Category: Movies/TV

Warner Bros. Discovery (WBD) has formally agreed to sell itself to Paramount Skydance in a massive $110 billion deal, with shareholders set to receive $31 per share in cash. The companies announced their definitive agreement on Friday, ending months of speculation, boardroom negotiations, and a tense bidding war.

The acquisition marks one of the largest media mergers in recent history and reshapes the global entertainment landscape.

The deal closes the door on WBD’s previous arrangement with Netflix, which had been in talks to acquire key assets from the company. However, after Paramount Skydance, backed by media executive David Ellison submitted a superior all-cash offer, WBD’s board determined it was financially stronger and more attractive to shareholders.

Netflix reportedly had four days to match the $31-per-share bid but declined almost immediately, stating that matching the offer would no longer be financially viable. With that, the streaming giant exited the race, clearing the path for Paramount’s victory.

Upon completion, the merger will unite two historic entertainment libraries under one roof. Warner Bros. Discovery brings iconic film and television assets along with its streaming platform, HBO Max. Paramount Skydance adds Paramount Pictures, CBS, and its streaming arm, Paramount+.

Despite the formal agreement, the deal is not yet complete. It must still pass regulatory review and receive shareholder approval. Given the size of the merger and the consolidation of major studios, antitrust scrutiny is expected.

If approved, the transaction is projected to close later in 2026.

The 57th NAACP Image Awards Creative Honors ceremony has unveiled its full slate of winners ahead of the main televised event, celebrating excellence across film, television, digital content, and performance.

With critical wins for Sinners, Abbott Elementary, and standout individual honorees including Don Lemon, the night itself was defined by range: prestige cinema, network comedy, digital creators, drama performances, and animated features all shared the spotlight.

Below is the complete list of winners announced during the Creative Honors presentation.

Film Winners

Outstanding Motion Picture – Sinners

Outstanding Director – Motion Picture – Ryan Coogler (Sinners)

Outstanding Writing – Motion Picture – Ryan Coogler (Sinners)

Outstanding Supporting Actress – Motion Picture – Wunmi Mosaku (Sinners)

Outstanding Supporting Actor – Motion Picture – Delroy Lindo (Sinners)

Outstanding Ensemble Cast – Motion Picture – Sinners

Outstanding Stunt Ensemble (Television or Motion Picture) – Sinners

Outstanding Cinematography – Motion Picture – Sinners

Outstanding Animated Motion Picture – Zootopia 2

Television Winners

Outstanding Comedy Series – Abbott Elementary

Outstanding Supporting Actor – Comedy Series – William Stanford Davis (Abbott Elementary)

Outstanding Supporting Actress – Comedy Series – Janelle James (Abbott Elementary)

Outstanding Directing – Comedy Series – Tyler James Williams (Abbott Elementary, “The Science Fair”)

Outstanding Supporting Actress – Drama Series – Aisha Hinds (9-1-1)

Talk, News & Digital Categories

Outstanding Host in a Talk or News/Information Series – Don Lemon (The Don Lemon Show)

Outstanding Digital Content Creator – Art/Comedy – Tee Sanders
Outstanding Host in a Talk/News/Information Series: Don Lemon for The Don Lemon Show

The main 57th NAACP Image Awards ceremony will air February 28, where additional winners across music, literature, and other entertainment fields will be announced.

Stay with Streamdorm for complete coverage of the main event and post-show analysis.

British-Nigerian actor Damson Idris has officially joined the Formula 1 family as a Global Brand Ambassador, marking a significant crossover between entertainment and motorsport. The announcement comes after Idris starred alongside Brad Pitt in F1: The Movie, which became the highest-grossing sports film of all time, earning over $630 million globally.

Idris, who played rising driver Joshua Pearce in the film, filmed key scenes at live Grands Prix with full F1 collaboration, giving him first-hand experience of the sport’s intensity, precision, and innovation. This hands-on exposure turned his on-screen passion into genuine advocacy for Formula 1.

Stefano Domenicali, President and CEO of Formula 1, said:

“Following his starring role in F1: The Movie, which helped bring our sport to new audiences, Damson is joining us as an official Global Brand Ambassador. With his incredible platform in entertainment and lifestyle, together we will push the boundaries of how we reach fans.”

Idris added:

“I’ve always been drawn to spaces where culture, performance, and precision meet, and Formula 1 sits right at the centre of that. Being part of this world now means a lot to me, and I’m proud to represent something that inspires and connects people all over the world.”

As Global Brand Ambassador, Idris will attend multiple Grands Prix and participate in content initiatives, partner campaigns, and promotional activities, aiming to attract a new wave of fans to the sport.

The 24th Annual Visual Effects Society (VES) Awards took place on February 25, 2026, in Los Angeles, celebrating excellence in visual effects across film, television, animation, commercials, games, and immersive experiences.

Widely regarded as one of the most prestigious honors in the global VFX industry, the VES Awards recognize the artists and technical teams behind some of the year’s most visually ambitious productions. This year’s ceremony reflected the expanding scope of visual storytelling from blockbuster cinema to streaming series, animated features, and real-time interactive media.

Below is the full list of major winners from the 2026 ceremony.

Feature Film Categories

Outstanding Visual Effects in a Photoreal Feature 

Winner: Avatar: Fire and Ash

Outstanding Supporting Visual Effects in a Photoreal Feature

Winner: Sinners

Outstanding Animation in an Animated Feature

Winner: KPop Demon Hunters

Television & Episodic

Outstanding Visual Effects in a Photoreal Episode

Winner: Prehistoric Planet: Ice Age — “The Big Freeze”

Outstanding Supporting Visual Effects in a Photoreal Episode

Winner: The Residence — “The Fall of the House of Usher”

Real-Time, Commercial & Special Venue

Outstanding Visual Arts in a Real-Time Project

Winner: Ghost of Yōtei

Outstanding Visual Effects in a Commercial

Winner: BMW — “Heart of Joy | Meet Okto the Octopus”

Outstanding Visual Effects in a Special Venue Project

Winner: Sphere presentation of The Wizard of Oz

Character Awards

Outstanding Character in a Photoreal Feature

Winner: Avatar: Fire and Ash — Varang, Leader of the Ash Clan

Outstanding Character in an Animated Feature

Winner: KPop Demon Hunters — Rumi

Outstanding Character in an Episodic or Real-Time Project

Winner: IT: Welcome to Derry — The Pickle Monster

Environment Awards

Outstanding Environment in a Photoreal Feature

Winner: Avatar: Fire and Ash — Bridgehead Industrial City

Outstanding Environment in an Animated Feature

Winner: Zootopia 2 — Marsh Market

Outstanding Environment in an Episodic or Real-Time Project

Winner: Andor — The Senate District

Technical Achievement Categories

Outstanding CG Cinematography

Winner: Avatar: Fire and Ash

Outstanding Model in a Photoreal or Animated Project

Winner: Avatar: Fire and Ash — The Windtraders’ Gondola

Outstanding Effects Simulations in a Photoreal Feature

Winner: Avatar: Fire and Ash

Outstanding Effects Simulations in an Animated Feature

Winner: KPop Demon Hunters

Outstanding Special (Practical) Effects in a Photoreal Project

Winner: Andor — “Who Are You?”

Outstanding Compositing & Lighting in a Commercial

Winner: BMW — “Heart of Joy | Meet Okto the Octopus”

Emerging Technology Award

Winner: Avatar: Fire and Ash — Kora Fire Toolset

Special Honors

The ceremony also recognized long-standing contributions to the craft:

VES Lifetime Achievement Award

Winner: Jerry Bruckheimer

Visionary Award

Winner: Richard Taylor

The 24th Annual Visual Effects Society (VES) Awards delivered a clear frontrunner for this year’s awards season conversation. Avatar: Fire and Ash, directed by James Cameron, emerged as the night’s biggest winner, taking home seven awards and reaffirming the franchise’s technical supremacy in modern cinema.

The Nigeria film industry achieved a major global milestone with The Black Book  in 2023. Directed, produced, and co-written by Editi Effiong under Anakle Films, this crime thriller became the first Nigerian movie to reach No. 3 on Netflix’s worldwide film charts. It amassed over 20 million views in its opening weeks, appearing in the Top 10 in more than 69 countries.

The story centers on Paul Edima (played by Richard Mofe-Damijo), a former government hitman now living as a deacon. When his son is framed for a kidnapping and murdered by a corrupt police gang to cover up high-level corruption, Paul returns to his violent past to seek justice and revenge. The narrative explores themes of police brutality, government corruption, redemption, and the fight for justice in contemporary Nigeria.

The cast featured Nollywood veterans including Richard Mofe-Damijo in the lead, alongside Ade Laoye, Sam Dede, Shaffy Bello, Alex Usifo, Olumide Oworu, Kelechi Udegbe, Iretiola Doyle, Femi Branch, and Taiwo Ajai-Lycett. Made on a budget of approximately $1 million considered substantial for a Nigerian production; the film emphasized high production values, including Panavision lenses, to meet international standards.

With international partnerships, a broadened cast, and a deeper narrative arc, Old Scores signals a bold evolution not just for the franchise, but for Nollywood’s positioning on the world stage.

The Black Book 2: Old Scores, announced by Anakle Films in February 2026, Editi Effiong returns as writer and director. The project partners with Emmy-nominated producer Nicky Weinstock (known for Apple TV+’s Severance) through his Invention Studios, alongside producer Mimi Bartels. Principal photography has wrapped according to reports, and the film is in post-production, with a theatrical release planned in Nigerian cinemas. However, no exact date or streaming details have been confirmed. 

The cast announcement revealed a stacked ensemble blending returning stars and new additions:

• Richard Mofe-Damijo (returning as Paul Edima)
• Kate Henshaw
• Bright Okpocha (Basketmouth)
• Shaffy Bello (returning)
• Alex Usifo (returning)
• William Benson
• Masami Kosaka
• Rick Kiesewetter
• Soibifaa Dokubo
• Mallum Arik
• Sola Fosudo
• Ejike Asiegbu
• Bob-Manuel Udokwu
• Emeka Okoye
• And others including Chidi Ajufo, Awe Ayobami, and more.

Production scaled up significantly, involving a 300-strong crew from Nigeria, the US, UK, China, Japan, and beyond, marking one of the largest Nigerian productions to date and aiming for even greater global impact.

A reboot of the iconic sci-fi series The X-Files is officially moving forward at Hulu, with filmmaker Ryan Coogler attached to write and direct the pilot episode, marking his first television directing credit, while also serving as an executive producer.

The project has now taken a major step forward with the casting of Danielle Deadwyler as one of its two central leads.

The series is being produced by 20th Television, which controls the franchise rights, alongside Coogler’s production company Proximity Media. Original creator Chris Carter remains attached as an executive producer, maintaining a creative bridge to the original franchise.

The X-Files debuted in 1993 and became one of television’s most influential sci-fi dramas, blending paranormal investigations with government conspiracy. The series followed FBI agents Fox Mulder and Dana Scully as they explored unexplained phenomena across the United States.

The upcoming reboot is expected to reimagine the core premise for a new generation, centering on two contrasting FBI agents investigating mysterious and unexplainable cases. While specific character details remain under wraps, reports indicate Deadwyler will portray one half of the investigative duo. Casting for the second lead has yet to be announced.

Danielle Deadwyler has steadily built a reputation as one of the most compelling dramatic performers of her generation. She received widespread acclaim for her performance in Till and has appeared in projects including The Piano Lesson, Carry-On, and I Saw the TV Glow.

Ryan Coogler, best known for directing Black Panther and Creed, has steadily expanded his presence in television production in recent years. His involvement signals a prestige approach to the reboot, positioning it as a serious creative reworking rather than a simple continuation.

He will serve as executive producer alongside his Proximity Media partners, while Carter is attached in a non-writing executive producer capacity, maintaining a connective thread to the original franchise.

The series will be showrun by Jennifer Yale, whose credits include work on See, Legion, Dexter: New Blood, and The Copenhagen Test. Yale’s experience in serialized genre storytelling provides experienced television oversight to balance Coogler’s feature-film background.

Meanwhile, Carter’s continued executive producer role ensures continuity with the franchise’s mythology, though he is not expected to be involved in day-to-day writing.

When The X-Files first premiered in 1993, it became one of television’s most influential sci-fi dramas. The series ran for nine seasons before concluding in 2002, later returning for revival seasons between 2016 and 2018. It reshaped genre television, blending paranormal investigations with government conspiracy arcs and philosophical debates about belief, truth, and institutional secrecy.

Original stars like Gillian Anderson, who portrayed Dana Scully, have previously expressed conditional openness to revisiting the universe under the right creative circumstances. However, no legacy casting has been confirmed for the reboot.

MGM+ has officially renewed Robin Hood for Season 2, according to a report by Variety. Like its debut installment, the upcoming season will consist of 10 episodes.

The renewal comes as the series continues to position itself as one of MGM+’s flagship historical dramas, blending political tension, romance, and war-time trauma into a darker, character-driven interpretation of the Robin Hood myth.

Season 2 is expected to expand beyond the forests of Nottingham, widening its political landscape and deepening the ideological battle at the heart of the story. If Season 1 focused on Robin’s return from war and his awakening to corruption at home, the next chapter appears set to explore the cost of rebellion both personally and nationally.

The series follows a young, hardened Robin who returns to England disillusioned, only to find his homeland gripped by tyranny. As resistance forms, the line between hero and outlaw continues to blur.

Jack Patten leads the series as Robin, with Lauren McQueen portraying Marian. Sean Bean co-stars as the Sheriff of Nottingham, adding gravitas to the show’s central conflict.

Showrunner John Glenn is set to return for Season 2, maintaining continuity in tone and storytelling as the drama scales up.

Robin Hood has stood out for its grounded, politically charged approach. Rather than leaning heavily on folklore spectacle, the series frames its story through power struggles, loyalty, and moral ambiguity.

By sticking to a 10-episode structure again, MGM+ appears committed to a tight, cinematic format rather than stretching the narrative thin.

An official premiere date for Season 2 has not yet been announced, but production is expected to begin later this year.

Nollywood is once again preparing for a deeply emotional cinematic moment. Kilanko: The Invisible Child, the latest project from actor turned producer Rotimi Salami, is set to hit Nigerian cinemas this March and it carries more weight than a typical film release.

Beyond its storyline, Kilanko stands as one of the final directorial works of Allwell Ademola, whose passing in late 2025 sent shockwaves through the industry. Although she passed away before the film’s release, Kilanko now serves as a posthumous showcase of her artistry. It reminds Nollywood and its audiences of the power a director has in giving stories life, and it reveals  her place as one of the industry’s talents. Beyond this single film, her work continues to influence emerging filmmakers who aspire to combine commercial appeal with meaningful narratives.

In the broader context of Nigerian cinema, Allwell Ademola’s legacy is about showing the value of perspective and empathy. Her final directorial effort ensures that, even in absence, her voice continues to resonate not just in the themes she explored, but in the standard of storytelling she leaves behind.

While official plot details remain guarded, Kilanko: The Invisible Child has been described as an emotional drama exploring hidden pain, sacred sacrifice, and maternal resilience. The title alone suggests a narrative centered on a child overlooked by society; physically present, yet emotionally unseen.

Early descriptions from the production team hint at themes that resonate strongly within Nigerian communities: neglect, family bonds, and the quiet strength of mothers who endure more than they reveal. If executed with depth, the film could join the growing class of socially reflective Nollywood dramas that prioritize storytelling over spectacle.

The film brings together respected Nollywood veterans, including:

• Saidi Balogun
• Ibrahim Chatta
• Biola Adebayo
• Saka Oyetoro

With Rotimi Salami also appearing on screen, the ensemble suggests a production rooted in performance-driven storytelling. 

For Salami, this project represents another step in his evolution from actor to full-fledged producer. In recent years, Nollywood has seen a wave of performers stepping behind the camera to control narrative direction and production quality. Kilanko appears to sit firmly within that shift.

The emotional core of this release lies in its direction. Allwell Ademola was widely respected for her ability to craft intimate, character-focused stories. Her involvement elevates Kilanko beyond commercial expectations; it becomes a preservation of artistic legacy.

For an industry still experiencing the loss of influential creatives, the film offers audiences a chance to witness one of her final creative visions on the big screen.

Kilanko: The Invisible Child is scheduled to premiere on March 1, 2026, before opening nationwide in Nigerian cinemas on March 6, 2026.

The March window positions it strategically outside the heavy December blockbuster season, giving it space to breathe and potentially build word of mouth momentum.

If early anticipation translates into box office interest, Kilanko could become one of the more emotionally discussed Nollywood releases of the first quarter of 2026.

The 2026 BAFTA Film Awards, held on February 22 in London, saw a mix of industry veterans and rising stars take home the night’s most coveted trophies. One Battle After Another emerged as the biggest winner, sweeping both creative and technical categories under the direction of Paul Thomas Anderson.

Here’s a breakdown of the major categories and winners:

Best Film & Director

• Best Film: One Battle After Another
• Best Director: Paul Thomas Anderson – One Battle After Another

Acting Awards

• Best Leading Actor: Robert Aramayo – I Swear
• Best Leading Actress: Jessie Buckley – Hamnet
• Best Supporting Actor: Sean Penn – One Battle After Another
• Best Supporting Actress: Wunmi Mosaku – Sinners
• EE Rising Star Award (public-voted): Robert Aramayo

Screenplay & Writing

• Original Screenplay: Sinners – Ryan Coogler
• Adapted Screenplay: One Battle After Another

Craft & Technical Awards

• Cinematography: One Battle After Another
• Editing: One Battle After Another
• Original Score: Sinners
• Sound: F1
• Casting: I Swear

Design & Production

• Production Design: Frankenstein
• Costume Design: Frankenstein
• Makeup & Hair: Frankenstein
• Visual Effects: Avatar: Fire and Ash

British & International Film

• Outstanding British Film: Hamnet
• Film Not in the English Language: Sentimental Value
• Best Animated Film: Zootropolis 2
• Best Children’s & Family Film: Boong
• Best Documentary: Mr. Nobody Against Putin
• Outstanding British Debut: My Father’s Shadow – Akinola Davies Jr & Wale Davies
• British Short Film: This Is Endometriosis
• British Short Animation: Two Black Boys in Paradise

Special Honors

• Outstanding British Contribution to Cinema: Clare Binns
• BAFTA Fellowship: Dame Donna Langley

With multiple wins in both creative and technical categories, One Battle After Another is now a clear frontrunner for the 2026 Oscars, while emerging talents like Robert Aramayo continue to make their mark on international cinema.

Cameras are officially rolling on Wednesday Season 3 in Ireland, marking the next phase of one of Netflix’s most valuable global franchises. Production has commenced this week, with principal photography underway across Irish locations that previously helped redefine the show’s gothic visual identity.

For a series that quickly became a cultural force, the start of filming is more than routine industry news. It signals expansion.

After relocating production to Ireland in Season 2, the series has kept the country as its long-term creative base. The decision is strategic. Ireland’s atmospheric landscapes enhance the show’s dark tone, while its historic architecture naturally aligns with Nevermore’s gothic aesthetic. The country also offers large-scale studio infrastructure capable of supporting an effects-heavy production.

Over time, Ireland has evolved into part of the show’s visual DNA. The fog, forests, and brooding estates elevate the tone without relying excessively on digital environments. Maintaining the same production base also suggests creative stability. Season 3 is building on a world that already feels defined rather than reinventing it.

A 2026 production start indicates a lengthy shoot ahead. Given the scale of the series; elaborate set design, creature effects, stunt choreography, and complex post-production layering, a 2027 release window appears likely. Netflix has not announced an official premiere date, but the beginning of filming confirms that development is well advanced and that the franchise remains a priority within the company’s global slate.

While no formal casting announcement has accompanied the production update, core members are widely expected to return, including Jenna Ortega, whose performance transformed Wednesday Addams into a generational anti-hero. Ortega’s portrayal, emotionally restrained, razor-sharp, and psychologically layered became central to the show’s breakout success. Season 3 now carries the responsibility of evolving that character without softening her defining traits.

When Wednesday debuted, it functioned as more than a reboot. It repositioned the Addams Family mythology for streaming-era audiences; stylized, culturally resonant, and narratively ambitious. The series balanced gothic horror, satire, teen mystery, and character-driven drama with surprising precision.

Season 3 represents a critical phase in that evolution. The mystery framework must continue to expand without becoming repetitive. The world may need to stretch beyond Nevermore while maintaining tonal consistency. The mythology must deepen without losing accessibility.

Nevermore’s gates are open again. And this time, expectations are even higher.