PinPoint has confirmed Chris Ihidero’s debut feature film, ‘Aloma’. Chris Ihidero serves as the writer and director of the film.

The film has officially wrapped filming and is currently in post-production.

The film, which is described as a “love story in a time of war – a war between those who have and those who don’t”, is fully financed by a consortium of investors led by MBO Capital and is scheduled for a major international premiere by 2026.

“Shooting has wrapped, post-production is ongoing, and everything is now set to bring fans up to speed on what has been going on behind the scenes. We believe Aloma is a film that transcends regional boundaries, telling a deeply human story with universal themes of love, struggle, and resilience in the modern African context,” said Wole Ajetomobi, Head of Productions, PinPoint Media.

“Chris Ihidero’s vision, the dedication of the cast and crew, and the strategic financial backing from MBO Capital has allowed us to create a work of exceptional quality that we anticipate will set a new benchmark for cinematic ambition on the continent,” Ajetomobi added.

Aloma is one of many more stories by Ihidero, which tell authentic and impactful African stories. The film draws inspiration from Chris Ihidero’s early life in the ghetto and trenches of Lagos.

First Trailer

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The movie will star Shawn Faqua, Folu Storms, Asa’ah Samuel, Ayo Maff, Kalu Ikeagwu, Segun Arinze, Tina Mba, Olakunle ‘Abounce’ Fawole, Princess Obuseh, Abolaji Ajibade, Keppy Ekpeyong, Juliet Ibrahim, Elvina Ibru, Jessica Blessing Obasi, Kamo State, Simi Hassan, Toyin Oshinaike, Samson Imanah, Kayode ’Aderupoko’ Olaiya, Jide Ibitoye and more.

The nominations for the 2026 Critics Choice Award (CCA) are in, it covers the best films for 2025 according to critics. The event will hold January 4th, 2026.

The full nominee List:

BEST PICTURE
Bugonia (Focus Features)
Frankenstein (Netflix)
Hamnet (Focus Features)
Jay Kelly (Netflix)
Marty Supreme (A24)
One Battle After Another (Warner Bros.)
Sentimental Value (Neon)
Sinners (Warner Bros.)
Train Dreams (Netflix)
Wicked: For Good (Universal Pictures)

BEST ACTOR
Timothée Chalamet – Marty Supreme (A24)
Leonardo DiCaprio – One Battle After Another (Warner Bros.)
Joel Edgerton – Train Dreams (Netflix)
Ethan Hawke – Blue Moon (Sony Pictures Classics)
Michael B. Jordan – Sinners (Warner Bros.)
Wagner Moura – The Secret Agent (Neon)

BEST ACTRESS
Jessie Buckley – Hamnet (Focus Features)
Rose Byrne – If I Had Legs I’d Kick You (A24)
Chase Infiniti – One Battle After Another (Warner Bros.)
Renate Reinsve – Sentimental Value (Neon)
Amanda Seyfried – The Testament of Ann Lee (Searchlight Pictures)
Emma Stone – Bugonia (Focus Features)

BEST SUPPORTING ACTOR
Benicio del Toro – One Battle After Another (Warner Bros.)
Jacob Elordi – Frankenstein (Netflix)
Paul Mescal – Hamnet (Focus Features)
Sean Penn – One Battle After Another (Warner Bros.)
Adam Sandler – Jay Kelly (Netflix)
Stellan Skarsgård – Sentimental Value (Neon)

BEST SUPPORTING ACTRESS
Elle Fanning – Sentimental Value (Neon)
Ariana Grande – Wicked: For Good (Universal Pictures)
Inga Ibsdotter Lilleaas – Sentimental Value (Neon)
Amy Madigan – Weapons (Warner Bros.)
Wunmi Mosaku – Sinners (Warner Bros.)
Teyana Taylor – One Battle After Another (Warner Bros.)

BEST YOUNG ACTOR / ACTRESS
Everett Blunck – The Plague (Independent Film Company)
Miles Caton – Sinners (Warner Bros.)
Cary Christopher – Weapons (Warner Bros.)
Shannon Mahina Gorman – Rental Family (Searchlight Pictures)
Jacobi Jupe – Hamnet (Focus Features)
Nina Ye – Left-Handed Girl (Netflix)

BEST DIRECTOR
Paul Thomas Anderson – One Battle After Another (Warner Bros.)
Ryan Coogler – Sinners (Warner Bros.)
Guillermo del Toro – Frankenstein (Netflix)
Josh Safdie – Marty Supreme (A24)
Joachim Trier – Sentimental Value (Neon)
Chloé Zhao – Hamnet (Focus Features)

BEST ORIGINAL SCREENPLAY
Noah Baumbach, Emily Mortimer – Jay Kelly (Netflix)
Ronald Bronstein, Josh Safdie – Marty Supreme (A24)
Ryan Coogler – Sinners (Warner Bros.)
Zach Cregger – Weapons (Warner Bros.)
Eva Victor – Sorry, Baby (A24)
Eskil Vogt, Joachim Trier – Sentimental Value (Neon)

BEST ADAPTED SCREENPLAY
Paul Thomas Anderson – One Battle After Another (Warner Bros.)
Clint Bentley, Greg Kwedar – Train Dreams (Netflix)
Park Chan-wook, Lee Kyoung-mi, Don Mckellar, Jahye Lee – No Other Choice (Neon)
Guillermo del Toro – Frankenstein (Netflix)
Will Tracy – Bugonia (Focus Features)
Chloé Zhao, Maggie O’Farrell – Hamnet (Focus Features)

BEST CASTING AND ENSEMBLE
Nina Gold – Hamnet (Focus Features)
Douglas Aibel, Nina Gold – Jay Kelly (Netflix)
Jennifer Venditti – Marty Supreme (A24)
Cassandra Kulukundis – One Battle After Another (Warner Bros.)
Francine Maisler – Sinners (Warner Bros.)
Tiffany Little Canfield, Bernard Telsey – Wicked: For Good (Universal Pictures)

BEST CINEMATOGRAPHY
Claudio Miranda – F1 (Apple Original Films)
Dan Laustsen – Frankenstein (Netflix)
Łukasz Żal – Hamnet (Focus Features)
Michael Bauman – One Battle After Another (Warner Bros.)
Autumn Durald Arkapaw – Sinners (Warner Bros.)
Adolpho Veloso – Train Dreams (Netflix)

BEST PRODUCTION DESIGN
Kasra Farahani, Jille Azis – The Fantastic Four: First Steps (Marvel Studios)
Tamara Deverell, Shane Vieau – Frankenstein (Netflix)
Fiona Crombie, Alice Felton – Hamnet (Focus Features)
Jack Fisk, Adam Willis – Marty Supreme (A24)
Hannah Beachler, Monique Champagne – Sinners (Warner Bros.)
Nathan Crowley, Lee Sandales – Wicked: For Good (Universal Pictures)

BEST EDITING
Kirk Baxter – A House of Dynamite (Netflix)
Stephen Mirrione – F1 (Apple Original Films)
Ronald Bronstein, Josh Safdie – Marty Supreme (A24)
Andy Jurgensen – One Battle After Another (Warner Bros.)
Viridiana Lieberman – The Perfect Neighbor (Netflix)
Michael P. Shawver – Sinners (Warner Bros.)

BEST COSTUME DESIGN
Kate Hawley – Frankenstein (Netflix)
Malgosia Turzanska – Hamnet (Focus Features)
Lindsay Pugh – Hedda (Amazon MGM Studios)
Colleen Atwood, Christine Cantella – Kiss of the Spider Woman (Lionsgate/Roadside Attractions)
Ruth E. Carter – Sinners (Warner Bros.)
Paul Tazewell – Wicked: For Good (Universal Pictures)

BEST HAIR AND MAKEUP
Flora Moody, John Nolan – 28 Years Later (Sony Pictures)
Mike Hill, Jordan Samuel, Cliona Furey – Frankenstein (Netflix)
Siân Richards, Ken Diaz, Mike Fontaine, Shunika Terry – Sinners (Warner Bros.)
Kazu Hiro, Felix Fox, Mia Neal – The Smashing Machine (A24)
Leo Satkovich, Melizah Wheat, Jason Collins – Weapons (Warner Bros.)
Frances Hannon, Mark Coulier, Laura Blount – Wicked: For Good (Universal Pictures)

BEST VISUAL EFFECTS
Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett – Avatar: Fire And Ash (20th Century Studios)
Ryan Tudhope, Nikeah Forde, Robert Harrington, Nicolas Chevallier, Eric Leven, Edward Price, Keith Dawson – F1 (Apple Original Films)
Dennis Berardi, Ayo Burgess, Ivan Busquets, José Granell – Frankenstein (Netflix)
Alex Wuttke, Ian Lowe, Jeff Sutherland, Kirstin Hall – Mission: Impossible – The Final Reckoning (Paramount Pictures)
Michael Ralla, Espen Nordahl, Guido Wolter, Donnie Dean – Sinners (Warner Bros.)
Stephane Ceretti, Enrico Damm, Stéphane Nazé, Guy Williams – Superman (Warner Bros.)

BEST STUNT DESIGN
Stephen Dunlevy, Kyle Gardiner, Jackson Spidell, Jeremy Marinas, Jan Petřina, Domonkos Párdányi, Kinga Kósa-Gavalda – Ballerina (Lionsgate)
Gary Powell, Luciano Bacheta, Craig Dolby – F1 (Apple Original Films)
Wade Eastwood – Mission: Impossible – The Final Reckoning (Paramount Pictures)
Brian Machleit – One Battle After Another (Warner Bros.)
Andy Gill – Sinners (Warner Bros.)
Giedrius Nagys – Warfare (A24)

BEST ANIMATED FEATURE
Arco (Neon)
Elio (Walt Disney Studios Motion Pictures)
In Your Dreams (Netflix)
KPop Demon Hunters (Netflix)
Little Amélie or the Character of Rain (GKIDS)
Zootopia 2 (Walt Disney Animation Studios)

BEST COMEDY
The Ballad of Wallis Island (Focus Features)
Eternity (A24)
Friendship (A24)
The Naked Gun (Paramount)
The Phoenician Scheme (Focus Features)
Splitsville (Neon)

BEST FOREIGN LANGUAGE FILM
It Was Just an Accident (Neon)
Left-Handed Girl (Netflix)
No Other Choice (Neon)
The Secret Agent (Neon)
Sirât (Neon)
Belén (Amazon MGM Studios)

BEST SONG
“Drive” – Ed Sheeran, John Mayer, Blake Slatkin – F1 (Apple Original Films)
“Golden” – Ejae, Mark Sonnenblick, Ido, 24, Teddy – KPop Demon Hunters (Netflix)
“I Lied to You” – Raphael Saadiq, Ludwig Göransson – Sinners (Warner Bros.)
“Clothed by the Sun” – Daniel Blumberg – The Testament of Ann Lee (Searchlight Pictures)
“Train Dreams” – Nick Cave, Bryce Dessner – Train Dreams (Netflix)
“The Girl in the Bubble” – Stephen Schwartz – Wicked: For Good (Universal Pictures)

BEST SCORE
Hans Zimmer – F1 (Apple Original Films)
Alexandre Desplat – Frankenstein (Netflix)
Max Richter – Hamnet (Focus Features)
Daniel Lopatin – Marty Supreme (A24)
Jonny Greenwood – One Battle After Another (Warner Bros.)
Ludwig Göransson – Sinners (Warner Bros.)

BEST SOUND
Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo, Juan Peralta, Gareth John – F1 (Apple Original Films)
Nathan Robitaille, Nelson Ferreira, Christian Cooke, Brad Zoern, Greg Chapman – Frankenstein (Netflix)
Jose Antonio Garcia, Christopher Scarabosio, Tony Villaflor – One Battle After Another (Warner Bros.)
Chris Welcker, Benny Burtt, Brandon Proctor, Steve Boeddeker, Felipe Pacheco, David V. Butler – Sinners (Warner Bros.)
Laia Casanovas – Sirât (Neon)
Mitch Low, Glenn Freemantle, Ben Barker, Howard Bargroff, Richard Spooner – Warfare (A24)

TELEVISION NOMINATIONS FOR THE 31ST ANNUAL CRITICS CHOICE AWARDS

BEST DRAMA SERIES
Alien: Earth (FX)
Andor (Disney+)
The Diplomat (Netflix)
Paradise (Hulu)
The Pitt (HBO Max)
Pluribus (Apple TV)
Severance (Apple TV)
Task (HBO Max)

BEST ACTOR IN A DRAMA SERIES
Sterling K. Brown – Paradise (Hulu)
Diego Luna – Andor (Disney+)
Mark Ruffalo – Task (HBO Max)
Adam Scott – Severance (Apple TV)
Billy Bob Thornton – Landman (Paramount+)
Noah Wyle – The Pitt (HBO Max)

BEST ACTRESS IN A DRAMA SERIES
Kathy Bates – Matlock (CBS)
Carrie Coon – The Gilded Age (HBO Max)
Britt Lower – Severance (Apple TV)
Bella Ramsey – The Last of Us (HBO Max)
Keri Russell – The Diplomat (Netflix)
Rhea Seehorn – Pluribus (Apple TV)

BEST SUPPORTING ACTOR IN A DRAMA SERIES
Patrick Ball – The Pitt (HBO Max)
Billy Crudup – The Morning Show (Apple TV)
Ato Essandoh – The Diplomat (Netflix)
Wood Harris – Forever (Netflix)
Tom Pelphrey – Task (HBO Max)
Tramell Tillman – Severance (Apple TV)

BEST SUPPORTING ACTRESS IN A DRAMA SERIES
Nicole Beharie – The Morning Show (Apple TV)
Denée Benton – The Gilded Age (HBO Max)
Allison Janney – The Diplomat (Netflix)
Katherine LaNasa – The Pitt (HBO Max)
Greta Lee – The Morning Show (Apple TV)
Skye P. Marshall – Matlock (CBS)

BEST COMEDY SERIES
Abbott Elementary (ABC)
Elsbeth (CBS)
Ghosts (CBS)
Hacks (HBO Max)
Nobody Wants This (Netflix)
Only Murders in the Building (Hulu)
The Righteous Gemstones (HBO Max)
The Studio (Apple TV)

BEST ACTOR IN A COMEDY SERIES
Adam Brody – Nobody Wants This (Netflix)
Ted Danson – A Man on the Inside (Netflix)
David Alan Grier – St. Denis Medical (NBC)
Danny McBride – The Righteous Gemstones (HBO Max)
Seth Rogen – The Studio (Apple TV)
Alexander Skarsgård – Murderbot (Apple TV)

BEST ACTRESS IN A COMEDY SERIES
Kristen Bell – Nobody Wants This (Netflix)
Natasha Lyonne – Poker Face (Peacock)
Rose McIver – Ghosts (CBS)
Edi Patterson – The Righteous Gemstones (HBO Max)
Carrie Preston – Elsbeth (CBS)
Jean Smart – Hacks (HBO Max)

BEST SUPPORTING ACTOR IN A COMEDY SERIES
Ike Barinholtz – The Studio (Apple TV)
Paul W. Downs – Hacks (HBO Max)
Asher Grodman – Ghosts (CBS)
Oscar Nuñez – The Paper (Peacock)
Chris Perfetti – Abbott Elementary (ABC)
Timothy Simons – Nobody Wants This (Netflix)

BEST SUPPORTING ACTRESS IN A COMEDY SERIES
Danielle Brooks – Peacemaker (HBO Max)
Hannah Einbinder – Hacks (HBO Max)
Janelle James – Abbott Elementary (ABC)
Justine Lupe – Nobody Wants This (Netflix)
Ego Nwodim – Saturday Night Live (NBC)
Rebecca Wisocky – Ghosts (CBS)

BEST LIMITED SERIES
Adolescence (Netflix)
All Her Fault (Peacock)
Chief of War (Apple TV)
Death by Lightning (Netflix)
Devil in Disguise: John Wayne Gacy (Peacock)
Dope Thief (Apple TV)
Dying for Sex (FX on Hulu)
The Girlfriend (Prime Video)

BEST MOVIE MADE FOR TELEVISION
Bridget Jones: Mad About the Boy (Peacock)
Deep Cover (Prime Video)
The Gorge (Apple TV)
Mountainhead (HBO Max)
Nonnas (Netflix)
Summer of ’69 (Hulu)

BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Michael Chernus – Devil in Disguise: John Wayne Gacy (Peacock)
Stephen Graham – Adolescence (Netflix)
Brian Tyree Henry – Dope Thief (Apple TV)
Charlie Hunnam – Monster: The Ed Gein Story (Netflix)
Matthew Rhys – The Beast in Me (Netflix)
Michael Shannon – Death by Lightning (Netflix)

BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Jessica Biel – The Better Sister (Prime Video)
Meghann Fahy – Sirens (Netflix)
Sarah Snook – All Her Fault (Peacock)
Michelle Williams – Dying for Sex (FX on Hulu)
Robin Wright – The Girlfriend (Prime Video)
Renée Zellweger – Bridget Jones: Mad About the Boy (Peacock)

BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Owen Cooper – Adolescence (Netflix)
Wagner Moura – Dope Thief (Apple TV)
Nick Offerman – Death by Lightning (Netflix)
Michael Peña – All Her Fault (Peacock)
Ashley Walters – Adolescence (Netflix)
Ramy Youssef – Mountainhead (HBO Max)

BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Erin Doherty – Adolescence (Netflix)
Betty Gilpin – Death by Lightning (Netflix)
Marin Ireland – Devil in Disguise: John Wayne Gacy (Peacock)
Sophia Lillis – All Her Fault (Peacock)
Julianne Moore – Sirens (Netflix)
Christine Tremarco – Adolescence (Netflix)

BEST FOREIGN LANGUAGE SERIES
Acapulco (Apple TV)
Last Samurai Standing (Netflix)
Mussolini: Son of the Century (MUBI)
Red Alert (Paramount+)
Squid Game (Netflix)
When No One Sees Us (HBO Max)

BEST ANIMATED SERIES
Bob’s Burgers (Fox)
Harley Quinn (HBO Max)
Long Story Short (Netflix)
Marvel Zombies (Disney+)
South Park (Comedy Central)
Your Friendly Neighborhood Spider-Man (Disney+)

BEST TALK SHOW
The Daily Show (Comedy Central)
Hot Ones (YouTube)
Jimmy Kimmel Live! (ABC)
Late Night with Seth Meyers (NBC)
The Late Show with Stephen Colbert (CBS)
Watch What Happens Live with Andy Cohen (Bravo)

BEST VARIETY SERIES
Conan O’Brien Must Go (HBO Max)
Last Week Tonight with John Oliver (HBO Max)
Saturday Night Live (NBC)

BEST COMEDY SPECIAL
Brett Goldstein: The Second Best Night of Your Life (HBO Max)
Caleb Hearon: Model Comedian (HBO Max)
Leanne Morgan: Unspeakable Things (Netflix)
Marc Maron: Panicked (HBO Max)
Sarah Silverman: PostMortem (Netflix)
SNL50: The Anniversary Special (NBC)

The French media giant Canal+, in the early hours of 13th October, announced it has acquired over 90% of Africa and South Africa’s media giant, MultiChoice Group.

The company, which initiated its buyout and takeover of MultiChoice Group, now owns 94.39% of MCG shares.

It now plans to squeeze out the remaining shareholders of the company, as a result owning 100% of the company shares and voting power.

The company also plans to terminate MultiChoice from the Johannesburg Stock Exchange, replacing it with CANAL+, solidifying itself as a solid competitor in South Africa and Africa.

In the official press release, CANAL+ CEO Maxime Saada said, “We are pleased with the overwhelming success of the offer. Following this outcome, we will now acquire the remaining shares in MultiChoice and seek a secondary inward listing of CANAL+ in Johannesburg, in addition to our primary listing in London. We were clear the day we launched the acquisition of MultiChoice that this was a commitment we wanted to make. Given the important role CANAL+ will now play in South Africa and across the African continent, we believe it is critically important that domestic investors have the are able to have exposure to a leading media and entertainment company on the Johannesburg Stock Exchange while investors continue to get access to CANAL+ through the London Stock Exchange platform.”

MultiChoice Group is now valued at #3.2 billion.

About a month ago, Hollywood was shaken when the announcement was made that the Ellison family backed Paramount Skydance’s plans to purchase Warner Bros. Discovery. If the deals go through, Paramount ($18.6B) and David Ellison will become the kings of Hollywood, sitting on Warner Bros.’ ($42.3B) valuable IP.

In the early hours of October 12, it was reported that Warner Bros. had rejected Paramount Skydance’s acquisition price, stating it was too low per share.

According to Bloomberg, Paramount’s initial bid of $20 per share was not attractive to Warner Bros. Discovery despite its stock price being around $17 on Friday’s market close.

David Ellison will allegedly re-evaluate his bid, looking for additional funds and backing while taking his bid directly to WBD shareholders.

This will be Ellison’s second big move in Hollywood this year. Earlier this year, David Ellison’s Skydance completed its merger with Paramount at $8 billion. Skdance Media is now the parent company to Nickelodeon, MTV, CBS and more, including properties like Teenage Mutant Ninja Turtles and Star Trek.

Warner Bros. Discovery is expected to split into two companies (Warner Bros. the Studio and Discovery Global for all the TV properties); companies like Paramount, Skydance, and Netflix are in a bidding war to acquire all of its properties, with more expected to announce their interest in the coming months.

At the Peacock Theatre in Los Angeles, the 2025 Creative Arts Emmy Awards were held, celebrating television, arts, culture, and crafts. Over 100 films, creatives, and filmmakers were nominated across multiple categories, and a total of 50 awards were handed over.

The Penguin, Andor, and Bridgeton were among the top winners of the night. In acting, Bryan Cranston and Julianne Nicholson were both presented with an award as guest stars in Hacks and The Studio, respectively. Meanwhile, in animation, Arcane and Love, Death + Robots were big winners.

Follow @streamdom on X for more movie news.

Full List of Awards:

GUEST ACTRESS IN A COMEDY SERIES
Julianne Nicholson, Hacks

CONTEMPORARY MAKEUP (NON-PROSTHETIC)
The Penguin

PROSTHETIC MAKEUP
The Penguin

PERIOD OR FANTASY/SCI-FI MAKEUP (NON-PROTHETIC)
House of the Dragon

PERIOD COSTUMES
Bridgerton

CONTEMPORARY COSTUMES FOR A SERIES
The Studio

CONTEMPORARY COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES, OR MOVIE
The Penguin

FANTASY/SCI-FI COSTUMES
Andor

PERIOD OR FANTASY/SCI-FI HAIRSTYLING
Bridgerton

CONTEMPORARY HAIRSTYLING
The Penguin

PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)
Severance

PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
The Studio

AD

PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE-HOUR OR MORE)
Andor

CASTING FOR A DRAMA SERIES
The Pitt

GUEST ACTOR IN A COMEDY SERIES
Bryan Cranston, The Studio

CASTING FOR A COMEDY SERIES
The Studio

CASTING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Adolescence

STUNT COORDINATION FOR COMEDY PROGRAMMING
The Righteous Gemstones

STUNT COORDINATION FOR DRAMA PROGRAMMING
The Boys

STUNT PERFORMANCE
The Boys

ANIMATED PROGRAM
Arcane

CHARACTER VOICE-OVER PERFORMANCE
Julie Andrews, Bridgerton

INDIVIDUAL ACHIEVEMENT IN ANIMATION (juried)
Arcane, background design
Arcane, color
Love, Death + Robots, Production Design
Love, Death + Robots, Character Animation
Love, Death + Robots, Character Design

CHOREOGRAPHY FOR SCRIPTED PROGRAMMING
Étoile

PICTURE EDITING FOR A SINGLE-CAMERA COMEDY SERIES
The Studio

PICTURE EDITING FOR A MULTI-CAMERA COMEDY SERIES
Frasier

GUEST ACTRESS IN A DRAMA SERIES
Merritt Wever, Severance

PICTURE EDITING FOR A DRAMA SERIES
Andor

PICTURE EDITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Monsters: The Lyle & Erik Menendez Story

SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE
Andor

TITLE DESIGN
Severance

SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE
The Penguin

MOTION DESIGN (juried)
Octopus!

SOUND EDITING FOR A COMEDY OR DRAMA SERIES
The Last of Us

SOUND EDITING FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL
The Penguin

SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR)
The Studio

SOUND EDITING FOR AN ANIMATED PROGRAM
Arcane

SOUND MIXING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
The Penguin

I think the one thing haters and fans of the DCU can all agree on is that it’s hard to keep up with what is canon – and we’re just 3 projects in.

Many have argued that a full reboot of the DCEU would have better solved these issues, but if you were James Gunn, would you reboot your projects, especially when they are the most loved by the audience? The thought of the question would open another can of worms.

Hired in October 2022, James Gunn and Peter Safran were tasked with ushering in a new era of thriving and coherent DC content. Coming from the mess of the Snyderverse, the Gunnverse came with its own mess… “the not-so-reboot, reboot”.

James Gunn has been on a “tour” trying to explain the DC universe to new and old fans, but that is not enough, as I ask myself in the middle of the night… why not do a full reboot?

The new logic is similar to the logic used in comics. You see, in comics, the writer for the continuity of a project changes hands often, and most times the new writers dislike or forget the old logic, so what they do instead is create a new narrative and gaslight the audience into thinking that what’s always happened. You can take comic events like Jon Kent (Superman’s son) becoming 17 and 10 multiple times with no explanation, or switching from New 52 to Rebirth without explanation.

This, of course, has been discussed by studio execs but hasn’t really been tested on this scale. James Gunn is pushing the boundary and changing how we view superhero media. Take Superman, for example; it is a full-blown comic book movie, and now in Peacemaker, it uses comic book logic to explain to fans that this is a new universe.

The DCU maintains some of the actors and storylines of the DCEU, and this builds a new narrative for this DC Universe. The cast and characters of the DCEU Peacemaker season 1 return for season 2, which is set in the DCU. This caused a bit of a problem amongst the general audience: “Are Suicide Squad, The Suicide Squad, and Peacemaker now canon?” No and yes.

At the beginning of Peacemaker Season 2 Episode 1, we got “previously in the DCU,” an explanation on all thing DCU and what carries over into this new universe. We saw some details change, which include the inclusion of the Justic Gang at the butterfly battle ground on the farm and the green lantern joke. Why not reshoot theses scences? James Gunn explained to TV Insider, “unfortunately I’d have to change too many little things throughout Season 1, and it would cost too much money.” 

The beauty of this new DCU is you can always skip a project but if you choose to follow all, note that it becomes canon if and only if it is mentioned in this new project.

Calling Superman nostalgic will be a hyperbole, but it is. James Gunn’s ‘Superman’ takes me back to the days when I woke up at 3 in the morning to watch cartoons without my parents’ knowledge (I’m pretty sure my mum was aware), the days when everything seemed bright in the world, and the days that made me fall in love with superheroes and comics. 

James Gunn’s Superman is meant to remind us of why we fell in love with the character and comics as a whole, but did it achieve its job?

In the plethora of points made by the ever-divided fandom of DC, a standout point of argument is that “Man of Steel” is too dark. For the general audience, this means nothing; movies are movies. Why should a parent who has worked all month take their precious money to see this movie? 

The creatives and execs at the time of DCEU left a big dent in the DC brand, and with James Gunn steering the ship, will everything be bright and beautiful? Can this DCU rival the already falling MCU? Time will tell.

Movie Overview

Superman follows Clark Kent/Superman, who must reconcile his Kryptonian heritage with his human upbringing while saving the world from a self-centered billionaire with a saviour complex, determined to destroy him both emotionally and literally.

While the movie has a nod to today’s world, I will argue that this is a classic case of life imitating art. From tone to action and dialogue, this is a movie that raises the question, “What does being good in today’s world look like?”

The Positives

Think of the first time you opened a comic book, or the first animation you watched as a kid… In rare cases, your introduction to that world is an origin story. James Gunn has said this on multiple occasions: this is not an origin story; expect to be dropped right in the middle. 

The concerns of many, rightfully so, will be the amount of jokes in this movie and to my surprise, it’s way less than you will expect. 

James Gunn managed to create a film with heartfelt moments without his jokes, which may come off as corny to some. The funniest jokes are those in real situations that everyday people can relate to. Some jokes sadly did not stick, and some could be felt a mile away, but the funniest of them is a surprise cameo.

With past iterations trying to drag and showcase Superman’s power set, this movie is about who he is or, at the very least, believes himself to be at the core. Questions like, should those with too much power oppress or intervene? Superman ignorantly believes in the good of humanity.

The casting of this movie is arguably the best casting of all iterations of Superman. Every cast did 150% with what they had. More on our YouTube:

Neutral Point

Despite being the coal to the Orient Express, the score was all over the place. The nostalgia in the John Williams theme was useful in some parts of the movie, but in most places, it felt over the top.

The flying scenes were a choice, but the action mid-flight was beautiful.

Negative Point

Despite how “comic booky” this movie is, the number of characters could use more screen time, especially a female superhero. Each tertiary character tried to shine, but with such great talent, you forget this is a Superman movie.

To compensate for not being an origin story, James Gunn found the worst way to make the audience understand why things are the way they are. I don’t think there is a reason why actual people will have to explain, without being asked, why you only wear a gold chain. This movie found a way to make callbacks annoying. What’s worse is there’s nothing to call back to.

Conclusion

Superman delivers on its promises: a great movie experience that poses the question, “What does it mean to be good?” This is a great start to the vision of the DCU, but will it end up like the old DC and new Marvel?

Streamdorm Movie Rating: 8.5/10

I don’t think you’ve noticed…

Although the majority of our social media posts cover international entertainment, Streamdorm is Nigerian-owned. So I want to say a big thank you to you for subscribing; you have no idea how big your impact is in realizing our dream.

What’s happening in Hollywood?

The industry we all love, the industry which, till this day, colonizes cultures. It’s sad to see what’s happening, and it seems like it is eating itself. What’s happening?

For years, Hollywood has always been about fostering the ideas of creatives, creating movies and products that have helped shape American culture. Star Trek, Star Wars, Rocky, The Exorcist, Rambo, Top Gun, E.T., Coming To America, and so on are part of a long list of movies that have been exported outside of America and now have a history of many, including myself, here in Nigeria. But what could be wrong?

These past years, our screens have been filled with adaptations, sequels, remakes and reboots, while that may be good, the obvious elephant in the room will be the re-messaging. Snow White, Ghostbusters, Lightyear, The Little Mermaid, The Last of US: Part II, Batwoman are a few of many movies and shows where the original audience loved was changed to serve a purpose. Trust me when I say it’s not because of the hate of a particular gender or inclusivity. Into The Spider-verse, Barbie, Captain Marvel, Wonder Woman, Crazy Rich Asians, and Get Out are great examples that, if done right, your movies can do well at the box office.

Hollywood, in its attempt to play all sides or, in most cases, play social justice hero, ends up mocking its audience. Recently, we had the casting of Paapa Essiedu as Severus Snape, which to this day, is facing backlash.

Before you go on thinking this newsletter issue is about politics, it’s not. This year we had Snow White, Captain America 4, and Thunderbolts from Disney, none became a box office success, and on the other hand, we had Companion, Mickey 17, The Alto Knights and The Day the Earth Blew Up: A Looney Tunes Movie from Warner Bros – all flopped. What some may consider woke movies, Sinners and A Minecraft Movie, and Ne Zha 2, became a success. The original being Sinners.

The truth is that a lot of factors play into a box office success, and it all falls down to the answer to this question: “Will the general audience spend their hard-earned money to see this movie?”

As a creative and an industry executive, it is your duty to ask the tough questions. As much as art should be made without constraint, we should also consider the normies. You don’t want to end up as the villain thinking you were the hero all this time.

So, how does this affect Nollywood?

While we’re yet to spend 70 million dollars making movies, it is important to watch and learn. Hollywood once thought they were untouchable, but as time went on, politics and the economy became a reality for them. In Nigeria, we understand the economy. Even consuming this content is expensive; now imagine producing it.

The quality of the art should always be a priority, and the messaging should always reflect what the majority are thinking. While you may think you know what’s right from wrong, you may be blatantly wrong.

At the end of the day, it is important to point out you DO NOT, for any reason, let people crush you for sharing what you think is right. While it may be labelled “woke” or “fascist,” you have to use your voice to speak, and to be honest, we live in a time where the meaning of those words is lost.

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While you’re here…

South African pop queen Tyla is at it, but this time it’s a top record: only one person has broken it—the first African solo artist with a song to surpass 1 billion streams on Spotify.

As of February 2025, Tyla became the first solo artist with a song (“Water”) to surpass one billion streams on Spotify. The song, which was released on July 28, 2023, took the entire world to the borders of South Africa.

The song peaked at #7 on the Billboard Hot 100 and #1 on the Hot R&B Songs charts. It also spent 15 weeks on the Billboard 200, peaking at #24.

‘Water’ won many international awards, including MTV VMAs, MTV EMA, BET, and Grammys.

Another Billion club member achieved this but with the help of Selena Gomez on “Calm Down Remix.”

It’s been 20 years since Aang was discovered, the destined Avatar who was tasked to unite the four nations. Seven years later, it was Korra’s story, and now, 13 years later, that universe, which raised a generation, is getting another addition.

Nickelodeon has called on the original creators, Michael DiMartino and Bryan Konietzko, to release another chapter to the Avatar Universe.

The new show will be ‘Avatar: Seven Havens,‘ a 26-episode, 2D animation currently in the works. Each season (aka books in Avatar) will be 13 episodes each produced by Avatar Studios. Other information like casting and premiere date is yet to be revealed.

“When we created the original series, we never imagined we’d still be expanding the world decades later,” DiMartino and Konietzko said in a joint statement. “This new incarnation of the Avatarverse is full of fantasy, mystery, and a whole new cast of amazing characters. Get ready to take another epic and emotional adventure!”

The Netflix live-action show ‘Avatar: The Last Airbender’ is expected to run for two more seasons. The show’s original creators, DiMartino and Konietzko, were originally expected to develop the show for Netflix, but that fell through due to creative differences.

In 2021, they returned to Nickelodeon to run Avatar Studios as co-chief creative officers and help build Avatarverse across film and TV.

A feature film for The Last Airbender focusing on the original series’ main character, Aang, is set for release in January 2026, starring Dave Bautista, Dionne Quan, Jessica Matten, Román Zaragoza, and Eric Nam.