Tag: Nollywood

For new nollywood release observers, January is rarely the loudest month but 2026 opened with some good films. Instead of chasing spectacle, Nigerian cinema leaned into range; romance, genre experimentation, cultural drama, and commercial heavyweights that refused to fade with the new year.

While streaming platforms stayed relatively quiet, cinemas carried the momentum. These are the five films that defined Nollywood’s cinema conversation in January 2026.

Everything Is New Again

Inkblot Productions and FilmOne Studios began the year with a romantic drama rooted in emotional familiarity rather than novelty. Everything Is New Again explores love through maturity, reflection, and timing; themes that resonate deeply with Nollywood’s core audience.

Storyline summary: The film follows two people forced to confront unfinished emotional business when their paths cross again. As past choices resurface, they must decide whether love deserves another chance and whether starting over is ever truly possible.

Released at the end of January, the film positioned itself as a steady, audience-friendly opener for the year, reinforcing Inkblot’s reputation for clean storytelling and commercial instincts.

Alive Till Dawn

Few January releases generated as much curiosity as Alive Till Dawn. A zombie thriller led by Uzor Arukwe, the film marked another step in Nollywood’s gradual but deliberate embrace of genre filmmaking.

Storyline summary: Set over one terrifying night, the story follows a small group fighting to survive as a sudden outbreak throws their world into chaos. With danger closing in from every direction, survival becomes a test of instinct, trust, and endurance until daybreak.

Rather than playing it safe, the film leaned into tension and suspense, offering audiences something distinctly different from Nollywood’s traditional drama-heavy slate.

Behind The Scenes

Though released in December 2025, Behind The Scenes remained a dominant presence well into January 2026. Its extended cinema run and sustained audience interest made it one of the most visible Nollywood titles of the month.

Storyline summary: The film pulls back the curtain on ambition, power, and personal compromise within a high-pressure environment. As relationships fracture and hidden agendas emerge, the characters must confront the emotional cost of success.

Its continued relevance highlighted a larger trend: Nollywood hits no longer expire with the calendar year, but now carry cultural momentum across months.

Colours Of Fire

Colours Of Fire leaned fully into Nollywood’s strength in epic, emotionally charged storytelling. Built around themes of forbidden love, tradition, and conflict, the film delivered scale without sacrificing intimacy.

Storyline summary: Against a backdrop of tradition and rivalry, two people fall in love where they are not supposed to. Their relationship ignites tension between families and communities, forcing difficult choices between duty, identity, and desire.

Released in late January, the film found its audience among viewers drawn to dramatic tension and culturally grounded narratives.

Gingerrr

Rounding out the list is Gingerrr, a stylish action-comedy heist film powered by an all-female ensemble cast. Fast-paced and playful, the film added levity to January’s cinema lineup.

Storyline summary: The story follows a bold, unconventional crew planning a risky operation. As the plan unfolds, personalities clash, loyalties are tested, and nothing goes exactly as expected, blending action with sharp humor.

Its inclusion reflects Nollywood’s growing interest in balance; films that entertain without heavy emotional weight, and stories that broaden the scope of mainstream Nigerian cinema.

February 2026 is shaping up to be a month of excitement for Nollywood fans. From heartfelt romance to powerful real-life stories, this month promises films that will entertain, inspire, and spark conversations. Here’s a look at the top three confirmed Nollywood releases you should not miss.

To Adaego With Love

Release Date: February 6, 2026

Genre: Romance / Period Drama

“To Adaego With Love” is one of the most anticipated Nollywood films of the year. Set in post-Civil War Nigeria (1975), the movie tells the story of a soldier and a school teacher from rival communities who fall in love against the backdrop of a society healing from conflict.

The film stars Chisom Agoawuike, Adam Garba, Chioma Chukwuka, Bob-Manuel Udokwu, and includes one of the final screen appearances of the late Onyeka Onwenu, adding a layer of historical and emotional significance. The movie is a perfect mix of romance, drama, and Nigerian history, making it both entertaining and culturally rich.

Viewers can expect a story of forgiveness, unity, and the power of love that transcends barriers. For lovers of romantic dramas with emotional depth, this is a film not to miss.

Love & New Notes

Release Date: February 13, 2026

Genre: Romance / Contemporary Drama

If you are looking for a light, modern romance, “Love & New Notes” is the perfect choice for Valentine’s season. Directed by Kayode Kasum and starring Timini Egbuson, the movie captures the humour, heartbreak, and charm of modern Lagos love stories.

The story combines witty dialogues, relatable relationship moments, and a cast that includes Odunlade Adekola, Eniola Badmus, and Sophie Alakija. Its Valentine’s release date positions it as the go to movie for couples and young adults looking for entertainment that reflects contemporary Nigerian love and life.

For anyone who enjoys romantic comedies with heart and strong performances, this film is set to be a standout of the month.

Mothers of Chibok

Release Date: February 27, 2026

Genre: Documentary / Social Issue

“Mothers of Chibok” is more than just a movie; it is a documentary that tells one of Nigeria’s most important stories. The film focuses on the mothers of the Chibok school girls abducted in 2014, sharing their stories of resilience, courage, and hope.

Directed by Kachi Benson, the documentary is a moving exploration of the human spirit and a reminder of the power of persistence in the face of adversity. It highlights how ordinary people can display extraordinary strength and determination.

This film is ideal for viewers who are drawn to stories that matter, films that educate, and narratives that inspire social awareness and empathy.

From historical romances to contemporary love stories and documentaries that touch the heart, February 2026 offers a diverse Nollywood lineup. Whether you’re a fan of love stories, historical dramas, or real-life social issues, these three films promise to deliver unforgettable experiences on the big screen.

Africa’s biggest night in film and television is officially underway.

The 12th Africa Magic Viewers’ Choice Awards (AMVCA) has opened submissions, inviting filmmakers and TV creators across the continent to submit eligible projects released in 2025. If your work made waves on cinema screens, television, or streaming platforms last year, this is your moment to step forward.

From breakout performances to technical brilliance and bold storytelling, the AMVCA remains the most influential platform celebrating African screen excellence  and the race for 2026 has begun.

Submission Timeline

• Entries Open: 11 January 2026
• Entries Close: 15 February 2026
• Eligibility Period: Projects must have been publicly screened or broadcast between 1 January and 31 December 2025
• Official Portal: www.africamagic.tv/amvca

Now in its 12th edition, the Africa Magic Viewers’ Choice Awards has grown beyond an awards show into a cultural institution. Powered by Africa Magic and MultiChoice, the AMVCA has helped shape careers, spotlight emerging talent, and push African film and television into global conversations.

This year’s edition continues its commitment to inclusivity, with expanded Indigenous Language categories that now fully accommodate works from North and Central Africa, reinforcing the AMVCA’s pan-African vision.

Eligible entries include:

• Feature films
• Television series
• Made-for-TV movies
• Select documentary projects

After submissions close on 15 February 2026, entries will be reviewed by the AMVCA jury panel, followed by public voting in selected categories. Nominees will be announced ahead of the highly anticipated 2026 AMVCA ceremony in Lagos, Nigeria, where Africa’s finest screen talents will take centre stage.

Submission link: www.africamagic.tv/amvca

The Nigerian film industry has been shaken by the sudden death of Nollywood actress, director, and producer Allwell Ademola on Saturday, December 27, 2025. She was 43 years old at the time of her passing. 

Reports say Ademola collapsed at her Lagos residence and was rushed to Ancilla Hospital in Agege, where she was later confirmed dead. Unofficial sources indicate she may have suffered a sudden heart attack before her collapse, although official medical confirmation is yet to be released. 

Allwell Ademola was more than a screen presence; she was a creative force in Yoruba Nollywood, known for her versatility as an actress, director, and producer. Over her career, she featured in and helped shape numerous films, blending traditional storytelling with modern cinematic vision. 

Among her notable works, she produced and starred in False Flag (2017), a film that underscored her talent behind and in front of the camera. 

News of Ademola’s passing spread quickly across social media and entertainment platforms. Colleagues and fans shared messages of disbelief and grief, describing her death as a devastating loss for Nollywood.

Veteran actress Faithia Williams took to Instagram with an emotional tribute, while Bidemi Kosoko expressed shock and sorrow, stating:

“No way… I refuse to accept this one.” 

Personal and Family Background

Allwell Ademola also came from a distinguished lineage. She was a granddaughter of Sir Adetokunbo Ademola, one of Nigeria’s  respected jurists and a former Chief Justice of Nigeria. 

Despite her public career, she maintained a relatively private personal life. There is no widely confirmed information about a spouse or children in the immediate context of her death. 

May her soul rest in peace.

Nollywood, the powerhouse of Nigerian cinema, has truly entered the global spotlight. Not long ago, earning ₦100 million at the domestic box office was a massive win. Today, producers are setting their sights on billion-naira records, proving the incredible growth and commercial strength of the industry.

This article breaks down the definitive list of the Top 10 Highest-Grossing Nollywood Films of All Time, detailing the blockbusters that reshaped the cinema landscape and highlighting the key figures behind their success.

The All Time Top 5: The Nollywood Giants

The top five films on this list represent the true commercial peak of Nigerian filmmaking. They are must-watch cultural phenomena that drove millions of Nigerians into cinemas.

Everybody Loves Jenifa (2024)

All Time Record Holder: ₦1.882 Billion+

The Queen of the Box Office: Funke Akindele (Director/Producer/Star)

The latest installment in the beloved Jenifa franchise shattered every existing record. Funke Akindele’s return to the big screen with her iconic character proved irresistible, making it the first Nollywood film to aggressively push toward the ₦2 billion mark. Its success confirmed that Nollywood audiences have an insatiable appetite for well written, familiar, and highly entertaining sequels.

A Tribe Called Judah (2023)

Box Office Gross: ₦1.408 Billion+

Significance: The first Nigerian film to ever cross the ₦1 billion threshold.

Before Everybody Loves Jenifa took the crown, A Tribe Called Judah was the undisputed king. This highstakes family heist comedy, also starring and co-directed by Funke Akindele, became a cultural sensation during the 2023 Christmas period. Its unprecedented success legitimized the possibility of achieving true blockbuster status in the Nigerian film market.

Battle on Buka Street (2022)

Box Office Gross: ₦668.4 Million

Yet another massive holiday hit from Funke Akindele. This film proved that audiences love stories centered around food, family conflict, and comedy. Its strong performance solidified the Detty December period as the most crucial window for film releases.

A hilarious and emotional rivalry between two half-sisters operating competing food businesses.

Omo Ghetto: The Saga (2020)

Box Office Gross: ₦636.1 Million

Released during a challenging year (2020), this film’s success was monumental. It revived the cinematic experience for many Nigerians and was a testament to the drawing power of its stars. The gritty, high energy story focused on twin sisters separated at birth who navigate life in the ghetto and the high class suburbs.

Gingerrr (2025)

Box Office Gross: ₦521.9 Million

The highest-grossing Nollywood film of 2025.

Breaking the dominance of the Akindele franchises, Gingerrr is a female led action-comedy heist film that smashed expectations in 2025. Its success highlights the growing demand for different genres and the commercial viability of films produced by a new wave of stars and executive producers.

Alakada: Bad & Boujee (2024)

Box Office Gross: ₦500.5 Million

Toyin Abraham (Producer/Star)

Following in the footsteps of the Jenifa franchise, this film stars Toyin Abraham in her much loved role as Yetunde, the social-climbing ‘Alakada’ (pretender). This entry solidified the fact that Nigerian audiences highly value familiar comedic characters. The strong return on this film confirms Toyin Abraham as one of the few producers capable of consistently hitting the half a billion naira mark.

The Wedding Party (2016)

Box Office Gross: ₦452.2 Million

Mo Abudu (Executive Producer, EbonyLife Films)

This is the film that truly ushered in the modern, large-scale box office era for Nollywood. When it was released in 2016, it smashed the existing records by a huge margin. It proved that high-quality production, excellent marketing, and a diverse, star-studded cast (like Banky W and Adesua Etomi) could draw Nigeria’s middle and upper classes back into the cinemas.

The Wedding Party 2: Destination Dubai (2017)

Box Office Gross: ₦433.1 Million

Despite a slight dip in gross from the first installment (which is common for sequels), The Wedding Party 2 reaffirmed the commercial power of the franchise. By taking the action to Dubai, it showed that Nollywood could compete with global standards in terms of scale and production value, ensuring its place as a massive commercial success. It maintained incredible commercial success for the franchise.

Ori: Rebirth (2025)

Box Office Gross: ₦419.5 Million

Muyiwa Ademola (Producer/Director/Star)

One of the biggest surprises of 2025, Ori: Rebirth is a masterclass in indigenous filmmaking. This Yoruba-language epic drama proves that Nigerian audiences are hungry for high quality, culturally authentic stories. Its success, which occurred outside of the competitive Christmas season, is a major victory for indigenous cinema and has set a new commercial benchmark for non-English Nollywood films.

Chief Daddy (2018)

Box Office Gross: ₦387.5 Million

Directed by Niyi Akinmolayan.

This star-studded comedy, produced by EbonyLifeFilms, features a hilarious plot centered around a wealthy man’s death and the chaos that follows among his many family members and secrets. Released during the competitive 2018 holiday season, it leveraged its huge ensemble cast to secure a high-ranking spot and close out the top ten list.

Key Trends Driving Nollywood Success

The Funke Akindele Effect: Having films in the top four spots, Funke Akindele is not just an actor; she is a box-office guarantor. Her films are highly anticipated, proving that star power, combined with strong marketing and directing, is the ultimate recipe for success in the industry.

The December Window: Look at the release yearsmost blockbusters hit the market in December. The Christmas and New Year holidays provide the perfect opportunity for families and friends to go to the cinema, making it the most lucrative release window.

The Rise of Indigenous Epics: The inclusion of Ori: Rebirth (a Yoruba-language epic) in the top 10 shows that high-quality films made in indigenous languages are finding a massive, eager audience that appreciates cultural authenticity.

The Power of Franchises: The recurring presence of the Jenifa series, the Wedding Party series, and the Alakada series demonstrates that building a recognizable brand and character pays off immensely at the box office.

Nollywood is no longer just regional; it is a global force that is generating hundreds of millions of naira on its home soil. With producers aiming higher every year, expect the ₦2 billion record to be challenged very soon!

Forget the cliche holiday cheer. December 2025 is set to be one of the most creatively daring and commercially significant months in Nollywood history. Nigeria’s top producers and directors are delivering a powerful mix of deep social commentary, historical fantasy epics, and high-stakes political thrillers right to the cinema and your streaming devices.

Here is your detailed guide to the 10 must-watch Nigerian movies and documentaries releasing this festive season.

This Is Love (Documentary) Dec 1, 2025

Key Producer/Director: Victor Ugoo Njoku (Co-Director)

This is not your typical holiday romance. This powerful and essential documentary shines a light on the intimate lives of three LGBTQ+ Nigerian couples living and loving under the shadow of the Same-Sex Marriage Prohibition Act (SSMPA). Through warm, deeply personal interviews, the film explores their challenges, resilience, and the sheer normalcy of their romantic connections, making a subtle yet profound assertion of their existence within Nigerian society. It’s a crucial, tender piece of social-issue filmmaking.

Colour Me True (Dec 4, 2025)

Key Producer/Director: Toluwani Obayan Osibe (Writer/Director)

Part of the esteemed First Features Slate Initiative, this drama stars Shalewa Ashafa as Sylvia Philips, a celebrated reality star whose meticulously constructed life collapses when her true, complicated identity is revealed. Forced to return to the childhood orphanage she tried to forget, the film explores the high cost of deceit, the journey of self-rediscovery, and what remains when the truth finally catches up.

This Is Not a Nollywood Movie (Dec 5, 2025)

Key Producer/Director: Wale Ojo (Director/Writer)

Making his directorial debut, veteran actor Wale Ojo delivers a wildly self-aware satire. The story follows Okechukwu Nwadibe (played by Ojo), a washed-up director from Nnewi who, inspired by a dream of winning an Oscar, attempts a chaotic comeback in Lagos. When he takes a shady loan from a powerful gangster, the film spirals into a dangerous, hilarious mess. Expect meta-humour and a candid, if exaggerated, look at the craziness of the industry.

Masaka Kids: A Rhythm Within (Documentary) Dec 9, 2025

This inspiring documentary focuses on the incredible Masaka Kids Africana, a group of talented children from Uganda who found global fame through their vibrant and energetic music and dance videos. It’s an uplifting, family-friendly film that captures the joy, resilience, and power of music in community. The documentary made this list because of its wide anticipation amongst Nollywood viewers.

Behind The Scenes (Dec 12, 2025)

Key Producer/Director: Funke Akindele (Producer/Co-Director)

From the undisputed “Box Office Queen,” Funke Akindele’s latest cinematic offering is a comedy-drama that peels back the curtain on the chaotic, high-pressure world of a Nollywood film set. The film captures the raw struggles, hidden experiences, and often untold stories of the crew members and actors (including an ensemble cast featuring Tobi Bakre, Iyabo Ojo, and Ini Dima-Okojie) as they navigate production mishaps, personal egos, and the fight to keep their project and their sanity intact.

A Very Dirty Christmas (Dec 16, 2025)

Key Producer/Director: Akay Mason (Director)

This film delivers on the classic holiday premise: a chaotic family gathering. When a large family comes together for the festive season, old issues resurface, long held secrets are explosively exposed, and the ‘peaceful’ celebration turns into a loud, messy, and hilarious wahala. The stellar cast includes veterans like Eucharia Anunobi and Femi Branch.

Oversabi Aunty (Dec 19, 2025)

Key Producer/Director: Toyin Abraham (Director/Producer)

Directed by and starring Toyin Abraham, this comic drama centres on Toun, a self-righteous church usher obsessed with “fixing” other people’s lives using her strong faith. Her overzealous, meddlesome advice spirals into disastrous consequences, peaking at a family wedding introduction. Toun is ultimately forced to confront the chaos her misplaced devotion has caused in a story that blends witty social commentary with relatable family dynamics.

Colours of Fire (Dec 24, 2025)

Key Producer/Director: Niyi Akinmolayan (Director)

Niyi Akinmolayan, known for his visual ambition (The Set Up, Elevator Baby), returns with a grand Fantasy/Epic Drama for Christmas Eve. The film follows a lone warrior sent on a mission to hunt down a dangerous beast unleashed by a rival clan. However, his journey reveals a much bigger hidden truth and a forbidden connection that forces him to question his loyalty and honour. Expect breathtaking cinematography and a thrilling narrative.

King of Boys 3: The Beginning of the End
(Dec 25, 2025 – Christmas Day)

Key Producer/Director: Kemi Adetiba (Director)

This is arguably the most anticipated film of the year. Kemi Adetiba gifts fans of her explosive political thriller saga the next chapter on Christmas Day. Picking up the story of Eniola Salami, this installment promises to deliver the high-stakes political intrigue, gripping action, and powerful socio-political commentary that the franchise is famous for. Expect monumental performances and a truly cinematic event.

Wizkid: Long Live Lagos (Documentary) Dec 26, 2025

Key Producer/Director: Karam Gill (Director)

While it’s an HBO original set for release Dec 11, African fans will get the intimate experience on Showmax from Boxing Day. Directed by Karam Gill, this feature-length documentary follows Nigerian superstar Ayodeji “Wizkid” Balogun as he prepares for his historic performance at the Tottenham Hotspur Stadium in London. The film explores his rise from the Surulere streets of Lagos to global icon status, challenging Western media’s stereotypes and tracing the massive global shift in the perception of African music. It is a candid look at the process and persistence behind his stardom.

This diverse slate proves that Nollywood is operating at the peak of its creative and commercial power. Whether you’re seeking a fantasy escape, a deep look into social issues, or the simple joy of a star-studded comedy, December 2025 has cemented its place as a legendary month for Nigerian cinematic storytelling. Happy viewing!

The Nigerian film industry continues to be one of the most vibrant storytelling ecosystems in the world. Beyond box-office hits and streaming successes, film festivals have become crucial platforms for discovering new voices, celebrating African cinema, and fostering collaborations between filmmakers, investors, and audiences.

As 2025 is coming to an end, Nigeria is set to host a series of prestigious film festivals that bring together filmmakers, producers, critics, and film lovers together. From Abuja to Lagos, Enugu to Benin City, here’s a comprehensive guide to the top film festivals happening across Nigeria from October to December 2025.

Abuja International Film Festival (AIFF)

Dates: October 26–31, 2025

Location: Abuja, Nigeria

Founded in 2004, the Abuja International Film Festival is one of Nigeria’s longest-running film festivals. Its goal is to provide a platform for filmmakers from Africa and beyond to showcase their works, exchange ideas, and network with industry players.

The festival screens a broad range of content from documentaries and shorts to feature-length film. It also features panel discussions, masterclasses, film markets, and awards ceremonies, making it a key stop on the African festival circuit.

Africa International Film Festival (AFRIFF)

Dates: November 2–8, 2025

Location: Lagos, Nigeria

AFRIFF is arguably Nigeria’s most internationally recognized film festival. Since its inception in 2010, it has grown into a premier destination for African cinema, attracting filmmakers, industry executives, journalists, and cinema lovers from all over the world.

Held annually in Lagos, AFRIFF offers a week-long celebration of film, featuring screenings, industry sessions, pitching platforms, talent development programs, and the AFRIFF Film & Content Market (November 3–6). The festival has played a major role in positioning Nigeria as a creative hub for African storytelling.

Eastern Nigeria International Film Festival (ENIFF)

Dates: November 26–29, 2025

Location: Enugu, Nigeria

ENIFF was created to spotlight filmmakers from Eastern Nigeria while also welcoming entries from across Africa and beyond. Enugu, often regarded as the historic heart of Nollywood, provides a symbolic backdrop for this festival.

The 2025 theme, “Reimagine. Rethink. Reframe,” focuses on pushing creative boundaries and encouraging new cinematic perspectives. ENIFF showcases narrative films, documentaries, animations, and experimental works, accompanied by workshops, panel discussions, and youth-focused training sessions.

Imo Creatives & Film Festival (IMOIFF)

Dates: November 27–29, 2025

Location: Owerri, Imo State

The Imo Creatives & Film Festival (IMOIFF) is a growing event designed to highlight the power of storytelling in Nigeria’s Southeast.

IMOIFF focuses on empowering Nigerian storytellers through training programs, panel conversations, film showcases, and networking sessions. It serves as a bridge for young creatives, connecting them with mentors, funders, and collaborators.

Benin City Film Festival (BCFF)

Dates: November 27–29, 2025

Location: Benin City, Edo State

The Benin City Film Festival has quickly gained a reputation as a home for independent filmmakers. It focuses on films that challenge mainstream narratives and offer fresh, bold perspectives. The festival typically includes international and national screenings, panel talks, student competitions, and cultural showcases.

Benin City, with its rich artistic heritage, provides a vibrant atmosphere for the festival, blending film with local art, history, and tourism.

S16 Film Festival

Dates: December 1–5, 2025

Location: Lagos, Nigeria

The S16 Film Festival is a niche event dedicated to Super 16mm and analogue filmmaking. In an era dominated by digital technology, this festival celebrates the craft, texture, and discipline of analogue film production.

Participants engage in hands-on workshops, screenings of 16mm films, and discussions with veteran cinematographers who champion the art of traditional filmmaking.

African Indigenous Language Film Festival (AILFF)

Dates: December 3–5, 2025

Location: Lagos, Nigeria

The AILFF is a celebration of films made in African indigenous languages, highlighting the diversity and cultural depth of the continent. It was created to challenge the dominance of English and French in African film narratives, and to encourage filmmakers to embrace their mother tongues.

The festival features screenings, language preservation panels, and storytelling workshops, creating a space where language and cinema intersect powerfully.

These festivals not only celebrate creativity but also provide real platforms for training, funding, and collaboration.

Whether you’re a filmmaker looking to showcase your work, a student hoping to learn or eager to explore fresh stories, get ready 2025 is still packed.

In Nigeria’s Middle Belt, a place filled with beauty, history, and pain, a young filmmaker is bringing a different kind of story to the screen. Agatha Doowuese Akaahar, a 23-year-old Tiv filmmaker from Benue State, is the writer and director behind Black Sands, a moving short film that shines a light on the real lives of people living through conflict.

Agatha’s love for storytelling began early. After losing her mother as a child, books became her escape. Later, theatre gave her a voice and showed her the power of stories to heal and connect. Even though she studied History and International Studies at the University of Ilorin, she never lost her passion for film.

The inspiration for Black Sands came from her own experiences growing up in Benue. “The Middle Belt is often spoken about only in numbers — how many died, how many were displaced,” she says. “But behind every number is a person, a family, a dream.”

Unlike most films about conflict, Black Sands doesn’t focus on politics. Instead, it tells a human story about love, loss, and resilience. The title is symbolic — sand usually represents life, but when huts burn, the sand turns black. “The land remembers everything,” Agatha explains. “Black Sands is both mourning for what has been lost and hope for what can still grow.”

The filming took place in Jos, Plateau State, a place that mirrors Benue’s landscape and history. The cast and crew, many of whom had personal experiences with violence, brought honesty and depth to the film. “It wasn’t just another project,” Agatha says. “It was a way to remember.”

As both writer and director, Agatha rewrote her script eight times to get the story right. The result is a film that blends personal truth with collective memory — a story told simply but powerfully.

With Black Sands, Agatha isn’t just releasing a short film; she’s preserving voices that are often forgotten. It’s a reminder that even in the middle of pain, people still live, love, and hope.

Film Details

Black Sands written by Agatha Doowuese Akaahar

Format: Short film (3 minutes)

Single location (mud-hut compound interior)

Three characters:

• Kator (15)
• Wuese (10)
• Their mother (30s)

Language: Tiv (with translations to English)

Logline: During a violent raid on a rural village in the hinterlands of Benue State, two older siblings are forced to hide their little siblings inside a water drum and sacrificing themselves to keep these little ones safe.

Genre: Drama / War / Political Tragedy / Coming-of-age

Setting: A modest mud-hut compound in rural Benue State, Nigeria. It is early morning. The space feels warm, smoky, and lived-in; filled with the quiet rhythm of village life: birdsong, crackling firewood, footsteps on the dusty path, yam boiling on the stove, and the soft hum of a mother’s song.

Synopsis: Black Sands is a visceral, intimate portrait of a family caught in a moment of irreversible change and irreparable damage.

Kator is cooking yam in the family kitchen while his younger sister Wuese nags him playfully for food. Their older sister, weary and quiet, hums softly as she nurses a baby in the next room. A framed photo on the wall of their father and young Kator is a quiet nod to a simpler life. His absence suggests that he’s either deceased or away at the moment.

In the blink of an eye, there’s a low rumble and everything falls apart. Panic ensues. Gunfire cracks in the distance. Kator hears shouts and cries in the distance and the scampering sounds of neighbours frantically running; he hears someone shout ‘Mba agwey shi va ve’ , he immediately deciphers what’s happening; The armed men in tribal wraps who often visit with machetes and leave a trail of violence and bloodshed in their wake are here again.

Smoke starts to rise as huts and barns are raised to the ground, their sister acts quickly. She leads them to the backyard where there’s a big dugbe; a large, empty water drum. In a few quiet, devastating gestures, she places the children in it.

From inside the drum: muffled breathing. Raised voices. A scream. Then; silence.

Later, in the aftermath of the chaos, Wuese is seen sitting and staring into the distance, suggesting that everyone else is gone.

Themes

• Familial sacrifice: The sister’s final actions show deep, silent love; she’s like a mother doing whatever it takes to protect her children.
• Innocence in conflict: The war is never shown directly. Instead, we see its impact through the eyes of confused, frightened children.
• Political erasure: The story highlights the human cost of the Middle Belt crisis in Nigeria; a tragedy that is personal, painful, and

Tone & Visual Style

• Cinematic realism: Handheld camera work, natural lighting, close-up shots, and subtle, emotional performances.
• Muted, earthy tones: Warm browns, soft greys, black ash, and gentle firelight to reflect the mood and setting.
• Sound design is key: The dugbe becomes a space filled with tension, where every sound from outside is amplified.
• Minimalist style: The violence is never shown, only heard. The story is told from the children’s emotional point of view.

Why This Story?

In just one location, with just three characters, Black Sands captures something deeply Nigerian: the fragility of peace, the quiet strength of mothers, and the small, unspoken ways we hold onto dignity in the face of devastation.

It is inspired by countless untold stories of displacement and systemic violence in Nigeria’s Middle Belt; a region where family and community are the only shield, and memory, the only monument in the midst of all that chaos. This is a quiet, devastating film; deeply evocative, gripping, and powerful in its message. It is designed to eviscerate, to leave the audience with much to reckon with.

Budget: The budget for the film was ₦3M (three million naira) but due to Agatha’s financial management skills, the film was made under budget.

Nollywood’s latest historical epic, Amanyanabo: The Eagle King, is officially set to hit cinemas across Nigeria on September 12, 2025, marking one of the year’s most anticipated theatrical releases.

The film, directed by Fred Amata and Ibinabo Fiberesima, brings to life the story of King Ibanichuka (Ado VI), a 19th-century warrior of Okrika in the Niger Delta who was chosen by the goddess Tamunoba to become king. Drawing from Dr. Alfred S. Abam’s book ‘King Ibanichuka (Ado VI) 1816-1896’, the movie blends history, mythology, and drama, exploring themes of leadership, cultural identity, colonial resistance, and personal sacrifice.

Amanyanabo, the eagle king, a story of heritage, power, and destiny is coming to life on the big scree, from tomorrow, September 12.

Catch it with your geng.

A @ibinabo.fiberesima @queenbae_production film
Distributed by @nile_ent#Amanyanabothemovie #nileentertainment pic.twitter.com/DykUNGza3m

— Nile Entertainment (@Nile_ent) September 11, 2025

A Star Packed Cast

The epic features a rich ensemble of Nollywood veterans and rising stars. Patrick Diabuah leads as King Ibanichuka, supported by Nkem Owoh as Chief Ogan, Monalisa Chinda Coker as Queen Mboro, Walter Anga as Chief Okpokiri, and Gentle Jack as Igbanibo Will-Braide. International actor Lucien Morgan also appears as Consul Ralph Moor, representing colonial interests in the story.

Themes of Power and Conflict

Amanyanabo: The Eagle King dives deep into the political, spiritual, and cultural struggles of its era. It portrays the clash between indigenous traditions and Christianity, the influence of colonial powers, and the burden of leadership placed on Ibanichuka as he navigates loyalty, betrayal, and divine expectation.

Release and Distribution

Following its Lagos premiere, the film will now roll out to cinemas nationwide, with distribution handled by The Nile. Producers say the release is a milestone in Nollywood’s commitment to telling African historical stories on a grand cinematic scale, pairing elaborate costumes and set designs with powerful performances.

Early reviews from critics following its August 29 premiere in UK, have praised the film’s ambition and visual richness, though some noted its theatrical pacing. Nonetheless, many see the September 12 release as a defining moment for Nollywood, especially in elevating stories rooted in Nigerian history and culture.

Nollywood, Nigeria’s film industry, has grown from grassroots video productions into one of the world’s largest film powerhouses. With thousands of releases every year, Nollywood tells stories that blend culture, history, comedy, and drama. But a few films stand out as milestones; either for their artistry, commercial impact, or influence on the industry.
Below is a ranking of the 10 greatest Nollywood movies of all time, alongside an explanation of how the ranking was determined.

The Ranking

1. Living in Bondage (1992)

Widely regarded as the film that launched Nollywood’s video boom, it tells the story of a man who joins a secret cult in search of wealth, only to suffer tragic consequences. Its success marked a turning point for Nigerian cinema.

Summary: The film tells the story of Andy Okeke, who is lured into a money ritual cult. Though he becomes wealthy, the spiritual consequences destroy his life, leaving a cautionary legacy. It was a cultural reset that birthed Nollywood.

2. Osuofia in London (2003)

This comedy starring Nkem Owoh remains one of Nollywood’s most iconic films. It follows a naive villager who travels to London to claim an inheritance, blending Nigerian humor with cross-cultural themes.

Summary: Osuofia, a villager, travels to London to inherit his late brother’s property. His naive outlook collides with Western culture, creating comedic situations and showing the humor in cultural clashes.

3. The Figurine (2009)

Directed by Kunle Afolayan, this psychological thriller won multiple African Movie Academy Awards. It is praised for its strong storytelling, cinematography, and for raising Nollywood’s technical standards.

Summary: Friends discover a mystical statue said to bring seven years of fortune, followed by seven years of doom. Their lives spiral as destiny, superstition, and human choices collide in this thriller.

4. Half of a Yellow Sun (2013)

Based on Chimamanda Ngozi Adichie’s acclaimed novel, this historical drama explores love and loss during the Nigerian Civil War. With international stars like Chiwetel Ejiofor and Thandie Newton, it brought global attention to Nollywood storytelling.

Summary: Set during the Nigerian Civil War, the story follows twin sisters Olanna and Kainene as they navigate love, betrayal, and survival. It brings the human side of war to the big screen.

5. October 1 (2014)

Set just before Nigeria’s independence, Kunle Afolayan’s thriller follows a detective solving murders in a small town. It is both a gripping crime story and a reflection on colonial legacies.

Summary: A police detective from Lagos is sent to a rural town to solve a series of murders just before independence. As he uncovers the truth, the film explores themes of trauma, colonialism, and national identity.

6. The Wedding Party (2016)

A romantic comedy that became Nigeria’s highest-grossing film at the time, grossing over ₦452 million. It captured the glamour, chaos, and humor of Nigerian weddings with mass audience appeal.

Summary: On the day of a high-society Nigerian wedding, chaos ensues as families clash, secrets spill, and love is tested. It’s a glamorous rom-com filled with laughter and cultural celebration.

7. The Wedding Party 2: Destination Dubai (2017)

The sequel continued the success, this time set in Dubai. It reinforced Nollywood’s ability to deliver commercially successful, star-studded productions.

Summary: Picking up from the first film, this sequel follows a lavish wedding in Dubai. With drama, comedy, and exotic settings, it continues the spectacle that made the first movie a hit.

8. Chief Daddy (2018)

A family comedy about the chaos that follows a wealthy man’s death. With a star-studded cast, it was another major box office hit, earning about ₦387 million.

Summary: When a wealthy patriarch dies, his dysfunctional family scrambles to secure their inheritance. The film is a blend of humor and family drama, showing the chaos money leaves behind.

9. King of Boys (2018)

Directed by Kemi Adetiba, this political thriller follows a powerful woman navigating corruption and ambition. It received widespread acclaim for its storytelling and powerhouse performance by Sola Sobowale.

Summary: Eniola Salami, a powerful businesswoman with political ambitions, struggles to hold onto power. Betrayals, rivalries, and her own ruthlessness drive this intense political thriller.

10. Eyimofe (2020)

An internationally acclaimed drama that portrays everyday Lagosians striving for better lives. It premiered at the Berlin International Film Festival and became the first Nigerian film added to The Criterion Collection.

Summary: Split into two chapters ‘This is My Desire’ and ‘This is My Story’ the film follows Mofe, an engineer, and Rosa, a hairdresser. Both dream of leaving Nigeria for a better life, but face harsh realities of class and survival.

How This Ranking Was Done

This ranking was not based solely on box office numbers or popularity. Instead, it considered four main factors:

1. Historical Significance: Films that shaped Nollywood’s identity or marked a turning point in the industry.
2. Critical Acclaim & Awards: Recognition from film critics, African Movie Academy Awards, and international festivals.
3. Box Office Success & Popularity: Movies that broke records or captured mass audiences.
4. Cultural Impact & Longevity: Titles that influenced pop culture, inspired conversations, or remain classics.

By balancing these factors, this list highlights films that not only entertained but also elevated Nollywood’s reputation globally.

Nollywood continues to evolve, moving from grassroots productions to globally recognized cinema. The films on this list represent milestones in that journey whether through breaking box office records, winning international acclaim, or shaping cultural conversations. As Nollywood grows, future films may join or even surpass these greats, but their legacy will always remain part of Nigeria’s cinematic history.