Tag: Nigeria

What started as a warning directed at a fanbase has now turned into a full-blown clash between two of Nigeria’s most influential musical legacies.

The long-running tension between Seun Kuti and Wizkid FC officially crossed a new line after Wizkid broke his silence on social media, responding directly to the controversy for the first time. But this moment did not come out of nowhere.

It began weeks earlier with a pointed message from Seun Kuti; one that reignited debates around Fela Kuti’s legacy, celebrity worship, and fan culture in Nigeria.

The saga began when Seun Kuti publicly warned Wizkid FC to stop invoking Fela Anikulapo Kuti’s name in online debates and fan-driven arguments.

In his message, Seun made it clear that:

• Fela’s legacy should not be used as ammunition in fanbase wars
• Activism, resistance, and cultural critique should not be reduced to internet banter
• His father’s name carried historical and political weight beyond pop culture arguments

The post quickly gained traction and was widely interpreted as a direct response to Wizkid fans who had repeatedly referenced Fela while defending the superstar against criticism.

While Wizkid himself did not respond at the time, Wizkid FC took the message personally, triggering days of online back and forth, insults, and ideological arguments.

Throughout this period, Wizkid remained silent, allowing the storm to play out between Seun Kuti and his fanbase.

That silence ended abruptly. This comes after Seun Kuti released another video hammering on Wizkid FC and stating that Wizkid didn’t care about them and that is why he is yet to say anything about the ongoing saga. 

In a series of posts on X (formerly Twitter), Wizkid has started tweeting about the controversy and reposting tweets that talk about Seun Kuti, firing back in an unusually emotional and confrontational tone.

Nigeria has emerged as the fourth-largest source of international students granted UK study visas, according to official UK immigration data for the year ending September 2025.

The ranking places Nigeria behind India, China, and Pakistan, and ahead of countries such as the United States, Bangladesh, and Ghana, highlighting the country’s growing role in the UK’s international education pipeline.

UK Study Visas by Nationality (Year Ending September 2025)

Based on UK Home Office immigration statistics covering sponsored study visas issued to main applicants, the top nationalities are as follows:

1. India – 101,229
2. China – 89,656
3. Pakistan – 39,497
4. Nigeria – 36,839
5. Nepal – 21,681
6. United States – 16,702
7. Bangladesh – 12,708
8. Saudi Arabia – 6,256
9. Turkey – 5,893
10. Kuwait – 5,149

While exact figures may vary slightly across reporting summaries, the ranking order is consistent in official UK government data, confirming Nigeria’s fourth-place position globally for study visas issued during the period.

The figures refer specifically to sponsored study visas granted to main applicants. This means:

• Students must have received a Confirmation of Acceptance for Studies (CAS) from a UK institution
• The data excludes most dependants, following UK policy changes introduced in early 2024
• The numbers reflect approved visas, not just applications

Recent UK immigration reforms have reshaped student migration patterns:

• Restrictions on dependants reduced overall visa numbers but kept main applicant demand relatively stable
• Increased scrutiny of student sponsorship and compliance affected some institutions
• Greater emphasis on academic credibility and financial proof influenced application outcomes

Despite these changes, Nigeria maintained a strong presence in the rankings, indicating sustained interest and adaptability among Nigerian applicants to travel out.

Alongside India, China, and Pakistan, Nigeria is now firmly established as one of the core contributors to the UK’s international student population.

Nigeria’s Super Eagles will receive $2.5 million in prize money after finishing third at the 2025 Africa Cup of Nations (AFCON) in Morocco.

The bronze medal reward follows the official prize structure released for the tournament, which allocates $2.5 million to third-place finishers. Nigeria secured the position after edging out their opponents in the third-place playoff, ending the tournament on a positive note.

AFCON 2025 came with a significantly improved financial package, reflecting CAF’s continued push to increase the tournament’s global appeal and competitiveness. Under the prize breakdown, the champions take home $10 million, runners-up earn $4 million, while fourth place receives $1.3 million. Teams that reached the quarterfinals also pocket $800,000, with additional rewards for group-stage placements.

For the Super Eagles, the bronze finish represents both a sporting and financial boost. After a challenging campaign filled with high-intensity matches and dramatic moments, Nigeria’s podium finish reaffirms their status as one of Africa’s most consistent football powerhouses.

Beyond the prize money, the team’s performance in Morocco has been widely praised by fans, with several players delivering standout displays throughout the competition. The result also provides momentum as Nigeria looks ahead to future international fixtures and qualification campaigns.

Veteran Nollywood actor and entertainer Charles Okocha, widely known as Igwe 2Pac, has officially stepped into the fast-growing world of live streaming, marking a new chapter in his digital career.

The actor recently began hosting live streams on Twitch, a global platform best known for gaming, live chats, and real-time audience engagement. Through his streams, Okocha interacts directly with fans, moving beyond traditional film and social media skits into a more interactive and unfiltered form of content creation.

Charles Okocha’s move reflects a broader trend among Nigerian celebrities who are embracing streaming platforms to connect with audiences in real time. Unlike pre-recorded content, live streaming allows creators to engage viewers instantly, respond to comments, and build stronger digital communities.

Okocha joins a growing list of Nigerian entertainers exploring live streaming as an extension of their brand. With platforms like Twitch, YouTube Live, and Kick gaining traction across Africa, celebrities are increasingly leveraging these spaces for conversations, entertainment, and community building.

For Charles Okocha, whose personality and comic delivery have long resonated with audiences, streaming presents an opportunity to showcase a more spontaneous and interactive side of his entertainment style.

The Nigerian music industry is in mourning following the death of Afrobeat and Fuji‑inspired singer Afeez Adeshina, widely known as Destiny Boy. The 22‑year‑old artiste’s passing has triggered an outpouring of grief from fans, colleagues, and music lovers across social media and entertainment platforms. 

Destiny Boy’s death was announced on Sunday, January 18, 2026, when investigative journalist Temilola Sobola shared the news on social media, writing, “Singer Destiny Boy has passed away. May his soul rest in peace.” 

The singer had rapidly risen through Nigeria’s music scene, gaining attention for his energetic style and fusion of street pop and traditional influences. His journey from viral songs to becoming a recognized voice among young Afrobeats artists made him a promising presence in the industry. 

In recent years, Destiny Boy celebrated personal milestones that endeared him further to fans. In November 2024, he welcomed his first child at the age of 20, a moment he shared with his growing online following. Earlier in 2024, he also made headlines for unexpectedly proposing to his partner with a diamond ring. 

Following news of his death, tributes have poured in from fans and fellow artists on platforms such as Instagram and X (formerly Twitter), expressing sadness and reflecting on the impact Destiny Boy had in his short career. The young singer’s energy, ambition, and connection with fans have been highlighted in many of the messages shared online. 

Though his career was still developing, Destiny Boy’s influence reached far beyond his age. He became known for blending cultural sounds with contemporary Afrobeats, helping him carve out a unique space among emerging Nigerian artists. 

The singer’s sudden death marks a tragic moment for the entertainment community and leaves fans grieving his potential and contributions.

May his soul rest in peace.

In a thrilling conclusion to the Africa Cup of Nations (AFCON) 2025, Nigeria’s Super Eagles secured the third-place finish with a dramatic penalty shootout victory over Egypt’s Pharaohs at the Stade Mohammed V in Casablanca.

The bronze medal match; a showdown between two of Africa’s most decorated footballing nations  remained scoreless through regulation time, forcing the tie into a high-pressure penalty shootout. The Super Eagles prevailed 4–2 on penalties after a 0-0 stalemate in 120 minutes of football. 

Neither side could find the breakthrough over the course of the match. Both Nigeria and Egypt created few clear-cut chances, as defences dominated and goalkeepers were rarely seriously tested in open play. After full time, the deadlock stood, sending the match into penalties where fine margins would decide the bronze medal. 

In the shootout, Nigeria showed remarkable composure under pressure to edge past Egypt 4–2 on penalties with thanks to Nwabali. The Super Eagles’ spot-kick takers were clinical when it mattered most, converting their chances while Egypt were less consistent from the spot. 

This win extends Nigeria’s impressive record in AFCON third-place playoffs. Before this match, the Super Eagles had won all seven previous bronze-medal games they contested, and this latest result brings their total to nine AFCON third-place finishes, the most by any nation in the competition’s history. 

The AFCON stage has long been the backdrop for memorable clashes between Nigeria and Egypt, and this latest encounter added another chapter to their rivalry. Across all AFCON meetings, Nigeria hold a historical edge in head-to-head contests, and this win reinforces their dominance in third-place fixtures. 

British former world heavyweight champion Anthony Joshua has returned to training at the gym as part of his recovery following a devastating car crash in Nigeria that claimed the lives of two close friends and members of his boxing team. 

The incident occurred on December 29, 2025, when the Lexus SUV carrying Joshua and his entourage collided with a stationary truck on a busy road near Lagos, Nigeria. The crash tragically killed strength and conditioning coach Sina Ghami and trainer Latif “Latz” Ayodele, both of whom were close to Joshua. 

Joshua, 36, sustained injuries in the collision but was discharged from hospital two days later and allowed to recuperate at home. Since then, he has shared footage of himself working out; hitting pads, riding a stationary bike, and engaging in other exercises with one clip captioned “mental strength therapy.” 

The workout videos mark Joshua’s first public return to training amid a period of intense emotional and physical recovery. The sessions appear to be part of his effort not just to regain fitness, but also to cope with the emotional aftermath of losing two close members of his team. 

The boxer, who has Nigerian roots and was in the country on holiday following his recent win over Jake Paul in Miami, has been supported by promoter Eddie Hearn, who emphasized that discussions about Joshua’s boxing future will be postponed until he is ready physically and mentally. 

Hearn has publicly stated that, while he believes Joshua will return to the ring eventually, the timing of any future fights is not being rushed. The former champion is being given space to grieve and to decide his next steps at his own pace. 

Nigeria’s music scene isn’t just booming; it’s thriving with homegrown loyalty. A recent industry report confirmed what many in the industry already suspected: Nigerian listeners stream local music more than any other country in the Middle East and Africa. According to Luminate’s 2025 mid-year music consumption data, an incredible 61.3 % of all on-demand streams in Nigeria go to Nigerian artists, the highest local share in the entire region.

That 61 % figure isn’t just a statistic, it’s a reflection of how deeply fans in Nigeria engage with their own music. From Afrobeats and Street Pop to Alte, Fuji, and Amapiano-influenced sounds, Nigerian listeners are choosing local artists over international stars at an extraordinary rate. 

This level of local support is rare in global markets and it speaks to the emotional connection between Nigerian artists and their audiences. Whether it’s Burna Boy commanding stadiums around the world, or emerging stars like Odumodublvck and Ayra Starr dominating playlists, the music resonates with listeners at home in a way few other countries can match. 

This isn’t limited to audio streaming. On platforms like Spotify, Nigerian users are creating millions of local playlists, a sign that listeners aren’t just passive consumers; they’re building the culture around Nigerian music. 

Despite this massive streaming support, financial returns remain a challenge. Industry analysts point out that even millions of streams in Nigeria generate relatively modest payouts compared to global markets.

This highlights a broader issue in Africa’s music economy: popularity doesn’t always equal profit. Many Nigerian artists still face hurdles when it comes to converting streaming success into sustainable earnings at home.

While local support is huge, Nigerian music also continues to make waves internationally. Artists like Rema, Wizkid, Tems, Burna Boy, and Ayra Starr regularly feature on global charts and playlists proving that the world is listening, too. 

Nigeria’s streaming landscape shows a powerful truth: local music loyalty can become a pillar of cultural and economic growth. When fans support artists consistently, it fuels creativity, strengthens industry infrastructure, and encourages more talent to emerge.

In a dramatic and tightly contested semi-final at the 2025 Africa Cup of Nations in Rabat, host nation Morocco edged Nigeria in a penalty shootout after a goalless draw through regulation and extra time, booking their place in the final against Senegal.

The clash at the Stade Prince Moulay Abdellah lived up to its billing as one of the tournament’s biggest fixtures, with both sides showing tactical awareness and defensive resilience in front of a packed home crowd. 

Neither team managed to break the deadlock over 120 minutes of intense football. Morocco, driven by a vocal home support and the creative influence of Brahim Díaz, pressed for openings, but the Super Eagles’ defence stood firm for long periods. Nigeria, unbeaten in the competition leading into this match, struggled to carve out meaningful goal-scoring opportunities against a well-organised Moroccan rearguard. 

The match was marked by robust challenges, cautious tactical play, and moments of individual skill, but the scoreboard remained untouched through both 90 minutes and extra time. 

With the scoreline still 0–0 after extra time, the semi-final was decided by penalties. In a tense shootout, Morocco held their nerve to prevail and eliminate Nigeria from the competition. The decisive moments came as both teams traded successful spot-kicks and critical saves, ultimately tipping the balance in favour of the Atlas Lions.

Morocco’s victory ended Nigeria’s bid for an AFCON title this year and propelled the hosts into the final, where they will meet Senegal, who advanced by beating Egypt in the other semi-final. Morocco are now one win away from lifting their first Africa Cup of Nations trophy since 1976, a feat that would cement a historic achievement on home soil. 

For Nigeria, the narrow defeat brings an end to a strong tournament run, one that saw them go undefeated through the group stage and score freely in earlier rounds but falls just short of another final appearance. 

MultiChoice Nigeria has announced the appointment of Kemi Omotosho as its new Chief Executive Officer (CEO), effective January 2026, marking a major leadership transition at one of the country’s most influential media and entertainment companies.

Omotosho succeeds John Ugbe, who is set to retire after nearly 15 years at the helm of MultiChoice Nigeria, a period defined by subscriber growth, local content expansion, and the consolidation of platforms such as DStv and GOtv as household staples across the country.

Kemi Omotosho brings over two decades of experience spanning media, telecommunications, and digital services across Nigeria and Sub-Saharan Africa. Notably, she is not new to the MultiChoice ecosystem.

Her previous roles within the MultiChoice Group include:

• Executive Head, Customer Value Management (Nigeria)
• Group Executive Head, Customer Value Management (Rest of Africa)
• Regional Director, Southern Africa, where she oversaw operations and full profit-and-loss responsibility across a seven-country portfolio

Nigeria remains MultiChoice Group’s largest and most strategic market in Africa, both in subscriber base and cultural influence. Omotosho’s appointment signals continuity, but also a renewed focus on customer engagement, innovation, and sustainable growth.

In her response to the announcement, Omotosho described the role as a privilege, emphasizing her commitment to:

• Strengthening customer relationships
• Championing local storytelling and Nigerian creators
• Supporting the broader creative economy
• Building a future-ready, resilient organization

John Ugbe’s retirement closes a significant chapter in MultiChoice Nigeria’s history. Under his leadership, the company expanded its local content slate, navigated regulatory and economic pressures, and maintained its dominance in a fast-evolving media landscape.

As Omotosho prepares to assume office in January 2026, attention will turn to how MultiChoice Nigeria adapts to changing viewer habits, rising content costs, and competition from global streaming platforms.