Category: Celebs

Grammy-nominated Afrobeat musician Seun Kuti has never been one to hold back. The youngest son of legendary Afrobeat pioneer Fela Kuti has built his career on music that challenges systems of oppression and amplifies Black liberation. Now, he’s expanding that mission beyond the stage with the launch of his new podcast, Bird’s Eye View; produced by OkayAfrica, the leading digital platform for African culture.

The podcast, which premiered in September 2025, is already generating buzz for its unapologetic take on some of the most pressing issues facing Africans and the diaspora today.

What Bird’s Eye View is About

Hosted by Seun Kuti and Bro Diallo a Chicago based Pan-Africanist activist with over two decades of community organizing experience, Bird’s Eye View talks about:

• Pan-Africanism and unity across the continent and diaspora
• Capitalism and colonial legacies affecting Black progress
• The global state of Black communities and liberation struggles.

Unlike polished political talk shows and some popular podcasts these days, Bird’s Eye View embraces raw honesty, history, humour, and resistance. It challenges Africans everywhere to rethink their beliefs, confront systemic oppression, and build solidarity that transcends borders.

“Bird’s Eye View sets itself apart with honest perspectives on topics often discussed only behind closed doors,” says the press release. “It serves as a mirror for Africans, pushing us to question which convictions truly serve our communities.”

Seun Kuti

For Seun Kuti, the podcast is a natural extension of his artistry and activism. Since releasing his debut album in 2008 and breaking through with From Africa with Fury: Rise (2011), Seun Kuti has used music as a vehicle for resistance. His latest album, Heavier Yet (Lays the Crownless Head), executive produced by Lenny Kravitz further cements his reputation as a revolutionary voice for Black liberation.

Now, through Bird’s Eye View, Seun Kuti is creating space for conversations that music alone cannot contain. By teaming up with Bro Diallo, he brings both cultural weight and grassroots activist perspective to the mic.

OkayAfrica’s Role in Amplifying African Voices
The launch of Bird’s Eye View also reflects OkayAfrica’s deep investment in African storytelling. Founded in 2011, OkayAfrica has grown into the largest digital platform dedicated to African culture, music, and politics.

Under the leadership of Isha Sesay, a former CNN journalist known for her fearless reporting during Nigeria’s Bring Back Our Girls movement, OkayAfrica has doubled down on empowering African voices.

This podcast follows the success of Afrobeats Intelligence presented by OkayAfrica, which has attracted a vast audience.

The enthusiastic response since its premiere shows that Bird’s Eye View is filling a gap in public discourse. In an era when social media dominates conversations, the podcast offers depth, historical perspective, and unfiltered truth and these are qualities often missing from fast-moving online debates.

For Africans at home and abroad, the show provides both reflection and direction. It encourages listeners to confront hard realities while inspiring collective solutions for liberation.

How to Watch Bird’s Eye View

Episodes of Bird’s Eye View are streaming now on YouTube via OkayAfrica’s official channel.

Watch here:

With Bird’s Eye View, Seun Kuti and Bro Diallo aren’t just launching another podcast, they’re building a platform for Pan-African thought leadership and cultural resistance.

When it comes to Big Brother Naija, eviction nights are never just about who leaves the house. Thanks to Ebuka, they’ve also become a runway of cultural homage, nostalgia, and show-stopping fashion most especially this Season 10 of the Live show.

Here’s a look at the standout recreated styles Ebuka has worn to BBNaija eviction nights and the designers who brought them to life.

Ebuka’s Most Talked-About Recreated Outfits

Nkem Owoh (Osuofia) Look

At the Season 10 launch, Ebuka paid tribute to Nollywood veteran Nkem Owoh, popularly known as Osuofia. His outfit, a crystal-studded denim jacket, wide-leg pink trousers, white shirt, traditional cap, and dark sunglasses was a bold recreation of Osuofia’s vintage Nollywood flair.

This playful nod to Osuofia’s unforgettable style reminded fans of Nigerian comedy classics like Osuofia in London.

Designer: ATAFO

Oliver De Coque Tribute

Ebuka also channelled the late highlife legend Oliver De Coque, stepping out in a richly embroidered burgundy jacket with gold detailing, coral beads, and a matching cap.

The outfit celebrated Nigerian music history, bringing De Coque’s flamboyant stage presence to the BBNaija spotlight.

Designer: Deco

Fela Anikulapo-Kuti — Afrobeat Energy on Stage

Ebuka channeled the late Afrobeat legend Fela Kuti with a bold recreation that drew from Fela’s signature stage style: an open-chested patterned shirt paired with high-waist trousers and layered beads. The look captured Fela’s unapologetic energy, blending rebellion with artistry.

Designer: Deji and Kola

King Sunny Adé

Ebuka recreated a flamboyant King Sunny Adé-inspired look at the BBNaija Season 10 launch. He wore a striking pink lace agbada with matching fila, coral beads, and refined accessories reminiscent of the juju legend’s 1980s stage presence.

Designer: ATAFO

Sultan Muhammadu Maccido

In another standout eviction night, Ebuka paid homage to Sultan Muhammadu Maccido, the former Sultan of Sokoto. He wore a flowing embroidered babanriga with a turban-inspired headwrap and regal accessories, mirroring northern Nigerian royal attire.

Designer: Ugo Monye

Chief Festus Okotie-Eboh

Ebuka also honored Chief Festus Okotie-Eboh, Nigeria’s first post-independence Minister of Finance, remembered for his flamboyant style. Ebuka recreated his look with a ceremonial wrapper, coral beads, straw hat, and cane; a visual nod to political elegance in early post-colonial Nigeria.

Designer: ATAFO

Prince Nico Mbarga

Ebuka recreated the signature style of Prince Nico Mbarga, the highlife icon known for blending West African and Congolese sounds. His outfit mirrored Nico Mbarga’s 1970s performance looks — a patterned retro shirt, wide-collared tailoring, flared trousers, and bold accessories, styled with a modern polish.

Prince Nico Mbarga’s Sweet Mother remains one of Africa’s most enduring songs.

Designer: ATAFO (Mai Atafo)

Chinedu Ikedieze (Aki) Inspired Suit

In another memorable eviction night, Ebuka wore a sharp three-piece royal blue suit complete with fedora and belt detail, a direct homage to actor Chinedu Ikedieze’s stylish Nollywood era.
Designer: ATAFO

Chidi Mokeme’s Retro Blazer Look

Ebuka’s teal corduroy blazer, black shirt, and pants referenced Nollywood star Chidi Mokeme’s signature retro style.

A subtle but striking tribute, it reflected Mokeme’s reputation as one of Nollywood’s most stylish actors.
Designer: TI Nathan

RMD (Richard Mofe-Damijo) Inspired Outfit

Ebuka recreated RMD’s timeless Nollywood fashion with a camel corduroy suit, leopard-print shirt, and layered jewelry.
Designer: ATAFO

Olusegun Obasanjo’s 1977 White House Look

Perhaps the boldest of them all: Ebuka once appeared in a cream-and-gold agbada with geometric motifs, dark sunglasses, fila cap, and walking stick, a tribute to former President Olusegun Obasanjo’s 1977 White House outfit.

More than fashion, this was political history reimagined, a proof that style can carry deep cultural and historical weight.

Designer: Deco

Sunny Okosun Inspired Look

Ebuka also honored legendary Nigerian musician Sunny Okosun last night during BBNaija eviction. His outfit, a cream and patterned ensemble styled with accessories reminiscent of Okosun’s 70s and 80s Afrobeat era and paid homage to one of Nigeria’s most respected music voices.

Designer: ATAFO

Designers Behind Ebuka’s Recreated Looks

Ebuka’s style wouldn’t be complete without the brilliance of Nigerian designers who turn inspiration into reality:

• ATAFO: Known for sharp tailoring and bold reinterpretations of Nollywood and musical legends.
• Ugo Monye: Famous for blending traditional fabrics with modern flair.
• Deji & Kola: Specialists in culturally rooted designs, including the Obasanjo recreation and Rivers State-inspired pieces.

Ebuka Obi-Uchendu has transformed BBNaija eviction nights into a fashion history lesson. By recreating styles from Nkem Owoh, RMD, Chidi Mokeme, Oliver De Coque, and even former President Obasanjo, he proves that fashion can be nostalgic, political, and cultural, all while keeping millions glued to their screens.

Nigerian Afrobeats sensation Asake has taken a major step in his career, signing a new management deal with Double Eleven, the management and creative agency led by music executive Alexa Perkins.

The announcement, first highlighted in Billboard’s weekly signings roundup, signals a new era for the hitmaker following his split from long-time manager Stephen Nana, popularly known as Stevenator.

A Strategic Move for Global Growth

With more than 5.6 billion streams worldwide, Asake has become one of the most successful Afrobeats artists of his generation. His third studio album, Lungu Boy (2024), ranks among the top 20 most-streamed Nigerian albums of all time, while his latest project, MONEY, was released this summer under his independent imprint Giran Republic.

Under his new management, Asake is expected to expand his international footprint. Alexa Perkins, who heads Double Eleven, brings deep industry experience from her years working with major labels and distributors including Def Jam, Capitol Records, TuneCore, and EMPIRE. Her track record in artist development and global marketing is seen as a key asset in Asake’s transition from regional superstar to global brand.

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Earlier this year, former manager Stephen Nana revealed that he stepped away from managing Asake because the singer’s rapid rise became overwhelming. Nana cited the constant travel demands and the toll on his family life as reasons for the split.

“Asake’s growth was so explosive that it became too much for me to balance with personal commitments,” he admitted in an interview with The Nation.

Building Independence

Despite his exit from Olamide’s YBNL Nation earlier this year, Asake has successfully built a foundation of independence. He owns his masters, runs his Giran Republic imprint, and continues to distribute his music through Empire, a partnership first established in 2022.

The new management deal complements this independence by adding professional oversight and global strategy. Already, Asake has begun making international moves, featuring recently on Gunna’s “Satisfaction” from the rapper’s The Last Wun album.

Cardi B has gone viral after a heated moment with a reporter. The Grammy-winning rapper was caught on camera throwing a pen at a journalist who subtly asked about the paternity of her rumored pregnancy.

The exchange happened outside a Los Angeles courthouse, where Cardi was leaving a hearing related to her assault trial. The reporter shouted:

Reporter: “Cardi, insiders are claiming that Offset is publicly bragging about getting you pregnant for the fourth time. Do you foresee any paternity issues with Stefon Diggs?”

The question struck a nerve. Cardi B reacted by throwing the marker she was holding at the reporter and sharply responded:

Cardi B: “Stop disrespecting me. Don’t disrespect me.”

The reporter, attempting to defuse the tension, replied:

Reporter: “I still love you even though you just threw some stuff at me.”

Cardi B: “I don’t care. You’re disrespectful. Don’t do that. Do you see women asking those types of questions of me? Why do you, as a man, feel you get to ask me those types of questions? Act like you have some manners. Your momma taught you—respect women.”

As she walked away, she turned back to address the press pack, warning them about future access:

Cardi B: “Y’all are not going to see me after that, and you can thank him. I’m not playing around. I was very nice, I was very kind… Nobody’s going to get that no more.”

Fans React to Cardi B’s Outburst

The viral video has sparked divided opinions online. Many of Cardi B’s fans defended her response, arguing that questions about her alleged pregnancy cross personal boundaries. Others, however, felt the reaction was too extreme for a press event.

On social media, some users applauded her for standing her ground: “People need to respect boundaries. She’s not obligated to share everything.”
“The media always pushes too far, and Cardi just snapped.”

Meanwhile, critics said the rapper could have handled the situation without escalating it “Reporters ask tough questions. Throwing things isn’t the answer.”

When fans attend a Wizkid concert, they don’t just go for the music, they go for the energy, the vibes, and the unforgettable moments. One of those moments, which has become a near-trademark for the Nigerian superstar, is his now-famous water-splashing ritual. Whether it’s a festival stage in Europe or an intimate Lagos crowd, Wizkid often grabs a bottle of water, showers the audience, and sends the crowd into a frenzy.

But why has this small act become such a big deal? Let’s dive in.

A Festival Highlight Turned Signature Move

The “water moment” gained major attention during Oya Festival 2023 in Oslo, Norway. In the middle of his set, performing hits like Fever, Samba, and Joro, Wizkid grabbed a water bottle and playfully sprayed the crowd. Fans screamed, phones flew in the air, and suddenly what seemed like a random act became one of the festival’s most replayed highlights online.

Clips of Wizkid splashing water circulated across Instagram, TikTok, and Twitter, with fans hailing it as peak “Big Wiz energy.”

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For many fans, it’s not just water; it’s connection. In a concert world often dominated by pyrotechnics, giant screens, and choreographed dancers, Wizkid’s spontaneous gesture feels raw and personal.

• Symbol of freedom: Splashing water can be said to capture the carefree, party spirit that Afrobeats represents.
• A badge of experience: For fans, being in the splash zone is proof of “I was really there kinda feeling”
• Online virality: Short clips of the splash moments trend easily, adding to Wizkid’s festival legacy.

And maybe, just maybe, the water is more than a playful sprinkle—it’s a baptism into the energy of Afrobeats.

Naira Marley, Nigerian music executive and head of Marlian Music, has spoken extensively about the death of his former signee, Mohbad (Ilerioluwa Oladimeji Aloba), in a new video interview released on August 20, 2025. The Afrobeats star maintained his innocence while calling for a reinvestigation into the circumstances surrounding Mohbad’s passing, which remains one of the most controversial cases in Nigeria’s music industry.

Maintaining Innocence and Presenting Evidence

In the interview, Naira Marley insisted he had no hand in Mohbad’s death, which occurred on September 12, 2023. He presented evidence, including WhatsApp conversations, bank transactions, and other receipts, to show that he had a supportive relationship with Mohbad. Marley stated that he not only gave financial assistance to the late artist but also intervened to protect him on several occasions.

He addressed longstanding accusations of bullying, which have lingered since Mohbad’s exit from Marlian Music in 2022. While acknowledging tensions within the camp, Marley denied personally bullying Mohbad, adding that he often advised him against drug use and stressed the impact of mental health struggles on the young artist’s wellbeing.

Frustration Over Detention

The Marlian Music boss also recounted his two-month detention in 2023 by the Lagos State Police Command. He described the ordeal as unfair, pointing out that he was out of the country at the time of Mohbad’s death. According to Marley, his arrest was more about public outrage than solid evidence, and he expressed dismay that his passport was seized for months even after no case was established against him.

A Call for Re-arrest and Fresh Probe

In a move that has stirred further debate, Marley urged authorities to reopen the case and re-arrest everyone linked to Mohbad’s death, including himself, Sam Larry, and others previously accused. He specifically called for a trusted police officer to oversee the reinvestigation, citing mistrust in how the initial process was handled.

“I came back to Nigeria to support the police because I can see fingers pointing our ways. If they believe there is still doubt, then re-arrest us and let justice be done,” Marley said in the video.

Clarifying Financial Allegations

Marley also addressed rumors of financial exploitation. He explained that some of the funds he sent to Mohbad went into an account belonging to Mohbad’s mother-in-law at Mohbad’s own request, countering narratives that he diverted money for personal gain.

Additionally, he revealed that he has reached an agreement with Mohbad’s lawyer to transfer all royalties from the late artist’s works to a family member legally appointed by the court to manage his estate.

Public Reaction

The interview has sparked divided opinions online, particularly on X (formerly Twitter). Some users see Marley’s evidence as proof of his innocence and a demonstration of transparency. Others remain unconvinced, arguing that even if Marley was not directly responsible for Mohbad’s death, allegations of intimidation and a toxic label culture remain unresolved.

No matter what you do, no allow them kill you.

— MBAH (@Mbahdeyforyou) August 20, 2025

Legal and Investigative Background

In February 2025, a Yaba Magistrate Court cleared Naira Marley, Sam Larry, and Prime Boy of direct responsibility in Mohbad’s death. The court instead charged an auxiliary nurse and an associate with reckless negligence. However, Mohbad’s father has since challenged the legal advice that discharged Marley and others, and a fresh hearing is still pending.

The autopsy conducted on Mohbad’s body provided inconclusive results due to decomposition, leaving the exact cause of death uncertain.

Two years after Mohbad’s death, the case continues to raise broader questions about accountability in the Nigerian music industry, particularly regarding artist welfare and record label dynamics. Marley’s latest remarks represent not just a personal defense but a renewed push for transparency in a case that has gripped public attention and continues to stir debate.

In the ever-competitive world of Afrobeats, inspiration and imitation often walk a razor-thin line. Over the past week, Nigerian music fans have been consumed by a brewing controversy between two of the genre’s brightest stars; Omah Lay and Rema — following claims that one may have lifted the other’s creative blueprint.

The Spark: Omah Lay’s Revelation

The saga began when Omah Lay appeared on the Zach Sang Show in August 2024, revealing that he had shared the sonic direction and concept for his then-upcoming album Clarity of Mind with a fellow artist he trusted. According to him, about five months later, that artist released an album heavily echoing the very ideas he had disclosed. Feeling blindsided, Omah Lay said he scrapped large portions of his work and re-recorded the project from scratch.

While Omah Lay didn’t name the artist in that interview, the timing and sound of certain releases set fan speculation ablaze. On social media, names like Rema and Victony floated to the top of the suspect list — with Rema’s HEIS album drawing the most attention.

Screenshots and Social Media Fire

The controversy reached a boiling point on August 12, 2025, when an Instagram account believed to be linked to Omah Lay posted screenshots of what appeared to be an iMessage exchange from December 16, 2023. In the alleged conversation:

– Rema sent a track titled “Now I Know” (a song later appearing on HEIS).

– Omah Lay shared a file labeled “mara rough”, presumably containing his developing concept.

– The messages hinted at Rema showing interest in the idea and possibly collaborating on it.

These screenshots quickly made their way to blogs, Twitter threads, and WhatsApp groups, igniting intense debates over intellectual property, artistic integrity, and the blurred boundaries of “influence” in music.

Silence from Both Camps

Interestingly, neither Omah Lay nor Rema has officially addressed the leaked screenshots. Omah Lay has not confirmed whether the burner account belongs to him, while Rema has remained entirely silent on the matter. This vacuum of direct statements has only fueled fan theories and kept the issue trending across Nigerian entertainment spaces.

The Bigger Picture

Allegations of idea theft are not new to the music industry, but in the streaming era; where artists constantly share snippets, demos, and unfinished concepts with peers — the risk of creative overlap is higher than ever. Without clear public evidence beyond the screenshots, this saga exists in a murky space between perception and proof.

For now, fans are left dissecting lyrics, comparing sounds, and speculating about what really happened in those private exchanges. Whether the truth eventually emerges or fades into the background, the conversation it has sparked about ownership, originality, and collaboration in Afrobeats is unlikely to die down anytime soon.

Wizkid turns a year older today, and while social media is flooded with tributes and throwbacks, we’re taking a different route. It’s time to rank every Wizkid album;the highs, the lows, and the game-changing moments that have defined his journey from Ojuelegba to the O2.

This isn’t just fan love. It’s a critical deep dive, praising what deserves praise, and calling out what could’ve been better. Because even legends have missteps, and that’s okay.

Note before you Proceed!

This list is based on:
– Artistic quality
– Cohesion and originality
– Cultural impact
– Replay value
– Growth and boldness

6. Sounds from the Other Side (2017)

Highlight Tracks: “Come Closer” ft. Drake, “Daddy Yo,” “African Bad Gyal”

Wizkid’s “Sounds from the Other Side” was his first major leap into the international market. It had ambition, dancehall, Caribbean-infused pop, and big-name collabs like Drake, Major Lazer, Chris Brown. But the album lacked soul.
Yes, it gave him global visibility. But it felt like Wizkid trying to fit into Western radio instead of bending them to his rhythm.

My thought: A strategic move but not a masterpiece. The most forgettable album in his discography.

5. More Love, Less Ego (2022)

Highlight Tracks: “Money & Love,” “2 Sugar,” “Frames (Who’s Gonna Know)”

The follow-up to Made in Lagos was always going to be tough. But “More Love, Less Ego” felt like a beautiful shell with no core. The production was elite, clean, vibe-heavy. But the writing lacked what Wizkid was more about compared to other Albums released by the music Icon.
It’s Wizkid at his smoothest, but also his most emotionally distant. The album didn’t push boundaries, nor did it feel like he had much to say. In many ways, it was a continuation of Made in Lagos, just less hungry.

My thought: Sonically pleasing, but too safe. For an artist of his calibre, we wanted more.

4. Ayo (2014)

Highlight Tracks: “Ojuelegba,” “Show You the Money,” “Jaiye Jaiye,” “In My Bed”

Ayo was a comeback and a stamp. Coming after Superstar, this project showed a Wizkid with more control, more polish, and bigger ambition. It had the hits, the hooks, the spiritual storytelling of “Ojuelegba.”

But it was also a bloated album, with too many tracks (19) and some clear fillers. A lot of it felt like a compilation of singles, not a cohesive project.

My thought: Imperfect but pivotal. An album that balanced fame and faith.

3. Superstar (2011)

Highlight Tracks: “Holla at Your Boy,” “Tease Me,” “Don’t Dull,” “Love My Baby”

This is where it all began — Wizkid’s breakout. He was young, hungry, cocky, and vibrating with potential. Superstar wasn’t just an album, it was an era that even the superstar we have today will never forget.

It changed Nigerian pop forever. The swagger. The slang. The sound. From “Pakurumo” to “Oluwa Lo Ni,” this was the soundtrack of a generation.

But let’s be honest; even as good as the album it isn’t his best project. The album hasn’t aged perfectly. Some tracks feel dated, and there’s a juvenile tone that’s natural for a debut.

My thought: A cultural classic. Not his best technically, but you can’t overstate its importance.

2. Made in Lagos (2020)

Highlight Tracks: “Essence,” “Ginger,” “Blessed,” “True Love,” “Reckless”

This is the album that redefined Wizkid for the world. Made in Lagos was sleek, patient, grown. It wasn’t chasing the charts — it was building a mood. And it worked. Globally.
Essence became the first truly global Afrobeats love song, and the album showed a matured artist comfortable in his skin.
Still, the album gets criticism for being too chill, not enough tempo variation, little experimentation. But that’s the point. Made in Lagos wasn’t made for the club. It was made for late nights and great moments.

My thought: A timeless piece of mood music. The moment the world took Afrobeats seriously and Wizkid led the charge.

1. Morayo (2024)

Highlight Tracks: “Morayo,” “Energy,” “Palm Trees,” “Sade,” “Better Days”

After years of smooth, laid-back vibes, Wizkid finally returns with clarity, heart, and hunger on Morayo; a title that feels personal, almost spiritual. 

The project is named after Wizkid’s late mother, Jane Morayo Balogun, who passed away in 2023. Her death left an open wound in the heart of an artist who, until then, had rarely spoken so openly about grief, loss or legacy in his music.

This album is Wizkid at his most honest and intentional since Ojuelegba first release.
“Morayo” (the title track) is a reflective, emotionally stirring opener that sets the tone. He’s not just singing; he’s telling stories. About love, Lagos, loss, legacy. There’s an intimacy to the lyrics we haven’t heard from him in years.
Sonically, Morayo balances mellow Afrobeats with bolder experiments — it’s smoother than Superstar, deeper than More Love, Less Ego, and less commercially calculated than Sounds from the Other Side.

My thought: Morayo is Wizkid’s most complete and cohesive album. It merges growth with grit, melody with message. After all these years, he still finds new ways to surprise us.

Final Thoughts:

Wizkid has evolved in real-time, from a young Nigerian singer to a global legend. His discography shows the growth, the experiments, the setbacks, and the wins.
Whether you miss the energy of Don’t Dull or prefer the silkiness of Essence, one thing is clear:
Wizkid is not done yet.

Happy Birthday to the Biggest Bird!

What do you think about this list?
Drop your rankings in the comments if you think otherwise.

In 2025, Wizkid: Long Live Lagos made its grand debut at the Tribeca Film Festival in New York, marking a special moment in both African music and global storytelling. More than just a documentary, the film is a celebration of Lagos culture, the rise of Afrobeats, and the life of one of Nigeria’s most iconic artists, Ayodeji Ibrahim Balogun, popularly known as Wizkid.

A Cinematic Tribute to Wizkid

Directed by Karam Gill and produced alongside Daniel Malikyar, Long Live Lagos is a full-length documentary that takes fans on an emotional and cinematic journey through Wizkid’s life. From his early days in Surulere, Lagos, to the bright lights of international stardom, the film unpacks not only his success but also the spiritual and cultural roots that shaped him.
It isn’t just about music; it’s about legacy, identity, and the city that birthed a global movement.

Inside the Film: What to Expect

The documentary offers never-before-seen footage of Wizkid’s life — intimate family moments, studio sessions, and electrifying performances. It’s an unfiltered look at the man behind the music, revealing his vulnerabilities, growth, and deep connection to Lagos.

Featuring appearances and commentary from influential voices such as:

• Femi Kuti – Afrobeat legend and cultural icon
• Jada Pollock – Wizkid’s longtime manager and partner
• Sunday Are – Veteran manager and music executive
• Julie Adenuga – British-Nigerian media personality and radio host

These voices help narrate Wizkid’s evolution and the role he’s played in reshaping how African talent and Afrobeat as a whole is seen around the world.

A Landmark Premiere at Tribeca

Long Live Lagos was part of Tribeca Film Festival’s Spotlight+ category — a prestigious slot that included films on Billy Joel and Miley Cyrus. The premiere was powerful, personal, and unforgettable. Wizkid attended with his young daughter, providing an emotional glimpse into his life as a father and artist.
During the post-screening Q&A, he admitted the decision to let cameras into his private life was tough. “It wasn’t easy,” he said, “but I want my fans to see the real me.”

The Broader Message: Lagos as a Creative Force

Beyond Wizkid’s personal story, Long Live Lagos is a love letter to the city that raised him. It captures the essence of Lagos. Its hustle, creativity, rhythm and positions it has as a central player in the global entertainment scene.
The documentary doesn’t just follow a superstar’s rise; it also talks about how a city gave birth to a sound that changed the world.

Previous Documentaries vs. Long Live Lagos

While Wizkid has appeared in other documentaries before, like Lagos to London (2018), A Day in the Live of Wizkid (2020), and A Superstar Made in Lagos (2021), this is his most complete and personal documentary to date.

Where & When to Watch

Currently, Long Live Lagos is available only through screenings at Tribeca Film Festival (June 4–15, 2025). However, because of its ties to HBO Documentary Films, it is expected to be released on HBO Max or similar streaming platforms soon.
Follow Streamdorm on all major social media to get updates on possible HBO announcements, or festival updates for global release dates.

Are you a true Wizkid fan?

For fans, this film is more than a biography. It’s a mirror into Wizkid’s soul, his journey, and the impact he has had on a generation. It’s also a powerful reminder of how far Afrobeats has come and how Lagos remains its beating heart.
Wizkid: Long Live Lagos is not just a music documentary, it’s a cultural moment. It blends emotion, history, and the magic of Lagos to tell a story that fans across the world will connect with. Whether you’ve followed him since Superstar or you’re just discovering his music, this film is a must-watch celebration of one of Africa’s big three.

Oscar-winning actress Angelina Jolie has publicly reiterated what matters to her above all… Motherhood.

While speaking on Good Morning America with Michael Strahan to promote her upcoming film, Maria, Angelina Jolie expressed how she feels about her kids describing it as something similar to Maria Callas’s passion for singing.

The actress told Strahan that motherhood is happiness: “You can take everything else away from me. Nothing else matters.”

Maria is a biopic about the opera singer, Maria Calles portrayed by Angelina Jolie. The movie also stars legendary actors Haluk Bilginer, Kodi Smit-McPhee, Alba Rohrwacher, and Valeria Golino directed by Pablo Larraín.

She and ex-husband Brad Pitt share six kids: Maddox, 23, Pax, 20, Zahara, 19, Shiloh, 18, and Knox and Vivienne, 16-year-old twins.

Jolie’s two eldest sons, Maddox and Pax, worked with her on Maria as assistant directors, which described the experience as “amazing” despite having no interest in being seen on camera yet. “They’re quite private. Shiloh’s extremely private. They weren’t born with privacy, right? So I hope they can have that as they grow,” she said.

The Eternals star has always been outspoken on motherhood and the importance of education.

“I’m somebody who has tried to have a better education on foreign policy. I think of the amount of times it’s been summarized, ‘You’re an artist, but you also use your voice,’ you feel like, that’s just being a person,” she said. “I’m trying to understand what is happening within our world, why so many things are the way they are. I’m trying to understand how to best be a guide for my children, to make sure that they are good people. I don’t often feel like I’m doing enough. So when you say, ‘You use your voice,’ I feel like there are so many things I don’t quite know how to do or say at this time.”

Angelina Jolie underwent vocal training for her performance as Callas in Maria—a process that her kids were apparently witnesses to. “All of my children suffered through my early opera singing in the house before I got kinda good,” she recalled, adding jokingly, “which was a nightmare.”