gang killing by drug dealers happens. The son of the late fighter (Leo) is now a drug dealer and also an informant to a police officer (Alaoui) and he is a witness to the killing that occured at the factory. The gang well feared in Marseille even by the Police force now wants him dead so his mother runs to Bastien for help with her son whose life is in danger.

Bastien full of grieve and regrets of what had happened two years ago, quits fighting and resolve to living in isolation but now he must atone for his sins by saving the life of the son of the man he murdered. Getting to Marseille he meets with Alaoui who is also looking for Leo and their parts cross when he goes to the apartment of Leo’s cousin where the mother believed he was living.

They team up together to look for Leo after she was suspended from the Police force after fighting the security at a club where they went to get information about Leo’s whereabout. Bastien and Alaoui end up having a moment together and there after Leo is rescued from his hideout from the grip of the Manchours gang.

He is taken safely to the police station for statement but unknown to them there is a mole in the police station and they are attacked at the station.

Review: K.O. (2025) – A Quiet Thriller That Hits Where It Hurts

If you’re expecting a fast-paced fight movie filled with punches and cheers, K.O. will surprise you and in the best way possible. Directed by Antoine Blossier, this French thriller takes a very different route. It’s not about the fight in the ring; it’s about what happens after.

The movie is quiet and intense. There are a few violent moments, but they feel real and necessary not flashy but also begs of the question of what could have been. In regular films we see instances where common sense is required but if you are watching a film, most especially an action film and you try to apply your common sense to all the scenes then you will end up not enjoying the film.

There are some places you might have expected some things to be done differently but for the fun of the film it is done in the way it is. For example some of the mobs using cutlass and knifes to fight Bastien when they all have access to guns, (if they used guns and he used his bare hands then the movie will sure end sooner than it should be).

Commenting on the guilt and forgiveness part in the movie I understand from research that there are unspoken understanding between fighters on the dangers of the game and in some cases like UFC, Bellator, and PFL, fighters usually typically sign contracts and waivers acknowledging the risks of injury or death.

So my thoughts are that Bastien felt guilty because he wanted to and later on we found out that he had a similar childhood like Leo, his father was killed so he felt guilty that he was exposing someone else to such a world over again but aside that in its self he owed nothing to Leo and his mother for an accident that occured between both fighters, I know this would sound harsh and heartless but its just a movie and the story line I agree should have taken this turn for the purpose of everything that later happened.

The real focus is on the characters, their emotions, and how they try to make sense of a situation with no easy answers. What makes K.O. special is how real it feels. It doesn’t rush. It doesn’t pretend everything will be okay. It just shows two people trying to make peace with the past, while doing what they can in the present.

To calm the tension of the action packed film, like every other regular action movies Blossier creates a scene of romance and intimacy which was introduced between Bastien and Alaoui which to some like myself would say it’s unnecessary because they had just met and didn’t even know one another that well yet but the very first chance they get to be alone together they already end up having sex.
The fighting scenes are well done to their standard and looks somewhat real though there are some places that could have been improved upon most especially in the last battle inside the Police station.

If you are someone who is used to watching films with subtitles and loves action packed movies then K.O. should be on your watch list though its original language is in French, with subtitle it is well understandable. I mean that is if you do not speak or understand French.

Rating 6.5

In 2025, Wizkid: Long Live Lagos made its grand debut at the Tribeca Film Festival in New York, marking a special moment in both African music and global storytelling. More than just a documentary, the film is a celebration of Lagos culture, the rise of Afrobeats, and the life of one of Nigeria’s most iconic artists, Ayodeji Ibrahim Balogun, popularly known as Wizkid.

A Cinematic Tribute to Wizkid

Directed by Karam Gill and produced alongside Daniel Malikyar, Long Live Lagos is a full-length documentary that takes fans on an emotional and cinematic journey through Wizkid’s life. From his early days in Surulere, Lagos, to the bright lights of international stardom, the film unpacks not only his success but also the spiritual and cultural roots that shaped him.
It isn’t just about music; it’s about legacy, identity, and the city that birthed a global movement.

Inside the Film: What to Expect

The documentary offers never-before-seen footage of Wizkid’s life — intimate family moments, studio sessions, and electrifying performances. It’s an unfiltered look at the man behind the music, revealing his vulnerabilities, growth, and deep connection to Lagos.

Featuring appearances and commentary from influential voices such as:

• Femi Kuti – Afrobeat legend and cultural icon
• Jada Pollock – Wizkid’s longtime manager and partner
• Sunday Are – Veteran manager and music executive
• Julie Adenuga – British-Nigerian media personality and radio host

These voices help narrate Wizkid’s evolution and the role he’s played in reshaping how African talent and Afrobeat as a whole is seen around the world.

A Landmark Premiere at Tribeca

Long Live Lagos was part of Tribeca Film Festival’s Spotlight+ category — a prestigious slot that included films on Billy Joel and Miley Cyrus. The premiere was powerful, personal, and unforgettable. Wizkid attended with his young daughter, providing an emotional glimpse into his life as a father and artist.
During the post-screening Q&A, he admitted the decision to let cameras into his private life was tough. “It wasn’t easy,” he said, “but I want my fans to see the real me.”

The Broader Message: Lagos as a Creative Force

Beyond Wizkid’s personal story, Long Live Lagos is a love letter to the city that raised him. It captures the essence of Lagos. Its hustle, creativity, rhythm and positions it has as a central player in the global entertainment scene.
The documentary doesn’t just follow a superstar’s rise; it also talks about how a city gave birth to a sound that changed the world.

Previous Documentaries vs. Long Live Lagos

While Wizkid has appeared in other documentaries before, like Lagos to London (2018), A Day in the Live of Wizkid (2020), and A Superstar Made in Lagos (2021), this is his most complete and personal documentary to date.

Where & When to Watch

Currently, Long Live Lagos is available only through screenings at Tribeca Film Festival (June 4–15, 2025). However, because of its ties to HBO Documentary Films, it is expected to be released on HBO Max or similar streaming platforms soon.
Follow Streamdorm on all major social media to get updates on possible HBO announcements, or festival updates for global release dates.

Are you a true Wizkid fan?

For fans, this film is more than a biography. It’s a mirror into Wizkid’s soul, his journey, and the impact he has had on a generation. It’s also a powerful reminder of how far Afrobeats has come and how Lagos remains its beating heart.
Wizkid: Long Live Lagos is not just a music documentary, it’s a cultural moment. It blends emotion, history, and the magic of Lagos to tell a story that fans across the world will connect with. Whether you’ve followed him since Superstar or you’re just discovering his music, this film is a must-watch celebration of one of Africa’s big three.

About

In Straw, filmmaker Tyler Perry steps into darker, more intimate territory with a tense and emotionally charged character study featuring someone I can easily say has a talent for depicting emotional characters in movies, Taraji P. Henson.

The story centers on Janiyah Wilkinson, a single mother fighting to stay afloat in a world that refuses to cut her a break. What begins as an ordinary, difficult day job troubles, landlady threatening on possible eviction, unrelenting bills, and her child being rediculed in school. When Janiyah walks into a bank, weighed down by invisible grief and desperate circumstances, a moment of quiet surrender erupts into a national crisis.

But Straw is not just a story about breaking points, it’s a haunting unraveling of a woman’s mind, shaped by years of silent suffering and breaking point. As the truth behind Janiyah’s emotional collapse surfaces, the film becomes a raw portrayal of the systems that fail the most vulnerable, and the expectations that silence their pain.

Review and Plot Summary

Tyler Perry’s Straw is a slow-burning, emotionally volatile drama that marks a noticeable evolution in his filmmaking rooted in psychological tension. Over the years we have seen amazing movie projects that provoke emotions from lovers of his works. This sort of films like “The Six Triple Eight”, “Acrimony”, “Daddy’s Little Girls”, including other non emotional films and now “Straw” has unarguably set him among some of the finest producers and filmmakers in Hollywood.

Taraji P. Henson starring as Janiyah is a wise decision expected from a top producer like Perry, she has over time proven herself as some who is a talented actress and has an extra touch when it comes to playing roles that depicts emotions. Thinking about movies like “Acrimony”, “Hidden Figures” she played the role given to her which so much intensity that viewers could feel whatever it is she is going through and Straw was not any different.

Henson plays Janiyah Wilkinson, a single mother drowning beneath the weight of ordinary life: financial instability, emotional isolation, and an uncaring system. What begins as a portrait of quiet suffering quickly escalates into something far more serious that led to protest outbreak, a hostage situation inside a bank that holds a mirror to everything she’s been silently battling.

The film is a thought provoking one that would leave you asking yourself questions.
Not rushing into details, I would first like for you to understand the plots in the movie, so a quick summary before I share my own thought will suffice.

Janiyah Wilkinson, a single mother with a sick daughter Aria. The movie begins in her run down room with her daughter that morning. She wakes her up to prepare her for school and also get ready for work, it was then she learnt that her teacher in front of the class spoke ill of the fact that she wasn’t paying for lunch in school.
Going outside the house to go about her day her landlady reminds her of owing rent after she helped another helpless neighbour with some money and threatened she was going to meet her things outside at the end of the day. She drops her daugher off at school and head to work which she met was already jampacked with customers and had to rush to start her shift.
She was later called to her daughter’s school and had to leave work but before leaving so she could go pay the $40 for her daughters lunch in school she discovered that she had been debit and her initial $47 was no longer in her account. The manager asked her to wait but she rushed to the school where she found out that her daughter was going to be taken away from her because she wasn’t taking proper care of her as reported by the school authority.

Driving back to work to get her cheque because it was pay day she almost caused an accident unknown to her the man was a police officer and he ran her out of the road and threatened to kill her and had his colleague impound her car. She then had to walk to work, getting to work, her boss fired her and refused to give her the cheque before she went home. On getting home her things had been thrown outside and it was raining heavily.
She went back to work to get her cheque and then her boss was robbed but an alteration started that led to her shooting one of the robbers and also her boss who claimed she was the master mind of the robbery. She took her cheque from the table and went to the bank to cash it but then it turned into a bank robbery that developed into a national crisis after one of the bankers went live on her phone and to a point where the FBI got involved.
For better understanding of the movie and to get the whole story in recommend you watch.

My View

The movie is an interesting watch no doubt. In today’s world we have a lot of films being released but most of them lack the source and ingredient that can provoke emotions in people.

The film depicts with much intensity an emotional twist using long silences, flashbacks, and stark dialogue to peel back the emotional armor Janiyah has worn for too long. When the film’s emotional twist lands revealing the true depth of her grief and suffering it hits with that great intensity.

At the end of the film, one this is certain, depending on your moral upbringing you will have a different perspective and take on what is and what could have been. Even in the movie after everyone knew what she had been going through, not everyone sympathized with her and that is what life is all about.
Starting from the very beginning I think she wasn’t very organized when it came to doing things even in her state and it was obvious that she had overtime learnt to keep things to herself and it was eating her up.

Another aspect of the movie I will like to talk about is even though I am not currently living in the America and UK or another white country, I just feel the part that was centered on racism was not very necessary. The world is changing and even though there are still cases of racism, for such a story anything could have been the case in that the police man who ran her out of the road could have been a black man too but it just had to be a white.

The movie also spoke about police brutality and abuse of power by the armed forces and those that wear the uniform and are supposed to be protectors of life and property. The police officer that ran her out of the road threatened her life “I will find a legal way to fu*king blow your brains out” he said. That right there speaks about abuse of power and wickedness of humans.

The only person that gave her a chance were the women in the movie, Officer Raymond, the Bank manager and some others, it was as if the men where blind to her suffering and could not relate and I don’t think that’s really the case in the real world. Everyone that were also bad to her following the coming of the FBI were all whites too. I honestly feel the movie is not situated in the 1900s and so should not reflect such bias judgement.

A lot of things to talk about but not to bore my readers with too much information I think its worth noting that the casting was well done and each of them played their parts to a good degree, the psychological play that forces you to think about life most especially for people who can relate to some of the challenges, the conciseness of the movie is worth the watch time.

Rating 6.8

I don’t think you’ve noticed…

Although the majority of our social media posts cover international entertainment, Streamdorm is Nigerian-owned. So I want to say a big thank you to you for subscribing; you have no idea how big your impact is in realizing our dream.

What’s happening in Hollywood?

The industry we all love, the industry which, till this day, colonizes cultures. It’s sad to see what’s happening, and it seems like it is eating itself. What’s happening?

For years, Hollywood has always been about fostering the ideas of creatives, creating movies and products that have helped shape American culture. Star Trek, Star Wars, Rocky, The Exorcist, Rambo, Top Gun, E.T., Coming To America, and so on are part of a long list of movies that have been exported outside of America and now have a history of many, including myself, here in Nigeria. But what could be wrong?

These past years, our screens have been filled with adaptations, sequels, remakes and reboots, while that may be good, the obvious elephant in the room will be the re-messaging. Snow White, Ghostbusters, Lightyear, The Little Mermaid, The Last of US: Part II, Batwoman are a few of many movies and shows where the original audience loved was changed to serve a purpose. Trust me when I say it’s not because of the hate of a particular gender or inclusivity. Into The Spider-verse, Barbie, Captain Marvel, Wonder Woman, Crazy Rich Asians, and Get Out are great examples that, if done right, your movies can do well at the box office.

Hollywood, in its attempt to play all sides or, in most cases, play social justice hero, ends up mocking its audience. Recently, we had the casting of Paapa Essiedu as Severus Snape, which to this day, is facing backlash.

Before you go on thinking this newsletter issue is about politics, it’s not. This year we had Snow White, Captain America 4, and Thunderbolts from Disney, none became a box office success, and on the other hand, we had Companion, Mickey 17, The Alto Knights and The Day the Earth Blew Up: A Looney Tunes Movie from Warner Bros – all flopped. What some may consider woke movies, Sinners and A Minecraft Movie, and Ne Zha 2, became a success. The original being Sinners.

The truth is that a lot of factors play into a box office success, and it all falls down to the answer to this question: “Will the general audience spend their hard-earned money to see this movie?”

As a creative and an industry executive, it is your duty to ask the tough questions. As much as art should be made without constraint, we should also consider the normies. You don’t want to end up as the villain thinking you were the hero all this time.

So, how does this affect Nollywood?

While we’re yet to spend 70 million dollars making movies, it is important to watch and learn. Hollywood once thought they were untouchable, but as time went on, politics and the economy became a reality for them. In Nigeria, we understand the economy. Even consuming this content is expensive; now imagine producing it.

The quality of the art should always be a priority, and the messaging should always reflect what the majority are thinking. While you may think you know what’s right from wrong, you may be blatantly wrong.

At the end of the day, it is important to point out you DO NOT, for any reason, let people crush you for sharing what you think is right. While it may be labelled “woke” or “fascist,” you have to use your voice to speak, and to be honest, we live in a time where the meaning of those words is lost.

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While you’re here…

South African pop queen Tyla is at it, but this time it’s a top record: only one person has broken it—the first African solo artist with a song to surpass 1 billion streams on Spotify.

As of February 2025, Tyla became the first solo artist with a song (“Water”) to surpass one billion streams on Spotify. The song, which was released on July 28, 2023, took the entire world to the borders of South Africa.

The song peaked at #7 on the Billboard Hot 100 and #1 on the Hot R&B Songs charts. It also spent 15 weeks on the Billboard 200, peaking at #24.

‘Water’ won many international awards, including MTV VMAs, MTV EMA, BET, and Grammys.

Another Billion club member achieved this but with the help of Selena Gomez on “Calm Down Remix.”

It’s been 20 years since Aang was discovered, the destined Avatar who was tasked to unite the four nations. Seven years later, it was Korra’s story, and now, 13 years later, that universe, which raised a generation, is getting another addition.

Nickelodeon has called on the original creators, Michael DiMartino and Bryan Konietzko, to release another chapter to the Avatar Universe.

The new show will be ‘Avatar: Seven Havens,‘ a 26-episode, 2D animation currently in the works. Each season (aka books in Avatar) will be 13 episodes each produced by Avatar Studios. Other information like casting and premiere date is yet to be revealed.

“When we created the original series, we never imagined we’d still be expanding the world decades later,” DiMartino and Konietzko said in a joint statement. “This new incarnation of the Avatarverse is full of fantasy, mystery, and a whole new cast of amazing characters. Get ready to take another epic and emotional adventure!”

The Netflix live-action show ‘Avatar: The Last Airbender’ is expected to run for two more seasons. The show’s original creators, DiMartino and Konietzko, were originally expected to develop the show for Netflix, but that fell through due to creative differences.

In 2021, they returned to Nickelodeon to run Avatar Studios as co-chief creative officers and help build Avatarverse across film and TV.

A feature film for The Last Airbender focusing on the original series’ main character, Aang, is set for release in January 2026, starring Dave Bautista, Dionne Quan, Jessica Matten, Román Zaragoza, and Eric Nam.