The Nigerian DJ Association has issued a directive asking its DJs to temporarily remove songs by Burna Boy, following reports of clash involving DJ Tunez.
In a statement shared via its official social platforms, the association announced that Burna Boy’s music is now “temporarily out of any of our DJs’ playlist till further notice,” pending an investigation into an incident involving DJ Tunez.
The directive follows circulation of video clips that showed fighting and assault between Burna Boy and DJ Tunez at Obi’s house in Lagos.
As of now, the specifics of what transpired remain unverified, and the association itself has confirmed that a formal investigation is ongoing. No conclusive findings have been made public.
In its statement, the association emphasized its commitment to protecting DJs and promoting respect within the entertainment ecosystem. It framed the decision not as a permanent ban, but as a precautionary measure.
The directive extends to DJs within the association’s network both locally and in the diaspora.
The organisers of Wireless Festival have officially cancelled the 2026 edition of the event following the UK government’s decision to deny entry to its headline act, Kanye West.
The decision is coming in after the UK Home Office rejected West’s Electronic Travel Authorisation, stating that his presence in the country would not be “conducive to the public good.” The move effectively prevented the rapper also known as Ye from fulfilling his scheduled headline performance at the London-based festival this July.
In a statement released shortly after the development, festival organisers confirmed that the event would no longer go ahead as planned. Full refunds are expected to be issued to ticket holders.
Wireless Festival, one of the UK’s biggest urban music events, was set to host thousands of fans across multiple days, with a lineup spanning global stars and emerging acts. However, Ye’s role as a central headliner appeared to be a defining component of this year’s programming, making the impact of his absence significant.
The controversy surrounding his inclusion in the lineup had been building in the weeks leading up to the announcement as we’ve previously reported. Political figures, advocacy groups, and sections of the public had openly criticised the decision to platform the artist, prompting increased scrutiny on both the festival and its partners.
It was also reported that several major sponsors had begun distancing themselves from the event prior to its cancellation, adding further pressure on organisers. The UK government’s final decision ultimately escalated the situation, leaving little room for an alternative resolution.
Previous Report
Kanye West Blocked from Entering UK Ahead of Wireless Festival Headline Slot
Kanye West has reportedly been blocked from entering the United Kingdom after the UK Home Office rejected his application for an Electronic Travel Authorization (ETA), raising immediate concerns over his scheduled headline performance at Wireless Festival this July.
According to multiple reports from UK based media outlets, the decision was made shortly after Ye submitted his application, with authorities citing that his presence in the UK would be “not conducive to the public good.” The ruling effectively prevents the artist from traveling into the country under current conditions.
The Home Office’s decision comes amid ongoing backlash surrounding his recent public actions and statements, which have drawn widespread criticism internationally. While officials have not released a detailed breakdown of the decision, the “public good” clause is typically invoked in cases involving public safety, security, or significant reputational concerns.
Ye, who has remained a polarizing figure in recent years, has faced increasing scrutiny across multiple sectors, including music, fashion, and corporate partnerships. The UK government’s move signals a formal escalation, shifting the situation from public criticism to direct governmental action.
Ye was billed as a major headliner for the 2026 edition of Wireless Festival, one of the UK’s biggest music events.
With the travel authorization now denied, his participation in the festival is effectively in jeopardy. Organizers of Wireless Festival have yet to issue an official statement addressing the development or outlining potential replacements.
The situation adds to a growing list of disruptions tied to West’s recent controversies. In the days leading up to the decision, several major brands and partners had reportedly begun distancing themselves from the festival due to his involvement, signaling broader industry unease.
Read earlier reports
PepsiCo, Diageo Withdraw Sponsorship from Wireless Festival Following Objections to Kanye West as Headliner
Mercy is a very beautiful movie that tells the story of “how everybody makes mistakes” and the consequences and beauty of such mistakes. It reminds us not to place our full trust on AI and remember how humans are capable faults.
It prides itself in the grey area of our humanity. We are all capable of doing good and what’s right, we are also capable of doing the complete opposite.
Kali Reis as Jaq, Chris Pratt as Detective Chris Raven
Chris Pratt plays a struggling detective in a failing marriage due to his habit of drinking, despite his fault he loves his family, but does family love itself?
Rebecca Ferguson plays an AI judge that prides itself in the fact…but does it understand truth, mistakes and guts?
Rebecca Ferguson as Judge Maddox
Chris Pratt character stands trial in a court for murdering his wife and he has 90 minutes to defend himself using every and all available evidence.
This film while with good intentions reminded us that in the age of data and information, your data isn’t truly private. It also reminds us of how humans can let their emotions get the best of us. How we can twist and omit facts to our agenda.
No flying cars as predicted in 1999 yet but humans will still be humans doing what we know and do best.
The most noticeable fault in this movie is how the AI which supposed to operate as an AI behaves more human than AI. It claims it’s function is to be the judge, jury and executioner but it forgot to mention it is also your lawyer and your partner. The number of times it helped Chris Pratt point to the right direction, I could not count.
That said, ‘Mercy’ shows you mercy and delivers what ‘War Of World’ wish it showed. It’s a well written film that knows when and when not to use the over advertised sci-fi elements of a futuristic film.
Global Afrobeats star Davido is officially billed to perform at the 2026 edition of Coachella Valley Music and Arts Festival.
The festival, scheduled to take place across two weekends, April 10–12 and April 17–19 at the Empire Polo Club in Indio, California, will feature Davido as part of a diverse global lineup. His appearance confirms his first official performance at Coachella, one of the world’s most influential music festivals.
Davido’s inclusion on the 2026 lineup represents a long-anticipated debut on the Coachella stage. Over the years, the singer has built a strong global presence with hit records and international collaborations, making this booking a natural progression in his career.
His performance is expected to introduce his catalog rooted in Afrobeats to a wider live audience, further strengthening his global reach.
Notably, Davido stands as the only Nigerian artist confirmed for the 2026 Coachella lineup. This places him at the center of Nigeria’s representation at the festival this year, continuing the country’s presence on global stages.
The Coachella Valley Music and Arts Festival is an annual music and arts festival held in Indio, California, and is widely regarded as one of the most important live music events in the world. Founded in 1999 and organized by Goldenvoice, Coachella has evolved into a global cultural phenomenon.
Coachella Valley Music and Arts Festival remains a key platform for artists seeking global exposure, drawing audiences from across the world and generating significant cultural impact each year.
Coachella 2026 Lineup: Day-by-Day Performers and Categories
Friday – April 10 & 17
Headliner: Sabrina Carpenter
Sub-Headliners:
The xx Nine Inch Noize Disclosure
Key Performers:
Turnstile Ethel Cain Dijon Teddy Swims KATSEYE Devo Sexyy Red Central Cee Foster the People Blood Orange Moby
Electronic & House:
Levity Marlon Hoffstadt Gordo Kettama Groove Armada HUGEL Prospa Max Styler Hamdi
Indie & Alternative:
Lykke Li Joyce Manor CMAT Hot Mulligan Fleshwater Wednesday NewDad Carolina Durante
Rising & Global Talent:
fakemink Creepy Nuts BINI Joost Slayyyter Dabeull The Two Lips Ninajirachi Max Dean x Luke Dean Cachirula & Loojan Jessica Brankka Chloé Caillet x Rossi Arodes flowerovlove Febuary Bob Baker Marionettes Youna Sahar Z
Saturday – April 11 & 18
Headliner: Justin Bieber
Sub-Headliners:
The Strokes GIVEON Addison Rae
Key Performers:
Labrinth SOMBR David Byrne Interpol Alex G Swae Lee Solomun Taemin PinkPantheress
Electronic & Bass:
REZZ Adriatique Boys Noize Green Velvet x AYYBO SOSA Mahmut Orhan Riordan GENESI
Indie, Rock & Alternative:
Royel Otis Fujii Kaze Geese rusowsky Los Hermanos Flores Ceremony Blondshell Lambrini Girls Ecca Vandal Die Spitz WHATMORE
Eclectic & Global:
Davido ¥ØU$UK€ ¥UK1MAT$U ZULAN Bedouin 54 Ultra Noga Erez Ben Sterling Mind Enterprises Freak Slug Yamagucci
Sunday – April 12 & 19
Headliner: Karol G (first Latina headliner in Coachella history)
Sub-Headliners:
Young Thug Kaskade BIGBANG
Key Performers:
Laufey Major Lazer Iggy Pop FKA twigs Wet Leg Clipse Subtronics Little Simz
Electronic & Dance:
Mochakk Duke Dumont Worship (Sub Focus, Dimension, Culture Shock, 1991) Armin van Buuren x Adam Beyer BUNT. Röyksopp Carlita x Josh Baker MËSTIZA &friends AZZECCA LE YORA
Alternative, Punk & Indie:
Holly Humberstone Gigi Perez The Rapture Suicidal Tendencies French Police Black Flag Oklou The Chats DRAIN Model/Actriz Los Retros Jane Remover RØZ Glitterer Samia Tomora
PepsiCo and Diageo have officially withdrawn their sponsorship from the 2026 edition of the Wireless Festival, marking a significant shift for one of the UK’s biggest music events.
The festival, held annually at Finsbury Park in London, is now facing mounting pressure from brands, political figures, and advocacy groups following the announcement that Kanye West, now widely known as Ye, will headline all three nights of the event.
PepsiCo has long been one of the festival’s most visible partners, previously tied directly to its branding as a presenting sponsor.
In a brief statement, the company confirmed its decision to withdraw, ending a high-profile partnership that has been on for years.
Shortly after PepsiCo’s decision, Diageo also confirmed it would no longer be involved in the 2026 festival.
As one of the world’s largest beverage companies, Diageo’s exit further deepens the commercial impact on Wireless, citing that the backlash is not limited to a single sponsor but reflects a broader concern among major brands.
PayPal has also moved to distance itself from the event. While not framed as a formal withdrawal in the same terms as PepsiCo and Diageo, the company is no longer expected to feature in festival branding or promotional materials.
This move effectively places PayPal alongside the existing sponsors, contributing to what is becoming a wider sponsorship retreat.
The sponsor exits following sustained criticism over the booking of Kanye West as the festival’s sole headliner across all three nights.
The artist has faced repeated controversy in recent years, particularly over antisemitic remarks, prompting backlash from advocacy groups and public figures. The decision to center the festival around his performances has since become a focal point for criticism.
Political voices, including Keir Starmer, have publicly expressed concern, adding to the pressure on both organizers and affiliated brands.
Budweiser, one of the brands linked to the festival ecosystem, has not confirmed any withdrawal. However, it is currently facing increasing public pressure across various media platforms to clarify its position.
Homecoming Festival returned to Lagos from April 2 to 6, 2026, delivering a five-day schedule of art tours, panel sessions, football, and fashion activations. As expected, the music events stood out, particularly two key nights: Homecoming Hi-Fi and the Homecoming Live Music Show.
The festival’s electronic showcase, Homecoming Hi-Fi, held on Friday, April 3 at Queens Park Events Center, ran from 10 PM until early morning.
Designed as a club-focused experience, the event centered on sound and DJ-led performances. The sets featured a mix of gqom, amapiano, house, and techno, reflecting a range of electronic styles connected to African and global club scenes.
The lineup included Thakzin, Aniko, Lelowhatsgood, Blessing Ewona, Ayanfe Ol, and Dare Balogun, who delivered continuous sets throughout the night.
The Homecoming Live Music Show took place on Sunday, April 5 at Harbour Point. The event opened at 6 PM, with performances running from 7 PM to about 2 AM.
The show followed a continuous, playlist-style format, with multiple artists performing in sequence rather than a fixed headliner structure.
The Homecoming Live Music Show didn’t just bring names, it brought a mix of established voices and artists currently gaining traction across Nigeria’s music scene.
Performers included BOJ, Zlatan, Mavo, Zaylevelten, Amma, Blnde, Champz, GoodGirl LA, Fimi, and Priesst.
At the forefront was BOJ, a key figure in Nigeria’s alté movement and a member of DRB LasGidi. Over the years, BOJ has built a reputation for genre-blending sounds and collaborations across Afrobeats and alternative music, helping shape the sound of a generation.
Alongside him, Zlatan brought his well-established street-hop presence. Known for hits like “Zanku” and his role in popularizing dance-driven Afrobeats, Zlatan remains one of the most recognizable figures in Nigeria’s mainstream scene, with his Zanku Records imprint further expanding his influence.
Among the newer names, Mavo stood out as one of the fastest-rising acts. The Edo-born singer gained major attention in 2025 with tracks like “Escaladizzy” and “Shakabulizzy,” followed by chart success with “Body (Danz)” featuring CKay, which reached No. 1 in Nigeria.
Emerging artist Zaylevelten has also been identified among a new wave of artists shaping Nigeria’s evolving sound, appearing on industry watchlists highlighting the next generation of talent.
GoodGirl LA known for her fusion of Afrobeats and R&B, has gained recognition with songs like “D4DM” and collaborations such as “Early Momo.” In 2025, she signed to Vibez Music Factory and released a new EP, marking a fresh phase in her career.
Other performers including Priesst, Amma, Blnde, Champz, and Fimi represent a wider pool of emerging acts contributing to the current wave of Nigerian music, often building audiences through digital platforms and collaborations.
DJ performances from DJ Obi and Dan Papa GTA supported the transitions between sets.
John Legend has ended his long-standing management relationship with Ty Stiklorius and signed a new deal with Roc Nation.
The move brings to a close a professional partnership that lasted for nearly two decades. Stiklorius began managing Legend in the mid-2000s, during the early stages of his career, and remained a central figure throughout his rise in the music industry.
During that period, Legend released multiple award-winning projects and expanded his work into film, television, and philanthropy. He also achieved EGOT status, winning an Emmy, Grammy, Oscar, and Tony.
Roc Nation, founded by Jay-Z, is a global entertainment company that provides artist management, music publishing, and brand development services. Its roster includes several high-profile artists across music and sports.
For his fans, this may not immediately change how John Legend sounds. But behind the scenes, the machinery powering his career has changed and that often shapes what the world hears next.
No additional details about the terms of the new agreement have been publicly disclosed and as such, this article is expected to be updated as latest updates come to light.
Easter is one of the most important moments in the Christian calendar. It is not just a celebration, it is a story of suffering, sacrifice, doubt, and ultimately, resurrection.
And while the Bible remains the central source of that story, film has found powerful ways to bring these moments to life.
If you are looking for films that truly capture the spirit of Easter, not just visually, but emotionally these three stand out.
The Passion of the Christ
Directed by Mel Gibson, The Passion of the Christ focuses entirely on the final hours of Jesus Christ from His arrest in Gethsemane to His crucifixion.
On the night of Passover, Jesus prays in the Garden of Gethsemane while his disciples fall asleep. Betrayed by Judas Iscariot, who has been bribed by the religious leaders, Jesus is arrested and taken before the Jewish council. Despite false accusations and a divided court, he is condemned to death for claiming to be the Son of God.
As Jesus is beaten and humiliated, Peter denies knowing him out of fear, later overcome with guilt. Meanwhile, Judas, filled with remorse, attempts to return the money but is rejected and ultimately takes his own life.
Jesus is brought before the Roman governor, Pontius Pilate, who finds no wrongdoing in him. After briefly sending him to Herod Antipas, Pilate gives in to public pressure and allows the crowd to choose between freeing Jesus or a criminal named Barabbas. When the crowd demands Jesus’ crucifixion, Pilate orders him to be flogged and sentenced to death.
Jesus is tortured, mocked, and forced to carry his cross to Golgotha. Along the way, he receives moments of compassion, including help from Simon of Cyrene. He is then crucified alongside two criminals. Even in suffering, Jesus forgives his persecutors and promises salvation to one of the thieves.
After enduring intense pain, Jesus dies on the cross, triggering a powerful earthquake and symbolic events in the temple. His body is taken down and buried. Days later, he rises from the dead, marking his victory over death and fulfilling his divine mission.
What makes the film stand out is its refusal to dilute the story. It does not rush past the pain or soften the brutality. Instead, it slows everything down, exposing viewers to each moment.
Risen
If The Passion of the Christ shows you the event, Risen more of like as the questions.
The film follows Roman tribune Clavius oversees the crucifixion of Jesus Christ and is tasked by Pontius Pilate to guard his tomb. When Jesus’ body mysteriously disappears, rumors spread that he has risen from the dead. Determined to prevent unrest in Jerusalem, Pilate orders Clavius to find the missing body.
Clavius begins a relentless investigation, questioning witnesses and followers such as Mary Magdalene and Bartholomew, but their cryptic answers only deepen the mystery. As reports of miraculous sightings grow, Clavius becomes increasingly unsettled. A disgraced Roman guard eventually describes a blinding, supernatural event at the tomb on the morning Jesus vanished, though Clavius initially dismisses it.
The case takes a dramatic turn when Clavius unexpectedly encounters Jesus alive, in the company of his disciples. Shocked by what he witnesses, he abandons his mission and begins to question everything he once believed. Turning away from his Roman allegiance, he secretly joins Jesus and his followers, seeking to understand the truth behind the resurrection.
As Roman forces, now led by his former aide Lucius, pursue him, Clavius helps the disciples evade capture. Along the journey, he witnesses miracles, including the healing of a leper, further strengthening his belief. Ultimately, Clavius sees Jesus ascend into heaven, confirming the reality of what once seemed impossible.
The disciples go their separate ways to continue their mission, while Clavius, forever changed, reflects on his journey, accepting that the truth he sought has transformed his life completely.
What makes Risen compelling is its perspective. Instead of telling the story from within the circle of believers, it tells it from the outside; from someone who does not believe, at least not at first.
It explores the confusion. The skepticism. The slow, reluctant shift from doubt to something that looks a lot like faith.
Son of God
Son of God takes a broader approach to the story of Jesus Christ, covering His life, ministry, crucifixion, and resurrection.
Unlike The Passion of the Christ, which focuses almost entirely on suffering, this film provides a more broader narrative. You see the teachings, the miracles, the growing following and then the eventual betrayal and sacrifice.
That wider scope makes it more accessible, especially for viewers who want to understand the full context of the Easter story.
The story follows the life, crucifixion, and resurrection of Jesus Christ, as recounted by his last surviving disciple, John. Born in Bethlehem to Mary and Joseph, Jesus is visited by wise men who recognize him as the future King.
As an adult, Jesus begins teaching in Galilee, gathering disciples including Peter, James, John, Matthew, and Mary Magdalene. Through miracles and sermons, he earns a large following but angers the Pharisees, who accuse him of blasphemy. Jesus predicts his own death and instructs his disciples to accompany him to Jerusalem for Passover.
During his triumphal entry, he is celebrated by the people but condemned by the Pharisees. Much later, Judas betrays him for thirty pieces of silver, and Jesus is arrested in the Garden of Gethsemane. Despite Pilate finding no fault, the crowd, swayed by Caiaphas, demands Jesus’ crucifixion. Jesus endures flogging, mockery, and the painful journey to Golgotha, where he is crucified. He forgives his persecutors, offers salvation to the repentant thief, and dies, triggering earthquakes and the tearing of the temple veil.
Three days later, Mary Magdalene discovers the tomb empty. Jesus appears to his disciples, proving his resurrection, and instructs them to spread his message worldwide. Forty days later, he ascends into Heaven, leaving his disciples to continue his work. John, the last surviving disciple, eventually lives in exile, recounting his story until Jesus appears to him one final time, promising his return.
Nigerian poet Adedayo Agarau has been recognised on an international stage. His 2026 poetry collection, The Years of Blood, was selected by the New York Public Library as one of the 25 Best New Poetry Books of 2026, a list that highlights the most compelling and significant poetry published each year.
Born in Ibadan in 1994, Agarau has rapidly become one of Nigeria’s most important contemporary poets. His writing engages with themes of memory, violence, spirituality, and cultural inheritance. He serves as Editor‑in‑Chief of Agbowó Magazine, an African literary journal, and contributes as Poetry Reviews Editor for The Rumpus. His poems have appeared in respected international publications, and he has been recognised with notable awards and fellowships, including the C.P. Cavafy Poetry Prize and a Wallace Stegner Fellowship at Stanford University.
The Years of Blood itself has also earned recognition beyond the NYPL list. It received the Poetic Justice Institute Editor’s Prize for BIPOC Writers and was listed among the most anticipated poetry collections of recent years in key literary circles. It has also won the 2026 Nossrat Yassini Poetry Prize at the Nossrat Yassini Poetry Festival, selected by the renowned poet Cornelius Eady.
The collection has been described by the NYPL as “a collected poetry of witness,” giving readers a powerful glimpse into lives marked by loss, memory, and societal violence. Rooted in Agarau’s experiences in Ibadan, the poems blend lyrical reflection with reportage, crafting a narrative that is both intimate and unflinching.
The New York Public Library (NYPL), founded in 1895, is one of the largest and most influential library systems in the world, serving millions of visitors each year across New York City. Beyond lending books, it is a hub for research, cultural programs, and literary recognition. The library maintains curated lists, including the annual Best New Poetry Books, which highlight the most significant and compelling collections of the year. Being selected by NYPL signals that a work has exceptional literary quality and global relevance.
Its annual list is curated by librarians and literary experts who review hundreds of new poetry titles, selecting only those that demonstrate exceptional craft, originality, and impact. Agarau’s inclusion places him among a global cohort of contemporary poets signaling the increasing recognition of African literary voices on the world stage.
