Category: Movies/TV

African animated fantasy series Iyanu is officially returning for a second season, and expectations are already high. Following a strong debut that introduced global audiences to a richly imagined world rooted in Yoruba mythology, Season 2 raises the stakes, digs deeper into the story, and introduces a bigger conflict that could change the future of Yorubaland.

Iyanu Season 2 

Cartoon Network and Max (formerly HBO Max) have confirmed that Iyanu has been renewed for Season 2. The new season is scheduled to premiere between March and May 2026 and will consist of 10 episodes, continuing directly from the events of Season 1.

The renewal is a strong vote of confidence in the series, which has been praised for its animation quality, cultural authenticity, and fresh storytelling perspective within the fantasy genre.

What Season 2 Will Be About

Season 2 is reported to expand the story far beyond Iyanu’s personal journey of discovery. While she continues to learn how to control her divine abilities, the wider world around her begins to unravel.

This season introduces a major conflict between Elu and the People of the Deep, a powerful faction led by a new and dangerous antagonist. As ancient divine artifacts resurface, different factions across Yorubaland begin to compete for power, pushing the land toward chaos.

At the center of it all is Iyanu, who must navigate shifting alliances, uncover hidden truths about her past, and decide what kind of protector she is meant to become.

Returning Cast 

Season 2 will retain much of its original all-African voice cast, maintaining the authenticity that helped define the series. Returning voices include:

• Serah Johnson as Iyanu
• Okey Jude as Biyi
• Samuel Kugbiyi as Toye
• Adesua Etomi-Wellington as Olori
• Blossom Chukwujekwu
• Stella Damasus
• Shaffy Bello

The creative team remains led by Roye Okupe, creator of the original Iyanu: Child of Wonder graphic novel, ensuring continuity in vision and storytelling.

Expanding the Universe Beyond Season 2

In addition to the second season, the Iyanu universe is also growing through feature-length animated films.

One of them, Iyanu: The Age of Wonders, is a prequel set approximately 500 years before the main series and was released in August 2025. A second feature film is also in development and expected to arrive in 2026, further deepening the franchise’s mythology.

Iyanu stands out as one of the few African-led animated projects to break into the global mainstream. By drawing deeply from Yoruba mythology, African history, and local talent, the series moves away from the usual animation formulas and creates space for African stories to be told and celebrated on a world stage.

Nollywood, the powerhouse of Nigerian cinema, has truly entered the global spotlight. Not long ago, earning ₦100 million at the domestic box office was a massive win. Today, producers are setting their sights on billion-naira records, proving the incredible growth and commercial strength of the industry.

This article breaks down the definitive list of the Top 10 Highest-Grossing Nollywood Films of All Time, detailing the blockbusters that reshaped the cinema landscape and highlighting the key figures behind their success.

The All Time Top 5: The Nollywood Giants

The top five films on this list represent the true commercial peak of Nigerian filmmaking. They are must-watch cultural phenomena that drove millions of Nigerians into cinemas.

Everybody Loves Jenifa (2024)

All Time Record Holder: ₦1.882 Billion+

The Queen of the Box Office: Funke Akindele (Director/Producer/Star)

The latest installment in the beloved Jenifa franchise shattered every existing record. Funke Akindele’s return to the big screen with her iconic character proved irresistible, making it the first Nollywood film to aggressively push toward the ₦2 billion mark. Its success confirmed that Nollywood audiences have an insatiable appetite for well written, familiar, and highly entertaining sequels.

A Tribe Called Judah (2023)

Box Office Gross: ₦1.408 Billion+

Significance: The first Nigerian film to ever cross the ₦1 billion threshold.

Before Everybody Loves Jenifa took the crown, A Tribe Called Judah was the undisputed king. This highstakes family heist comedy, also starring and co-directed by Funke Akindele, became a cultural sensation during the 2023 Christmas period. Its unprecedented success legitimized the possibility of achieving true blockbuster status in the Nigerian film market.

Battle on Buka Street (2022)

Box Office Gross: ₦668.4 Million

Yet another massive holiday hit from Funke Akindele. This film proved that audiences love stories centered around food, family conflict, and comedy. Its strong performance solidified the Detty December period as the most crucial window for film releases.

A hilarious and emotional rivalry between two half-sisters operating competing food businesses.

Omo Ghetto: The Saga (2020)

Box Office Gross: ₦636.1 Million

Released during a challenging year (2020), this film’s success was monumental. It revived the cinematic experience for many Nigerians and was a testament to the drawing power of its stars. The gritty, high energy story focused on twin sisters separated at birth who navigate life in the ghetto and the high class suburbs.

Gingerrr (2025)

Box Office Gross: ₦521.9 Million

The highest-grossing Nollywood film of 2025.

Breaking the dominance of the Akindele franchises, Gingerrr is a female led action-comedy heist film that smashed expectations in 2025. Its success highlights the growing demand for different genres and the commercial viability of films produced by a new wave of stars and executive producers.

Alakada: Bad & Boujee (2024)

Box Office Gross: ₦500.5 Million

Toyin Abraham (Producer/Star)

Following in the footsteps of the Jenifa franchise, this film stars Toyin Abraham in her much loved role as Yetunde, the social-climbing ‘Alakada’ (pretender). This entry solidified the fact that Nigerian audiences highly value familiar comedic characters. The strong return on this film confirms Toyin Abraham as one of the few producers capable of consistently hitting the half a billion naira mark.

The Wedding Party (2016)

Box Office Gross: ₦452.2 Million

Mo Abudu (Executive Producer, EbonyLife Films)

This is the film that truly ushered in the modern, large-scale box office era for Nollywood. When it was released in 2016, it smashed the existing records by a huge margin. It proved that high-quality production, excellent marketing, and a diverse, star-studded cast (like Banky W and Adesua Etomi) could draw Nigeria’s middle and upper classes back into the cinemas.

The Wedding Party 2: Destination Dubai (2017)

Box Office Gross: ₦433.1 Million

Despite a slight dip in gross from the first installment (which is common for sequels), The Wedding Party 2 reaffirmed the commercial power of the franchise. By taking the action to Dubai, it showed that Nollywood could compete with global standards in terms of scale and production value, ensuring its place as a massive commercial success. It maintained incredible commercial success for the franchise.

Ori: Rebirth (2025)

Box Office Gross: ₦419.5 Million

Muyiwa Ademola (Producer/Director/Star)

One of the biggest surprises of 2025, Ori: Rebirth is a masterclass in indigenous filmmaking. This Yoruba-language epic drama proves that Nigerian audiences are hungry for high quality, culturally authentic stories. Its success, which occurred outside of the competitive Christmas season, is a major victory for indigenous cinema and has set a new commercial benchmark for non-English Nollywood films.

Chief Daddy (2018)

Box Office Gross: ₦387.5 Million

Directed by Niyi Akinmolayan.

This star-studded comedy, produced by EbonyLifeFilms, features a hilarious plot centered around a wealthy man’s death and the chaos that follows among his many family members and secrets. Released during the competitive 2018 holiday season, it leveraged its huge ensemble cast to secure a high-ranking spot and close out the top ten list.

Key Trends Driving Nollywood Success

The Funke Akindele Effect: Having films in the top four spots, Funke Akindele is not just an actor; she is a box-office guarantor. Her films are highly anticipated, proving that star power, combined with strong marketing and directing, is the ultimate recipe for success in the industry.

The December Window: Look at the release yearsmost blockbusters hit the market in December. The Christmas and New Year holidays provide the perfect opportunity for families and friends to go to the cinema, making it the most lucrative release window.

The Rise of Indigenous Epics: The inclusion of Ori: Rebirth (a Yoruba-language epic) in the top 10 shows that high-quality films made in indigenous languages are finding a massive, eager audience that appreciates cultural authenticity.

The Power of Franchises: The recurring presence of the Jenifa series, the Wedding Party series, and the Alakada series demonstrates that building a recognizable brand and character pays off immensely at the box office.

Nollywood is no longer just regional; it is a global force that is generating hundreds of millions of naira on its home soil. With producers aiming higher every year, expect the ₦2 billion record to be challenged very soon!

The wait is officially over for demigod fans! The highly anticipated second season of the Disney+ original series, ‘Percy Jackson and the Olympians,’ is now streaming. The season adapts Rick Riordan’s beloved second novel, The Sea of Monsters, plunging Percy Jackson and his friends into a desperate quest to save Camp Half-Blood.

The first two episodes of ‘Percy Jackson and the Olympians’ Season 2 premiered on Wednesday, December 10, 2025, exclusively on Disney+.

The Sea of Monsters: Saving Camp Half-Blood

The events of Season 2 immediately follow the dramatic conclusion of The Lightning Thief adaptation. The magical borders protecting Camp Half-Blood, which are sustained by the spirit of the demigod Thalia, have been critically weakened after the attack by Luke Castellan and the rising forces of the Titan Kronos.

The only known remedy to restore the camp’s defences is the legendary Golden Fleece, rumoured to be located in the treacherous waters known as the Sea of Monsters (the mortal equivalent of the Bermuda Triangle).

Percy Jackson (Walker Scobell), Annabeth Chase (Leah Sava Jeffries), and Grover Underwood (Aryan Simhadri) must brave cursed islands and mythological beasts not only to find the Fleece but also to rescue Grover, who has fallen into the hands of the Cyclops Polyphemus while searching for the missing nature god, Pan. This quest is critical for the fate of every demigod.

Returning and New Cast Members

The central trio who brought the first book to life are back for this complex adventure:

• Walker Scobell (Percy Jackson) 
•  Leah Sava Jeffries (Annabeth Chase)
• Aryan Simhadri (Grover Underwood)

‘The Sea of Monsters’ introduces several key characters central to Percy’s journey:

• Tyson: Daniel Diemer joins the cast as Tyson, Percy’s Cyclops half-brother, a pivotal and emotionally resonant role. 
• Clarisse La Rue: Dior Goodjohn’s daughter of Ares steps up, leading her own competing quest for the Fleece. 
• Zeus: Courtney B. Vance is introduced as the new actor portraying the King of the Gods, Zeus. 

Full ‘Percy Jackson’ Season 2 Release Schedule

Similar to the previous season, Percy Jackson and the Olympians Season 2 will feature eight episodes. After the two-episode premiere, new chapters will drop weekly every Wednesday.

The long-awaited trailer for Oversabi Aunty is finally here! Nigerian star actress and producer Toyin Abraham takes the lead in this comedy drama, which promises laughter, chaos, and unforgettable family moments. Fans can now get their first look at the antics of the “Oversabi Aunty” the nosy, overly helpful relative we all know from weddings and family gatherings.

Set to hit cinemas nationwide on December 19, 2025, the movie is already generating buzz for its hilarious take on family life and cultural comedy.

The trailer introduces Toun, a devout church usher who believes she knows what’s best for everyone around her. Her overzealous “help” quickly turns ordinary events into hilarious chaos. From weddings to family conflicts, Toun’s meddling creates both laughter and life lessons, making her a character audiences can relate to and laugh with.

The film’s tone is a mix of comedy and drama, balancing fun moments with real-life family challenges. It’s a story that Nigerians will find familiar, especially anyone who has dealt with an “oversabi” aunt or uncle.

A December release positions the movie as a must watch for families during the festive season.

The trailer promises a film that’s entertaining while also delivering relatable life lessons, a mix that makes Oversabi Aunty a potential hit this holiday season.
Watch the trailer now and get ready for a festive laugh filled cinematic experience.

She has a solution for everyone… and she’s bringing big comedy, family drama, loud laughter, and real-life lessons along with it.

Watch the trailer for OVERSABI AUNTY.

In cinemas nationwide from December 18, 2025

A film directed by @toyin_abraham
Distributed by @filmoneng pic.twitter.com/FluYJ5ffem

— TOYIN ABRAHAM AJEYEMI (@toyin_abraham1) December 10, 2025

PinPoint has confirmed Chris Ihidero’s debut feature film, ‘Aloma’. Chris Ihidero serves as the writer and director of the film.

The film has officially wrapped filming and is currently in post-production.

The film, which is described as a “love story in a time of war – a war between those who have and those who don’t”, is fully financed by a consortium of investors led by MBO Capital and is scheduled for a major international premiere by 2026.

“Shooting has wrapped, post-production is ongoing, and everything is now set to bring fans up to speed on what has been going on behind the scenes. We believe Aloma is a film that transcends regional boundaries, telling a deeply human story with universal themes of love, struggle, and resilience in the modern African context,” said Wole Ajetomobi, Head of Productions, PinPoint Media.

“Chris Ihidero’s vision, the dedication of the cast and crew, and the strategic financial backing from MBO Capital has allowed us to create a work of exceptional quality that we anticipate will set a new benchmark for cinematic ambition on the continent,” Ajetomobi added.

Aloma is one of many more stories by Ihidero, which tell authentic and impactful African stories. The film draws inspiration from Chris Ihidero’s early life in the ghetto and trenches of Lagos.

First Trailer

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The movie will star Shawn Faqua, Folu Storms, Asa’ah Samuel, Ayo Maff, Kalu Ikeagwu, Segun Arinze, Tina Mba, Olakunle ‘Abounce’ Fawole, Princess Obuseh, Abolaji Ajibade, Keppy Ekpeyong, Juliet Ibrahim, Elvina Ibru, Jessica Blessing Obasi, Kamo State, Simi Hassan, Toyin Oshinaike, Samson Imanah, Kayode ’Aderupoko’ Olaiya, Jide Ibitoye and more.

Christopher Nolan is stepping into mythic territory with his upcoming epic, The Odyssey and the conversation around the film is already heating up. Just two years after Oppenheimer sparked intense global debates on ethics, responsibility, and historical truth, Nolan’s new project is once again pulling the world into another storm of controversy.

While The Odyssey is rooted in ancient Greek literature, the tension surrounding the film feels oddly familiar. From ethical questions to political pushback, Nolan appears to be revisiting the same pressure points that defined the discourse around Oppenheimer.

A New Epic With Familiar Heat

Even before the cameras stopped rolling, The Odyssey drew headlines for its filming locations. Nolan chose to shoot key sequences in Western Sahara, a region globally recognized as disputed. That decision instantly triggered criticism from activists, journalists, and political groups who accused the production of “normalizing” an ongoing occupation.

It’s the type of global outcry Nolan is no stranger to. Oppenheimer placed the filmmaker in the center of ethical conversations about historical trauma, nuclear warfare, and America’s moral responsibility. In the same way, The Odyssey is finding itself caught between artistic expression and political tension.

Echoes of Oppenheimer’s Ethical Storm

The parallels are hard to ignore:

• High stakes storytelling: Just as Oppenheimer navigated real-world consequences, The Odyssey is being scrutinized for how its production decisions affect real people and political realities.
• Global moral debate: Both films challenge the audience to think beyond the screen; whether it’s nuclear devastation or contested territories.
• A director unafraid of controversy: Nolan continues to choose stories and methods that push against cultural and geopolitical boundaries.

A $250 Million Gamble

With a price tag hovering around $250 million, The Odyssey is the most expensive film of Nolan’s career. The size of the production alone invites scrutiny, but the combination of massive scale and politically sensitive filming choices turns the spotlight even brighter.

A cultural flashpoint

If Nolan’s past work is any indication, The Odyssey will blend myth with modern relevance and that blend is exactly where controversy thrives.

With The Odyssey, Christopher Nolan is walking straight back into the controversial territory that made Oppenheimer one of the most debated films of its decade.

Christopher Nolan’s The Odyssey is already stirring global debate, mirroring the intense controversies that surrounded Oppenheimer. From political backlash to ethical questions, here’s how Nolan’s new epic is revisiting familiar fault lines.

Forget the cliche holiday cheer. December 2025 is set to be one of the most creatively daring and commercially significant months in Nollywood history. Nigeria’s top producers and directors are delivering a powerful mix of deep social commentary, historical fantasy epics, and high-stakes political thrillers right to the cinema and your streaming devices.

Here is your detailed guide to the 10 must-watch Nigerian movies and documentaries releasing this festive season.

This Is Love (Documentary) Dec 1, 2025

Key Producer/Director: Victor Ugoo Njoku (Co-Director)

This is not your typical holiday romance. This powerful and essential documentary shines a light on the intimate lives of three LGBTQ+ Nigerian couples living and loving under the shadow of the Same-Sex Marriage Prohibition Act (SSMPA). Through warm, deeply personal interviews, the film explores their challenges, resilience, and the sheer normalcy of their romantic connections, making a subtle yet profound assertion of their existence within Nigerian society. It’s a crucial, tender piece of social-issue filmmaking.

Colour Me True (Dec 4, 2025)

Key Producer/Director: Toluwani Obayan Osibe (Writer/Director)

Part of the esteemed First Features Slate Initiative, this drama stars Shalewa Ashafa as Sylvia Philips, a celebrated reality star whose meticulously constructed life collapses when her true, complicated identity is revealed. Forced to return to the childhood orphanage she tried to forget, the film explores the high cost of deceit, the journey of self-rediscovery, and what remains when the truth finally catches up.

This Is Not a Nollywood Movie (Dec 5, 2025)

Key Producer/Director: Wale Ojo (Director/Writer)

Making his directorial debut, veteran actor Wale Ojo delivers a wildly self-aware satire. The story follows Okechukwu Nwadibe (played by Ojo), a washed-up director from Nnewi who, inspired by a dream of winning an Oscar, attempts a chaotic comeback in Lagos. When he takes a shady loan from a powerful gangster, the film spirals into a dangerous, hilarious mess. Expect meta-humour and a candid, if exaggerated, look at the craziness of the industry.

Masaka Kids: A Rhythm Within (Documentary) Dec 9, 2025

This inspiring documentary focuses on the incredible Masaka Kids Africana, a group of talented children from Uganda who found global fame through their vibrant and energetic music and dance videos. It’s an uplifting, family-friendly film that captures the joy, resilience, and power of music in community. The documentary made this list because of its wide anticipation amongst Nollywood viewers.

Behind The Scenes (Dec 12, 2025)

Key Producer/Director: Funke Akindele (Producer/Co-Director)

From the undisputed “Box Office Queen,” Funke Akindele’s latest cinematic offering is a comedy-drama that peels back the curtain on the chaotic, high-pressure world of a Nollywood film set. The film captures the raw struggles, hidden experiences, and often untold stories of the crew members and actors (including an ensemble cast featuring Tobi Bakre, Iyabo Ojo, and Ini Dima-Okojie) as they navigate production mishaps, personal egos, and the fight to keep their project and their sanity intact.

A Very Dirty Christmas (Dec 16, 2025)

Key Producer/Director: Akay Mason (Director)

This film delivers on the classic holiday premise: a chaotic family gathering. When a large family comes together for the festive season, old issues resurface, long held secrets are explosively exposed, and the ‘peaceful’ celebration turns into a loud, messy, and hilarious wahala. The stellar cast includes veterans like Eucharia Anunobi and Femi Branch.

Oversabi Aunty (Dec 19, 2025)

Key Producer/Director: Toyin Abraham (Director/Producer)

Directed by and starring Toyin Abraham, this comic drama centres on Toun, a self-righteous church usher obsessed with “fixing” other people’s lives using her strong faith. Her overzealous, meddlesome advice spirals into disastrous consequences, peaking at a family wedding introduction. Toun is ultimately forced to confront the chaos her misplaced devotion has caused in a story that blends witty social commentary with relatable family dynamics.

Colours of Fire (Dec 24, 2025)

Key Producer/Director: Niyi Akinmolayan (Director)

Niyi Akinmolayan, known for his visual ambition (The Set Up, Elevator Baby), returns with a grand Fantasy/Epic Drama for Christmas Eve. The film follows a lone warrior sent on a mission to hunt down a dangerous beast unleashed by a rival clan. However, his journey reveals a much bigger hidden truth and a forbidden connection that forces him to question his loyalty and honour. Expect breathtaking cinematography and a thrilling narrative.

King of Boys 3: The Beginning of the End
(Dec 25, 2025 – Christmas Day)

Key Producer/Director: Kemi Adetiba (Director)

This is arguably the most anticipated film of the year. Kemi Adetiba gifts fans of her explosive political thriller saga the next chapter on Christmas Day. Picking up the story of Eniola Salami, this installment promises to deliver the high-stakes political intrigue, gripping action, and powerful socio-political commentary that the franchise is famous for. Expect monumental performances and a truly cinematic event.

Wizkid: Long Live Lagos (Documentary) Dec 26, 2025

Key Producer/Director: Karam Gill (Director)

While it’s an HBO original set for release Dec 11, African fans will get the intimate experience on Showmax from Boxing Day. Directed by Karam Gill, this feature-length documentary follows Nigerian superstar Ayodeji “Wizkid” Balogun as he prepares for his historic performance at the Tottenham Hotspur Stadium in London. The film explores his rise from the Surulere streets of Lagos to global icon status, challenging Western media’s stereotypes and tracing the massive global shift in the perception of African music. It is a candid look at the process and persistence behind his stardom.

This diverse slate proves that Nollywood is operating at the peak of its creative and commercial power. Whether you’re seeking a fantasy escape, a deep look into social issues, or the simple joy of a star-studded comedy, December 2025 has cemented its place as a legendary month for Nigerian cinematic storytelling. Happy viewing!

This December, Netflix is taking over your holiday watchlist with a lineup of must-see movies. From heartwarming festive romances to mysteries, there’s something for every mood. And with its recent acquisition of Warner Bros., Netflix now commands one of the biggest film and TV catalogs in the world.

For the purpose of this article we will be picking out 10 Movies that would be released on Netflix this December that you can’t afford to snooze on.

Wake Up Dead Man: A Knives Out Mystery (Dec 12)

Directed and written by Rian Johnson, the mastermind behind the Knives Out series, Wake Up Dead Man continues the story of the brilliant detective Benoit Blanc, played by Daniel Craig. 

Blanc is called to solve the murder of a charismatic church leader in a small-town church with a dark past. The body is discovered in a locked room, setting up a classic “impossible crime” mystery.

Joining Blanc is a young priest, portrayed by Josh O’Connor, who brings layers of faith, morality, and emotional tension to the investigation. The plot promises a darker, more emotionally grounded story compared to the previous films in the series.

Whether you’re a fan of clever mysteries, complex characters, Wake Up Dead Man: A Knives Out Mystery has something for everyone. The film explores not just a murder, but deeper questions about faith, morality, and justice, making it a thought-provoking experience.

The Great Flood (Dec 19)

Directed by Kim Byung-woo and co-written with Han Ji-su, The Great Flood follows a catastrophic natural disaster that traps residents inside a high-rise apartment building. A sudden, massive flood turns an ordinary day into a fight for survival, testing human courage, resilience, and morality.

At the center of the story is An-na (Kim Da-mi), an AI researcher and devoted mother, who must protect her son Ja-in while navigating the rising waters and the building’s chaos. She teams up with Hee-jo (Park Hae-soo), a security officer with a mysterious mission, as they confront dangers far beyond the immediate threat of the flood.

The film isn’t just about survival, it explores humanity’s hope, sacrifice, and the choices we make under pressure.

My Secret Santa (Dec 3)

My Secret Santa tells the story of Taylor Jacobson (Alexandra Breckenridge), a hardworking single mom doing everything she can to provide for her daughter. When she lands a seasonal job at a luxurious ski resort, Taylor must disguise herself as an older man “Santa Claus.”

What starts as a clever disguise quickly becomes a comedic situations, holiday cheer, and unexpected romance. Along the way, Taylor forms a bond with Matthew Layne (Ryan Eggold), the resort manager, all while trying to keep her secret hidden. The film blends humor, romance, and heartfelt family moments.

The Northman (Dec 3)

The Northman follows the brutal, fate-driven journey of Prince Amleth (Alexander Skarsgård), a young Viking who witnesses the betrayal and murder of his father by his own uncle. Forced to flee his homeland, Amleth grows into a fierce warrior, living only for one purpose:

“I will avenge you, Father. I will save you, Mother. I will kill you, Fjölnir.”

That promise becomes the backbone of the film, sending Amleth deep into a world ruled by prophecy, bloodshed, myth, and destiny. His journey takes him across icy seas, into slave camps, and ultimately back into the heart of danger where vengeance is waiting.

A Lot Like Christmas (Dec 4)

Set in a picturesque small town where the holiday spirit fills every corner, A Lot Like Christmas follows two rivals forced to work together to save their community’s beloved Christmas market.

At the center of the story is Sarah, a talented but overworked event planner returning home for the holidays, and David, a local craftsman determined to protect the town’s traditions. When the Christmas market faces an unexpected shutdown, the two must put aside their differences and team up; discovering friendship, healing, and maybe even love along the way.

Love and Wine (Dec 5)

Love and Wine follows Emily, a rising sommelier who travels to a remote countryside vineyard to evaluate a rare wine collection. What starts as a routine professional trip quickly turns into an unexpected emotional journey when she meets Luca, the vineyard owner’s charismatic son who is dedicated to preserving his family’s heritage.

As Emily digs deeper into the vineyard’s history and Luca fights to protect his family’s business from being sold, the two are drawn together by shared passions, clashing ambitions, and a spark they didn’t see coming. The film explores themes of love, self-discovery, and what it truly means to follow your heart all wrapped in a beautiful, sun-soaked setting.

The Night My Dad Saved Christmas 2 (Dec 5)

Picking up from the first film, the story follows the Baxter family, whose holidays always seem to spiral into hilarious disasters. This time, Dave Baxter (the dad) faces an even bigger challenge: keeping Christmas on track despite unexpected setbacks, wacky mishaps, and holiday emergencies that threaten to ruin the festive spirit.

As always, Dave proves that being a dad comes with courage, creativity, and a touch of comedic genius. The movie blends humor, family dynamics, and holiday warmth.

Jay Kelly (Dec 5)

Jay Kelly follows the a once-glamorous movie star whose life of fame and success begins to unravel. Haunted by past mistakes and distant relationships, Jay embarks on a soul-searching journey across Europe with his loyal manager, Ron (Adam Sandler).

Their journey is more than a physical one, it’s a confrontation with the choices Jay made, the people he neglected, and the legacy he hopes to leave behind. The film blends humor, emotional depth, and human vulnerability, creating a story that resonates beyond Hollywood glitz.

 I Wish You Had Told Me (Dec 4)

I Wish You Had Told Me follows Seph, a young missionary whose father has recently passed away. While sorting through his father’s belongings, Seph discovers a secret his dad had kept hidden his entire life; a forbidden love. Driven by a desire to understand his father and reconcile the past, Seph travels from the Philippines to Spain, carrying a letter that reveals the truth behind the secret.

The journey becomes one of self-discovery, healing, and coming to terms with love, regret, and family. It’s a story that balances emotional depth with reflective storytelling.

Goodbye June (Dec 24)

Goodbye June centers on a family preparing for the holidays, only to face emotional turmoil when their mother, June, experiences a sudden health crisis. The story follows her children and husband as they navigate unresolved conflicts, unspoken truths, and the pain of impending loss.

Set against the backdrop of Christmas, the film reflects festive cheer with heartfelt emotional struggles, creating a story that is both relatable. It’s a narrative about reconciliation, understanding, and cherishing the moments that truly matter.

Netflix has a little something for everyone this December; from fun holiday comedies and romantic movies to exciting mysteries and sci-fi adventures. These 10 movies are perfect for some family movie time, or just relaxing with a good story. Make sure to check them out!

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The nominations for the 2026 Critics Choice Award (CCA) are in, it covers the best films for 2025 according to critics. The event will hold January 4th, 2026.

The full nominee List:

BEST PICTURE
Bugonia (Focus Features)
Frankenstein (Netflix)
Hamnet (Focus Features)
Jay Kelly (Netflix)
Marty Supreme (A24)
One Battle After Another (Warner Bros.)
Sentimental Value (Neon)
Sinners (Warner Bros.)
Train Dreams (Netflix)
Wicked: For Good (Universal Pictures)

BEST ACTOR
Timothée Chalamet – Marty Supreme (A24)
Leonardo DiCaprio – One Battle After Another (Warner Bros.)
Joel Edgerton – Train Dreams (Netflix)
Ethan Hawke – Blue Moon (Sony Pictures Classics)
Michael B. Jordan – Sinners (Warner Bros.)
Wagner Moura – The Secret Agent (Neon)

BEST ACTRESS
Jessie Buckley – Hamnet (Focus Features)
Rose Byrne – If I Had Legs I’d Kick You (A24)
Chase Infiniti – One Battle After Another (Warner Bros.)
Renate Reinsve – Sentimental Value (Neon)
Amanda Seyfried – The Testament of Ann Lee (Searchlight Pictures)
Emma Stone – Bugonia (Focus Features)

BEST SUPPORTING ACTOR
Benicio del Toro – One Battle After Another (Warner Bros.)
Jacob Elordi – Frankenstein (Netflix)
Paul Mescal – Hamnet (Focus Features)
Sean Penn – One Battle After Another (Warner Bros.)
Adam Sandler – Jay Kelly (Netflix)
Stellan Skarsgård – Sentimental Value (Neon)

BEST SUPPORTING ACTRESS
Elle Fanning – Sentimental Value (Neon)
Ariana Grande – Wicked: For Good (Universal Pictures)
Inga Ibsdotter Lilleaas – Sentimental Value (Neon)
Amy Madigan – Weapons (Warner Bros.)
Wunmi Mosaku – Sinners (Warner Bros.)
Teyana Taylor – One Battle After Another (Warner Bros.)

BEST YOUNG ACTOR / ACTRESS
Everett Blunck – The Plague (Independent Film Company)
Miles Caton – Sinners (Warner Bros.)
Cary Christopher – Weapons (Warner Bros.)
Shannon Mahina Gorman – Rental Family (Searchlight Pictures)
Jacobi Jupe – Hamnet (Focus Features)
Nina Ye – Left-Handed Girl (Netflix)

BEST DIRECTOR
Paul Thomas Anderson – One Battle After Another (Warner Bros.)
Ryan Coogler – Sinners (Warner Bros.)
Guillermo del Toro – Frankenstein (Netflix)
Josh Safdie – Marty Supreme (A24)
Joachim Trier – Sentimental Value (Neon)
Chloé Zhao – Hamnet (Focus Features)

BEST ORIGINAL SCREENPLAY
Noah Baumbach, Emily Mortimer – Jay Kelly (Netflix)
Ronald Bronstein, Josh Safdie – Marty Supreme (A24)
Ryan Coogler – Sinners (Warner Bros.)
Zach Cregger – Weapons (Warner Bros.)
Eva Victor – Sorry, Baby (A24)
Eskil Vogt, Joachim Trier – Sentimental Value (Neon)

BEST ADAPTED SCREENPLAY
Paul Thomas Anderson – One Battle After Another (Warner Bros.)
Clint Bentley, Greg Kwedar – Train Dreams (Netflix)
Park Chan-wook, Lee Kyoung-mi, Don Mckellar, Jahye Lee – No Other Choice (Neon)
Guillermo del Toro – Frankenstein (Netflix)
Will Tracy – Bugonia (Focus Features)
Chloé Zhao, Maggie O’Farrell – Hamnet (Focus Features)

BEST CASTING AND ENSEMBLE
Nina Gold – Hamnet (Focus Features)
Douglas Aibel, Nina Gold – Jay Kelly (Netflix)
Jennifer Venditti – Marty Supreme (A24)
Cassandra Kulukundis – One Battle After Another (Warner Bros.)
Francine Maisler – Sinners (Warner Bros.)
Tiffany Little Canfield, Bernard Telsey – Wicked: For Good (Universal Pictures)

BEST CINEMATOGRAPHY
Claudio Miranda – F1 (Apple Original Films)
Dan Laustsen – Frankenstein (Netflix)
Łukasz Żal – Hamnet (Focus Features)
Michael Bauman – One Battle After Another (Warner Bros.)
Autumn Durald Arkapaw – Sinners (Warner Bros.)
Adolpho Veloso – Train Dreams (Netflix)

BEST PRODUCTION DESIGN
Kasra Farahani, Jille Azis – The Fantastic Four: First Steps (Marvel Studios)
Tamara Deverell, Shane Vieau – Frankenstein (Netflix)
Fiona Crombie, Alice Felton – Hamnet (Focus Features)
Jack Fisk, Adam Willis – Marty Supreme (A24)
Hannah Beachler, Monique Champagne – Sinners (Warner Bros.)
Nathan Crowley, Lee Sandales – Wicked: For Good (Universal Pictures)

BEST EDITING
Kirk Baxter – A House of Dynamite (Netflix)
Stephen Mirrione – F1 (Apple Original Films)
Ronald Bronstein, Josh Safdie – Marty Supreme (A24)
Andy Jurgensen – One Battle After Another (Warner Bros.)
Viridiana Lieberman – The Perfect Neighbor (Netflix)
Michael P. Shawver – Sinners (Warner Bros.)

BEST COSTUME DESIGN
Kate Hawley – Frankenstein (Netflix)
Malgosia Turzanska – Hamnet (Focus Features)
Lindsay Pugh – Hedda (Amazon MGM Studios)
Colleen Atwood, Christine Cantella – Kiss of the Spider Woman (Lionsgate/Roadside Attractions)
Ruth E. Carter – Sinners (Warner Bros.)
Paul Tazewell – Wicked: For Good (Universal Pictures)

BEST HAIR AND MAKEUP
Flora Moody, John Nolan – 28 Years Later (Sony Pictures)
Mike Hill, Jordan Samuel, Cliona Furey – Frankenstein (Netflix)
Siân Richards, Ken Diaz, Mike Fontaine, Shunika Terry – Sinners (Warner Bros.)
Kazu Hiro, Felix Fox, Mia Neal – The Smashing Machine (A24)
Leo Satkovich, Melizah Wheat, Jason Collins – Weapons (Warner Bros.)
Frances Hannon, Mark Coulier, Laura Blount – Wicked: For Good (Universal Pictures)

BEST VISUAL EFFECTS
Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett – Avatar: Fire And Ash (20th Century Studios)
Ryan Tudhope, Nikeah Forde, Robert Harrington, Nicolas Chevallier, Eric Leven, Edward Price, Keith Dawson – F1 (Apple Original Films)
Dennis Berardi, Ayo Burgess, Ivan Busquets, José Granell – Frankenstein (Netflix)
Alex Wuttke, Ian Lowe, Jeff Sutherland, Kirstin Hall – Mission: Impossible – The Final Reckoning (Paramount Pictures)
Michael Ralla, Espen Nordahl, Guido Wolter, Donnie Dean – Sinners (Warner Bros.)
Stephane Ceretti, Enrico Damm, Stéphane Nazé, Guy Williams – Superman (Warner Bros.)

BEST STUNT DESIGN
Stephen Dunlevy, Kyle Gardiner, Jackson Spidell, Jeremy Marinas, Jan Petřina, Domonkos Párdányi, Kinga Kósa-Gavalda – Ballerina (Lionsgate)
Gary Powell, Luciano Bacheta, Craig Dolby – F1 (Apple Original Films)
Wade Eastwood – Mission: Impossible – The Final Reckoning (Paramount Pictures)
Brian Machleit – One Battle After Another (Warner Bros.)
Andy Gill – Sinners (Warner Bros.)
Giedrius Nagys – Warfare (A24)

BEST ANIMATED FEATURE
Arco (Neon)
Elio (Walt Disney Studios Motion Pictures)
In Your Dreams (Netflix)
KPop Demon Hunters (Netflix)
Little Amélie or the Character of Rain (GKIDS)
Zootopia 2 (Walt Disney Animation Studios)

BEST COMEDY
The Ballad of Wallis Island (Focus Features)
Eternity (A24)
Friendship (A24)
The Naked Gun (Paramount)
The Phoenician Scheme (Focus Features)
Splitsville (Neon)

BEST FOREIGN LANGUAGE FILM
It Was Just an Accident (Neon)
Left-Handed Girl (Netflix)
No Other Choice (Neon)
The Secret Agent (Neon)
Sirât (Neon)
Belén (Amazon MGM Studios)

BEST SONG
“Drive” – Ed Sheeran, John Mayer, Blake Slatkin – F1 (Apple Original Films)
“Golden” – Ejae, Mark Sonnenblick, Ido, 24, Teddy – KPop Demon Hunters (Netflix)
“I Lied to You” – Raphael Saadiq, Ludwig Göransson – Sinners (Warner Bros.)
“Clothed by the Sun” – Daniel Blumberg – The Testament of Ann Lee (Searchlight Pictures)
“Train Dreams” – Nick Cave, Bryce Dessner – Train Dreams (Netflix)
“The Girl in the Bubble” – Stephen Schwartz – Wicked: For Good (Universal Pictures)

BEST SCORE
Hans Zimmer – F1 (Apple Original Films)
Alexandre Desplat – Frankenstein (Netflix)
Max Richter – Hamnet (Focus Features)
Daniel Lopatin – Marty Supreme (A24)
Jonny Greenwood – One Battle After Another (Warner Bros.)
Ludwig Göransson – Sinners (Warner Bros.)

BEST SOUND
Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo, Juan Peralta, Gareth John – F1 (Apple Original Films)
Nathan Robitaille, Nelson Ferreira, Christian Cooke, Brad Zoern, Greg Chapman – Frankenstein (Netflix)
Jose Antonio Garcia, Christopher Scarabosio, Tony Villaflor – One Battle After Another (Warner Bros.)
Chris Welcker, Benny Burtt, Brandon Proctor, Steve Boeddeker, Felipe Pacheco, David V. Butler – Sinners (Warner Bros.)
Laia Casanovas – Sirât (Neon)
Mitch Low, Glenn Freemantle, Ben Barker, Howard Bargroff, Richard Spooner – Warfare (A24)

TELEVISION NOMINATIONS FOR THE 31ST ANNUAL CRITICS CHOICE AWARDS

BEST DRAMA SERIES
Alien: Earth (FX)
Andor (Disney+)
The Diplomat (Netflix)
Paradise (Hulu)
The Pitt (HBO Max)
Pluribus (Apple TV)
Severance (Apple TV)
Task (HBO Max)

BEST ACTOR IN A DRAMA SERIES
Sterling K. Brown – Paradise (Hulu)
Diego Luna – Andor (Disney+)
Mark Ruffalo – Task (HBO Max)
Adam Scott – Severance (Apple TV)
Billy Bob Thornton – Landman (Paramount+)
Noah Wyle – The Pitt (HBO Max)

BEST ACTRESS IN A DRAMA SERIES
Kathy Bates – Matlock (CBS)
Carrie Coon – The Gilded Age (HBO Max)
Britt Lower – Severance (Apple TV)
Bella Ramsey – The Last of Us (HBO Max)
Keri Russell – The Diplomat (Netflix)
Rhea Seehorn – Pluribus (Apple TV)

BEST SUPPORTING ACTOR IN A DRAMA SERIES
Patrick Ball – The Pitt (HBO Max)
Billy Crudup – The Morning Show (Apple TV)
Ato Essandoh – The Diplomat (Netflix)
Wood Harris – Forever (Netflix)
Tom Pelphrey – Task (HBO Max)
Tramell Tillman – Severance (Apple TV)

BEST SUPPORTING ACTRESS IN A DRAMA SERIES
Nicole Beharie – The Morning Show (Apple TV)
Denée Benton – The Gilded Age (HBO Max)
Allison Janney – The Diplomat (Netflix)
Katherine LaNasa – The Pitt (HBO Max)
Greta Lee – The Morning Show (Apple TV)
Skye P. Marshall – Matlock (CBS)

BEST COMEDY SERIES
Abbott Elementary (ABC)
Elsbeth (CBS)
Ghosts (CBS)
Hacks (HBO Max)
Nobody Wants This (Netflix)
Only Murders in the Building (Hulu)
The Righteous Gemstones (HBO Max)
The Studio (Apple TV)

BEST ACTOR IN A COMEDY SERIES
Adam Brody – Nobody Wants This (Netflix)
Ted Danson – A Man on the Inside (Netflix)
David Alan Grier – St. Denis Medical (NBC)
Danny McBride – The Righteous Gemstones (HBO Max)
Seth Rogen – The Studio (Apple TV)
Alexander Skarsgård – Murderbot (Apple TV)

BEST ACTRESS IN A COMEDY SERIES
Kristen Bell – Nobody Wants This (Netflix)
Natasha Lyonne – Poker Face (Peacock)
Rose McIver – Ghosts (CBS)
Edi Patterson – The Righteous Gemstones (HBO Max)
Carrie Preston – Elsbeth (CBS)
Jean Smart – Hacks (HBO Max)

BEST SUPPORTING ACTOR IN A COMEDY SERIES
Ike Barinholtz – The Studio (Apple TV)
Paul W. Downs – Hacks (HBO Max)
Asher Grodman – Ghosts (CBS)
Oscar Nuñez – The Paper (Peacock)
Chris Perfetti – Abbott Elementary (ABC)
Timothy Simons – Nobody Wants This (Netflix)

BEST SUPPORTING ACTRESS IN A COMEDY SERIES
Danielle Brooks – Peacemaker (HBO Max)
Hannah Einbinder – Hacks (HBO Max)
Janelle James – Abbott Elementary (ABC)
Justine Lupe – Nobody Wants This (Netflix)
Ego Nwodim – Saturday Night Live (NBC)
Rebecca Wisocky – Ghosts (CBS)

BEST LIMITED SERIES
Adolescence (Netflix)
All Her Fault (Peacock)
Chief of War (Apple TV)
Death by Lightning (Netflix)
Devil in Disguise: John Wayne Gacy (Peacock)
Dope Thief (Apple TV)
Dying for Sex (FX on Hulu)
The Girlfriend (Prime Video)

BEST MOVIE MADE FOR TELEVISION
Bridget Jones: Mad About the Boy (Peacock)
Deep Cover (Prime Video)
The Gorge (Apple TV)
Mountainhead (HBO Max)
Nonnas (Netflix)
Summer of ’69 (Hulu)

BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Michael Chernus – Devil in Disguise: John Wayne Gacy (Peacock)
Stephen Graham – Adolescence (Netflix)
Brian Tyree Henry – Dope Thief (Apple TV)
Charlie Hunnam – Monster: The Ed Gein Story (Netflix)
Matthew Rhys – The Beast in Me (Netflix)
Michael Shannon – Death by Lightning (Netflix)

BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Jessica Biel – The Better Sister (Prime Video)
Meghann Fahy – Sirens (Netflix)
Sarah Snook – All Her Fault (Peacock)
Michelle Williams – Dying for Sex (FX on Hulu)
Robin Wright – The Girlfriend (Prime Video)
Renée Zellweger – Bridget Jones: Mad About the Boy (Peacock)

BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Owen Cooper – Adolescence (Netflix)
Wagner Moura – Dope Thief (Apple TV)
Nick Offerman – Death by Lightning (Netflix)
Michael Peña – All Her Fault (Peacock)
Ashley Walters – Adolescence (Netflix)
Ramy Youssef – Mountainhead (HBO Max)

BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Erin Doherty – Adolescence (Netflix)
Betty Gilpin – Death by Lightning (Netflix)
Marin Ireland – Devil in Disguise: John Wayne Gacy (Peacock)
Sophia Lillis – All Her Fault (Peacock)
Julianne Moore – Sirens (Netflix)
Christine Tremarco – Adolescence (Netflix)

BEST FOREIGN LANGUAGE SERIES
Acapulco (Apple TV)
Last Samurai Standing (Netflix)
Mussolini: Son of the Century (MUBI)
Red Alert (Paramount+)
Squid Game (Netflix)
When No One Sees Us (HBO Max)

BEST ANIMATED SERIES
Bob’s Burgers (Fox)
Harley Quinn (HBO Max)
Long Story Short (Netflix)
Marvel Zombies (Disney+)
South Park (Comedy Central)
Your Friendly Neighborhood Spider-Man (Disney+)

BEST TALK SHOW
The Daily Show (Comedy Central)
Hot Ones (YouTube)
Jimmy Kimmel Live! (ABC)
Late Night with Seth Meyers (NBC)
The Late Show with Stephen Colbert (CBS)
Watch What Happens Live with Andy Cohen (Bravo)

BEST VARIETY SERIES
Conan O’Brien Must Go (HBO Max)
Last Week Tonight with John Oliver (HBO Max)
Saturday Night Live (NBC)

BEST COMEDY SPECIAL
Brett Goldstein: The Second Best Night of Your Life (HBO Max)
Caleb Hearon: Model Comedian (HBO Max)
Leanne Morgan: Unspeakable Things (Netflix)
Marc Maron: Panicked (HBO Max)
Sarah Silverman: PostMortem (Netflix)
SNL50: The Anniversary Special (NBC)

The Nigerian film industry continues to be one of the most vibrant storytelling ecosystems in the world. Beyond box-office hits and streaming successes, film festivals have become crucial platforms for discovering new voices, celebrating African cinema, and fostering collaborations between filmmakers, investors, and audiences.

As 2025 is coming to an end, Nigeria is set to host a series of prestigious film festivals that bring together filmmakers, producers, critics, and film lovers together. From Abuja to Lagos, Enugu to Benin City, here’s a comprehensive guide to the top film festivals happening across Nigeria from October to December 2025.

Abuja International Film Festival (AIFF)

Dates: October 26–31, 2025

Location: Abuja, Nigeria

Founded in 2004, the Abuja International Film Festival is one of Nigeria’s longest-running film festivals. Its goal is to provide a platform for filmmakers from Africa and beyond to showcase their works, exchange ideas, and network with industry players.

The festival screens a broad range of content from documentaries and shorts to feature-length film. It also features panel discussions, masterclasses, film markets, and awards ceremonies, making it a key stop on the African festival circuit.

Africa International Film Festival (AFRIFF)

Dates: November 2–8, 2025

Location: Lagos, Nigeria

AFRIFF is arguably Nigeria’s most internationally recognized film festival. Since its inception in 2010, it has grown into a premier destination for African cinema, attracting filmmakers, industry executives, journalists, and cinema lovers from all over the world.

Held annually in Lagos, AFRIFF offers a week-long celebration of film, featuring screenings, industry sessions, pitching platforms, talent development programs, and the AFRIFF Film & Content Market (November 3–6). The festival has played a major role in positioning Nigeria as a creative hub for African storytelling.

Eastern Nigeria International Film Festival (ENIFF)

Dates: November 26–29, 2025

Location: Enugu, Nigeria

ENIFF was created to spotlight filmmakers from Eastern Nigeria while also welcoming entries from across Africa and beyond. Enugu, often regarded as the historic heart of Nollywood, provides a symbolic backdrop for this festival.

The 2025 theme, “Reimagine. Rethink. Reframe,” focuses on pushing creative boundaries and encouraging new cinematic perspectives. ENIFF showcases narrative films, documentaries, animations, and experimental works, accompanied by workshops, panel discussions, and youth-focused training sessions.

Imo Creatives & Film Festival (IMOIFF)

Dates: November 27–29, 2025

Location: Owerri, Imo State

The Imo Creatives & Film Festival (IMOIFF) is a growing event designed to highlight the power of storytelling in Nigeria’s Southeast.

IMOIFF focuses on empowering Nigerian storytellers through training programs, panel conversations, film showcases, and networking sessions. It serves as a bridge for young creatives, connecting them with mentors, funders, and collaborators.

Benin City Film Festival (BCFF)

Dates: November 27–29, 2025

Location: Benin City, Edo State

The Benin City Film Festival has quickly gained a reputation as a home for independent filmmakers. It focuses on films that challenge mainstream narratives and offer fresh, bold perspectives. The festival typically includes international and national screenings, panel talks, student competitions, and cultural showcases.

Benin City, with its rich artistic heritage, provides a vibrant atmosphere for the festival, blending film with local art, history, and tourism.

S16 Film Festival

Dates: December 1–5, 2025

Location: Lagos, Nigeria

The S16 Film Festival is a niche event dedicated to Super 16mm and analogue filmmaking. In an era dominated by digital technology, this festival celebrates the craft, texture, and discipline of analogue film production.

Participants engage in hands-on workshops, screenings of 16mm films, and discussions with veteran cinematographers who champion the art of traditional filmmaking.

African Indigenous Language Film Festival (AILFF)

Dates: December 3–5, 2025

Location: Lagos, Nigeria

The AILFF is a celebration of films made in African indigenous languages, highlighting the diversity and cultural depth of the continent. It was created to challenge the dominance of English and French in African film narratives, and to encourage filmmakers to embrace their mother tongues.

The festival features screenings, language preservation panels, and storytelling workshops, creating a space where language and cinema intersect powerfully.

These festivals not only celebrate creativity but also provide real platforms for training, funding, and collaboration.

Whether you’re a filmmaker looking to showcase your work, a student hoping to learn or eager to explore fresh stories, get ready 2025 is still packed.