Tag: Wizkid

When Wizkid and Asake announced REAL, Vol. 1, expectations were immediate and well anticipated. The collaboration brought together two artists operating at different but equally powerful ends of Afrobeats’ global spectrum; one a decade-long international force, the other one of the most dominant Nigerian hitmakers of the 2020s.

REAL, Vol. 1 has debuted at No. 6 on the Billboard World Albums chart, marking a major global chart moment for the joint EP and reinforcing Afrobeats’ sustained presence on international rankings.

The Billboard World Albums chart tracks the strongest-performing international projects in the United States each week. A Top 10 debut is significant particularly for a short collaborative EP because it reflects not only streaming traction, but real market penetration in one of music’s most competitive territories.

For REAL, Vol. 1 to open at No. 6 places it among the most successful African releases on the chart this year, and highlights the continued global appetite for Nigerian music beyond singles and playlist placements.

Rather than chasing crossover aesthetics, the project leans confidently into its Afrobeats foundation; a choice that appears to be resonating with listeners globally.

Released in January 2026, REAL, Vol. 1 is a concise four-track EP that thrives on chemistry and restraint. Wizkid’s melodic calm and Asake’s gritty, percussive delivery create a contrast that feels intentional rather than forced.

While REAL, Vol. 1 stands on its own, its Billboard entry also fits into a broader narrative around Wizkid’s relationship with the World Albums chart.

Since the release of Made in Lagos in 2020, Wizkid has remained a recurring presence on the chart through various projects, re-entries, and collaborative releases. With REAL, Vol. 1 charting in 2026, Wizkid has now recorded appearances on the Billboard World Albums chart across seven consecutive calendar years; a milestone that underscores his longevity and consistency on the global stage.

While Billboard does not always publish consolidated year-by-year streak summaries, the pattern of Wizkid’s chart activity across these years is well-documented through individual chart entries and reappearances.

For Asake, the EP adds another global credential to an already dominant run. 

As African artists continue to chart, tour, and collaborate at global scale, releases like REAL, Vol. 1 feel less like exceptions and more like markers of a maturing ecosystem.

The 2026 Afro Nation Festival has officially confirmed its headliners, and Nigerian music fans have plenty to celebrate. Wizkid, Burna Boy, and Asake are set to take the stage at one of the world’s biggest Afrobeats festivals, scheduled to take place from July 3 to 5 at the scenic Praia Da Rocha Beach in Portimão, Portugal.

Now in its fifth year in Portugal, Afro Nation has grown into a global cultural event, attracting music lovers from across Africa, Europe, and beyond. The festival is celebrated for bringing together Afrobeats, R&B, dancehall, and amapiano in one vibrant, sun-soaked beach setting.

This year’s lineup is a major win for fans of Nigerian music. Wizkid, one of Afrobeats’ biggest international stars, is expected to deliver a show-stopping performance. Known for hits like Essence and Morayo, Wizkid has solidified his place as a global ambassador for Afrobeats, and his presence at Afro Nation only adds to the festival’s star power.

Burna Boy, the “African Giant,” also joins the headliners. Burna Boy’s signature Afro-fusion sound and high-energy performances have made him a must-watch act at festivals worldwide. His inclusion is a testament to Afro Nation’s commitment to showcasing Africa’s top talent on the international stage.

Rising star Asake rounds out the Nigerian headliners. With multiple chart-topping hits and a growing international following, Asake is quickly becoming one of the most streamed artists in Afrobeats. His performances are known for their infectious energy, making him a perfect fit for the festival’s beach-party vibes.

While Nigerian artists lead the bill, Afro Nation 2026 promises an eclectic mix of performers from around the world. South African sensation Tyla, American rapper Gunna, and R&B star Kehlani are among the confirmed acts. Other notable performers include Olamide, Young Jonn, Darkoo, Bien, Niska, and Djodje, as well as Uncle Waffles on the dedicated Amapiano stage.

The festival’s lineup spans multiple genres, ensuring there’s something for every music lover. From Afrobeat rhythms to dancehall grooves, R&B vibes, and amapiano beats, Afro Nation continues to offer a truly global festival experience.

For Nigerian music fans, this is an opportunity to see some of the country’s biggest stars in one place, performing live alongside international talent. With Wizkid, Burna Boy, and Asake leading the charge, Afro Nation 2026 promises to be one of the most unforgettable editions yet.

Wizkid and Asake are commanding attention far beyond local borders as their collaboration, “Turbulence,” makes an immediate impact on the global stage.

The song has debuted at No. 2 on the Spotify Top Songs Debut Global chart, ranking as one of the most streamed new releases worldwide during its opening tracking period. The strong entry highlights the growing global demand for Afrobeats and reinforces both artists’ positions as international streaming forces.

Turbulence is not the only song gaining traction globally. Two other tracks, “Alaye” and “Iskolodo,” also debuted on the Spotify Top Songs Debut Global chart at No. 6 and No. 8 respectively.

Having three songs debut simultaneously within the global top ten reflects a high level of listener engagement across multiple regions and platforms. It also signals the expanding reach of Nigerian music beyond Africa and into key international markets.

Wizkid’s continued presence on global charts further cements his legacy as one of Afrobeats’ most influential exports. His music consistently resonates with audiences across Europe, North America, and other parts of the world, years after his initial global breakthrough.

Asake’s rise has been equally remarkable. With back-to-back charting releases and strong streaming numbers, he has become one of the most listened-to African artists globally, representing a new generation of Afrobeats acts dominating digital platforms.

The global chart performance of Turbulence, Alaye, and Iskolodo is another clear indicator that Afrobeats has evolved into a truly global genre. Rather than crossing over occasionally, Nigerian artists are now debuting at the top end of worldwide charts alongside established international stars.

As streaming continues to shape global music consumption, milestones like this point to Afrobeats’ growing influence and staying power on the world stage.

Turbulence also debuted at No. 6 on the Spotify Top Songs Debut USA chart, further underlining its strong international reception.

Omah Lay has officially entered the upper echelon of Nigerian music artists on Spotify. The singer-songwriter now has 10 songs surpassing 100 million streams across all credits, joining a rare group that includes Burna Boy (20 songs), Wizkid (16), and Tems (13).

The milestone was sealed after Davido’s “With You”, featuring Omah Lay, crossed the 100 million streams mark on Spotify. The achievement marks Davido’s sixth track and Omah Lay’s tenth to hit this streaming benchmark, showcasing the growing influence of these artists both locally and internationally.

Spotify has become a key metric for measuring global music success, and Nigerian artists have increasingly dominated streaming charts. Here’s how the elite group currently stands:

• Burna Boy: 20 tracks with 100M+ streams
• Wizkid: 16 tracks with 100M+ streams
• Tems: 13 tracks with 100M+ streams
• Omah Lay: 10 tracks with 100M+ streams

Omah Lay’s presence on this list highlights not only his consistency but also the global reach of his music. Tracks like “Godly”, “Infinity”, and “Damn” have contributed to his growing international fanbase, making him one of the most streamed Nigerian acts of his generation.

Davido’s “With You”, featuring Omah Lay, was the track that pushed Omah Lay’s streaming count to double digits. Since its release, the song has resonated with listeners worldwide, blending Davido’s signature Afropop style with Omah Lay’s smooth vocals. 

Omah Lay’s rise demonstrates the strength of emerging talent in the Afrobeats scene, while veterans like Burna Boy and Wizkid continue to set streaming benchmarks.

Nearly a decade after its release, One Dance is still souring.

The global hit by Drake featuring Wizkid and Kyla has officially surpassed 4 billion streams on Spotify, placing it as the 8th most-streamed song of all time on the platform. In an era where hits come and go at algorithm speed, One Dance stands as a rare example of music that refuses to age.

This milestone isn’t just a streaming achievement. It’s a cultural marker, one that highlights the early global rise of Afrobeats, the power of cross-continental collaboration, and the changing definition of longevity in modern music.

Released in 2016 as part of Drake’s Views album, One Dance was already rewriting the rulebook before streaming milestones became commonplace.

The track:

• Became Spotify’s first song to reach 1 billion streams
• Topped charts across North America, Europe, Africa, and beyond
• Maintained a dominant presence in playlists years after its peak chart run

Most songs struggle to remain relevant beyond a single album cycle. Reaching 4 billion streams signals something far more significant.

Only a handful of tracks in Spotify’s history have crossed this threshold, placing One Dance firmly among the most influential records of the streaming era.

For Wizkid, One Dance remains a defining global moment. While he was already a superstar in Nigeria and across Africa, the song introduced his sound to mainstream Western audiences at scale. It arrived before Afrobeats became a global industry buzzword, a time when African music was still fighting for space on international charts.

Kyla’s sampled vocals from Do You Mind form the emotional backbone of One Dance. While she often receives less public recognition, her contribution remains central to the song’s identity.

As Drake continues to dominate global streaming, and Wizkid expands his international footprint, One Dance remains a defining checkpoint in both their career; a reminder of what happens when timing, culture, and creativity align.

Afrobeats heavyweights Wizkid and Asake have officially released their highly anticipated collaborative project, REAL, Vol. 1, marking one of the most significant joint releases in Nigerian music in recent years.

The four-track EP brings together two of Africa’s most dominant hitmakers, blending Wizkid’s smooth, global Afrobeats sound with Asake’s raw, street-rooted energy 

REAL, Vol. 1 is a compact but tightly curated EP that showcases both artists at their most confident. The project features the following tracks:

• Turbulence
• Jogodo
• Iskolodo
• Alaye

Rather than chasing trends, the EP leans into rhythm, melody, and atmosphere staying true to the distinct identities that have made Wizkid and Asake two of the most streamed African artists of the past decade.

“Jogodo” Sets the Tone for the Project

Leading the EP is “Jogodo,” the breakout single that had already ignited massive attention ahead of the project’s full release. Since dropping, the song has gone on to deliver one of the biggest commercial performances for a Nigerian collaboration in recent memory.

“Jogodo” recorded a historic debut on Spotify Nigeria, pulling in over 1.3 million streams within its first 24 hours, making it the biggest opening day ever for a collaborative track on the platform. The momentum didn’t slow down, as the record crossed 5 million streams within its first week, setting a new benchmark for weekly streaming in Nigeria.

Beyond streaming numbers, “Jogodo” quickly asserted its dominance across major platforms:

• The track reached No. 1 on Apple Music Nigeria and Spotify Nigeria, maintaining a strong daily streaming pace.
• Internationally, “Jogodo” entered the Spotify Global Daily Top 100, signalling growing global interest beyond Africa.
• The song also gained traction on global Shazam charts, highlighting organic discovery outside its core market.

Wizkid, one of Afrobeats’ most influential global figures, and Asake, arguably the genre’s most disruptive force of the last three years, have aligned at the peak of their powers.

With “Jogodo” already setting records and the EP now fully available, REAL, Vol. 1 is expected to dominate conversations, playlists, and charts in the coming weeks further reinforcing Afrobeats’ global momentum in 2026.

Fela Anikulapo Kuti, born in 1938 in Abeokuta, Nigeria, remains one of the most influential figures in African music and culture. Known as the pioneer of Afrobeat, Fela’s life was a blend of revolutionary music, outspoken activism, and fearless challenges to political authority. Even decades after his passing in 1997, his legacy continues to resonate across music, politics, and African identity.

The Birth of Afrobeat

Fela Kuti’s journey into music began at a young age. Raised in a politically active family; his mother, Funmilayo Ransome-Kuti, was a feminist and activist. Fela was exposed early to the struggles of ordinary Nigerians. He studied music in London at the Trinity College of Music, where he learned classical piano and trumpet. But it was upon his return to Nigeria that he fused traditional African rhythms with jazz, funk, highlife, and soul to create Afrobeat.

Afrobeat was more than a music genre; it was a vehicle for social commentary. Through extended compositions, intricate horn sections, and polyrhythmic percussion, Fela delivered sharp critiques of corruption, military rule, and social injustice in Nigeria and across Africa. Hits like “Zombie” and “Sorrow, Tears and Blood” were not only musical masterpieces but also acts of resistance.

Activism and Political Influence

Fela’s music was inseparable from his activism. His lyrics openly criticized Nigeria’s military regimes and exposed the harsh realities of life under oppressive governments. His Kalakuta Republic commune served as both a home and a political haven, where artists, musicians, and activists collaborated to resist authoritarianism.

Fela endured repeated arrests, raids, and physical assaults. Despite this, he remained steadfast, using his international fame to draw global attention to Nigeria’s political struggles. His activism inspired countless musicians and activists worldwide to use art as a tool for social change.

Cultural Impact

Beyond music and politics, Fela Kuti reshaped African cultural identity. He challenged colonial mindsets by promoting African traditions, attire, and language in his performances. His stage shows were theatrical, often including dancers, elaborate costumes, and improvisational elements that celebrated African heritage.

Today, Fela’s influence is evident in the global rise of Afrobeat, which has evolved into a worldwide phenomenon. Artists such as Burna Boy, Wizkid, and Tiwa Savage credit Fela as a major inspiration. The genre has also crossed borders, influencing international musicians from Beyoncé to Major Lazer, bridging African sounds with global pop culture.

Fela Kuti’s Family Legacy

Fela’s legacy extends through his family, many of whom are accomplished artists and activists. His children, including Seun Kuti and Femi Kuti, continue to perform Afrobeat with the same political passion. The Fela Shrine in Lagos, now a museum and live music venue, keeps his memory alive, drawing fans from across the world to celebrate his music and message.

Fela’s life and impact have been immortalized through multiple mediums. The Broadway musical Fela! brought his story to international audiences, combining music, dance, and storytelling. Documentaries, films, and books continue to explore his influence, while Nigerian festivals and global Afrobeat events celebrate his contributions annually.

Fela’s fearless stance against injustice, combined with his artistic genius, created a blueprint for generations of musicians and activists. His influence on culture, politics, and music remains unparalleled, making him a symbol of resistance, creativity, and African pride.

Fela Kuti’s relevance persists because the struggles he highlighted; corruption, inequality, and political oppression still exist. His life reminds us of the power of art as a force for change and the importance of staying true to one’s convictions. In an age where African music dominates global charts, remembering Fela ensures that the roots of this cultural revolution are not forgotten.

Fela Kuti’s legacy is a reminder that music is more than entertainment; it can be a catalyst for awareness, unity, and transformation. His story is a call to celebrate African heritage, challenge injustices, and inspire future generations to use their voices boldly and not to be chasing unnecessary clout on social media.

What started as a warning directed at a fanbase has now turned into a full-blown clash between two of Nigeria’s most influential musical legacies.

The long-running tension between Seun Kuti and Wizkid FC officially crossed a new line after Wizkid broke his silence on social media, responding directly to the controversy for the first time. But this moment did not come out of nowhere.

It began weeks earlier with a pointed message from Seun Kuti; one that reignited debates around Fela Kuti’s legacy, celebrity worship, and fan culture in Nigeria.

The saga began when Seun Kuti publicly warned Wizkid FC to stop invoking Fela Anikulapo Kuti’s name in online debates and fan-driven arguments.

In his message, Seun made it clear that:

• Fela’s legacy should not be used as ammunition in fanbase wars
• Activism, resistance, and cultural critique should not be reduced to internet banter
• His father’s name carried historical and political weight beyond pop culture arguments

The post quickly gained traction and was widely interpreted as a direct response to Wizkid fans who had repeatedly referenced Fela while defending the superstar against criticism.

While Wizkid himself did not respond at the time, Wizkid FC took the message personally, triggering days of online back and forth, insults, and ideological arguments.

Throughout this period, Wizkid remained silent, allowing the storm to play out between Seun Kuti and his fanbase.

That silence ended abruptly. This comes after Seun Kuti released another video hammering on Wizkid FC and stating that Wizkid didn’t care about them and that is why he is yet to say anything about the ongoing saga. 

In a series of posts on X (formerly Twitter), Wizkid has started tweeting about the controversy and reposting tweets that talk about Seun Kuti, firing back in an unusually emotional and confrontational tone.

Nigerian superstars Wizkid and Asake officially kick off their first joint project with the release of “Jogodo”, the lead single from their upcoming EP titled REAL (Vol. 1). Set to drop on January 23, 2026, this collaboration marks a historic moment in the Nigerian music scene, bringing together two of the country’s most influential artists.

The announcement has sparked excitement across social media, with fans praising the chemistry between Wizkid’s smooth Afropop sound and Asake’s energetic street‑influenced rhythms.

“Jogodo” is the first taste of what listeners can expect from the joint EP. The track blends Asake’s rhythmic, chant-heavy style with Wizkid’s signature smooth vocals, creating a unique sound that is both catchy and culturally resonant.

The song has already started trending on streaming platforms, currently ranking at No. 7 Apple Music NG proving that fans are eager for more from the duo.

It’s a high-energy track that perfectly captures the strengths of both artists, giving a glimpse into the direction of REAL (Vol. 1)

About the EP: REAL (Vol. 1)

The full EP, REAL (Vol. 1), will feature multiple tracks highlighting the duo’s distinct musical styles. The project is expected to combine street-inspired Afrobeat grooves with global pop elements, appealing to both Nigerian and international audiences.

This marks the first full-length collaborative EP between Wizkid and Asake, building on previous successful features like Asake on Wizkid’s Morayo album (“Bad Girl”) and Wizkid on Asake’s 2024 hit “MMS.” These past collaborations set the stage for a deeper and more cohesive project.

Wizkid has been a global Afrobeats ambassador for over a decade, known for hits like Essence, Ojuelegba, and his latest Morayo album. His collaborations with international artists have helped bring Nigerian music to a worldwide audience.

Asake, on the other hand, has quickly risen to become one of Nigeria’s most exciting acts, known for his energetic delivery and street-to-mainstream appeal. With hits like Omo Ope and MMS, Asake has solidified his position as a rising star with a unique sound that complements Wizkid’s style.

Fan Reactions

The release of “Jogodo” has already dominated Twitter, TikTok, and Instagram, with fans sharing clips, reactions, and remixes. Some have even called it the “collaboration of the year”, highlighting the seamless synergy between the two artists.

With the EP’s release just days away, fans can expect more chart-topping singles and innovative Afrobeats sounds. “Jogodo” sets the tone for an exciting project that merges global pop sensibilities with Nigerian street energy.

The 2026 MOBO Awards nomination list has officially been revealed, spotlighting the biggest names across Black music and culture  and African artists, particularly Nigerians, are once again at the center of global recognition.

Among the headline moments is Rema’s nomination for Best African Music Act, placing the Afrobeats star alongside heavyweights like Wizkid, Davido, Ayra Starr, and Tiwa Savage in one of the ceremony’s most competitive categories.

The awards ceremony is scheduled to hold later this year in Manchester, United Kingdom, continuing MOBO’s tradition of celebrating music of Black origin across the UK, Africa, the Caribbean, and the global diaspora.

Nigeria dominates the Best African Music Act nominations, reinforcing the country’s sustained influence on the global Afrobeats movement.

Best African Music Act – Nominees

• Adekunle Gold (Nigeria)
• Ayra Starr (Nigeria)
• Davido (Nigeria)
• Joshua Baraka (Uganda)
• Moliy (Ghana)
• Rema (Nigeria)
• Shallipopi (Nigeria)
• Tiwa Savage (Nigeria)
• Tyla (South Africa)
• Wizkid (Nigeria)

Major Categories: Full List of Nominees

Best Male Act

• Central Cee
• Elmiene
• Jim Legxacy
• Nemzzz
• Odeal
• Skepta

Best Female Act

• FLO
• kwn
• Little Simz
• Olivia Dean
• PinkPantheress
• Sasha Keable

Album of the Year

• Central Cee – Can’t Rush Greatness
• Ezra Collective – Dance, No One’s Watching
• FLO – Access All Areas
• Kojey Radical – Don’t Look Down
• Little Simz – Lotus
• Olivia Dean – The Art of Loving

Song of the Year

• AJ Tracey ft. Jorja Smith – “Crush”
• Donae’o ft. Omar, Lemar & House Gospel Choir – “Nights Like This”
• Fred Again, Skepta & Plaqueboymax – “Victory Lap”
• Jim Legxacy & Dave – “3X”
• kwn – “Do What I Say”
• Myles Smith – “Nice To Meet You”
• Olivia Dean – “Man I Need”
• PinkPantheress – “Illegal”
• Raye – “Where Is My Husband!”
• Tim Duzit – “Kat Slater”

Best Newcomer

• DC3Es
• DeeKid
• Finessekid
• Jim Legxacy
• kwn
• namesbliss
• Nia Smith 
• Sekou
• Skye Newman
• YT

International & Diaspora Representation

Best International Act

• Ayra Starr
• Cardi B
• Clipse
• Gunna
• Kehlani
• Leon Thomas
• Mariah The Scientist
• Moliy
• Tyla
• Vybz Kartel

Best Caribbean Music Act

• Ayetian
• Lila Iké
• Masicka
• Shenseea
• Vybz Kartel
• Yung Bredda

Music Beyond Charts: Performance, Media & Production

The 2026 nominations also recognize excellence beyond music releases, with categories spanning film, television, media personalities, production, and genre-specific innovation.

Notable nominees include Damson Idris, Cynthia Erivo, Stephen Graham, Little Simz, Ezra Collective, and Inflo, highlighting MOBO’s broad cultural scope.