I don’t think you’ve noticed…

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What's happening in Hollywood?

The industry we all love, the industry which, till this day, colonizes cultures. It’s sad to see what’s happening, and it seems like it is eating itself. What’s happening?

For years, Hollywood has always been about fostering the ideas of creatives, creating movies and products that have helped shape American culture. Star Trek, Star Wars, Rocky, The Exorcist, Rambo, Top Gun, E.T., Coming To America, and so on are part of a long list of movies that have been exported outside of America and now have a history of many, including myself, here in Nigeria. But what could be wrong?

These past years, our screens have been filled with adaptations, sequels, remakes and reboots, while that may be good, the obvious elephant in the room will be the re-messaging. Snow White, Ghostbusters, Lightyear, The Little Mermaid, The Last of US: Part II, Batwoman are a few of many movies and shows where the original audience loved was changed to serve a purpose. Trust me when I say it’s not because of the hate of a particular gender or inclusivity. Into The Spider-verse, Barbie, Captain Marvel, Wonder Woman, Crazy Rich Asians, and Get Out are great examples that, if done right, your movies can do well at the box office.

Hollywood, in its attempt to play all sides or, in most cases, play social justice hero, ends up mocking its audience. Recently, we had the casting of Paapa Essiedu as Severus Snape, which to this day, is facing backlash.

Before you go on thinking this newsletter issue is about politics, it’s not. This year we had Snow White, Captain America 4, and Thunderbolts from Disney, none became a box office success, and on the other hand, we had Companion, Mickey 17, The Alto Knights and The Day the Earth Blew Up: A Looney Tunes Movie from Warner Bros - all flopped. What some may consider woke movies, Sinners and A Minecraft Movie, and Ne Zha 2, became a success. The original being Sinners.

The truth is that a lot of factors play into a box office success, and it all falls down to the answer to this question: “Will the general audience spend their hard-earned money to see this movie?”

As a creative and an industry executive, it is your duty to ask the tough questions. As much as art should be made without constraint, we should also consider the normies. You don’t want to end up as the villain thinking you were the hero all this time.

So, how does this affect Nollywood?

While we’re yet to spend 70 million dollars making movies, it is important to watch and learn. Hollywood once thought they were untouchable, but as time went on, politics and the economy became a reality for them. In Nigeria, we understand the economy. Even consuming this content is expensive; now imagine producing it.

The quality of the art should always be a priority, and the messaging should always reflect what the majority are thinking. While you may think you know what’s right from wrong, you may be blatantly wrong.

At the end of the day, it is important to point out you DO NOT, for any reason, let people crush you for sharing what you think is right. While it may be labelled “woke” or “fascist,” you have to use your voice to speak, and to be honest, we live in a time where the meaning of those words is lost.

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While you’re here…

Hijack ’93 is a Nigerian historical drama based on the infamous October 1993 hijacking of a Nigerian Airways flight by four young men advocating for democracy during Nigeria’s military regime. Written by Musa Jeffery David and directed by Robert Peters, the movie dramatizes this real-life event while exploring themes of youthful idealism, disillusionment, and political resistance. The film debuted on Netflix in October 2024, marking a significant addition to Nollywood's repertoire of historical thrillers.

The hijackers' story centers on their desperate mission to bring attention to their democratic demands. Although the movie includes some fictional elements, such as altered character names and motivations, it retains the core of the event. It highlights the hijackers' internal struggles, the tense interactions between passengers and captors, and the ultimate resolution through negotiations and force.

Strengths

Cinematography: The film excels visually, particularly in capturing the confined space of the airplane. The camera work during action sequences is commendable, enhancing the film's intensity.

Themes: The exploration of tribalism, grief, and abuse offers relevant social commentary, reflecting issues still prevalent in Nigeria today. Historical Resonance: By revisiting a dark chapter in Nigerian history, the film prompts viewers to reflect on political struggles and societal change.

Weaknesses

Plot and Character Development: The film struggles with narrative cohesion, leading to flat emotional moments. Characters lack depth, and their motivations such as the hijackers’ transition from personal grievances to political activism are underexplored.

Dialogue and Acting: The script and performances fall short of delivering the tension and emotional stakes expected in such a high-stakes story.

Historical Authenticity: While visually modern, the film fails to convincingly portray the 1990s setting, with overly polished props and inconsistent period details detracting from the narrative's credibility.

Sound Design: Inconsistent audio quality disrupts immersion, particularly during pivotal scenes.

Overall, while Hijack ’93 provides a gripping premise and impressive cinematography, it falters in execution, leaving its emotional and historical impact underwhelming. However, its bold attempt to tackle a complex historical event makes it a noteworthy, albeit imperfect, addition to Nollywood's catalog.

Rating 5/10

Veteran Nollywood actor Kanayo O Kanayo has shared his voice with new and blooming Nollywood actors who have delved into skit-making.

He shared his voice via a post shared on his official Instagram.

He warns against 'one-day shooting,' its health impact, its cost, and its relevance. He fears the art of YouTube skit-making will become unsustainable as actors will overwork themselves.

He said;

‘’This past midnight I sat back and watched the opportunities offered by the YouTube channel a very good platform but unfortunately like anything that comes to Nigeria, people jump in and try to mess it up. I watched with dismay and I made this video out of no malice for anybody. It's been messed up by different things, especially the actors that are doing it.

The whole irony of one day shoot is not sustainable. Some of them now make it so difficult for producers and tell you one day shoot is 1 million to 1.5 million one day shoot.nfortunately my very high-standing colleague who started this one-day shoot go and ask him, unfortunately, he's not in good health.

We built Nollywood, brick by brick, block by block but the guys who have besieged YouTube, the actors not the producers, do not have any sense of purpose or process to create a procedure for a lasting videography or creating content. Take for instance, the whole irony of one-day shoot. It is not sustainable. Some of them now make it so difficult for producers. They tell you one day shoot is N1 million or N1.5 million. It isn't sustainable. Unfortunately, my very high standing colleague who started this one-day shoot is unfortunately not in good health. Why? I know for everyone who gives you a job, they want it done. They pack you with enough to finish in one day. Thirty scenes, thirty-five scenes..Most of you think you are enjoying ‘I am fully booked for the next six months’ but your health…I hope you enjoy good health like those of us who started 38 years ago because what you are doing is not sustainable.

I bear you no malice. Earn all your money but the disservice you are doing to professionalism is not going to last long and the way I see it. YouTube is not going to last long in Nigeria as a platform.''

Watch the video below:

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A post shared by Kanayo O Kanayo (@kanayo.o.kanayo)