Category: Movies/TV

Christopher Nolan is stepping into mythic territory with his upcoming epic, The Odyssey and the conversation around the film is already heating up. Just two years after Oppenheimer sparked intense global debates on ethics, responsibility, and historical truth, Nolan’s new project is once again pulling the world into another storm of controversy.

While The Odyssey is rooted in ancient Greek literature, the tension surrounding the film feels oddly familiar. From ethical questions to political pushback, Nolan appears to be revisiting the same pressure points that defined the discourse around Oppenheimer.

A New Epic With Familiar Heat

Even before the cameras stopped rolling, The Odyssey drew headlines for its filming locations. Nolan chose to shoot key sequences in Western Sahara, a region globally recognized as disputed. That decision instantly triggered criticism from activists, journalists, and political groups who accused the production of “normalizing” an ongoing occupation.

It’s the type of global outcry Nolan is no stranger to. Oppenheimer placed the filmmaker in the center of ethical conversations about historical trauma, nuclear warfare, and America’s moral responsibility. In the same way, The Odyssey is finding itself caught between artistic expression and political tension.

Echoes of Oppenheimer’s Ethical Storm

The parallels are hard to ignore:

• High stakes storytelling: Just as Oppenheimer navigated real-world consequences, The Odyssey is being scrutinized for how its production decisions affect real people and political realities.
• Global moral debate: Both films challenge the audience to think beyond the screen; whether it’s nuclear devastation or contested territories.
• A director unafraid of controversy: Nolan continues to choose stories and methods that push against cultural and geopolitical boundaries.

A $250 Million Gamble

With a price tag hovering around $250 million, The Odyssey is the most expensive film of Nolan’s career. The size of the production alone invites scrutiny, but the combination of massive scale and politically sensitive filming choices turns the spotlight even brighter.

A cultural flashpoint

If Nolan’s past work is any indication, The Odyssey will blend myth with modern relevance and that blend is exactly where controversy thrives.

With The Odyssey, Christopher Nolan is walking straight back into the controversial territory that made Oppenheimer one of the most debated films of its decade.

Christopher Nolan’s The Odyssey is already stirring global debate, mirroring the intense controversies that surrounded Oppenheimer. From political backlash to ethical questions, here’s how Nolan’s new epic is revisiting familiar fault lines.

Forget the cliche holiday cheer. December 2025 is set to be one of the most creatively daring and commercially significant months in Nollywood history. Nigeria’s top producers and directors are delivering a powerful mix of deep social commentary, historical fantasy epics, and high-stakes political thrillers right to the cinema and your streaming devices.

Here is your detailed guide to the 10 must-watch Nigerian movies and documentaries releasing this festive season.

This Is Love (Documentary) Dec 1, 2025

Key Producer/Director: Victor Ugoo Njoku (Co-Director)

This is not your typical holiday romance. This powerful and essential documentary shines a light on the intimate lives of three LGBTQ+ Nigerian couples living and loving under the shadow of the Same-Sex Marriage Prohibition Act (SSMPA). Through warm, deeply personal interviews, the film explores their challenges, resilience, and the sheer normalcy of their romantic connections, making a subtle yet profound assertion of their existence within Nigerian society. It’s a crucial, tender piece of social-issue filmmaking.

Colour Me True (Dec 4, 2025)

Key Producer/Director: Toluwani Obayan Osibe (Writer/Director)

Part of the esteemed First Features Slate Initiative, this drama stars Shalewa Ashafa as Sylvia Philips, a celebrated reality star whose meticulously constructed life collapses when her true, complicated identity is revealed. Forced to return to the childhood orphanage she tried to forget, the film explores the high cost of deceit, the journey of self-rediscovery, and what remains when the truth finally catches up.

This Is Not a Nollywood Movie (Dec 5, 2025)

Key Producer/Director: Wale Ojo (Director/Writer)

Making his directorial debut, veteran actor Wale Ojo delivers a wildly self-aware satire. The story follows Okechukwu Nwadibe (played by Ojo), a washed-up director from Nnewi who, inspired by a dream of winning an Oscar, attempts a chaotic comeback in Lagos. When he takes a shady loan from a powerful gangster, the film spirals into a dangerous, hilarious mess. Expect meta-humour and a candid, if exaggerated, look at the craziness of the industry.

Masaka Kids: A Rhythm Within (Documentary) Dec 9, 2025

This inspiring documentary focuses on the incredible Masaka Kids Africana, a group of talented children from Uganda who found global fame through their vibrant and energetic music and dance videos. It’s an uplifting, family-friendly film that captures the joy, resilience, and power of music in community. The documentary made this list because of its wide anticipation amongst Nollywood viewers.

Behind The Scenes (Dec 12, 2025)

Key Producer/Director: Funke Akindele (Producer/Co-Director)

From the undisputed “Box Office Queen,” Funke Akindele’s latest cinematic offering is a comedy-drama that peels back the curtain on the chaotic, high-pressure world of a Nollywood film set. The film captures the raw struggles, hidden experiences, and often untold stories of the crew members and actors (including an ensemble cast featuring Tobi Bakre, Iyabo Ojo, and Ini Dima-Okojie) as they navigate production mishaps, personal egos, and the fight to keep their project and their sanity intact.

A Very Dirty Christmas (Dec 16, 2025)

Key Producer/Director: Akay Mason (Director)

This film delivers on the classic holiday premise: a chaotic family gathering. When a large family comes together for the festive season, old issues resurface, long held secrets are explosively exposed, and the ‘peaceful’ celebration turns into a loud, messy, and hilarious wahala. The stellar cast includes veterans like Eucharia Anunobi and Femi Branch.

Oversabi Aunty (Dec 19, 2025)

Key Producer/Director: Toyin Abraham (Director/Producer)

Directed by and starring Toyin Abraham, this comic drama centres on Toun, a self-righteous church usher obsessed with “fixing” other people’s lives using her strong faith. Her overzealous, meddlesome advice spirals into disastrous consequences, peaking at a family wedding introduction. Toun is ultimately forced to confront the chaos her misplaced devotion has caused in a story that blends witty social commentary with relatable family dynamics.

Colours of Fire (Dec 24, 2025)

Key Producer/Director: Niyi Akinmolayan (Director)

Niyi Akinmolayan, known for his visual ambition (The Set Up, Elevator Baby), returns with a grand Fantasy/Epic Drama for Christmas Eve. The film follows a lone warrior sent on a mission to hunt down a dangerous beast unleashed by a rival clan. However, his journey reveals a much bigger hidden truth and a forbidden connection that forces him to question his loyalty and honour. Expect breathtaking cinematography and a thrilling narrative.

King of Boys 3: The Beginning of the End
(Dec 25, 2025 – Christmas Day)

Key Producer/Director: Kemi Adetiba (Director)

This is arguably the most anticipated film of the year. Kemi Adetiba gifts fans of her explosive political thriller saga the next chapter on Christmas Day. Picking up the story of Eniola Salami, this installment promises to deliver the high-stakes political intrigue, gripping action, and powerful socio-political commentary that the franchise is famous for. Expect monumental performances and a truly cinematic event.

Wizkid: Long Live Lagos (Documentary) Dec 26, 2025

Key Producer/Director: Karam Gill (Director)

While it’s an HBO original set for release Dec 11, African fans will get the intimate experience on Showmax from Boxing Day. Directed by Karam Gill, this feature-length documentary follows Nigerian superstar Ayodeji “Wizkid” Balogun as he prepares for his historic performance at the Tottenham Hotspur Stadium in London. The film explores his rise from the Surulere streets of Lagos to global icon status, challenging Western media’s stereotypes and tracing the massive global shift in the perception of African music. It is a candid look at the process and persistence behind his stardom.

This diverse slate proves that Nollywood is operating at the peak of its creative and commercial power. Whether you’re seeking a fantasy escape, a deep look into social issues, or the simple joy of a star-studded comedy, December 2025 has cemented its place as a legendary month for Nigerian cinematic storytelling. Happy viewing!

This December, Netflix is taking over your holiday watchlist with a lineup of must-see movies. From heartwarming festive romances to mysteries, there’s something for every mood. And with its recent acquisition of Warner Bros., Netflix now commands one of the biggest film and TV catalogs in the world.

For the purpose of this article we will be picking out 10 Movies that would be released on Netflix this December that you can’t afford to snooze on.

Wake Up Dead Man: A Knives Out Mystery (Dec 12)

Directed and written by Rian Johnson, the mastermind behind the Knives Out series, Wake Up Dead Man continues the story of the brilliant detective Benoit Blanc, played by Daniel Craig. 

Blanc is called to solve the murder of a charismatic church leader in a small-town church with a dark past. The body is discovered in a locked room, setting up a classic “impossible crime” mystery.

Joining Blanc is a young priest, portrayed by Josh O’Connor, who brings layers of faith, morality, and emotional tension to the investigation. The plot promises a darker, more emotionally grounded story compared to the previous films in the series.

Whether you’re a fan of clever mysteries, complex characters, Wake Up Dead Man: A Knives Out Mystery has something for everyone. The film explores not just a murder, but deeper questions about faith, morality, and justice, making it a thought-provoking experience.

The Great Flood (Dec 19)

Directed by Kim Byung-woo and co-written with Han Ji-su, The Great Flood follows a catastrophic natural disaster that traps residents inside a high-rise apartment building. A sudden, massive flood turns an ordinary day into a fight for survival, testing human courage, resilience, and morality.

At the center of the story is An-na (Kim Da-mi), an AI researcher and devoted mother, who must protect her son Ja-in while navigating the rising waters and the building’s chaos. She teams up with Hee-jo (Park Hae-soo), a security officer with a mysterious mission, as they confront dangers far beyond the immediate threat of the flood.

The film isn’t just about survival, it explores humanity’s hope, sacrifice, and the choices we make under pressure.

My Secret Santa (Dec 3)

My Secret Santa tells the story of Taylor Jacobson (Alexandra Breckenridge), a hardworking single mom doing everything she can to provide for her daughter. When she lands a seasonal job at a luxurious ski resort, Taylor must disguise herself as an older man “Santa Claus.”

What starts as a clever disguise quickly becomes a comedic situations, holiday cheer, and unexpected romance. Along the way, Taylor forms a bond with Matthew Layne (Ryan Eggold), the resort manager, all while trying to keep her secret hidden. The film blends humor, romance, and heartfelt family moments.

The Northman (Dec 3)

The Northman follows the brutal, fate-driven journey of Prince Amleth (Alexander Skarsgård), a young Viking who witnesses the betrayal and murder of his father by his own uncle. Forced to flee his homeland, Amleth grows into a fierce warrior, living only for one purpose:

“I will avenge you, Father. I will save you, Mother. I will kill you, Fjölnir.”

That promise becomes the backbone of the film, sending Amleth deep into a world ruled by prophecy, bloodshed, myth, and destiny. His journey takes him across icy seas, into slave camps, and ultimately back into the heart of danger where vengeance is waiting.

A Lot Like Christmas (Dec 4)

Set in a picturesque small town where the holiday spirit fills every corner, A Lot Like Christmas follows two rivals forced to work together to save their community’s beloved Christmas market.

At the center of the story is Sarah, a talented but overworked event planner returning home for the holidays, and David, a local craftsman determined to protect the town’s traditions. When the Christmas market faces an unexpected shutdown, the two must put aside their differences and team up; discovering friendship, healing, and maybe even love along the way.

Love and Wine (Dec 5)

Love and Wine follows Emily, a rising sommelier who travels to a remote countryside vineyard to evaluate a rare wine collection. What starts as a routine professional trip quickly turns into an unexpected emotional journey when she meets Luca, the vineyard owner’s charismatic son who is dedicated to preserving his family’s heritage.

As Emily digs deeper into the vineyard’s history and Luca fights to protect his family’s business from being sold, the two are drawn together by shared passions, clashing ambitions, and a spark they didn’t see coming. The film explores themes of love, self-discovery, and what it truly means to follow your heart all wrapped in a beautiful, sun-soaked setting.

The Night My Dad Saved Christmas 2 (Dec 5)

Picking up from the first film, the story follows the Baxter family, whose holidays always seem to spiral into hilarious disasters. This time, Dave Baxter (the dad) faces an even bigger challenge: keeping Christmas on track despite unexpected setbacks, wacky mishaps, and holiday emergencies that threaten to ruin the festive spirit.

As always, Dave proves that being a dad comes with courage, creativity, and a touch of comedic genius. The movie blends humor, family dynamics, and holiday warmth.

Jay Kelly (Dec 5)

Jay Kelly follows the a once-glamorous movie star whose life of fame and success begins to unravel. Haunted by past mistakes and distant relationships, Jay embarks on a soul-searching journey across Europe with his loyal manager, Ron (Adam Sandler).

Their journey is more than a physical one, it’s a confrontation with the choices Jay made, the people he neglected, and the legacy he hopes to leave behind. The film blends humor, emotional depth, and human vulnerability, creating a story that resonates beyond Hollywood glitz.

 I Wish You Had Told Me (Dec 4)

I Wish You Had Told Me follows Seph, a young missionary whose father has recently passed away. While sorting through his father’s belongings, Seph discovers a secret his dad had kept hidden his entire life; a forbidden love. Driven by a desire to understand his father and reconcile the past, Seph travels from the Philippines to Spain, carrying a letter that reveals the truth behind the secret.

The journey becomes one of self-discovery, healing, and coming to terms with love, regret, and family. It’s a story that balances emotional depth with reflective storytelling.

Goodbye June (Dec 24)

Goodbye June centers on a family preparing for the holidays, only to face emotional turmoil when their mother, June, experiences a sudden health crisis. The story follows her children and husband as they navigate unresolved conflicts, unspoken truths, and the pain of impending loss.

Set against the backdrop of Christmas, the film reflects festive cheer with heartfelt emotional struggles, creating a story that is both relatable. It’s a narrative about reconciliation, understanding, and cherishing the moments that truly matter.

Netflix has a little something for everyone this December; from fun holiday comedies and romantic movies to exciting mysteries and sci-fi adventures. These 10 movies are perfect for some family movie time, or just relaxing with a good story. Make sure to check them out!

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The nominations for the 2026 Critics Choice Award (CCA) are in, it covers the best films for 2025 according to critics. The event will hold January 4th, 2026.

The full nominee List:

BEST PICTURE
Bugonia (Focus Features)
Frankenstein (Netflix)
Hamnet (Focus Features)
Jay Kelly (Netflix)
Marty Supreme (A24)
One Battle After Another (Warner Bros.)
Sentimental Value (Neon)
Sinners (Warner Bros.)
Train Dreams (Netflix)
Wicked: For Good (Universal Pictures)

BEST ACTOR
Timothée Chalamet – Marty Supreme (A24)
Leonardo DiCaprio – One Battle After Another (Warner Bros.)
Joel Edgerton – Train Dreams (Netflix)
Ethan Hawke – Blue Moon (Sony Pictures Classics)
Michael B. Jordan – Sinners (Warner Bros.)
Wagner Moura – The Secret Agent (Neon)

BEST ACTRESS
Jessie Buckley – Hamnet (Focus Features)
Rose Byrne – If I Had Legs I’d Kick You (A24)
Chase Infiniti – One Battle After Another (Warner Bros.)
Renate Reinsve – Sentimental Value (Neon)
Amanda Seyfried – The Testament of Ann Lee (Searchlight Pictures)
Emma Stone – Bugonia (Focus Features)

BEST SUPPORTING ACTOR
Benicio del Toro – One Battle After Another (Warner Bros.)
Jacob Elordi – Frankenstein (Netflix)
Paul Mescal – Hamnet (Focus Features)
Sean Penn – One Battle After Another (Warner Bros.)
Adam Sandler – Jay Kelly (Netflix)
Stellan Skarsgård – Sentimental Value (Neon)

BEST SUPPORTING ACTRESS
Elle Fanning – Sentimental Value (Neon)
Ariana Grande – Wicked: For Good (Universal Pictures)
Inga Ibsdotter Lilleaas – Sentimental Value (Neon)
Amy Madigan – Weapons (Warner Bros.)
Wunmi Mosaku – Sinners (Warner Bros.)
Teyana Taylor – One Battle After Another (Warner Bros.)

BEST YOUNG ACTOR / ACTRESS
Everett Blunck – The Plague (Independent Film Company)
Miles Caton – Sinners (Warner Bros.)
Cary Christopher – Weapons (Warner Bros.)
Shannon Mahina Gorman – Rental Family (Searchlight Pictures)
Jacobi Jupe – Hamnet (Focus Features)
Nina Ye – Left-Handed Girl (Netflix)

BEST DIRECTOR
Paul Thomas Anderson – One Battle After Another (Warner Bros.)
Ryan Coogler – Sinners (Warner Bros.)
Guillermo del Toro – Frankenstein (Netflix)
Josh Safdie – Marty Supreme (A24)
Joachim Trier – Sentimental Value (Neon)
Chloé Zhao – Hamnet (Focus Features)

BEST ORIGINAL SCREENPLAY
Noah Baumbach, Emily Mortimer – Jay Kelly (Netflix)
Ronald Bronstein, Josh Safdie – Marty Supreme (A24)
Ryan Coogler – Sinners (Warner Bros.)
Zach Cregger – Weapons (Warner Bros.)
Eva Victor – Sorry, Baby (A24)
Eskil Vogt, Joachim Trier – Sentimental Value (Neon)

BEST ADAPTED SCREENPLAY
Paul Thomas Anderson – One Battle After Another (Warner Bros.)
Clint Bentley, Greg Kwedar – Train Dreams (Netflix)
Park Chan-wook, Lee Kyoung-mi, Don Mckellar, Jahye Lee – No Other Choice (Neon)
Guillermo del Toro – Frankenstein (Netflix)
Will Tracy – Bugonia (Focus Features)
Chloé Zhao, Maggie O’Farrell – Hamnet (Focus Features)

BEST CASTING AND ENSEMBLE
Nina Gold – Hamnet (Focus Features)
Douglas Aibel, Nina Gold – Jay Kelly (Netflix)
Jennifer Venditti – Marty Supreme (A24)
Cassandra Kulukundis – One Battle After Another (Warner Bros.)
Francine Maisler – Sinners (Warner Bros.)
Tiffany Little Canfield, Bernard Telsey – Wicked: For Good (Universal Pictures)

BEST CINEMATOGRAPHY
Claudio Miranda – F1 (Apple Original Films)
Dan Laustsen – Frankenstein (Netflix)
Łukasz Żal – Hamnet (Focus Features)
Michael Bauman – One Battle After Another (Warner Bros.)
Autumn Durald Arkapaw – Sinners (Warner Bros.)
Adolpho Veloso – Train Dreams (Netflix)

BEST PRODUCTION DESIGN
Kasra Farahani, Jille Azis – The Fantastic Four: First Steps (Marvel Studios)
Tamara Deverell, Shane Vieau – Frankenstein (Netflix)
Fiona Crombie, Alice Felton – Hamnet (Focus Features)
Jack Fisk, Adam Willis – Marty Supreme (A24)
Hannah Beachler, Monique Champagne – Sinners (Warner Bros.)
Nathan Crowley, Lee Sandales – Wicked: For Good (Universal Pictures)

BEST EDITING
Kirk Baxter – A House of Dynamite (Netflix)
Stephen Mirrione – F1 (Apple Original Films)
Ronald Bronstein, Josh Safdie – Marty Supreme (A24)
Andy Jurgensen – One Battle After Another (Warner Bros.)
Viridiana Lieberman – The Perfect Neighbor (Netflix)
Michael P. Shawver – Sinners (Warner Bros.)

BEST COSTUME DESIGN
Kate Hawley – Frankenstein (Netflix)
Malgosia Turzanska – Hamnet (Focus Features)
Lindsay Pugh – Hedda (Amazon MGM Studios)
Colleen Atwood, Christine Cantella – Kiss of the Spider Woman (Lionsgate/Roadside Attractions)
Ruth E. Carter – Sinners (Warner Bros.)
Paul Tazewell – Wicked: For Good (Universal Pictures)

BEST HAIR AND MAKEUP
Flora Moody, John Nolan – 28 Years Later (Sony Pictures)
Mike Hill, Jordan Samuel, Cliona Furey – Frankenstein (Netflix)
Siân Richards, Ken Diaz, Mike Fontaine, Shunika Terry – Sinners (Warner Bros.)
Kazu Hiro, Felix Fox, Mia Neal – The Smashing Machine (A24)
Leo Satkovich, Melizah Wheat, Jason Collins – Weapons (Warner Bros.)
Frances Hannon, Mark Coulier, Laura Blount – Wicked: For Good (Universal Pictures)

BEST VISUAL EFFECTS
Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett – Avatar: Fire And Ash (20th Century Studios)
Ryan Tudhope, Nikeah Forde, Robert Harrington, Nicolas Chevallier, Eric Leven, Edward Price, Keith Dawson – F1 (Apple Original Films)
Dennis Berardi, Ayo Burgess, Ivan Busquets, José Granell – Frankenstein (Netflix)
Alex Wuttke, Ian Lowe, Jeff Sutherland, Kirstin Hall – Mission: Impossible – The Final Reckoning (Paramount Pictures)
Michael Ralla, Espen Nordahl, Guido Wolter, Donnie Dean – Sinners (Warner Bros.)
Stephane Ceretti, Enrico Damm, Stéphane Nazé, Guy Williams – Superman (Warner Bros.)

BEST STUNT DESIGN
Stephen Dunlevy, Kyle Gardiner, Jackson Spidell, Jeremy Marinas, Jan Petřina, Domonkos Párdányi, Kinga Kósa-Gavalda – Ballerina (Lionsgate)
Gary Powell, Luciano Bacheta, Craig Dolby – F1 (Apple Original Films)
Wade Eastwood – Mission: Impossible – The Final Reckoning (Paramount Pictures)
Brian Machleit – One Battle After Another (Warner Bros.)
Andy Gill – Sinners (Warner Bros.)
Giedrius Nagys – Warfare (A24)

BEST ANIMATED FEATURE
Arco (Neon)
Elio (Walt Disney Studios Motion Pictures)
In Your Dreams (Netflix)
KPop Demon Hunters (Netflix)
Little Amélie or the Character of Rain (GKIDS)
Zootopia 2 (Walt Disney Animation Studios)

BEST COMEDY
The Ballad of Wallis Island (Focus Features)
Eternity (A24)
Friendship (A24)
The Naked Gun (Paramount)
The Phoenician Scheme (Focus Features)
Splitsville (Neon)

BEST FOREIGN LANGUAGE FILM
It Was Just an Accident (Neon)
Left-Handed Girl (Netflix)
No Other Choice (Neon)
The Secret Agent (Neon)
Sirât (Neon)
Belén (Amazon MGM Studios)

BEST SONG
“Drive” – Ed Sheeran, John Mayer, Blake Slatkin – F1 (Apple Original Films)
“Golden” – Ejae, Mark Sonnenblick, Ido, 24, Teddy – KPop Demon Hunters (Netflix)
“I Lied to You” – Raphael Saadiq, Ludwig Göransson – Sinners (Warner Bros.)
“Clothed by the Sun” – Daniel Blumberg – The Testament of Ann Lee (Searchlight Pictures)
“Train Dreams” – Nick Cave, Bryce Dessner – Train Dreams (Netflix)
“The Girl in the Bubble” – Stephen Schwartz – Wicked: For Good (Universal Pictures)

BEST SCORE
Hans Zimmer – F1 (Apple Original Films)
Alexandre Desplat – Frankenstein (Netflix)
Max Richter – Hamnet (Focus Features)
Daniel Lopatin – Marty Supreme (A24)
Jonny Greenwood – One Battle After Another (Warner Bros.)
Ludwig Göransson – Sinners (Warner Bros.)

BEST SOUND
Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo, Juan Peralta, Gareth John – F1 (Apple Original Films)
Nathan Robitaille, Nelson Ferreira, Christian Cooke, Brad Zoern, Greg Chapman – Frankenstein (Netflix)
Jose Antonio Garcia, Christopher Scarabosio, Tony Villaflor – One Battle After Another (Warner Bros.)
Chris Welcker, Benny Burtt, Brandon Proctor, Steve Boeddeker, Felipe Pacheco, David V. Butler – Sinners (Warner Bros.)
Laia Casanovas – Sirât (Neon)
Mitch Low, Glenn Freemantle, Ben Barker, Howard Bargroff, Richard Spooner – Warfare (A24)

TELEVISION NOMINATIONS FOR THE 31ST ANNUAL CRITICS CHOICE AWARDS

BEST DRAMA SERIES
Alien: Earth (FX)
Andor (Disney+)
The Diplomat (Netflix)
Paradise (Hulu)
The Pitt (HBO Max)
Pluribus (Apple TV)
Severance (Apple TV)
Task (HBO Max)

BEST ACTOR IN A DRAMA SERIES
Sterling K. Brown – Paradise (Hulu)
Diego Luna – Andor (Disney+)
Mark Ruffalo – Task (HBO Max)
Adam Scott – Severance (Apple TV)
Billy Bob Thornton – Landman (Paramount+)
Noah Wyle – The Pitt (HBO Max)

BEST ACTRESS IN A DRAMA SERIES
Kathy Bates – Matlock (CBS)
Carrie Coon – The Gilded Age (HBO Max)
Britt Lower – Severance (Apple TV)
Bella Ramsey – The Last of Us (HBO Max)
Keri Russell – The Diplomat (Netflix)
Rhea Seehorn – Pluribus (Apple TV)

BEST SUPPORTING ACTOR IN A DRAMA SERIES
Patrick Ball – The Pitt (HBO Max)
Billy Crudup – The Morning Show (Apple TV)
Ato Essandoh – The Diplomat (Netflix)
Wood Harris – Forever (Netflix)
Tom Pelphrey – Task (HBO Max)
Tramell Tillman – Severance (Apple TV)

BEST SUPPORTING ACTRESS IN A DRAMA SERIES
Nicole Beharie – The Morning Show (Apple TV)
Denée Benton – The Gilded Age (HBO Max)
Allison Janney – The Diplomat (Netflix)
Katherine LaNasa – The Pitt (HBO Max)
Greta Lee – The Morning Show (Apple TV)
Skye P. Marshall – Matlock (CBS)

BEST COMEDY SERIES
Abbott Elementary (ABC)
Elsbeth (CBS)
Ghosts (CBS)
Hacks (HBO Max)
Nobody Wants This (Netflix)
Only Murders in the Building (Hulu)
The Righteous Gemstones (HBO Max)
The Studio (Apple TV)

BEST ACTOR IN A COMEDY SERIES
Adam Brody – Nobody Wants This (Netflix)
Ted Danson – A Man on the Inside (Netflix)
David Alan Grier – St. Denis Medical (NBC)
Danny McBride – The Righteous Gemstones (HBO Max)
Seth Rogen – The Studio (Apple TV)
Alexander Skarsgård – Murderbot (Apple TV)

BEST ACTRESS IN A COMEDY SERIES
Kristen Bell – Nobody Wants This (Netflix)
Natasha Lyonne – Poker Face (Peacock)
Rose McIver – Ghosts (CBS)
Edi Patterson – The Righteous Gemstones (HBO Max)
Carrie Preston – Elsbeth (CBS)
Jean Smart – Hacks (HBO Max)

BEST SUPPORTING ACTOR IN A COMEDY SERIES
Ike Barinholtz – The Studio (Apple TV)
Paul W. Downs – Hacks (HBO Max)
Asher Grodman – Ghosts (CBS)
Oscar Nuñez – The Paper (Peacock)
Chris Perfetti – Abbott Elementary (ABC)
Timothy Simons – Nobody Wants This (Netflix)

BEST SUPPORTING ACTRESS IN A COMEDY SERIES
Danielle Brooks – Peacemaker (HBO Max)
Hannah Einbinder – Hacks (HBO Max)
Janelle James – Abbott Elementary (ABC)
Justine Lupe – Nobody Wants This (Netflix)
Ego Nwodim – Saturday Night Live (NBC)
Rebecca Wisocky – Ghosts (CBS)

BEST LIMITED SERIES
Adolescence (Netflix)
All Her Fault (Peacock)
Chief of War (Apple TV)
Death by Lightning (Netflix)
Devil in Disguise: John Wayne Gacy (Peacock)
Dope Thief (Apple TV)
Dying for Sex (FX on Hulu)
The Girlfriend (Prime Video)

BEST MOVIE MADE FOR TELEVISION
Bridget Jones: Mad About the Boy (Peacock)
Deep Cover (Prime Video)
The Gorge (Apple TV)
Mountainhead (HBO Max)
Nonnas (Netflix)
Summer of ’69 (Hulu)

BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Michael Chernus – Devil in Disguise: John Wayne Gacy (Peacock)
Stephen Graham – Adolescence (Netflix)
Brian Tyree Henry – Dope Thief (Apple TV)
Charlie Hunnam – Monster: The Ed Gein Story (Netflix)
Matthew Rhys – The Beast in Me (Netflix)
Michael Shannon – Death by Lightning (Netflix)

BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Jessica Biel – The Better Sister (Prime Video)
Meghann Fahy – Sirens (Netflix)
Sarah Snook – All Her Fault (Peacock)
Michelle Williams – Dying for Sex (FX on Hulu)
Robin Wright – The Girlfriend (Prime Video)
Renée Zellweger – Bridget Jones: Mad About the Boy (Peacock)

BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Owen Cooper – Adolescence (Netflix)
Wagner Moura – Dope Thief (Apple TV)
Nick Offerman – Death by Lightning (Netflix)
Michael Peña – All Her Fault (Peacock)
Ashley Walters – Adolescence (Netflix)
Ramy Youssef – Mountainhead (HBO Max)

BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Erin Doherty – Adolescence (Netflix)
Betty Gilpin – Death by Lightning (Netflix)
Marin Ireland – Devil in Disguise: John Wayne Gacy (Peacock)
Sophia Lillis – All Her Fault (Peacock)
Julianne Moore – Sirens (Netflix)
Christine Tremarco – Adolescence (Netflix)

BEST FOREIGN LANGUAGE SERIES
Acapulco (Apple TV)
Last Samurai Standing (Netflix)
Mussolini: Son of the Century (MUBI)
Red Alert (Paramount+)
Squid Game (Netflix)
When No One Sees Us (HBO Max)

BEST ANIMATED SERIES
Bob’s Burgers (Fox)
Harley Quinn (HBO Max)
Long Story Short (Netflix)
Marvel Zombies (Disney+)
South Park (Comedy Central)
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The Nigerian film industry continues to be one of the most vibrant storytelling ecosystems in the world. Beyond box-office hits and streaming successes, film festivals have become crucial platforms for discovering new voices, celebrating African cinema, and fostering collaborations between filmmakers, investors, and audiences.

As 2025 is coming to an end, Nigeria is set to host a series of prestigious film festivals that bring together filmmakers, producers, critics, and film lovers together. From Abuja to Lagos, Enugu to Benin City, here’s a comprehensive guide to the top film festivals happening across Nigeria from October to December 2025.

Abuja International Film Festival (AIFF)

Dates: October 26–31, 2025

Location: Abuja, Nigeria

Founded in 2004, the Abuja International Film Festival is one of Nigeria’s longest-running film festivals. Its goal is to provide a platform for filmmakers from Africa and beyond to showcase their works, exchange ideas, and network with industry players.

The festival screens a broad range of content from documentaries and shorts to feature-length film. It also features panel discussions, masterclasses, film markets, and awards ceremonies, making it a key stop on the African festival circuit.

Africa International Film Festival (AFRIFF)

Dates: November 2–8, 2025

Location: Lagos, Nigeria

AFRIFF is arguably Nigeria’s most internationally recognized film festival. Since its inception in 2010, it has grown into a premier destination for African cinema, attracting filmmakers, industry executives, journalists, and cinema lovers from all over the world.

Held annually in Lagos, AFRIFF offers a week-long celebration of film, featuring screenings, industry sessions, pitching platforms, talent development programs, and the AFRIFF Film & Content Market (November 3–6). The festival has played a major role in positioning Nigeria as a creative hub for African storytelling.

Eastern Nigeria International Film Festival (ENIFF)

Dates: November 26–29, 2025

Location: Enugu, Nigeria

ENIFF was created to spotlight filmmakers from Eastern Nigeria while also welcoming entries from across Africa and beyond. Enugu, often regarded as the historic heart of Nollywood, provides a symbolic backdrop for this festival.

The 2025 theme, “Reimagine. Rethink. Reframe,” focuses on pushing creative boundaries and encouraging new cinematic perspectives. ENIFF showcases narrative films, documentaries, animations, and experimental works, accompanied by workshops, panel discussions, and youth-focused training sessions.

Imo Creatives & Film Festival (IMOIFF)

Dates: November 27–29, 2025

Location: Owerri, Imo State

The Imo Creatives & Film Festival (IMOIFF) is a growing event designed to highlight the power of storytelling in Nigeria’s Southeast.

IMOIFF focuses on empowering Nigerian storytellers through training programs, panel conversations, film showcases, and networking sessions. It serves as a bridge for young creatives, connecting them with mentors, funders, and collaborators.

Benin City Film Festival (BCFF)

Dates: November 27–29, 2025

Location: Benin City, Edo State

The Benin City Film Festival has quickly gained a reputation as a home for independent filmmakers. It focuses on films that challenge mainstream narratives and offer fresh, bold perspectives. The festival typically includes international and national screenings, panel talks, student competitions, and cultural showcases.

Benin City, with its rich artistic heritage, provides a vibrant atmosphere for the festival, blending film with local art, history, and tourism.

S16 Film Festival

Dates: December 1–5, 2025

Location: Lagos, Nigeria

The S16 Film Festival is a niche event dedicated to Super 16mm and analogue filmmaking. In an era dominated by digital technology, this festival celebrates the craft, texture, and discipline of analogue film production.

Participants engage in hands-on workshops, screenings of 16mm films, and discussions with veteran cinematographers who champion the art of traditional filmmaking.

African Indigenous Language Film Festival (AILFF)

Dates: December 3–5, 2025

Location: Lagos, Nigeria

The AILFF is a celebration of films made in African indigenous languages, highlighting the diversity and cultural depth of the continent. It was created to challenge the dominance of English and French in African film narratives, and to encourage filmmakers to embrace their mother tongues.

The festival features screenings, language preservation panels, and storytelling workshops, creating a space where language and cinema intersect powerfully.

These festivals not only celebrate creativity but also provide real platforms for training, funding, and collaboration.

Whether you’re a filmmaker looking to showcase your work, a student hoping to learn or eager to explore fresh stories, get ready 2025 is still packed.

In Nigeria’s Middle Belt, a place filled with beauty, history, and pain, a young filmmaker is bringing a different kind of story to the screen. Agatha Doowuese Akaahar, a 23-year-old Tiv filmmaker from Benue State, is the writer and director behind Black Sands, a moving short film that shines a light on the real lives of people living through conflict.

Agatha’s love for storytelling began early. After losing her mother as a child, books became her escape. Later, theatre gave her a voice and showed her the power of stories to heal and connect. Even though she studied History and International Studies at the University of Ilorin, she never lost her passion for film.

The inspiration for Black Sands came from her own experiences growing up in Benue. “The Middle Belt is often spoken about only in numbers — how many died, how many were displaced,” she says. “But behind every number is a person, a family, a dream.”

Unlike most films about conflict, Black Sands doesn’t focus on politics. Instead, it tells a human story about love, loss, and resilience. The title is symbolic — sand usually represents life, but when huts burn, the sand turns black. “The land remembers everything,” Agatha explains. “Black Sands is both mourning for what has been lost and hope for what can still grow.”

The filming took place in Jos, Plateau State, a place that mirrors Benue’s landscape and history. The cast and crew, many of whom had personal experiences with violence, brought honesty and depth to the film. “It wasn’t just another project,” Agatha says. “It was a way to remember.”

As both writer and director, Agatha rewrote her script eight times to get the story right. The result is a film that blends personal truth with collective memory — a story told simply but powerfully.

With Black Sands, Agatha isn’t just releasing a short film; she’s preserving voices that are often forgotten. It’s a reminder that even in the middle of pain, people still live, love, and hope.

Film Details

Black Sands written by Agatha Doowuese Akaahar

Format: Short film (3 minutes)

Single location (mud-hut compound interior)

Three characters:

• Kator (15)
• Wuese (10)
• Their mother (30s)

Language: Tiv (with translations to English)

Logline: During a violent raid on a rural village in the hinterlands of Benue State, two older siblings are forced to hide their little siblings inside a water drum and sacrificing themselves to keep these little ones safe.

Genre: Drama / War / Political Tragedy / Coming-of-age

Setting: A modest mud-hut compound in rural Benue State, Nigeria. It is early morning. The space feels warm, smoky, and lived-in; filled with the quiet rhythm of village life: birdsong, crackling firewood, footsteps on the dusty path, yam boiling on the stove, and the soft hum of a mother’s song.

Synopsis: Black Sands is a visceral, intimate portrait of a family caught in a moment of irreversible change and irreparable damage.

Kator is cooking yam in the family kitchen while his younger sister Wuese nags him playfully for food. Their older sister, weary and quiet, hums softly as she nurses a baby in the next room. A framed photo on the wall of their father and young Kator is a quiet nod to a simpler life. His absence suggests that he’s either deceased or away at the moment.

In the blink of an eye, there’s a low rumble and everything falls apart. Panic ensues. Gunfire cracks in the distance. Kator hears shouts and cries in the distance and the scampering sounds of neighbours frantically running; he hears someone shout ‘Mba agwey shi va ve’ , he immediately deciphers what’s happening; The armed men in tribal wraps who often visit with machetes and leave a trail of violence and bloodshed in their wake are here again.

Smoke starts to rise as huts and barns are raised to the ground, their sister acts quickly. She leads them to the backyard where there’s a big dugbe; a large, empty water drum. In a few quiet, devastating gestures, she places the children in it.

From inside the drum: muffled breathing. Raised voices. A scream. Then; silence.

Later, in the aftermath of the chaos, Wuese is seen sitting and staring into the distance, suggesting that everyone else is gone.

Themes

• Familial sacrifice: The sister’s final actions show deep, silent love; she’s like a mother doing whatever it takes to protect her children.
• Innocence in conflict: The war is never shown directly. Instead, we see its impact through the eyes of confused, frightened children.
• Political erasure: The story highlights the human cost of the Middle Belt crisis in Nigeria; a tragedy that is personal, painful, and

Tone & Visual Style

• Cinematic realism: Handheld camera work, natural lighting, close-up shots, and subtle, emotional performances.
• Muted, earthy tones: Warm browns, soft greys, black ash, and gentle firelight to reflect the mood and setting.
• Sound design is key: The dugbe becomes a space filled with tension, where every sound from outside is amplified.
• Minimalist style: The violence is never shown, only heard. The story is told from the children’s emotional point of view.

Why This Story?

In just one location, with just three characters, Black Sands captures something deeply Nigerian: the fragility of peace, the quiet strength of mothers, and the small, unspoken ways we hold onto dignity in the face of devastation.

It is inspired by countless untold stories of displacement and systemic violence in Nigeria’s Middle Belt; a region where family and community are the only shield, and memory, the only monument in the midst of all that chaos. This is a quiet, devastating film; deeply evocative, gripping, and powerful in its message. It is designed to eviscerate, to leave the audience with much to reckon with.

Budget: The budget for the film was ₦3M (three million naira) but due to Agatha’s financial management skills, the film was made under budget.

Netflix’s One Piece: Into the Grand Line (Season 2) is set to release in 2026. Here’s everything we know so far; cast, story arcs, new characters, and what to expect from the Straw Hat Pirates’ journey into the Grand Line.

Netflix’s One Piece Into The Grand Line

When Netflix’s live-action One Piece launched in 2023, it surprised fans and critics alike by delivering a faithful, fun, and visually daring adaptation of Eiichiro Oda’s legendary manga. The first season charted the rise of Monkey D. Luffy (Iñaki Godoy) and his ragtag crew through the East Blue saga, culminating in their setting sail toward the dangerous, mysterious, and endlessly exciting Grand Line.

Now, the voyage continues with One Piece: Into the Grand Line, the official title for Season 2.

When Will One Piece Season 2 Release on Netflix?

Netflix has confirmed that One Piece: Into the Grand Line is scheduled to debut in 2026, though no exact date has been announced yet. Filming wrapped in early 2025, meaning the show is now in the heavy visual effects and post-production stage.

Even better, Netflix has already given the series a Season 3 renewal, proving confidence in the franchise’s long-term potential.

What Story Arcs Will Season 2 Cover?

Season 2 promises to expand the world of One Piece beyond the relatively small seas of East Blue. Expect to see the Straw Hat Pirates navigate major fan-favorite arcs, including:

• Loguetown: The town where Gold Roger was executed, and where Luffy faces Marine Captain Smoker for the first time.
• Reverse Mountain & Whiskey Peak: The gateway into the Grand Line, introducing dangerous new foes and allies.
• Drum Island: Where the crew meets Tony Tony Chopper, the reindeer doctor who will officially join the Straw Hats.
• Little Garden: A prehistoric island filled with giants and hidden threats.

New Characters Joining the Adventure

The cast is expanding in exciting ways for Into the Grand Line:

• Tony Tony Chopper: Played via CGI and performance capture, Chopper is a reindeer who ate the Human-Human Fruit. He becomes the Straw Hats’ beloved doctor.
• Smoker: A chain-smoking Marine captain with a Logia-type Devil Fruit ability, making him a formidable new rival.
• Miss All Sunday (Nico Robin): Mysterious, intelligent, and dangerous, she plays a pivotal role in the Baroque Works storyline.
• Dr. Kureha: The eccentric doctor who mentors Chopper on Drum Island.
• Crocodile: The mastermind villain of Baroque Works, one of the first major warlords Luffy must overcome.

Production Team

The creative team remains mostly intact, with Joe Tracz leading Season 2 as showrunner and Matt Owens staying on as executive producer. Season 3 will see Ian Stokes join the leadership team, but for now, Into the Grand Line continues with the same insight that made Season 1.

Why Into the Grand Line Could Define Netflix’s One Piece

Season 1 was all about introducing Luffy, Zoro, Nami, Usopp, and Sanji. Season 2 is about testing them as a crew. The Grand Line is where the real adventure begins, where Devil Fruits, warlords, Marines, and ancient mysteries intertwine in ways that cement One Piece as one of the greatest sagas ever written.

If Netflix can balance emotional depth with the high-stakes action and outrageous creativity of Oda’s world, Into the Grand Line may not just satisfy fans but also prove that live-action anime adaptations can truly thrive.

Netflix has officially announced it has kicked off production on Fight for ’84, a powerful new sports drama starring Academy Award winner Jamie Foxx alongside Malachi Beasley. Filming begins this September in New Jersey and is scheduled to run through December 2025, setting the stage for one of the most anticipated boxing films of the decade.

The Real Story

At its core, Fight for ’84 is more than just another boxing movie. It is inspired by true events that reshaped the course of American boxing history.

In 1980, a tragic plane crash claimed the lives of the U.S. Olympic boxing team, leaving the sport devastated. The film picks up in the aftermath, following the emotional and physical journey of rebuilding a new squad that would go on to compete in the 1984 Summer Olympics in Los Angeles.

Foxx steps into the role of Master Sergeant Roosevelt Sanders, the man tasked with training, guiding, and motivating a group of young athletes as they chase redemption inside and outside the ring. Themes of loss, second chances, teamwork, and triumph are woven into the film’s narrative.

Jamie Foxx as LeadActor

Jamie Foxx is no stranger to sports drama. Having portrayed real-life legends like Ray Charles (for which he won an Oscar), Foxx brings depth to every character. In Fight for ’84, he plays Sanders, a leader who must balance discipline with compassion while shaping a broken team into champions.

Alongside him is Malachi Beasley, best known for his breakout roles in indie drama and television joins this cast. While details of Beasley’s character remain under wraps, his presence opposite Foxx signals Netflix’s commitment to blending seasoned talent with rising stars.

The Production Team

Netflix has assembled a heavyweight team for Fight for ’84:

• Director: Andrés Baiz (Narcos, Griselda)
• Writers: Andrea Berloff (Straight Outta Compton), John Gatins (Flight), Andy Weiss (White Boy Rick)
• Producers: Eric Newman (Grand Electric), Bryan Unkeless (Night Owl), Michael W. Abbott, Henry Tillman, Datari Turne
• Executive Producers: Jamie Foxx and Andy Weiss

Filming in New Jersey: The ’80s Atmosphere

The production has transformed parts of New Jersey into 1980s America. From authentic gyms to period street scenes, the filmmakers are committed to immersing viewers in the look and feel of the era.

Extras casting calls in the New York–New Jersey area have been buzzing, particularly for boxing spectators, gym trainees, and background roles that bring the Olympic journey to life.

Filming runs through December 2025, with Netflix aiming for a release window in either late 2026 or 2027 (official date still unconfirmed).

Boxing films have long carried cultural weight, from Raging Bull to Creed. But Fight for ’84 stands apart because it’s rooted in real-life resilience.

1. It’s Spider-Man 4 in the MCU

Spider-Man: Brand New Day is the fourth solo Spider-Man movie in the Marvel Cinematic Universe (MCU), continuing Tom Holland’s story after the blockbuster Spider-Man: No Way Home (2021).

2. The Title Means a Fresh Start

The title signals Peter Parker’s new chapter. After Doctor Strange’s memory-wiping spell, no one remembers Peter; not MJ, not Ned, not even the Avengers. This leaves him with a truly “brand new day” to rebuild his life.

3. Destin Daniel Cretton Takes the Director’s Chair

Known for Shang-Chi and the Legend of the Ten Rings, Destin Daniel Cretton directs the movie, making his Spider-Man debut.

4. Writers Return

Chris McKenna and Erik Sommers, the duo behind the previous trilogy, are back to pen the script, ensuring continuity with Holland’s earlier Spider-Man adventures.

5. Release Date Set for July 2026

The Spider-Man Brand New Day movie will be released in U.S. theaters on July 31, 2026 as part of Marvel’s Phase Six lineup.

6. A Street-Level Tone

Unlike the multiverse spectacle of No Way Home, this installment promises a grounded, street-level approach. Expect Peter facing New York crime, dangerous but smaller-scale villains, and a grittier tone.

7. Comic Inspirations Without Direct Adaptation

The film borrows ideas from the 2008 Brand New Day comics; Peter’s life reset, new enemies emerging, and altered relationships but it is not a direct adaptation.

8. Fallout from No Way Home

At the end of No Way Home, Peter sacrificed everything when Doctor Strange erased him from everyone’s memory.

• MJ and Ned no longer remember him.
• The Avengers no longer recognize him.
• He’s completely alone for the first time.

This sets up Brand New Day as an emotional story where Peter must learn to live in isolation, rebuild his personal life, and still protect New York. It’s a more vulnerable Spider-Man, starting from scratch without allies.

9. Cast – Who’s In and Who’s New

Here’s the confirmed and reported cast for Spider-Man: Brand New Day:

• Tom Holland – Peter Parker / Spider-Man
• Zendaya – MJ (reduced role since she doesn’t remember Peter)
• Jacob Batalon – Ned Leeds
• Sadie Sink – new undisclosed role (fans speculate Gwen Stacy)
• Jon Bernthal – Frank Castle / The Punisher
• Michael Mando – Mac Gargan / Scorpion
• Mark Ruffalo – Bruce Banner / Hulk (reported)
• Liza Colón-Zayas – undisclosed role
• Tramell Tillman – undisclosed role

10. Tom Holland’s On-Set Injury

In September 2025, Tom Holland suffered a mild concussion while performing a stunt in the UK.

• He was briefly hospitalized and cleared by doctors.
• Production paused for a short break as a precaution.
• His father confirmed Tom would rest before returning.

Filming is expected to continue without major delays.

The Spider-Man Brand New Day movie is shaping up to be one of Marvel’s most anticipated releases in 2026.

Nollywood fans have a reason to mark their calendars this festive season as Over Sabi Aunty gears up for its nationwide cinema release on December 19, 2025. The upcoming film, led by actress Toyin Abraham, promises to deliver a blend of laughter, drama, and heartwarming family moments, something needed in the holiday season.

A Story Rooted in Every Nigerian Family

I’d like to assume the story line follows its title “Over Sabi Aunt” which says it all. Drawing from the everyday Nigerian experience of that one relative who always claims to “know it all,” the film could be built around themes of love, chaos, community, and the humorous realities of family life.

Cast

The movie features an impressive lineup of Nollywood’s finest:

• Toyin Abraham (Lead)
• Shaffy Bello
• Odunlade Adekola
• Adedimeji Lateef
• Bisola Aiyeola

Together, this cast blends comedy and drama, setting the stage for what could become one of the standout Nigerian releases of the year.

Dropping just a week before Christmas, the release date is no coincidence. December is peak season for cinema visits in Nigeria, with families and friends looking for quality entertainment to enjoy together. By positioning Over Sabi Aunty as a family-friendly blockbuster, the producers are tapping into the festive spirit, when audiences are eager for both laughter and bonding.

Over Sabi Aunty looks set to be more than just another Nollywood comedy. It is a cultural mirror, celebrating the quirks and humor of Nigerian family life, while offering audiences a chance to laugh, reflect, and reconnect during the holiday season.