Tag: Ep

When Wizkid and Asake announced REAL, Vol. 1, expectations were immediate and well anticipated. The collaboration brought together two artists operating at different but equally powerful ends of Afrobeats’ global spectrum; one a decade-long international force, the other one of the most dominant Nigerian hitmakers of the 2020s.

REAL, Vol. 1 has debuted at No. 6 on the Billboard World Albums chart, marking a major global chart moment for the joint EP and reinforcing Afrobeats’ sustained presence on international rankings.

The Billboard World Albums chart tracks the strongest-performing international projects in the United States each week. A Top 10 debut is significant particularly for a short collaborative EP because it reflects not only streaming traction, but real market penetration in one of music’s most competitive territories.

For REAL, Vol. 1 to open at No. 6 places it among the most successful African releases on the chart this year, and highlights the continued global appetite for Nigerian music beyond singles and playlist placements.

Rather than chasing crossover aesthetics, the project leans confidently into its Afrobeats foundation; a choice that appears to be resonating with listeners globally.

Released in January 2026, REAL, Vol. 1 is a concise four-track EP that thrives on chemistry and restraint. Wizkid’s melodic calm and Asake’s gritty, percussive delivery create a contrast that feels intentional rather than forced.

While REAL, Vol. 1 stands on its own, its Billboard entry also fits into a broader narrative around Wizkid’s relationship with the World Albums chart.

Since the release of Made in Lagos in 2020, Wizkid has remained a recurring presence on the chart through various projects, re-entries, and collaborative releases. With REAL, Vol. 1 charting in 2026, Wizkid has now recorded appearances on the Billboard World Albums chart across seven consecutive calendar years; a milestone that underscores his longevity and consistency on the global stage.

While Billboard does not always publish consolidated year-by-year streak summaries, the pattern of Wizkid’s chart activity across these years is well-documented through individual chart entries and reappearances.

For Asake, the EP adds another global credential to an already dominant run. 

As African artists continue to chart, tour, and collaborate at global scale, releases like REAL, Vol. 1 feel less like exceptions and more like markers of a maturing ecosystem.

Afrobeats heavyweights Wizkid and Asake have officially released their highly anticipated collaborative project, REAL, Vol. 1, marking one of the most significant joint releases in Nigerian music in recent years.

The four-track EP brings together two of Africa’s most dominant hitmakers, blending Wizkid’s smooth, global Afrobeats sound with Asake’s raw, street-rooted energy 

REAL, Vol. 1 is a compact but tightly curated EP that showcases both artists at their most confident. The project features the following tracks:

• Turbulence
• Jogodo
• Iskolodo
• Alaye

Rather than chasing trends, the EP leans into rhythm, melody, and atmosphere staying true to the distinct identities that have made Wizkid and Asake two of the most streamed African artists of the past decade.

“Jogodo” Sets the Tone for the Project

Leading the EP is “Jogodo,” the breakout single that had already ignited massive attention ahead of the project’s full release. Since dropping, the song has gone on to deliver one of the biggest commercial performances for a Nigerian collaboration in recent memory.

“Jogodo” recorded a historic debut on Spotify Nigeria, pulling in over 1.3 million streams within its first 24 hours, making it the biggest opening day ever for a collaborative track on the platform. The momentum didn’t slow down, as the record crossed 5 million streams within its first week, setting a new benchmark for weekly streaming in Nigeria.

Beyond streaming numbers, “Jogodo” quickly asserted its dominance across major platforms:

• The track reached No. 1 on Apple Music Nigeria and Spotify Nigeria, maintaining a strong daily streaming pace.
• Internationally, “Jogodo” entered the Spotify Global Daily Top 100, signalling growing global interest beyond Africa.
• The song also gained traction on global Shazam charts, highlighting organic discovery outside its core market.

Wizkid, one of Afrobeats’ most influential global figures, and Asake, arguably the genre’s most disruptive force of the last three years, have aligned at the peak of their powers.

With “Jogodo” already setting records and the EP now fully available, REAL, Vol. 1 is expected to dominate conversations, playlists, and charts in the coming weeks further reinforcing Afrobeats’ global momentum in 2026.

Afrobeats singer, songwriter, and producer Pheelz has officially confirmed that a new EP will be released in March 2026, describing the project as a personal and creative reset.

The announcement was made directly by the artist in a heartfelt message to fans, where he revealed that the upcoming EP represents a period of realignment and renewed purpose in his music journey.

“I have an EP coming in March. I’m so proud of it; it’s a reset and a realignment. I have so much to give out and I’m not going to hold it anymore,” Pheelz wrote.

According to the statement, the project will form part of Pheelz’s broader plans for 2026, a year he says will focus on deeper connection with his audience and more intentional music releases. The producer turned-artist also emphasized his desire to share music and content that fans have not experienced from him before.

Beyond the EP, Pheelz hinted at a more direct relationship with listeners through exclusive drops, content, and fan engagement initiatives, referring to his growing community as a “Tribe.”

“All I’ve ever wanted is an audience to experience music in the way I see it… I want to connect more with you, give you music that you haven’t heard, content you haven’t seen.”

While details such as the EP’s title, tracklist, and featured acts remain undisclosed, the March 2026 timeline is now officially confirmed by the artist himself.

More information is expected to be revealed as the release date draws closer.

South African star Tyla is clearly not here for one-dimensional artistry. Just a year after her self-titled debut album and a whirlwind global breakout with “Water,” she’s switching gears again and this time with a tight, bold, and experimental EP titled We Wanna Party, released under FAX and Epic Records.

The 4-track project is short, but far from small. It’s playful, confident, and rhythm-heavy — giving us a version of Tyla that isn’t trying to prove anything, just enjoying her growth in real time. If Tyla the album was her formal debut, We Wanna Party is her pulling up to the function in silk and sunglasses, telling us she’s not only ready to party — she’s hosting it.

The EP in Four Tracks

1. Dynamite ft. Wizkid

This is the moment. “Dynamite” is smooth, slow, and sexy — the kind of track you want to put on repeat during a humid evening. Tyla and Wizkid deliver chemistry without doing too much. The beat doesn’t rush, the lyrics don’t beg, and the vibe is locked in. For fans of laid-back Afropop and effortless energy, this is gold.

2. Mr. Media

This track is Tyla at her cheekiest. She calls out gossip culture, online noise, and the obsession with image — all while sounding unbothered and fabulous. “Mr. Media” is fun and shady in the best way, with production that snaps and bounces like a digital catwalk. It’s a clapback, a wink, and a flex — all wrapped in one.

3. Is It

A more emotional, slowed-down moment. “Is It” has that late-night feel where the party fades and questions start rising. Tyla’s delivery is soft and vulnerable here, and the production gives space for that honesty. She doesn’t just sing — she questions, she hesitates, she wonders out loud. And we feel it.

4. Bliss

Ending the EP on a floaty, reflective note, “Bliss” lives up to its name. It’s dreamy and mellow, like the last scene in a coming-of-age movie. Tyla lets her vocals glide over airy production, giving us a gentle close that lingers after the beat fades. Not flashy — just beautifully calm.

The Sound & Mood

We Wanna Party isn’t trying to follow the same path as her debut album. Where Tyla was sleek and full of world-building, this Mixtape is more vibe-first, more experimental, and definitely less polished. 

Why It Works

Tyla has always known how to balance softness with strength, and We Wanna Party proves it again. She’s giving attitude without arrogance. She’s calling out the media, teasing desire, showing some emotional depth — all within four tracks. It’s cohesive without being predictable.

And that Wizkid collab; Honestly, overdue because we all know Tyla is a big fan of Wizkid and has been looking forward to working with him. “Dynamite” feels like a natural meeting of two calm-but-commanding stars. No overproduction, no gimmicks — just quality.

My Rating 8.5/10 

It’s short, stylish, and quietly bold — exactly what an artist in her position should be dropping right now. She’s not doing too much, but she’s doing just enough to remind us: the party’s not stopping anytime soon.