Tag: Wizkid

South African star Tyla is clearly not here for one-dimensional artistry. Just a year after her self-titled debut album and a whirlwind global breakout with “Water,” she’s switching gears again and this time with a tight, bold, and experimental EP titled We Wanna Party, released under FAX and Epic Records.

The 4-track project is short, but far from small. It’s playful, confident, and rhythm-heavy — giving us a version of Tyla that isn’t trying to prove anything, just enjoying her growth in real time. If Tyla the album was her formal debut, We Wanna Party is her pulling up to the function in silk and sunglasses, telling us she’s not only ready to party — she’s hosting it.

The EP in Four Tracks

1. Dynamite ft. Wizkid

This is the moment. “Dynamite” is smooth, slow, and sexy — the kind of track you want to put on repeat during a humid evening. Tyla and Wizkid deliver chemistry without doing too much. The beat doesn’t rush, the lyrics don’t beg, and the vibe is locked in. For fans of laid-back Afropop and effortless energy, this is gold.

2. Mr. Media

This track is Tyla at her cheekiest. She calls out gossip culture, online noise, and the obsession with image — all while sounding unbothered and fabulous. “Mr. Media” is fun and shady in the best way, with production that snaps and bounces like a digital catwalk. It’s a clapback, a wink, and a flex — all wrapped in one.

3. Is It

A more emotional, slowed-down moment. “Is It” has that late-night feel where the party fades and questions start rising. Tyla’s delivery is soft and vulnerable here, and the production gives space for that honesty. She doesn’t just sing — she questions, she hesitates, she wonders out loud. And we feel it.

4. Bliss

Ending the EP on a floaty, reflective note, “Bliss” lives up to its name. It’s dreamy and mellow, like the last scene in a coming-of-age movie. Tyla lets her vocals glide over airy production, giving us a gentle close that lingers after the beat fades. Not flashy — just beautifully calm.

The Sound & Mood

We Wanna Party isn’t trying to follow the same path as her debut album. Where Tyla was sleek and full of world-building, this Mixtape is more vibe-first, more experimental, and definitely less polished. 

Why It Works

Tyla has always known how to balance softness with strength, and We Wanna Party proves it again. She’s giving attitude without arrogance. She’s calling out the media, teasing desire, showing some emotional depth — all within four tracks. It’s cohesive without being predictable.

And that Wizkid collab; Honestly, overdue because we all know Tyla is a big fan of Wizkid and has been looking forward to working with him. “Dynamite” feels like a natural meeting of two calm-but-commanding stars. No overproduction, no gimmicks — just quality.

My Rating 8.5/10 

It’s short, stylish, and quietly bold — exactly what an artist in her position should be dropping right now. She’s not doing too much, but she’s doing just enough to remind us: the party’s not stopping anytime soon.

Wizkid turns a year older today, and while social media is flooded with tributes and throwbacks, we’re taking a different route. It’s time to rank every Wizkid album;the highs, the lows, and the game-changing moments that have defined his journey from Ojuelegba to the O2.

This isn’t just fan love. It’s a critical deep dive, praising what deserves praise, and calling out what could’ve been better. Because even legends have missteps, and that’s okay.

Note before you Proceed!

This list is based on:
– Artistic quality
– Cohesion and originality
– Cultural impact
– Replay value
– Growth and boldness

6. Sounds from the Other Side (2017)

Highlight Tracks: “Come Closer” ft. Drake, “Daddy Yo,” “African Bad Gyal”

Wizkid’s “Sounds from the Other Side” was his first major leap into the international market. It had ambition, dancehall, Caribbean-infused pop, and big-name collabs like Drake, Major Lazer, Chris Brown. But the album lacked soul.
Yes, it gave him global visibility. But it felt like Wizkid trying to fit into Western radio instead of bending them to his rhythm.

My thought: A strategic move but not a masterpiece. The most forgettable album in his discography.

5. More Love, Less Ego (2022)

Highlight Tracks: “Money & Love,” “2 Sugar,” “Frames (Who’s Gonna Know)”

The follow-up to Made in Lagos was always going to be tough. But “More Love, Less Ego” felt like a beautiful shell with no core. The production was elite, clean, vibe-heavy. But the writing lacked what Wizkid was more about compared to other Albums released by the music Icon.
It’s Wizkid at his smoothest, but also his most emotionally distant. The album didn’t push boundaries, nor did it feel like he had much to say. In many ways, it was a continuation of Made in Lagos, just less hungry.

My thought: Sonically pleasing, but too safe. For an artist of his calibre, we wanted more.

4. Ayo (2014)

Highlight Tracks: “Ojuelegba,” “Show You the Money,” “Jaiye Jaiye,” “In My Bed”

Ayo was a comeback and a stamp. Coming after Superstar, this project showed a Wizkid with more control, more polish, and bigger ambition. It had the hits, the hooks, the spiritual storytelling of “Ojuelegba.”

But it was also a bloated album, with too many tracks (19) and some clear fillers. A lot of it felt like a compilation of singles, not a cohesive project.

My thought: Imperfect but pivotal. An album that balanced fame and faith.

3. Superstar (2011)

Highlight Tracks: “Holla at Your Boy,” “Tease Me,” “Don’t Dull,” “Love My Baby”

This is where it all began — Wizkid’s breakout. He was young, hungry, cocky, and vibrating with potential. Superstar wasn’t just an album, it was an era that even the superstar we have today will never forget.

It changed Nigerian pop forever. The swagger. The slang. The sound. From “Pakurumo” to “Oluwa Lo Ni,” this was the soundtrack of a generation.

But let’s be honest; even as good as the album it isn’t his best project. The album hasn’t aged perfectly. Some tracks feel dated, and there’s a juvenile tone that’s natural for a debut.

My thought: A cultural classic. Not his best technically, but you can’t overstate its importance.

2. Made in Lagos (2020)

Highlight Tracks: “Essence,” “Ginger,” “Blessed,” “True Love,” “Reckless”

This is the album that redefined Wizkid for the world. Made in Lagos was sleek, patient, grown. It wasn’t chasing the charts — it was building a mood. And it worked. Globally.
Essence became the first truly global Afrobeats love song, and the album showed a matured artist comfortable in his skin.
Still, the album gets criticism for being too chill, not enough tempo variation, little experimentation. But that’s the point. Made in Lagos wasn’t made for the club. It was made for late nights and great moments.

My thought: A timeless piece of mood music. The moment the world took Afrobeats seriously and Wizkid led the charge.

1. Morayo (2024)

Highlight Tracks: “Morayo,” “Energy,” “Palm Trees,” “Sade,” “Better Days”

After years of smooth, laid-back vibes, Wizkid finally returns with clarity, heart, and hunger on Morayo; a title that feels personal, almost spiritual. 

The project is named after Wizkid’s late mother, Jane Morayo Balogun, who passed away in 2023. Her death left an open wound in the heart of an artist who, until then, had rarely spoken so openly about grief, loss or legacy in his music.

This album is Wizkid at his most honest and intentional since Ojuelegba first release.
“Morayo” (the title track) is a reflective, emotionally stirring opener that sets the tone. He’s not just singing; he’s telling stories. About love, Lagos, loss, legacy. There’s an intimacy to the lyrics we haven’t heard from him in years.
Sonically, Morayo balances mellow Afrobeats with bolder experiments — it’s smoother than Superstar, deeper than More Love, Less Ego, and less commercially calculated than Sounds from the Other Side.

My thought: Morayo is Wizkid’s most complete and cohesive album. It merges growth with grit, melody with message. After all these years, he still finds new ways to surprise us.

Final Thoughts:

Wizkid has evolved in real-time, from a young Nigerian singer to a global legend. His discography shows the growth, the experiments, the setbacks, and the wins.
Whether you miss the energy of Don’t Dull or prefer the silkiness of Essence, one thing is clear:
Wizkid is not done yet.

Happy Birthday to the Biggest Bird!

What do you think about this list?
Drop your rankings in the comments if you think otherwise.

In 2025, Wizkid: Long Live Lagos made its grand debut at the Tribeca Film Festival in New York, marking a special moment in both African music and global storytelling. More than just a documentary, the film is a celebration of Lagos culture, the rise of Afrobeats, and the life of one of Nigeria’s most iconic artists, Ayodeji Ibrahim Balogun, popularly known as Wizkid.

A Cinematic Tribute to Wizkid

Directed by Karam Gill and produced alongside Daniel Malikyar, Long Live Lagos is a full-length documentary that takes fans on an emotional and cinematic journey through Wizkid’s life. From his early days in Surulere, Lagos, to the bright lights of international stardom, the film unpacks not only his success but also the spiritual and cultural roots that shaped him.
It isn’t just about music; it’s about legacy, identity, and the city that birthed a global movement.

Inside the Film: What to Expect

The documentary offers never-before-seen footage of Wizkid’s life — intimate family moments, studio sessions, and electrifying performances. It’s an unfiltered look at the man behind the music, revealing his vulnerabilities, growth, and deep connection to Lagos.

Featuring appearances and commentary from influential voices such as:

• Femi Kuti – Afrobeat legend and cultural icon
• Jada Pollock – Wizkid’s longtime manager and partner
• Sunday Are – Veteran manager and music executive
• Julie Adenuga – British-Nigerian media personality and radio host

These voices help narrate Wizkid’s evolution and the role he’s played in reshaping how African talent and Afrobeat as a whole is seen around the world.

A Landmark Premiere at Tribeca

Long Live Lagos was part of Tribeca Film Festival’s Spotlight+ category — a prestigious slot that included films on Billy Joel and Miley Cyrus. The premiere was powerful, personal, and unforgettable. Wizkid attended with his young daughter, providing an emotional glimpse into his life as a father and artist.
During the post-screening Q&A, he admitted the decision to let cameras into his private life was tough. “It wasn’t easy,” he said, “but I want my fans to see the real me.”

The Broader Message: Lagos as a Creative Force

Beyond Wizkid’s personal story, Long Live Lagos is a love letter to the city that raised him. It captures the essence of Lagos. Its hustle, creativity, rhythm and positions it has as a central player in the global entertainment scene.
The documentary doesn’t just follow a superstar’s rise; it also talks about how a city gave birth to a sound that changed the world.

Previous Documentaries vs. Long Live Lagos

While Wizkid has appeared in other documentaries before, like Lagos to London (2018), A Day in the Live of Wizkid (2020), and A Superstar Made in Lagos (2021), this is his most complete and personal documentary to date.

Where & When to Watch

Currently, Long Live Lagos is available only through screenings at Tribeca Film Festival (June 4–15, 2025). However, because of its ties to HBO Documentary Films, it is expected to be released on HBO Max or similar streaming platforms soon.
Follow Streamdorm on all major social media to get updates on possible HBO announcements, or festival updates for global release dates.

Are you a true Wizkid fan?

For fans, this film is more than a biography. It’s a mirror into Wizkid’s soul, his journey, and the impact he has had on a generation. It’s also a powerful reminder of how far Afrobeats has come and how Lagos remains its beating heart.
Wizkid: Long Live Lagos is not just a music documentary, it’s a cultural moment. It blends emotion, history, and the magic of Lagos to tell a story that fans across the world will connect with. Whether you’ve followed him since Superstar or you’re just discovering his music, this film is a must-watch celebration of one of Africa’s big three.