Category: Music

Billboard has officially released its list of the 50 greatest Afrobeats songs of all time, highlighting some of the most iconic and groundbreaking tracks that have shaped the genre. Afrobeats, which has its roots in Nigeria and Ghana, has now become a global sound influencing artists worldwide. The list features a mix of legendary classics and recent international smashes that propelled the genre beyond Africa.

Spotlight on the Top 10 Afrobeats Songs of All Time

1. African Queen – 2Face Idibia (2004)
This timeless love ballad remains one of the most iconic songs in African music. 2Face’s “African Queen” put Nigerian music on the global map and is celebrated as a masterpiece that helped pave the way for Afrobeats’ worldwide success.

2. Ojuelegba – Wizkid (2014)
Wizkid’s “Ojuelegba” tells the story of struggle and triumph, capturing the spirit of Lagos. The remix featuring Drake and Skepta further expanded its global reach, solidifying Wizkid as one of the biggest Afrobeats stars.

3. Nwa Baby (Ashawo Remix) – Flavour (2005)
Flavour’s highlife-infused anthem became a cultural staple, known for its infectious rhythm and relatable lyrics. It cemented Flavour’s place as a household name in African music.

4. Calm Down – Rema (2022)
Rema’s “Calm Down” took the world by storm, especially with the Selena Gomez remix. It became one of the most streamed Afrobeats songs globally, highlighting the new wave of Nigerian artists pushing Afrobeats into the mainstream.

5. Essence – Wizkid ft. Tems (2021)
Dubbed the “song of the summer,” “Essence” is the first Nigerian song to chart on the Billboard Hot 100. Tems’ soulful delivery and Wizkid’s smooth style created a masterpiece that captured hearts worldwide.

6. Love Nwantiti – CKay (2019)Initially a slow-burn hit, “Love Nwantiti” exploded through TikTok, becoming one of the most remixed and viral Afrobeats songs of all time. It solidified CKay’s place in the global music scene.

7. Oliver Twist – D’banj (2012)
A song that marked Afrobeats’ breakthrough into the UK charts, D’banj’s “Oliver Twist” was a game-changer. It proved Afrobeats could thrive on the international stage.

8. Fall – Davido (2017)
“Fall” became one of the longest-charting Nigerian pop songs on Billboard. Its fusion of Afrobeats and international pop influences helped Davido gain worldwide recognition.

9. Ye – Burna Boy (2018)
“Ye” is widely regarded as Burna Boy’s breakthrough international hit. With its catchy hook and relatable themes, it became an anthem that transcended borders and genres.

10. Chop My Money (Remix) – P-Square ft. Akon (2012)
This collaboration between Nigerian duo P-Square and Akon showcased Afrobeats’ crossover appeal. The track gained massive popularity and became a fan favorite across Africa and beyond.

Full Ranking: Positions 11–50 (with Release Dates)

11	Olufunmi	Styl-Plus	2003
12	Gongo Aso	9ice	2008
13	Do Me	P-Square	2007
14	Dami Duro	Davido	2011
15	Johnny	Yemi Alade	2013
16	Fall in Love	D’banj	2008
17	Bumper to Bumper	Wande Coal	2008
18	Adonai	Sarkodie ft. Castro	2014
19	Azonto	Fuse ODG ft. Itz Tiffany	2012
20	Fada Fada	Phyno ft. Olamide	2016
21	Eminado	Tiwa Savage & Don Jazzy	2013
22	Last Last	Burna Boy	2022
23	Bobo	Olamide	2015
24	Drogba (Joanna)	Afro B	2018
25	Pakurumo	Wizkid	2011
26	Skin Tight	Mr Eazi ft. Efya	2015
27	Iskaba	Wande Coal & DJ Tunez	2016
28	Peru	Fireboy DML	2021
29	Sad Girlz Luv Money	Amaarae & Moliy	2020
30	Killin Dem	Burna Boy & Zlatan	2018
31	Rush	Ayra Starr	2022
32	Dorobucci	Mavins	2014
33	Mad Over You	Runtown	2016
34	Personally	P-Square	2013
35	Pana	Tekno	2016
36	Kontrol	Maleek Berry	2016
37	Ku Lo Sa	Oxlade	2022
38	Monalisa	Lojay & Sarz	2021
39	Shake Body	Skales	2014
40	UNAVAILABLE	Davido ft. Musa Keys	2023
41	Peace Be Unto You	Asake	2022
42	People	Libianca	2022
43	Buga	Kizz Daniel & Tekno	2022
44	Oleku	Ice Prince ft. Brymo	2010
45	Yahooze	Olu Maintain	2007
46	Soweto	Victony & Tempoe	2022
47	Raise Da Roof	Jazzman Olofin & Adewale Ayuba	2004
48	Dem Mama	Timaya	2005
49	Tonight	Nonso Amadi	2016
50	Ijoya	Weird MC

Billboard’s list of the 50 Best Afrobeats Songs of All Time is more than a ranking—it’s a history of Afrobeats itself. From 2Face Idibia’s classic African Queen to Rema’s global smash Calm Down, it captures how a genre rooted in African rhythms has become a universal language.

The diversity of the list, spanning pioneers like Weird MC and contemporary stars like Ayra Starr and Asake, proves that Afrobeats is not only here to stay but also destined to keep evolving as one of the world’s dominant genres.

Personally I will make some few changes to this List. Will you? Drop a comment

If you’ve ever noticed that your favorite Nigerian and international artists seem to release new tracks almost every Friday, you’re not alone. This pattern isn’t a coincidence it’s a global industry strategy. Welcome to the world of Music Friday, the unofficial launchpad for new music drops.

But why Friday? Why not Monday or even the weekend like Saturday?

Let’s break down the real reasons behind this popular music release trend and why Friday has become the industry’s favorite day to drop heat.

The Global Standardization of Release Days

In July 2015, the International Federation of the Phonographic Industry (IFPI) announced a global shift in music release schedules. From that point forward, Friday became the official global release day for new music in over 45 countries.

Before this move, countries had their own music release days—Tuesdays in the U.S., Mondays in the U.K., and Fridays in Australia. This lack of coordination led to staggered releases, early leaks, and piracy.

A global Friday release day helped:
– Combat piracy
– Synchronize promotion efforts worldwide
– Make tracking easier for streaming platforms and charts

It Maximizes Chart Performance

Most official music charts like Billboard, Apple Music Top 100, Spotify Nigeria, Boomplay Charts, and more—track activity from Friday through Thursday.

Dropping a song on a Friday gives artists and labels:
– 7 full days to accumulate streams, sales, and radio plays
– A better shot at debuting high on the charts
– More time for a song to go viral and gain traction before the next chart cycle

Releasing music midweek shortens this window—and could cost valuable charting points.

People Listen More on Weekends

There’s a reason why parties, club nights, weddings, and road trips spike from Friday to Sunday the weekend is when most people actually have time to vibe.

This consumer behaviour benefits artists because:
– Streaming increases on Fridays and weekends
– Fans are more likely to discover and share new music when they’re not working
– DJs, event planners, and radio hosts look for fresh songs for weekend sets

Dropping music on Friday means it has a better chance of becoming “that new jam” everyone’s playing by Saturday night.

Playlist Power: Catching the Friday Update Wave

Major streaming platforms like Spotify, Apple Music, Audiomack, Boomplay, and YouTube Music refresh their top playlists every Friday. These playlists include:
– New Music Friday
– Fresh Naija
– Africa Now
– Afrobeats Hits
– Hot Rotations

Artists who drop music on Fridays are more likely to be considered for playlist features, which can dramatically boost visibility and streaming numbers.

Marketing Works Better on Fridays

Labels and independent artists alike align their PR campaigns, interviews, press releases, and social media teasers to peak on Fridays.

A Friday release allows an artist to:
– Drop the music
– Post behind-the-scenes content over the weekend
– Build momentum with media and fans into the following week

From TikTok challenges to lyric breakdowns and music video teasers, the Friday launch creates a marketing rhythm that’s hard to beat.

In Nigeria: A Growing Tradition

In Nigeria, Music Friday is becoming a cultural habit:
– Afrobeats stars like Rema, Ayra Starr, Burna Boy, and Davido consistently schedule Friday drops
– Fans anticipate new releases every Friday—making the day a mini music holiday online
– Blogs, DJs, and music platforms curate Friday playlists, amplifying each new release’s reach

Music Friday is not just a trend; it’s a well-oiled global strategy. Releasing on Fridays means more eyes, more ears, better streaming numbers, and a solid shot at chart success. For artists, especially in the ever-competitive Nigerian music scene, timing can make all the difference—and Friday is the magic day.

South African star Tyla is clearly not here for one-dimensional artistry. Just a year after her self-titled debut album and a whirlwind global breakout with “Water,” she’s switching gears again and this time with a tight, bold, and experimental EP titled We Wanna Party, released under FAX and Epic Records.

The 4-track project is short, but far from small. It’s playful, confident, and rhythm-heavy — giving us a version of Tyla that isn’t trying to prove anything, just enjoying her growth in real time. If Tyla the album was her formal debut, We Wanna Party is her pulling up to the function in silk and sunglasses, telling us she’s not only ready to party — she’s hosting it.

The EP in Four Tracks

1. Dynamite ft. Wizkid

This is the moment. “Dynamite” is smooth, slow, and sexy — the kind of track you want to put on repeat during a humid evening. Tyla and Wizkid deliver chemistry without doing too much. The beat doesn’t rush, the lyrics don’t beg, and the vibe is locked in. For fans of laid-back Afropop and effortless energy, this is gold.

2. Mr. Media

This track is Tyla at her cheekiest. She calls out gossip culture, online noise, and the obsession with image — all while sounding unbothered and fabulous. “Mr. Media” is fun and shady in the best way, with production that snaps and bounces like a digital catwalk. It’s a clapback, a wink, and a flex — all wrapped in one.

3. Is It

A more emotional, slowed-down moment. “Is It” has that late-night feel where the party fades and questions start rising. Tyla’s delivery is soft and vulnerable here, and the production gives space for that honesty. She doesn’t just sing — she questions, she hesitates, she wonders out loud. And we feel it.

4. Bliss

Ending the EP on a floaty, reflective note, “Bliss” lives up to its name. It’s dreamy and mellow, like the last scene in a coming-of-age movie. Tyla lets her vocals glide over airy production, giving us a gentle close that lingers after the beat fades. Not flashy — just beautifully calm.

The Sound & Mood

We Wanna Party isn’t trying to follow the same path as her debut album. Where Tyla was sleek and full of world-building, this Mixtape is more vibe-first, more experimental, and definitely less polished. 

Why It Works

Tyla has always known how to balance softness with strength, and We Wanna Party proves it again. She’s giving attitude without arrogance. She’s calling out the media, teasing desire, showing some emotional depth — all within four tracks. It’s cohesive without being predictable.

And that Wizkid collab; Honestly, overdue because we all know Tyla is a big fan of Wizkid and has been looking forward to working with him. “Dynamite” feels like a natural meeting of two calm-but-commanding stars. No overproduction, no gimmicks — just quality.

My Rating 8.5/10 

It’s short, stylish, and quietly bold — exactly what an artist in her position should be dropping right now. She’s not doing too much, but she’s doing just enough to remind us: the party’s not stopping anytime soon.

Wizkid turns a year older today, and while social media is flooded with tributes and throwbacks, we’re taking a different route. It’s time to rank every Wizkid album;the highs, the lows, and the game-changing moments that have defined his journey from Ojuelegba to the O2.

This isn’t just fan love. It’s a critical deep dive, praising what deserves praise, and calling out what could’ve been better. Because even legends have missteps, and that’s okay.

Note before you Proceed!

This list is based on:
– Artistic quality
– Cohesion and originality
– Cultural impact
– Replay value
– Growth and boldness

6. Sounds from the Other Side (2017)

Highlight Tracks: “Come Closer” ft. Drake, “Daddy Yo,” “African Bad Gyal”

Wizkid’s “Sounds from the Other Side” was his first major leap into the international market. It had ambition, dancehall, Caribbean-infused pop, and big-name collabs like Drake, Major Lazer, Chris Brown. But the album lacked soul.
Yes, it gave him global visibility. But it felt like Wizkid trying to fit into Western radio instead of bending them to his rhythm.

My thought: A strategic move but not a masterpiece. The most forgettable album in his discography.

5. More Love, Less Ego (2022)

Highlight Tracks: “Money & Love,” “2 Sugar,” “Frames (Who’s Gonna Know)”

The follow-up to Made in Lagos was always going to be tough. But “More Love, Less Ego” felt like a beautiful shell with no core. The production was elite, clean, vibe-heavy. But the writing lacked what Wizkid was more about compared to other Albums released by the music Icon.
It’s Wizkid at his smoothest, but also his most emotionally distant. The album didn’t push boundaries, nor did it feel like he had much to say. In many ways, it was a continuation of Made in Lagos, just less hungry.

My thought: Sonically pleasing, but too safe. For an artist of his calibre, we wanted more.

4. Ayo (2014)

Highlight Tracks: “Ojuelegba,” “Show You the Money,” “Jaiye Jaiye,” “In My Bed”

Ayo was a comeback and a stamp. Coming after Superstar, this project showed a Wizkid with more control, more polish, and bigger ambition. It had the hits, the hooks, the spiritual storytelling of “Ojuelegba.”

But it was also a bloated album, with too many tracks (19) and some clear fillers. A lot of it felt like a compilation of singles, not a cohesive project.

My thought: Imperfect but pivotal. An album that balanced fame and faith.

3. Superstar (2011)

Highlight Tracks: “Holla at Your Boy,” “Tease Me,” “Don’t Dull,” “Love My Baby”

This is where it all began — Wizkid’s breakout. He was young, hungry, cocky, and vibrating with potential. Superstar wasn’t just an album, it was an era that even the superstar we have today will never forget.

It changed Nigerian pop forever. The swagger. The slang. The sound. From “Pakurumo” to “Oluwa Lo Ni,” this was the soundtrack of a generation.

But let’s be honest; even as good as the album it isn’t his best project. The album hasn’t aged perfectly. Some tracks feel dated, and there’s a juvenile tone that’s natural for a debut.

My thought: A cultural classic. Not his best technically, but you can’t overstate its importance.

2. Made in Lagos (2020)

Highlight Tracks: “Essence,” “Ginger,” “Blessed,” “True Love,” “Reckless”

This is the album that redefined Wizkid for the world. Made in Lagos was sleek, patient, grown. It wasn’t chasing the charts — it was building a mood. And it worked. Globally.
Essence became the first truly global Afrobeats love song, and the album showed a matured artist comfortable in his skin.
Still, the album gets criticism for being too chill, not enough tempo variation, little experimentation. But that’s the point. Made in Lagos wasn’t made for the club. It was made for late nights and great moments.

My thought: A timeless piece of mood music. The moment the world took Afrobeats seriously and Wizkid led the charge.

1. Morayo (2024)

Highlight Tracks: “Morayo,” “Energy,” “Palm Trees,” “Sade,” “Better Days”

After years of smooth, laid-back vibes, Wizkid finally returns with clarity, heart, and hunger on Morayo; a title that feels personal, almost spiritual. 

The project is named after Wizkid’s late mother, Jane Morayo Balogun, who passed away in 2023. Her death left an open wound in the heart of an artist who, until then, had rarely spoken so openly about grief, loss or legacy in his music.

This album is Wizkid at his most honest and intentional since Ojuelegba first release.
“Morayo” (the title track) is a reflective, emotionally stirring opener that sets the tone. He’s not just singing; he’s telling stories. About love, Lagos, loss, legacy. There’s an intimacy to the lyrics we haven’t heard from him in years.
Sonically, Morayo balances mellow Afrobeats with bolder experiments — it’s smoother than Superstar, deeper than More Love, Less Ego, and less commercially calculated than Sounds from the Other Side.

My thought: Morayo is Wizkid’s most complete and cohesive album. It merges growth with grit, melody with message. After all these years, he still finds new ways to surprise us.

Final Thoughts:

Wizkid has evolved in real-time, from a young Nigerian singer to a global legend. His discography shows the growth, the experiments, the setbacks, and the wins.
Whether you miss the energy of Don’t Dull or prefer the silkiness of Essence, one thing is clear:
Wizkid is not done yet.

Happy Birthday to the Biggest Bird!

What do you think about this list?
Drop your rankings in the comments if you think otherwise.

If we are being honest, after Seven hit studio album, Burna Boy doesn’t really have anything left to prove. He’s sold-out stadiums, won Grammys, and put Afrofusion on the global map. But with No Sign of Weakness, he’s still pushing boundaries, experimenting with new sounds, and reminding us that he’s not just in the game, he is who he says he is.

Released on July 11, 2025, this album isn’t just another victory lap. It feels like a personal mission — a fearless, genre-hopping ride where Burna gets to show off all sides of who he is: the African Giant, the rock star, and the man behind the fame.

THE ALBUM: NO SIGN OF WEAKNESS

A 16 track album that run for approximately 47 minutes on play, the title says it all: No Sign of Weakness. Burna Boy uses this album to talk about survival, success, betrayal, legacy, and staying true to himself in a world that constantly wants him to fit a mold and an industry where nothing comes easy with beefs in the industry and everyday talk from the media.

He doesn’t just talk his talk, he backs it up with beats that range from Afrobeat and reggae to trap, rock, country, and everything in between. Somehow, it all works. This isn’t a scattered playlist; it’s a carefully curated soundscape that takes you through Burna’s headspace.

Collaborations

• Empty Chairs feat. Mick Jagger – This can be said to be an unexpected one, but. It’s soulful, gritty, and has a rebellious edge.
• TaTaTa feat. Travis Scott – A hard-hitting Afro-trap jam that blends both artists’ strengths.
• Change Your Mind feat. Shaboozey – Burna tries a country vibe and it surprisingly with no doubt came out fine tune.
• Pardon feat. Stromae – A soulful, emotional collab that sticks with you.

A Global Sound With African Roots

Burna Boy is unapologetically African, but he’s also speaking to the world. From the pidgin lyrics to the rhythms inspired by Fela Kuti, the album stays rooted in Nigeria.

Still, he’s blending Afrobeat with rock, country, and trap in new and exciting ways.

How’s It Doing So Far?

• #1 on Apple Music Nigeria
• Charting on Billboard’s Afrobeats chart
• Praised by The Times, AP, Clash and more
• More than just numbers, fans are loving the honesty and creativity.

Rating: 8.5/10

No Sign of Weakness isn’t Burna’s flashiest album, but it might be his most daring. It’s mature, bold, and confident. It shows growth, vulnerability, and range.

It might take a few listens to fully hit you, but when it does, it sticks.

In 2025, Wizkid: Long Live Lagos made its grand debut at the Tribeca Film Festival in New York, marking a special moment in both African music and global storytelling. More than just a documentary, the film is a celebration of Lagos culture, the rise of Afrobeats, and the life of one of Nigeria’s most iconic artists, Ayodeji Ibrahim Balogun, popularly known as Wizkid.

A Cinematic Tribute to Wizkid

Directed by Karam Gill and produced alongside Daniel Malikyar, Long Live Lagos is a full-length documentary that takes fans on an emotional and cinematic journey through Wizkid’s life. From his early days in Surulere, Lagos, to the bright lights of international stardom, the film unpacks not only his success but also the spiritual and cultural roots that shaped him.
It isn’t just about music; it’s about legacy, identity, and the city that birthed a global movement.

Inside the Film: What to Expect

The documentary offers never-before-seen footage of Wizkid’s life — intimate family moments, studio sessions, and electrifying performances. It’s an unfiltered look at the man behind the music, revealing his vulnerabilities, growth, and deep connection to Lagos.

Featuring appearances and commentary from influential voices such as:

• Femi Kuti – Afrobeat legend and cultural icon
• Jada Pollock – Wizkid’s longtime manager and partner
• Sunday Are – Veteran manager and music executive
• Julie Adenuga – British-Nigerian media personality and radio host

These voices help narrate Wizkid’s evolution and the role he’s played in reshaping how African talent and Afrobeat as a whole is seen around the world.

A Landmark Premiere at Tribeca

Long Live Lagos was part of Tribeca Film Festival’s Spotlight+ category — a prestigious slot that included films on Billy Joel and Miley Cyrus. The premiere was powerful, personal, and unforgettable. Wizkid attended with his young daughter, providing an emotional glimpse into his life as a father and artist.
During the post-screening Q&A, he admitted the decision to let cameras into his private life was tough. “It wasn’t easy,” he said, “but I want my fans to see the real me.”

The Broader Message: Lagos as a Creative Force

Beyond Wizkid’s personal story, Long Live Lagos is a love letter to the city that raised him. It captures the essence of Lagos. Its hustle, creativity, rhythm and positions it has as a central player in the global entertainment scene.
The documentary doesn’t just follow a superstar’s rise; it also talks about how a city gave birth to a sound that changed the world.

Previous Documentaries vs. Long Live Lagos

While Wizkid has appeared in other documentaries before, like Lagos to London (2018), A Day in the Live of Wizkid (2020), and A Superstar Made in Lagos (2021), this is his most complete and personal documentary to date.

Where & When to Watch

Currently, Long Live Lagos is available only through screenings at Tribeca Film Festival (June 4–15, 2025). However, because of its ties to HBO Documentary Films, it is expected to be released on HBO Max or similar streaming platforms soon.
Follow Streamdorm on all major social media to get updates on possible HBO announcements, or festival updates for global release dates.

Are you a true Wizkid fan?

For fans, this film is more than a biography. It’s a mirror into Wizkid’s soul, his journey, and the impact he has had on a generation. It’s also a powerful reminder of how far Afrobeats has come and how Lagos remains its beating heart.
Wizkid: Long Live Lagos is not just a music documentary, it’s a cultural moment. It blends emotion, history, and the magic of Lagos to tell a story that fans across the world will connect with. Whether you’ve followed him since Superstar or you’re just discovering his music, this film is a must-watch celebration of one of Africa’s big three.

South African pop queen Tyla is at it, but this time it’s a top record: only one person has broken it—the first African solo artist with a song to surpass 1 billion streams on Spotify.

As of February 2025, Tyla became the first solo artist with a song (“Water”) to surpass one billion streams on Spotify. The song, which was released on July 28, 2023, took the entire world to the borders of South Africa.

The song peaked at #7 on the Billboard Hot 100 and #1 on the Hot R&B Songs charts. It also spent 15 weeks on the Billboard 200, peaking at #24.

‘Water’ won many international awards, including MTV VMAs, MTV EMA, BET, and Grammys.

Another Billion club member achieved this but with the help of Selena Gomez on “Calm Down Remix.”

It’s Industry’s biggest night! The 2025 Grammys is now in our footsteps and we couldn’t be more proud. The 67th Academy Awards is currently held at the Crypto.com Arena, Los Angeles.

The host tonight is South African comedian, Trevor Noah for the consecutive fifth time. Beyoncé  (who leads with 11 nods), Charli xcx, Kendrick Lamar, Sabrina Carpenter, Chappell Roan and Shaboozey lead the nomination nods.

Some of Nigeria’s biggest stars, including Tems, Wizkid, Burna Boy, Davido, and Asake, will represent the country on the global stage, here’s the full nominees:

Record of the Year
The Beatles – Now and Then
Beyoncé – Texas Hold ’Em
Billie Eilish – Birds of a Feather
Chappell Roan – Good Luck, Babe!
Charli XCX – 360
Kendrick Lamar – Not Like Us – WINNER
Sabrina Carpenter – Espresso
Taylor Swift Featuring Post Malone – Fortnight

Album of the Year
André 3000 – New Blue Sun
Beyoncé – Cowboy Carter – WINNER
Billie Eilish – Hit Me Hard and Soft
Chappell Roan – The Rise and Fall of a Midwest Princess
Charli XCX – Brat
Jacob Collier – Djesse Vol. 4
Sabrina Carpenter – Short n’ Sweet
Taylor Swift – The Tortured Poets Department

Song of the Year
Beyoncé – Texas Hold ’Em
Billie Eilish – Birds of a Feather
Chappell Roan – Good Luck, Babe!
Kendrick Lamar – Not Like Us – WINNER
Lady Gaga & Bruno Mars – Die With a Smile
Sabrina Carpenter – Please Please Please
Shaboozey – A Bar Song (Tipsy)
Taylor Swift Featuring Post Malone – Fortnight

Best New Artist
Benson Boone
Doechii
Chappell Roan – WINNER
Khruangbin
Raye
Sabrina Carpenter
Shaboozey
Teddy Swims

Producer of the Year, Non-Classical
Alissia
Daniel Nigro – WINNER
Dernst “D’Mile” Emile II
Ian Fitchuk
Mustard

Songwriter of the Year, Non-Classical
Amy Allen – WINNER
Edgar Barrera
Jessi Alexander
Jessie Jo Dillon
Raye

Best Pop Solo Performance
Beyoncé – Bodyguard
Billie Eilish – Birds of a Feather
Chappell Roan – Good Luck, Babe!
Charli XCX – Apple
Sabrina Carpenter – Espresso – WINNER

Best Pop Duo/Group Performance
Ariana Grande, Brandy & Monica – The Boy Is Mine – Remix
Beyoncé Featuring Post Malone – Levii’s Jeans
Charli XCX & Billie Eilish – Guess Featuring Billie Eilish
Gracie Abrams Featuring Taylor Swift – Us.
Lady Gaga & Bruno Mars – Die With a Smile – WINNER

Best Pop Vocal Album
Ariana Grande – Eternal Sunshine
Billie Eilish – Hit Me Hard and Soft
Chappell Roan – The Rise and Fall of a Midwest Princess
Sabrina Carpenter – Short n’ Sweet – WINNER
Taylor Swift – The Tortured Poets Department

Best Dance/Electronic Recording
Disclosure – She’s Gone, Dance On
Four Tet – Loved
Fred Again.. & Baby Keem – Leavemealone
Justice & Tame Impala – Neverender – WINNER
Kaytranada Featuring Childish Gambino – Witchy

Best Dance Pop Recording
Ariana Grande – Yes, And?
Billie Eilish – L’Amour de Ma Vie [Over Now Extended Edit]
Charli XCX – Von Dutch – WINNER
Madison Beer – Make You Mine
Troye Sivan – Got Me Started

Best Dance/Electronic Music Album
Charli XCX – Brat – WINNER
Four Tet – Three
Justice – Hyperdrama
Kaytranada – Timeless
Zedd – Telos

Best Remixed Recording
Charli XCX – Von Dutch A. G. Cook Remix Featuring Addison Rae
Doechii & Kaytranada Featuring JT – Alter Ego (Kaytranada Remix)
Julian Marley & Antaeus – Jah Sees Them (Amapiano Remix)
Sabrina Carpenter – Espresso (Mark Ronson x FNZ Working Late Remix) – WINNER
Shaboozey & David Guetta – A Bar Song (Tipsy) (Remix)

Best Rock Performance
The Beatles – Now and Then – WINNER
The Black Keys – Beautiful People (Stay High)
Green Day – The American Dream Is Killing Me
Idles – Gift Horse
Pearl Jam – Dark Matter
St. Vincent – Broken Man

Best Metal Performance
Gojira, Marina Viotti & Victor le Masne – Mea Culpa (Ah! Ça ira!) – WINNER
Judas Priest – Crown of Horns
Knocked Loose Featuring Poppy – Suffocate
Metallica – Screaming Suicide
Spiritbox – Cellar Door

Best Rock Song
The Black Keys – Beautiful People (Stay High)
Green Day – Dilemma
Idles – Gift Horse
Pearl Jam – Dark Matter
St. Vincent – Broken Man – WINNER

Best Rock Album
The Black Crowes – Happiness Bastards
Fontaines D.C. – Romance
Green Day – Saviors
Idles – Tangk
Jack White – No Name
Pearl Jam – Dark Matter
The Rolling Stones – Hackney Diamonds – WINNER

Best Alternative Music Performance
Cage the Elephant – Neon Pill
Fontaines D.C. – Starburster
Kim Gordon – Bye Bye
Nick Cave & the Bad Seeds – Song of the Lake
St. Vincent – Flea – WINNER

Best Alternative Music Album
Brittany Howard – What Now
Clairo – Charm
Kim Gordon – The Collective
Nick Cave & the Bad Seeds – Wild God
St. Vincent – All Born Screaming – WINNER

Best R&B Performance
Chris Brown – Residuals
Coco Jones – Here We Go (Uh Oh)
Jhené Aiko – Guidance
Muni Long – Made for Me (Live on BET) – WINNER
SZA – Saturn

Best Traditional R&B Performance
Kenyon Dixon – Can I Have This Groove
Lalah Hathaway Featuring Michael McDonald – No Lie
Lucky Daye – That’s You – WINNER
Marsha Ambrosius – Wet
Muni Long – Make Me Forget

Best R&B Song
Coco Jones – Here We Go (Uh Oh)
Kehlani – After Hours
Muni Long – Ruined Me
SZA – Saturn – WINNER
Tems – Burning

Best Progressive R&B Album
Avery Sunshine – So Glad to Know You – WINNER [TIE]
Childish Gambino – Bando Stone and the New World
Durand Bernarr – En Route
Kehlani – Crash
NxWorries – Why Lawd? – WINNER [TIE]

Best R&B Album
Chris Brown – 11:11 (Deluxe) – WINNER
Lalah Hathaway – Vantablack
Lucky Daye – Algorithm
Muni Long – Revenge
Usher – Coming Home

Best Rap Performance
Cardi B – Enough (Miami)
Common & Pete Rock Featuring Posdnuos – When the Sun Shines Again
Doechii – Nissan Altima
Eminem – Houdini
Future, Metro Boomin & Kendrick Lamar – Like That
Glorilla – Yeah Glo!
Kendrick Lamar – Not Like Us – WINNER

Best Melodic Rap Performance
Beyoncé, Linda Martell & Shaboozey – Spaghettii
Future, Metro Boomin & The Weeknd – We Still Don’t Trust You
Jordan Adetunji Featuring Kehlani – Kehlani (Remix)
Latto – Big Mama
Rapsody Featuring Erykah Badu – 3:AM – WINNER

Best Rap Song
Future, Metro Boomin & Kendrick Lamar – Like That
Glorilla – Yeah Glo!
Kendrick Lamar – Not Like Us – WINNER
Rapsody & Hit-Boy – Asteroids
¥$, Kanye West, Ty Dolla $ign & Rich the Kid Featuring Playboi Carti – Carnival

Best Rap Album
Common & Pete Rock – The Auditorium Vol. 1
Doechii – Alligator Bites Never Heal – WINNER
Eminem – The Death of Slim Shady (Coup de Grâce)
Future & Metro Boomin – We Don’t Trust You
J. Cole – Might Delete Later

Best Spoken Word Poetry Album
Malik Yusef – Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In the Beginning Was the Word
Omari Hardwick – Concrete & Whiskey Act II Part 1: A Bourbon 30 Series
Queen Sheba – Civil Writes: The South Got Something to Say
Skillz – The Seven Number Ones
Tank and the Bangas – The Heart, the Mind, the Soul – WINNER

Best Jazz Performance
The Baylor Project – Walk With Me, Lord (Sound | Spirit)
Chick Corea & Béla Fleck – Juno
Dan Pugach & Nicole Zuraitis Featuring Troy Roberts – Little Fears
Lakecia Benjamin Featuring Randy Brecker, Jeff “Tain” Watts & John Scofield – Phoenix Reimagined (Live)
Samara Joy Featuring Sullivan Fortner – Twinkle Twinkle Little Me – WINNER

Best Jazz Vocal Album
Catherine Russell & Sean Mason – My Ideal
Christie Dashiell – Journey in Black
Kurt Elling & Sullivan Fortner – Wildflowers Vol. 1
Milton Nascimento & Esperanza Spalding – Milton + Esperanza
Samara Joy – A Joyful Holiday – WINNER

Best Jazz Instrumental Album
Ambrose Akinmusire – Owl Song
Chick Corea & Béla Fleck – Remembrance – WINNER
Kenny Barron – Beyond This Place
Lakecia Benjamin – Phoenix Reimagined (Live)
Sullivan Fortner – Solo Game

Best Large Jazz Ensemble Album
The Clayton-Hamilton Jazz Orchestra – And So It Goes
Dan Pugach – Bianca Reimagined – WINNER
John Beasley Featuring Frankfurt Radio Big Band – Returning to Forever
Miguel Zenón – Golden City
Orrin Evans & The Captain Black Big Band – Walk a Mile in My Shoe

Best Latin Jazz Album
Donald Vega Featuring Lewis Nash, John Patitucci & Luisito Quintero- As I Travel
Eliane Elias – Time and Again
Hamilton de Holanda & Gonzalo Rubalcaba – Collab
Horacio ‘El Negro’ Hernandez, John Beasley & Jose Gola – El Trio: Live in Italy
Michel Camilo & Tomatito – Spain Forever Again
Zaccai Curtis – Cubop Lives! – WINNER

Best Alternative Jazz Album
Arooj Aftab – Night Reign
André 3000 – New Blue Sun
Keyon Harrold – Foreverland
Meshell Ndegeocello – No More Water: The Gospel of James Baldwin – WINNER
Robert Glasper – Code Derivation

Best Traditional Pop Vocal Album
Aaron Lazar – Impossible Dream
Cyrille Aimée – À Fleur de Peau
Gregory Porter – Christmas Wish
Lake Street Dive – Good Together
Norah Jones – Visions – WINNER

Best Contemporary Instrumental Album
Béla Fleck – Rhapsody in Blue
Bill Frisell – Orchestras (Live)
Julian Lage – Speak to Me
Mark Guiliana – Mark
Taylor Eigsti – Plot Armor – WINNER

Best Musical Theater Album
Hell’s Kitchen – WINNER
Merrily We Roll Along
The Notebook
The Outsiders
Suffs
The Wiz

Best Country Solo Performance
Beyoncé – 16 Carriages
Chris Stapleton – It Takes a Woman – WINNER
Jelly Roll – I Am Not Okay
Kacey Musgraves – The Architect
Shaboozey – A Bar Song (Tipsy)

Best Country Duo/Group Performance
Beyoncé & Miley Cyrus – II Most Wanted – WINNER
Brothers Osborne – Break Mine
Dan + Shay – Bigger Houses
Kelsea Ballerini & Noah Kahan – Cowboys Cry Too
Post Malone Featuring Morgan Wallen – I Had Some Help

Best Country Song
Beyoncé – Texas Hold ’Em
Jelly Roll – I Am Not Okay
Kacey Musgraves – The Architect – WINNER
Post Malone Featuring Morgan Wallen – I Had Some Help
Shaboozey – A Bar Song (Tipsy)

Best Country Album
Beyoncé – Cowboy Carter – WINNER
Chris Stapleton – Higher
Kacey Musgraves – Deeper Well
Lainey Wilson – Whirlwind
Post Malone – F-1 Trillion

Best American Roots Performance
The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb’ Mo’, Taj Mahal & Mick Fleetwood – Nothing in Rambling
Rhiannon Giddens – The Ballad of Sally Anne
Shemekia Copeland – Blame It on Eve
Sierra Ferrell – Lighthouse – WINNER

Best Americana Performance
Beyoncé – Ya Ya
Gillian Welch & David Rawlings – Empty Trainload of Sky
Madi Diaz & Kacey Musgraves – Don’t Do Me Good
Madison Cunningham – Subtitles
Sarah Jarosz – Runaway Train
Sierra Ferrell – American Dreaming – WINNER

Best American Roots Song
Aoife O’Donovan – All My Friends
Iron & Wine & Fiona Apple – All in Good Time
Mark Knopfler – Ahead of the Game
Shemekia Copeland – Blame It on Eve
Sierra Ferrell – American Dreaming – WINNER

Best Americana Album
Charley Crockett – $10 Cowboy
Maggie Rose – No One Gets Out Alive
Sarah Jarosz – Polaroid Lovers
Sierra Ferrell – Trail of Flowers – WINNER
T Bone Burnett – The Other Side
Waxahatchee – Tigers Blood

Best Bluegrass Album
Billy Strings – Live Vol. 1 – WINNER
Bronwyn Keith-Hynes – I Built a World
Dan Tyminski – Dan Tyminski: Live From the Ryman
The Del McCoury Band – Songs of Love and Life
Sister Sadie – No Fear
Tony Trischka – Earl Jam

Best Traditional Blues Album
Cedric Burnside – Hill Country Love
The Fabulous Thunderbirds – Struck Down
Little Feat – Sam’s Place
Sue Foley – One Guitar Woman
Taj Mahal – Swingin’: Live at the Church in Tulsa – WINNER

Best Contemporary Blues Album
Antonio Vergara – The Fury
Joe Bonamassa – Blues Deluxe Vol. 2
Ruthie Foster – Mileage – WINNER
Shemekia Copeland – Blame It on Eve
Steve Cropper & The Midnight Hour – Friendlytown

Best Folk Album
Adrianne Lenker – Bright Future
American Patchwork Quartet – American Patchwork Quartet
Aoife O’Donovan – All My Friends
Gillian Welch & David Rawlings – Woodland – WINNER
Madi Diaz – Weird Faith

Best Regional Roots Music Album
Big Chief Monk Featuring J’wan Boudreaux – Live at the 2024 New Orleans Jazz & Heritage Festival
Kalani Pe’a – Kuini – WINNER
New Breed Brass Band Featuring Trombone Shorty – Live at the 2024 New Orleans Jazz & Heritage Festival
The Rumble – Stories From the Battlefield
Sean Ardoin & Kreole Rock and Soul – 25 Back to My Roots

Best Gospel Performance/Song
Doe – Holy Hands
Melvin Crispell III – Yesterday
Ricky Dillard – Hold On (Live)
Tasha Cobbs Leonard, Erica Campbell & Israel Houghton Featuring Jonathan McReynolds & Jekalyn Carr – One Hallelujah – WINNER
Yolanda Adams – Church Doors

Best Contemporary Christian Music Performance/Song
Bethel Music, Jenn Johnson Featuring CeCe Winans – Holy Forever (Live)
CeCe Winans – That’s My King – WINNER
Elevation Worship Featuring Brandon Lake, Chris Brown & Chandler Moore – Praise
Honor & Glory & Disciple – Firm Foundation (He Won’t)
Jwlkrs Worship & Maverick City Music Featuring Chandler Moore – In the Name of Jesus
Maverick City Music, Naomi Raine & Chandler Moore Featuring Tasha Cobbs Leonard – In the Room

Best Gospel Album
CeCe Winans – More Than This – WINNER
Karen Clark Sheard – Still Karen
Kirk Franklin – Father’s Day
Melvin Crispell III – Covered Vol. 1
Ricky Dillard – Choirmaster II (Live)

Best Contemporary Christian Music Album
Brandon Lake – Coat of Many Colors
Doe – Heart of a Human – WINNER
Elevation Worship – When Wind Meets Fire
Forrest Frank – Child of God
Maverick City Music, Chandler Moore & Naomi Raine – The Maverick Way Complete

Best Roots Gospel Album
Authentic Unlimited – The Gospel Sessions, Vol. 2
Cory Henry – Church – WINNER
The Harlem Gospel Travelers – Rhapsody
Mark D. Conklin – The Gospel According to Mark
The Nelons – Loving You

Best Latin Pop Album
Anitta – Funk Generation
Kali Uchis – Orquídeas
Kany García – García
Luis Fonsi – El Viaje
Shakira – Las Mujeres Ya No Lloran – WINNER

Best Música Urbana Album
Bad Bunny – Nadie Sabe Lo Que Va a Pasar Mañana
Feid – Ferxxocalipsis
J Balvin – Rayo
Residente – Las Letras Ya No Importan – WINNER
Young Miko – Att.

Best Latin Rock or Alternative Album
Cimafunk – Pa’ Tu Cuerpa
El David Aguilar – Compita del Destino
Mon Laferte – Autopoiética
Nathy Peluso – Grasa
Rawayana – ¿Quién Trae las Cornetas? – WINNER

Best Música Mexicana Album (Including Tejano)
Carín León – Boca Chueca, Vol. 1 – WINNER
Chiquis – Diamantes
Jessi Uribe – De Lejitos
Peso Pluma – Éxodo

Best Tropical Latin Album
Juan Luis Guerra 4.40 – Radio Güira
Kiki Valera – Vacilón Santiaguero
Marc Anthony – Muevense
Sheila E. – Bailar
Tony Succar & Mimy Succar – Alma, Corazón y Salsa (Live at Gran Teatro Nacional) – WINNER

Best Global Music Performance
Angélique Kidjo & Soweto Gospel Choir – Sunlight to My Soul
Arooj Aftab – Raat Ki Rani
Jacob Collier Featuring Anoushka Shankar & Varijashree Venugopal – A Rock Somewhere
Masa Takumi Featuring Ron Korb, Noshir Mody & Dale Edward Chung – Kashira
Rocky Dawuni – Rise
Sheila E. Featuring Gloria Estefan & Mimy Succar – Bemba Colorá – WINNER

Best African Music Performance
Asake & Wizkid – MMS
Burna Boy – Higher
Chris Brown Featuring Davido & Lojay – Sensational
Tems – Love Me JeJe – WINNER
Yemi Alade – Tomorrow

Best Global Music Album
Antonio Rey – Historias de un Flamenco
Ciro Hurtado – Paisajes
Matt B & Royal Philharmonic Orchestra – Alkebulan II – WINNER
Rema – Heis
Tems – Born in the Wild

Best Reggae Album
Collie Buddz – Take It Easy
Shenseea – Never Gets Late Here
Various Artists – Bob Marley: One Love – Music Inspired By the Film (Deluxe) – WINNER
Vybz Kartel – Party With Me
The Wailers – Evolution

Best New Age, Ambient, or Chant Album
Anoushka Shankar – Chapter II: How Dark It Is Before Dawn
Chris Redding – Visions of Sounds De Luxe
Radhika Vekaria – Warriors of Light
Ricky Kej – Break of Dawn
Ryuichi Sakamoto – Opus
Wouter Kellerman, Éru Matsumoto & Chandrika Tandon – Triveni – WINNER

Best Children’s Music Album
Divinity Roxx & Divi Roxx Kids – World Wide Playdate
John Legend – My Favorite Dream
Lucky Diaz and the Family Jam Band – ¡Brillo, Brillo! – WINNER
Lucy Kalantari & the Jazz Cats – Creciendo
Rock for Children – Solid Rock Revival

Best Comedy Album
Dave Chappelle – The Dreamer – WINNER
Jim Gaffigan – The Prisoner
Nikki Glaser – Someday You’ll Die
Ricky Gervais – Armageddon
Trevor Noah – Where Was I

Best Audio Book, Narration, and Storytelling Recording
Barbra Streisand – My Name Is Barbra
Dolly Parton – Behind the Seams: My Life in Rhinestones
George Clinton – …And Your Ass Will Follow
Jimmy Carter – Last Sundays in Plains: A Centennial Celebration – WINNER
Various Artists – All You Need Is Love: The Beatles in Their Own Words

Best Compilation Soundtrack for Visual Media
London Symphony Orchestra, Yannick Nézet-Séguin & Bradley Cooper – Maestro: Music by Leonard Bernstein – WINNER
Various Artists – The Color Purple
Various Artists – Deadpool & Wolverine
Various Artists – Saltburn
Various Artists – Twisters: The Album

Best Score Soundtrack for Visual Media (Includes Film and Television)
Kris Bowers – The Color Purple
Hans Zimmer – Dune: Part Two – WINNER
Laura Karpman – American Fiction
Nick Chuba, Atticus Ross & Leopold Ross – Shōgun
Trent Reznor & Atticus Ross – Challengers

Best Score Soundtrack for Video Games and Other Interactive Media
Bear McCreary – God of War Ragnarök: Valhalla
John Paesano – Marvel’s Spider-Man 2
Pinar Toprak – Avatar: Frontiers of Pandora
Wilbert Roget II – Star Wars Outlaws
Winifred Phillips – Wizardry: Proving Grounds of the Mad Overlord – WINNER

Best Song Written for Visual Media
Barbra Streisand – Love Will Survive (From The Tattooist of Auschwitz)
Jon Batiste – It Never Went Away (From the Netflix Documentary “American Symphony”) – WINNER
Luke Combs – Ain’t No Love in Oklahoma (From Twisters: The Album)
*NSync & Justin Timberlake – Better Place (From Trolls Band Together)
Olivia Rodrigo – Can’t Catch Me Now (From The Hunger Games: The Ballad of Songbirds & Snakes)

Best Music Video
A$AP Rocky – Tailor Swif
Charli XCX – 360
Eminem – Houdini
Kendrick Lamar – Not Like Us – WINNER
Taylor Swift Featuring Post Malone – Fortnight

Best Music Film
Jon Batiste – American Symphony – WINNER
June Carter Cash – June
Run-DMC – Kings From Queens
Steven Van Zandt – Stevie Van Zandt: Disciple
Various Artists – The Greatest Night in Pop

Best Recording Package
The Avett Brothers – The Avett Brothers
Charli XCX – Brat – WINNER
iWhoiWhoo – Pregnancy, Breakdown, and Disease
Kate Bush – Hounds of Love (Baskerville Edition)
The Muddy Basin Ramblers – Jug Band Millionaire
Post Malone – F-1 Trillion
William Clark Green – Baker Hotel

Best Boxed or Special Limited Edition Package
Alpha Wolf – Half Living Things
John Lennon – Mind Games – WINNER
Kate Bush – Hounds of Love (The Boxes of Lost at Sea)
Nirvana – In Utero
Unsuk Chin & Berliner Philharmoniker – Unsuk Chin
90 Day Men – We Blame Chicago

Best Album Notes
Alice Coltrane – The Carnegie Hall Concert (Live)
Ford Dabney’s Syncopated Orchestras – After Midnight
John Culshaw – John Culshaw – The Art of the Producer – The Early Years 1948-55
King Oliver’s Creole Jazz Band & Various Artists – Centennial – WINNER
Various Artists – SONtrack Original de la Película “Al Son de Beno”

Best Historical Album
King Oliver’s Creole Jazz Band & Various Artists – Centennial – WINNER
Paul Robeson – Paul Robeson – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings
Pepe de Lucía & Paco de Lucía – Pepito y Paquito
Prince & the New Power Generation – Diamonds and Pearls (Super Deluxe Edition)
Rodgers & Hammerstein & Julie Andrews – The Sound of Music (Original Soundtrack Recording) (Super Deluxe Edition)

Best Engineered Album, Non-Classical
Charlotte Day Wilson – Cyan Blue
Kacey Musgraves – Deeper Well
Lucky Daye – Algorithm
Peter Gabriel – I/O – WINNER
Sabrina Carpenter – Short n’ Sweet
Willow – Empathogen

Best Engineered Album, Classical
Los Angeles Philharmonic, Gustavo Dudamel & María Dueñas – Gabriela Ortiz: Revolución Diamantina
Los Angeles Philharmonic, John Adams & Los Angeles Master Chorale – John Adams: Girls of the Golden West
Pittsburgh Symphony Orchestra & Manfred Honeck – Bruckner: Symphony No. 7 – Bates: Resurrexit (Live) – WINNER
Skylark Vocal Ensemble & Matthew Guard – Clear Voices in the Dark
Timo Andres, Andrew Cyr & Metropolis Ensemble – Timo Andres: The Blind Banister

Producer of the Year, Classical
Christoph Franke
Dirk Sobotka
Dmitriy Lipay
Elaine Martone – WINNER
Erica Brenner
Morten Lindberg

Best Immersive Audio Album
Ensemble 96, Current Saxophone Quartet & Nina T. Karlsen – Pax
Peter Gabriel – I/O (In-Side Mix) – WINNER
Ray Charles & Various Artists – Genius Loves Company
Roxy Music – Avalon
Trondheim Symphony Orchestra & Nick Davies – Henning Sommerro: Borders

Best Instrumental Composition
Akropolis Reed Quintet, Pascal Le Boeuf & Christian Euman – Strands – WINNER
André 3000 – I Swear, I Really Wanted to Make a “Rap” Album but This Is Literally the Way the Wind Blew Me This Time
Chick Corea & Béla Fleck – Remembrance
Christopher Zuar Orchestra – Communion
Shelly Berg – At Last

Best Arrangement, Instrumental or A Cappella
Béla Fleck – Rhapsody in Blue(Grass)
Henry Mancini & Snarky Puppy – Baby Elephant Walk (Encore)
Jacob Collier Featuring John Legend & Tori Kelly – Bridge Over Troubled Water – WINNER
Säje – Silent Night
Scott Hoying Featuring Säje & Tonality – Rose Without the Thorns

Best Arrangement, Instruments and Vocals
Cody Fry Featuring Sleeping at Last – The Sound of Silence
John Legend – Always Come Back
Säje Featuring Regina Carter – Alma – WINNER
Willow – Big Feelings
The 8-Bit Big Band Featuring Jonah Nilsson & Button Masher – Last Surprise (From “Persona 5”)

Best Orchestral Performance
Buffalo Philharmonic Orchestra & JoAnn Falletta – Kodály: Háry János Suite, Nyári este & Symphony in C Major
Esa-Pekka Salonen & San Francisco Symphony – Stravinsky: The Firebird
Los Angeles Philharmonic, Gustavo Dudamel & María Dueñas – Gabriela Ortiz: Revolución Diamantina – WINNER
ORF Vienna Radio Symphony Orchestra & Marin Alsop – John Adams: City Noir, Fearful Symmetries & Lola Montez Does the Spider Dance
Susanna Mälkki & Helsinki Philharmonic Orchestra – Sibelius: Karelia Suite, Rakastava & Lemminkäinen

Best Opera Recording
Los Angeles Philharmonic, John Adams & Los Angeles Master Chorale – John Adams: Girls of the Golden West
Lyric Opera of Kansas City & Gerard Schwarz – Moravec: The Shining
The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus – Catán: Florencia en el Amazonas
The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus – Puts: The Hours
San Francisco Symphony Chorus & San Francisco Symphony – Saariaho: Adriana Mater – WINNER

Best Choral Performance
Apollo’s Fire & Jeannette Sorrell – Handel: Israel in Egypt, HWV 54
The Choir of Trinity Wall Street, Artefact Ensemble & Novus NY – Sheehan: Akathist
The Crossing, Donald Nally & Dan Schwartz – Ochre – WINNER
Skylark Vocal Ensemble & Matthew Guard – Clear Voices in the Dark
True Concord Voices & Orchestra, Jeffrey Biegel & Eric Holtan – A Dream So Bright: Choral Music of Jake Runestad

Best Chamber Music/Small Ensemble Performance
Caroline Shaw & Sō Percussion – Rectangles and Circumstance – WINNER
JACK Quartet – John Luther Adams: Waves & Particles
Lorelei Ensemble & Christopher Cerrone – Christopher Cerrone: Beaufort Scales
Miró Quartet – Home
Yo-Yo Ma, Leonidas Kavakos & Emanuel Ax – Beethoven for Three: Symphony No. 4 and Op. 97 “Archduke”

Best Classical Instrumental Solo
Andy Akiho – Akiho: Longing
Curtis J Stewart, James Blachly & Experiential Orchestra – Perry: Concerto for Violin and Orchestra
Mak Grgić & Ensemble Dissonance – Entourer
Seth Parker Woods – Eastman The Holy Presence of Joan d’Arc
Víkingur Ólafsson – J. S. Bach: Goldberg Variations – WINNER

Best Classical Solo Vocal Album
Fotina Naumenko – Bespoke Songs
Joyce DiDonato, Il Pomo d’Oro & Maxim Emelyanychev – Wagner: Wesendonck Lieder
Karen Slack & Michelle Cann – Beyond the Years – WINNER
Nicholas Phan, Farayi Malek & Palaver Strings – A Change Is Gonna Come
Will Liverman & Jonathan King – Show Me the Way

Best Classical Compendium
Amy Porter, Nikki Chooi, Buffalo Philharmonic Orchestra & JoAnn Falletta – Lukas Foss: Symphony No. 1 & Renaissance Concerto
Andy Akiho & Imani Winds – BeLonging
Danaë Xanthe Vlasse, Royal Philharmonic Orchestra & Michael Shapiro – Mythologies II
Experiential Orchestra, James Blachly & Curtis J Stewart – American Counterpoints
Los Angeles Philharmonic, Gustavo Dudamel & María Dueñas – Gabriela Ortiz: Revolución Diamantina – WINNER

Best Contemporary Classical Composition
Andrea Casarrubios – Casarrubios: Seven for Solo Cello
Decoda – Coleman: Revelry
Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo & San Francisco Symphony Chorus & Orchestra – Saariaho: Adriana Mater
Eighth Blackbird – Lang: Composition as Explanation
Los Angeles Philharmonic, Gustavo Dudamel & Los Angeles Master Chorale – Ortiz: Revolución Diamantina – WINNER

Making it to Complex’s top album of 2024 ahead of Gunna, Charlie XcX, Glorilla, J.Cole, and Kanye West (Ye) are part of Nigeria’s greatest music talent exports, Tems and Ayra Starr.

Sitting at number 14 is Tems ‘Born in the Wild, and Ayra Starr’s ‘The Year I Turned 21’ is at number 12.

14. Tems, Born in the Wild

Released on the 7th of June, in the article it was stated “But even when Tems was behind the scenes, she faced betrayal and growing pains, which tested the resilience that encapsulates her storytelling on Born In the Wild. She flawlessly makes a 1997 Seyi Sodimu staple her own on the amorous track “Love Me JeJe.” Elsewehere, she looks for a bad boy who can match her freak over the rhythmic acoustics of “Gangsta.” And she comes to grips with her regret of becoming a romantic avoidant when confronted by collaborator J. Cole on “Free Fall.” Tems gets real with her internal struggles and doesn’t run from herself.“

12. Ayra Starr, The Year I Turned 21

Ayra Starr is described as: “She doesn’t mince her words on opener “Birds Sing of Money,” popping off saucy lines like “I don’t watch my tone ’cause I like how I sound, bitch,” because time is, well, money. When social media tried to instigate a feud between Starr and Grammy winner Coco Jones, they joined each other and Brazilian artist Anitta on the feminist war cry “Woman Commando.” As sultry as she is sharp, Starr takes control on 21. It’s only up from here.“

Read the full article here.

Your only excuse should be that you’re on a remote island with no access to the internet and don’t notice the wave of new talents in the Nigerian music industry. The wave is led by those I will consider the latest Big 4, starring Ayra Starr, Asake, Rema, and Tems. These talents have well-crafted and mastered the art of making good music, and it’s high time they get their flowers.

The Rolling Stone’s 2024 Top Albums List, released on Monday, features Rema’s ‘Heis,’ Tems’ ‘Born in the Wild,’ and Ayra Starr’s ‘The Year I Turned 21.’

Ranking them, we have:

Rema’s second studio album, ‘Heis,‘ was ranked 11th overall. The album recently received a Grammy nomination for Best Global Album Performance.

Description: “Rema has taken to calling his own style of Afrobeats “Afro-rave,” in the tradition of Burna Boy and the like who have fought to differentiate themselves from what became a catchall for African music in general. Yet, there was no real sonic signifier for Rema’s Afro-wave — he seamlessly traverses hip-hop, house, R&B, and dancehall. Heis sounds more like a rave than almost anything Rema has made prior (excluding the excellent loosey “Bounce,” for example, raging while everything else simmers. The result is the buzzy, visceral, sweat-it-out music that no one else in the mainstream is making.”

Tems’ debut album, ‘Born in the Wild,‘ ranked 37th overall. Tems, whose voice is captivating, earned Grammy nominations for both ‘Best African Music Performance’ and ‘Best Global Music Album.’

Description: “Tems has already remade Nigerian pop in her own image. Her debut album measures the soul work it’s taken to get here. All of it has paid off on an album so rich that the listening experience is a physical one as much as it is emotional. “Wickedest” is primed for the dance floor, while the single “Love Me Jeje” is a masterpiece, soaked in the sun and major-key dopamine. Her vision is made timeless via a seamless blend of stripped-down ballads, the cool of 1990s R&B with flecks of SWV and Sade, joyous high life, Afro-dance music like amapiano, and rugged hip-hop.”

Ayra Starr’s sophomore album, ‘The Year I Turned 21,′ ranked 53rd on the list according to Rolling Stone.

Rolling Stone describes it as:
“With the follow-up to her 2021 debut, Ayra Starr asserts a musical maturity that could be considered far beyond her years, but perhaps more aptly serves as a reminder of the emotional depth, logical prowess, and enviable passion young people often possess. Across it, Starr refreshes tried-and-true Afrobeats elements with the type of songwriting that SZA fans flock to, darting between Nigerian Pidgin, Yoruba, and English with endless finesse and attitude in all three languages.”

I, for one, am glad for the recognition of Nigerian musical talents on a global stage, and this should continue for a long time. Last year the list featured legends like Mr. Eazi, Burna Boy, Adekunle Gold, and Asake.