Category: Digital

Leonid Radvinsky, the billionaire owner of OnlyFans, has died at the age of 43 following a private battle with cancer, according to multiple reports released on March 23, 2026.

A statement from the platform’s parent company, Fenix International, confirmed that Radvinsky “passed away peacefully after a long illness,” noting that his health struggles had not been made public prior to his death.

Radvinsky, a Ukrainian-American entrepreneur, was widely known for his low-profile lifestyle despite overseeing one of the most financially successful digital platforms of the past decade.

He acquired Fenix International in 2018, taking control of OnlyFans before its explosive global rise. Under his leadership, the platform evolved into a multi billion dollar business, particularly during the COVID-19 pandemic when demand for digital content and creator monetization increased worldwide.

OnlyFans became a major force in the creator economy, allowing users to earn directly from subscribers. While the platform gained prominence for adult content, it also expanded into fitness, music, lifestyle, and other creator-driven industries.

Radvinsky’s ownership of OnlyFans is extraordinarily lucrative. Over the years, he reportedly earned hundreds of millions of dollars in dividends as the platform’s revenue grew significantly.

By the mid-2020s, OnlyFans had become one of the most influential subscription-based platforms globally. Despite this success, Radvinsky remained largely absent from public appearances, interviews, and media engagement.

More details are expected to emerge regarding leadership transition and the long-term future of OnlyFans.

Japanese gaming company Nintendo has filed a lawsuit against the United States government, arguing that tariffs imposed on imported goods during the administration of Donald Trump were unlawful. The company is asking the court to refund the money it paid in tariffs, along with interest and legal costs.

The case was filed at the United States Court of International Trade and focuses on tariffs that were placed on a wide range of imported products, including electronics and components used in gaming hardware.

The duties were imposed using the International Emergency Economic Powers Act (IEEPA), a law that allows U.S. presidents to take economic actions during national emergencies.

However, Nintendo argues that the law does not authorize the president to impose sweeping import tariffs. The company’s argument gained strength after a recent decision by the Supreme Court of the United States, which ruled in February 2026 that the use of IEEPA to impose tariffs exceeded presidential authority.

Following that ruling, companies that paid the tariffs began exploring legal options to recover the money they were required to pay.

Nintendo is now asking the court to order the government to return those funds with interest, arguing that the tariffs were collected without proper legal authority.

Like many global electronics companies, Nintendo relies on manufacturing facilities in Asia for the production of its consoles and accessories.

Many of these products are then shipped to the United States, one of the company’s largest markets. The tariffs increased import costs on those goods, affecting supply chains and raising operational expenses.

Nintendo’s lawsuit is part of a broader wave of legal challenges from companies that were affected by the tariffs.

Since the Supreme Court’s decision, businesses across multiple industries, including retailers, manufacturers, and logistics firms have started filing cases seeking refunds.

Nintendo’s case will now proceed through the Court of International Trade, where judges will determine whether the tariffs were indeed imposed without legal authority and whether companies are entitled to refunds.

MultiChoice Group, Africa’s leading pay-TV company, now owned by the French media conglomerate Canal+, has officially confirmed that its streaming service Showmax will be phased out.

The announcement was made on March 5, 2026, following a comprehensive review by the Showmax board of the platform’s performance and its long-term sustainability in an increasingly competitive entertainment landscape.

According to the companies, the primary reason for the decision is financial. Despite years of heavy investment, including a major relaunch in 2024 that introduced new content offerings, improved user interfaces, and partnerships with both local and international studios, Showmax struggled to generate consistent profits.

The global streaming market has also become more competitive. International platforms such as Netflix, Disney+, and Amazon Prime Video continue to dominate the space, attracting massive audiences and securing significant shares of subscription and advertising revenue.

Another major challenge has been infrastructure. In several parts of Africa, inconsistent or limited internet connectivity still restricts the widespread adoption of streaming services, limiting the growth potential of platforms like Showmax.

While confirming the shutdown, MultiChoice and Canal+ emphasized that the decision is part of a broader strategy aimed at strengthening the company’s financial stability and long-term sustainability.

They also reassured employees and stakeholders that the closure will not result in job losses. Staff members affected by the shutdown will be offered alternative roles or projects within the company, reflecting a commitment to internal redeployment and employee retention.

For current subscribers, the immediate impact will be minimal. Showmax will continue operating normally for now, with users still able to stream content without interruption.

Although the company has not yet announced a final shutdown date, it said updates regarding subscription status, possible refunds, and timelines will be communicated directly to users through the app and email notifications.

Subscribers have been advised to monitor these channels for official instructions as the transition process unfolds.

Launched in 2015, Showmax quickly built a reputation for offering a diverse library of content. The platform featured a mix of African originals, international films and series, reality programming, and Nollywood titles.

Over the years, Showmax positioned itself as a homegrown alternative in a streaming market largely dominated by global platforms. It also provided an important distribution platform for African creators, helping bring local stories to audiences across the continent.

MultiChoice owner Canal+ to shut down Showmax streaming service, after 11 years pic.twitter.com/FH5QDhNutP

— Streamdorm | Film & TV News (@Streamdorm_) March 5, 2026

Apple has officially unveiled a new generation of the MacBook Air powered by its latest M5 chip, introducing upgraded performance and expanded base storage to its most popular laptop line.

The new MacBook Air comes equipped with Apple’s M5 processor, delivering improved CPU and GPU performance over the previous generation. The company confirmed that the device maintains its fanless design while offering enhanced efficiency and extended battery life of up to 18 hours, depending on usage. Apple has also increased the base storage configuration to 512GB, doubling the previous entry-level capacity.

The laptop retains its slim aluminum build and Liquid Retina display and will be available in both 13-inch and 15-inch models. Pre-orders begin shortly after the announcement, with retail availability following days later in select markets.

During promotional materials and launch visuals tied to the unveiling, Apple featured “Let’s Start,” the 1971 Afrobeat track by Fela Kuti. The song was originally performed by Fela and his band Africa ’70 and appeared on the live album Live! released in 1971. The track is widely regarded as one of the early recordings that helped define the Afrobeat genre.

“Let’s Start” is known for its extended instrumental structure and rhythmic arrangement, characteristic of Fela’s early 1970s sound. Its inclusion in the MacBook Air M5 launch marks a notable intersection between global technology branding and African musical heritage.

The inclusion of a foundational Nigerian record in a global product unveiling comes at a time when Nigeria’s digital and cultural markets are expanding their international footprint.

Nigeria remains one of Africa’s largest smartphone markets, with recent rebounds in device shipments and sustained demand in the premium segment despite broader price sensitivity. While mass-market brands dominate by volume, premium devices  including Apple products maintain strong aspirational appeal among urban and affluent consumers. At the same time, Nigeria’s youthful population and mobile-first economy continue to drive high levels of app usage, digital content creation, and online engagement.

Culturally, Nigerian music and film have become major global exports. Afrobeat, once niche, is now mainstream worldwide. Featuring “Let’s Start” in the MacBook Air campaign situates the product within that broader cultural momentum.

Apple has not issued a specific statement explaining the selection of the song. However, the timing aligns with Nigeria’s growing relevance in global technology consumption and its expanding influence across music, media, and digital culture.

Powerful and durable…yet thin and light.

The new MacBook Air with M5 just got even better with exceptional performance and AI capabilities. pic.twitter.com/Dm4SyIIDlk

— Greg Joswiak (@gregjoz) March 3, 2026

In the early hours of March 3, 2026, Instagram introduced a new Stories variation labeled “Secret Friends” and it did not roll out quietly.

The feature appeared exclusively on the accounts of Selena Gomez, Benny Blanco, and Lil Dicky, marked by a distinct yellow ring around their profile pictures. The timing was precise: the activation coincided with the promotional push for Friends Keep Secrets, the newly launched video podcast hosted by Blanco, Lil Dicky (Dave Burd), and Kristin Batalucco.

At first glance, the feature resembles Instagram’s existing Close Friends tool. In practice, however, it functions very differently.

Unlike the standard Close Friends list where users manually select who can view certain Stories, the Secret Friends version appears to operate as a mass-access promotional layer.

Key observations:

The Stories are highlighted with a yellow ring instead of green.

Followers do not need to be added to a curated list.

Anyone visiting the profiles can access the content.

The Stories directly funnel viewers toward Friends Keep Secrets.

The psychology is intentional. A different color ring signals scarcity. Scarcity triggers curiosity. Curiosity drives taps.

Instagram has not released a formal statement confirming whether the feature will expand to other creators. Early indications suggest this is a limited, campaign-specific activation, not a platform-wide product update.

Friends Keep Secrets positions itself as an intimate, multi-camera, conversational show filmed inside the hosts’ Los Angeles home. Produced in partnership with Jay Shetty’s media network Perfect Strangers, the podcast aims to blur the line between casual hangout and celebrity interview.

Early guest appearances reportedly include Ed Sheeran, Gwyneth Paltrow, Paul Rudd, and Selena Gomez herself.

In one of the first Secret Friends Stories, Gomez addressed viewers directly:

“Hey guys, welcome to my Secret Friends. If you want more secrets, go here.”

The message was brief. The call-to-action was clear. The conversion funnel was seamless.

Instagram is no longer merely a distribution channel for celebrity promotion. In this case, the platform appears to have provided a customized storytelling mechanic designed to amplify a media product launch.

Reaction across social media has been mixed but engaged.

Some fans celebrated the perceived exclusivity:

Others questioned why the feature is restricted to only three accounts.

A few users dismissed it entirely, asking why it matters.

If expanded, Secret Friends could become a new tier of creator tools, positioned between Close Friends and subscription-based exclusives. It could offer brands and high-profile creators a controlled environment for limited-time campaigns.

Netflix has officially withdrawn from the bidding race for Warner Bros. Discovery, clearing the path for Paramount Skydance to move closer to securing the deal.

In a statement addressing the development, Netflix executives said the streaming giant would not match Paramount Skydance’s revised offer, noting that “at the price required to match Paramount Skydance’s latest offer, the deal is no longer financially attractive.”

The decision effectively ends Netflix’s pursuit of Warner Bros. Discovery, one of Hollywood’s most influential media companies, and positions Paramount Skydance as the leading bidder in the high-stakes acquisition battle.

According to reports, Paramount Skydance significantly improved its offer in recent days, prompting Warner Bros. Discovery’s board to determine that the proposal constituted a “superior offer” under the terms of its agreement.

The revised bid reportedly includes enhanced financial terms designed to appeal to shareholders, strengthening Paramount’s position in the race. With Netflix opting not to increase its offer, the competitive tension surrounding the deal has effectively subsided.

For Netflix, the withdrawal signals a disciplined financial strategy rather than a retreat under pressure. Executives indicated that matching Paramount’s valuation would stretch the economics of the transaction beyond acceptable thresholds.

The streaming leader has historically prioritized profitability and measured expansion, and sources suggest the company was unwilling to overpay in an increasingly competitive and capital-sensitive media environment.

If finalized, the acquisition would mark a significant consolidation move in the entertainment industry. Warner Bros. Discovery controls major global brands including HBO and CNN, alongside an expansive film and television library.

An integration with Paramount Skydance could reshape content pipelines, distribution strategies, and streaming competition worldwide.

With Netflix out of the running, attention now turns to regulatory review and shareholder approval processes. While final terms and timelines have yet to be publicly detailed, further clarity is expected in the coming weeks.

For now, Paramount Skydance appears set to secure one of the most consequential media deals of the year, as Netflix steps aside from what has become an increasingly expensive contest.

Samsung Electronics has unveiled the Galaxy S26 series, introducing what it calls the world’s first built-in Privacy Display on a smartphone, with the feature exclusive to the Galaxy S26 Ultra.

The announcement was made during Samsung’s 2026 Galaxy Unpacked event. The Privacy Display is designed to prevent people nearby from seeing a user’s screen content, offering protection in public spaces such as buses and offices. Unlike traditional stick-on privacy films, this technology is fully integrated into the phone’s display.

Samsung’s built-in privacy technology operates at the pixel level, dynamically controlling how light is emitted from the screen. In standard mode, the display functions like a typical flagship phone, offering wide viewing angles and full colour accuracy. In privacy mode, side angles are restricted, making the content visible only to the person directly in front of the screen.

The feature also allows users to: Toggle privacy mode manually from quick settings, Automatically activate privacy for selected apps or sensitive actions, such as entering PINs or passwords and Choose between partial privacy (hiding notifications or selected content) and maximum privacy, which blocks all side-angle viewing

The Privacy Display addresses “shoulder surfing” a common problem for smartphone users in public settings while maintaining the device’s premium display quality.

The Galaxy S26 series, including the S26, S26+, and S26 Ultra, is set to be released globally beginning March 11, 2026. The Ultra model, which includes the Privacy Display, comes with other flagship upgrades, including enhanced AI tools and camera improvements. Pricing for the Galaxy S26 Ultra starts around $1,299 in the United States per reports, with regional variations expected.

The Internet Exchange Point of Nigeria (IXPN) has announced the deployment of new internet infrastructure aimed at significantly improving website loading speeds across Nigeria while strengthening the country’s resilience against cyber disruptions and global network outages.

The announcement was made during the organisation’s 2026 Annual Members Engagement Forum in Lagos, where IXPN executives outlined a strategic push to localise critical components of Nigeria’s internet architecture. At the centre of this upgrade is the deployment of an authoritative Domain Name System (DNS) server within IXPN’s local network; a move expected to reduce latency and enhance stability for millions of internet users.

DNS servers act as the internet’s address book, translating website names into numerical IP addresses that computers use to locate online resources. Until recently, many of these requests from Nigeria were routed to servers located abroad, increasing response times and exposing local connectivity to risks tied to international disruptions. By hosting key DNS infrastructure domestically, IXPN aims to keep more internet traffic within Nigerian borders, reducing delays and improving reliability.

IXPN’s Chief Executive Officer, Muhammed Rudman, described the development as a critical step toward digital sovereignty and operational efficiency. According to him, the newly deployed system is already processing thousands of DNS queries per second, indicating strong adoption and measurable performance improvements across connected networks.

The initiative was executed in collaboration with the Canadian Internet Registration Authority (CIRA), which provided hardware support for the deployment. The partnership ensures that global domain queries can now be resolved more efficiently from within Nigeria’s network ecosystem.

In addition, IXPN confirmed it has entered into a memorandum of understanding with Verisign to host primary DNS infrastructure for major global domains such as .com and .net locally. This arrangement is particularly significant, as it strengthens Nigeria’s ability to maintain access to widely used internet services even during international outages, undersea cable faults, or coordinated cyberattacks targeting overseas infrastructure.

For Nigeria’s growing digital economy, the implications are substantial. Faster DNS resolution translates into quicker website loading times, improved user experiences for streaming and online transactions, and more reliable access for businesses operating in e-commerce, fintech, media, and cloud services. By reducing reliance on foreign upstream providers, the country also lowers exposure to external vulnerabilities that could otherwise disrupt banking systems, government platforms, or critical communications.

Founded in 2006, IXPN operates as a neutral, non-profit interconnection hub that enables internet service providers, mobile network operators, content platforms, and enterprises to exchange traffic locally. Over the years, it has played a central role in keeping domestic internet traffic within Nigeria, cutting bandwidth costs and boosting network efficiency. The latest infrastructure upgrade signals an expansion of that mandate from traffic exchange to deeper control over core internet functions.

As Nigeria continues to position itself as one of Africa’s leading digital markets, investments in resilient infrastructure are becoming increasingly urgent. With cyber threats evolving and data consumption rising rapidly, the ability to localise critical systems is no longer just a technical upgrade, it is a necessity.

The Lagos State Government has officially begun enforcing a 5% withholding tax on winnings from licensed gaming and betting platforms, marking a major development in Nigeria’s digital gaming sector. The tax is applied to net payouts, meaning players now receive winnings after the deduction.

The move comes as Lagos experiences rapid growth in online sports betting and gaming activities. Millions of bettors participate daily, prompting the government to formalize taxation and ensure the sector contributes fairly to public revenue. The Lagos State Internal Revenue Service (LIRS) has positioned this measure as part of a broader strategy to enhance compliance, transparency, and oversight of digital financial activities.

Under the new rule, licensed operators automatically deduct 5% from all net winnings before payouts. For instance, a bettor who wins ₦100,000 will now receive ₦95,000. Some platforms may also require a National Identification Number (NIN) for identity verification in line with KYC regulations.

The impact is felt across the sector. Licensed operators must update systems to comply with the deduction, while players see reduced payouts but can use the withheld tax as a credit toward personal tax obligations. The government stresses that only licensed operators are affected, leaving unregulated platforms outside the formal tax system.

Industry reactions are mixed. Advocates say the tax formalizes and strengthens the gaming industry, while critics worry it could push bettors toward unlicensed operators. Nevertheless, the Lagos Government maintains that the measure will provide a sustainable revenue stream and improve regulatory oversight.

As Nigeria’s gaming sector continues to grow, the 5% tax highlights Lagos State’s commitment to regulating the industry, ensuring transparency, and capturing revenue from a digital economy that shows no signs of slowing.

Authorities in Gabon have ordered the immediate suspension of major social media platforms across the country, accusing them of spreading false information and harmful content capable of destabilising public order.

The decision was announced on February 17, 2026, by the country’s media regulator, the High Authority for Communication (HAC). In a statement, the regulator said the suspension would remain in place “until further notice.”

Although the order did not publish an exhaustive list of affected platforms, access to Facebook, TikTok, and other widely used social media services was disrupted nationwide shortly after the announcement.

According to the regulator, the decision was taken in response to what it described as the growing circulation of “false information,” defamatory content, hate speech, cyberbullying, and the unauthorised disclosure of personal data online.

The HAC argued that such activities pose a threat to social cohesion, public order, and national stability. Authorities also suggested that existing content moderation efforts by platform owners were insufficient to curb abuses.

Officials maintained that the move does not amount to a violation of freedom of expression, stating that constitutional rights must be exercised within legal limits, particularly when national security and public order are at stake.

The suspension comes amid heightened political and social tension in the country, with recent reports of protests and labour unrest. Observers say governments in several countries have previously imposed similar restrictions during periods of instability, often sparking debate about the balance between security concerns and digital freedoms.

The shutdown is expected to significantly affect communication, small businesses, digital creators, and media outlets that rely on social platforms for outreach and information sharing. Many citizens use social media not only for social interaction but also for commerce, news consumption, and civic engagement.