Category: Celebs

On March 3, 2026, British grime artist Ghetts was sentenced to 12 years in prison at the Old Bailey after pleading guilty to causing death by dangerous driving.

The 41-year-old artist, whose real name is Justin Clarke-Samuel, was convicted following a fatal hit-and-run that claimed the life of 20-year-old student Yubin Tamang.

The court heard that in the early hours of October 18, 2025, Clarke-Samuel was driving his BMW through Ilford, northeast London, after consuming alcohol. CCTV footage presented during proceedings showed him speeding through residential streets, running red lights, and at times driving on the wrong side of the road. Prosecutors said he reached speeds close to 70mph in a 30mph zone and was over the legal alcohol limit.

That same night, Yubin Tamang was crossing the road when he was struck. Tamang had moved from Nepal to the United Kingdom to pursue higher education and build a future for himself. He was pronounced dead after suffering severe injuries.

The court was told that Clarke-Samuel did not stop at the scene. Instead, he drove away. He later pleaded guilty to causing death by dangerous driving and a separate charge of dangerous driving. He appeared for sentencing via video link from prison.

In delivering the sentence, the judge described the driving as reckless and wholly unacceptable, noting that a young life had been lost. While his guilty plea was taken into consideration, the seriousness of the offence warranted a substantial custodial sentence. In addition to the 12-year prison term, Clarke-Samuel was banned from driving for 17 years.

Ghetts rose to prominence in the 2000s as one of the defining voices of UK grime. Known for his sharp lyricism and introspective storytelling, he earned critical acclaim, including nominations for the Mercury Prize, and collaborated with artists such as Ed Sheeran. More recently, he expanded into acting, appearing in the Netflix series Supacell.

For many fans, the sentencing marks a devastating fall for an artist whose music often explored themes of growth, accountability, and personal evolution.

Beyond reputation and career, however, the case centres on the irreversible loss of a young man. Yubin Tamang had travelled thousands of miles in pursuit of education and opportunity. His family now faces a grief that no prison sentence can undo.

One decision in the early hours of that October morning changed multiple lives permanently. Clarke-Samuel will spend years behind bars. Yubin Tamang’s family will live with the loss forever.

Written by Favour Awana

After 14 years away from the spotlight of a major comedy special, veteran American comedian Bruce Bruce has returned with his first-ever Netflix special, I Ain’t Playin’. Filmed live at the Old Vic Theater in Chicago, this special marks a major milestone in Bruce Bruce’s career, showcasing the larger-than-life personality and distinctive humor that have made him a favorite of comedy fans for decades.

Known for his expressive storytelling, infectious energy, and ability to make audiences laugh while connecting to real-life experiences, Bruce Bruce proves once again why he has remained relevant in a constantly evolving comedy landscape.

In I Ain’t Playin’, Bruce tackles a wide range of topics, blending personal topics with sharp observations about the world around him. He talks about family life, fame, and the challenges that come with living across different generations. He explores the humorous side of marriage, relationships, and even intimate matters, all delivered with his signature boldness and charm.

Unlike scripted performances, his comedy feels genuine and spontaneous, creating a sense of intimacy with the audience. Fans who have followed his work know that Bruce Bruce doesn’t shy away from topics that make people think, laugh, all at the same time.

One of the most compelling aspects of this special is how Bruce balances humor with storytelling. While he is undeniably funny, there is also a rhythm and depth to his performance that draws viewers in. His personal stories are relatable, and his takes on generational gaps and family dynamics resonate with audiences from different backgrounds.

Bruce’s humor often highlights the absurdities of everyday life, but he delivers it in a way that feels light-hearted rather than judgmental. This combination of relatability and larger-than-life personality is what sets him apart from many other comedians today.

Just as Nollywood stars and African comedians have found international audiences through streaming, Bruce Bruce’s special demonstrates how comedians from the United States can reach viewers around the world without relying solely on traditional television or live tours. For fans in Nigeria and other parts of the world, the special offers an opportunity to experience a live comedy performance with the convenience of streaming at home. This access helps connect audiences to global humor trends while also inspiring local content creators to explore new ways to reach viewers.

Bruce Bruce has long been celebrated for his ability to blend comedy with authenticity. In this special, that skill is on full display. His stories are not only entertaining but also reflect his unique perspective on life, love, and the challenges of growing older in the public eye. He has always had a talent for turning everyday situations into moments of laughter, and I Ain’t Playin’ is no exception.   

For longtime fans, it’s a nostalgic return to the humor they fell in love with; for new viewers, it’s an introduction to a comedian whose style is unmistakable.

This special is also notable for its production quality. Filmed in Chicago, the live audience adds an extra layer of energy, with their reactions enhancing the experience and making it feel like you are part of the performance. The setting at the Old Vic Theater provides a classic stage environment, emphasizing the intimacy and immediacy of stand-up comedy while capturing Bruce Bruce’s dynamic presence.

Ultimately, I Ain’t Playin’ is more than just a comedy special, it is a statement from a performer who has navigated the highs and lows of a long career while staying true to himself. Bruce Bruce’s humor is universal, but it also carries the personal imprint of his experiences, making the special both entertaining and meaningful.

 Are you planning to watch it tonight? Do you enjoy comedy that is raw, real, and personal like Bruce Bruce’s, or do you prefer performances that are more structured and story-driven? Either way, I Ain’t Playin’ is a must-see for anyone who appreciates a comedian who can make you laugh while connecting with the realities of life.

Written by Favour Awana

The 2026 edition of the SiGMA Africa Awards brought together key players in gaming, fintech, digital innovation, and online entertainment for a night of recognition in Cape Town, South Africa. Held on March 3 as part of the wider SiGMA Africa Summit, the ceremony honoured companies and individuals shaping Africa’s fast-growing iGaming ecosystem.

From platform providers to payment solutions and content creators, the awards reflect the scale and increasing sophistication of the continent’s digital gaming industry.

The SiGMA Africa Awards are organised under the global SiGMA World event series, which hosts summits across multiple regions focused on iGaming, emerging technology, blockchain, and digital payments.

The Africa edition specifically spotlights the continent’s expanding market, recognising excellence across categories such as: Casino and sportsbook operators, Game and slot providers, Payment and KYC solutions, Marketing innovation, Workplace culture, Influencers and streamers.

Winners are selected through a combination of industry judging panels and, in some categories, public voting. The awards ceremony forms part of a multi-day summit featuring keynote sessions, exhibitions, networking events, and investor meetings.

One of the standout moments of the night was the announcement of Shankcomics as Best Streamer 2026.

The award recognises excellence in live streaming, audience engagement, and overall impact within the gaming and digital entertainment ecosystem. 

Full Winners List – SiGMA Africa Awards 2026

Below is the complete list of winners announced at the ceremony:

Emerging Markets Payment Solution 2026 — Bitlipa

Best Affiliate Program 2026 — Linebet Partners

Best Casino Provider 2026 — Pragmatic Play

Crash Game Newcomer 2026 — Skypilot by Aardvark

Best KYC Solution 2026 — Sumsub

Best Casino Operator 2026 — Melbet

Best Virtual Sports Provider 2026 — Kiron Interactive

Slot Game Newcomer 2026 — Mineslot by Inoutgames

Best Innovation in Sports Betting 2026 — Digitain

Best Game Provider 2026 — EGT Digital

Best On Mobile 2026 — 1xBet

Best Online Sportsbook Provider 2026 — BetConstruct AI

Industry Rising Star 2026 — Veligames by Velitech

Best Slot Game Provider 2026 — Amusnet

Most Played Game 2026 — Avion Supersonic by Lambda Gaming

Best Marketing Campaign 2026 — Partnerships With Global Sports Giants by Spribe

Best Streamer 2026 — Shankcomics

Best Sportsbook Operator 2026 — 22Bet

Live Casino Provider Rising Star 2026 — Choice Gaming

Best Workplace 2026 — Alea

Best Platform 2026 — SoftSwiss

Women in Gaming 2026 — Valentina Bagniya

Best Testing Lab Innovation 2026 — Global Lab

Game Innovation Award 2026 — Arcade Heist Hit&Win by Golden Race

Best Influencer 2026 — Dr Thembi Shilenge

For over a decade, Tonto Dikeh built one of Nollywood’s most defiant personal brands. The “King Tonto” identity was bold, controversial, and intentionally disruptive, a symbol of female authority in an industry that rarely handed women the crown.

In a video shared on March 2, 2026, the actress publicly announced that she will no longer answer to “King Tonto Dikeh,” describing the decision as an act of spiritual obedience.

“In obedience to the Holy Spirit, I will no longer be addressed as ‘King Tonto Dikeh.’ You can call me ‘The Woman of God,’ ‘Evangelist Tonto.’ I’m going from a mess to a message.”

She added that “Tonto Dikeh” or “Auntie Tonto” are also acceptable but the royal moniker that once defined her public image has officially been laid to rest.

When Dikeh adopted the “King” title around 2011, it wasn’t random branding. It became a statement.

Through marriage headlines, divorce battles, co-parenting disputes, political ambition, mental health conversations, and frequent online controversies, the “King” persona functioned as armor. It projected dominance in moments when public scrutiny was at its peak.

But in 2026, she is repositioning herself not as a symbol of resistance, but as a vessel of ministry.

Unlike some celebrity conversions that appear abrupt, Dikeh’s shift has been building publicly since late 2025.

She recently completed a discipleship program at Streams of Joy International, describing it as a foundational step in deepening her spiritual walk. She has also shared testimonies about financial restoration, claiming what she called “mega money” blessings after recommitting herself to Christian discipline.

Her Instagram presence has noticeably changed. Prayer sessions. Bible reflections. Invitations to worship and “speak in tongues” during live broadcasts. Language centered on healing, obedience, and divine reconstruction.

Dikeh has not announced retirement from Nollywood. However, her public language suggests ministry may take precedence. Whether that translates into gospel media projects, church leadership, faith-based films, or a complete pivot away from mainstream entertainment is still unclear.

She continues to operate the Tonto Dikeh Foundation, which focuses on philanthropy and advocacy.

If there is one constant in Tonto Dikeh’s career, it is reinvention.

From controversial actress to political aspirant, from “King” to now “Evangelist,” she has consistently reshaped her narrative in public view. Whether “Evangelist Tonto” becomes a permanent identity or another chapter in an evolving public story will unfold over time. But as of March 2, 2026, one of Nollywood’s most polarizing figures has clearly chosen a new spotlight and it’s spiritual.

View this post on Instagram

Tom Holland and Zendaya are reportedly married, following a surprise revelation from Zendaya’s longtime stylist and creative partner, Law Roach, at the 2026 Actor Awards.

Speaking on the red carpet, Roach stunned fans when he said:

“The wedding has already happened — you missed it!”

When asked to clarify whether he was serious, Roach reportedly responded:

“It’s very true.”

The comments immediately sparked widespread speculation online, with fans and entertainment outlets scrambling to confirm what would be one of the most low-key celebrity weddings in recent memory.

Tom Holland and Zendaya first met in 2016 while filming Spider-Man: Homecoming, where they played on-screen love interests. For years, the two dismissed romance rumors, maintaining that they were close friends.

It wasn’t until 2021 after paparazzi photos surfaced that their relationship was publicly acknowledged.

Since then, the pair have carefully guarded their privacy. Unlike many celebrity couples, they rarely post about each other on social media and almost never discuss the relationship in detail during interviews.

Speculation about a possible engagement intensified in 2025 when Zendaya appeared at the Golden Globes wearing a noticeable diamond ring. Neither she nor Holland addressed the rumors at the time, further fueling the belief that they prefer to keep major life moments off the record.

If Law Roach’s comments are accurate, the marriage may have followed the same discreet path; intimate, controlled, and far from the public spectacle that typically surrounds A-list weddings.

As at the time of this report, neither Zendaya nor Tom Holland has officially confirmed the marriage. Their management has also not issued a statement.

However, Roach’s proximity to Zendaya makes his words particularly significant. As the stylist behind many of her most iconic red carpet moments, he is considered part of her inner creative circle, not an outsider speculating from afar.

Divine Ikubor, better known by his stage name Rema, has added another milestone to his ever-growing list of achievements.

The Nigerian Afrobeats star has been officially nominated for the “Most Handsome Man Alive 2026” title by Netizens’ Choice Magazine, earning recognition that extends beyond music and into global pop-culture influence.

Over the past few years, Rema has evolved from a fast-rising Nigerian act into one of Africa’s most internationally visible artists. His 2022 smash hit Calm Down became a global phenomenon, dominating charts across multiple continents and introducing millions to Afrobeats.

But beyond the numbers, Rema has cultivated a distinct identity: bold fashion choices, confident stage presence, and an aesthetic that resonates strongly with Gen Z audiences worldwide.

The “Most Handsome Man Alive” list typically celebrates male public figures who command attention not just through their work, but through charisma, influence, and style. Rema’s inclusion signals how far his image now travels beyond music.

Rema isn’t alone in representing Nigeria. British-Nigerian actor Damson Idris also made the nomination list, highlighting the continued global visibility of African entertainers across industries from music to film.

Together, their nominations reflect a growing shift: African creatives are no longer niche exports. They are central to global conversations in entertainment, fashion, and youth culture.

Public perception, online influence, and cultural visibility now shape celebrity status just as much as awards or chart positions. Rema’s nomination is proof of that swift change. 

Nollywood actor Ray Emodi has announced a major career shift, revealing that he is stepping away from acting to focus fully on music.

In a video shared on his social media platforms, the actor addressed fans directly, stating that while he appreciates the support he has received from movie lovers over the years, his creative direction is changing.

“I love every Nollywood fan, but I’m going to make music for the dance floor. I want to make music for people that are knacking. We’re working on my EP,” he said.

The announcement has sparked widespread reactions across social media, with many fans expressing surprise at what appears to be a complete transition from film to music even though he has been dropping clips of him singing on his social media handles. 

Ray Emodi, who has built a reputation as one of Nollywood’s charismatic leading men in recent years, suggested that the decision was not made lightly. According to him, his family does not support the move. He explained that his family has a reputation to protect and certain expectations, which makes the switch even more complicated.

While he did not confirm an official release date for the EP, he stated that work is already in progress. As of now, no tracklist or collaborators have been publicly announced.

The actor’s pivot reflects a broader trend of entertainers exploring multiple creative lanes, though it remains unclear whether this is a permanent exit from film or a temporary break to focus on music. Emodi did not explicitly state that he would never return to acting, but his comments suggest a serious commitment to his new path.

For now, fans await further details on the EP and what his sound will ultimately deliver. Whether the transition will reshape his public image or expand his fanbase. 

View this post on Instagram

Veteran American actor Robert Carradine has died at the age of 71, his family confirmed on February 23, 2026.

Carradine was best known for his role as the socially awkward but determined Lewis Skolnick in the 1984 cult comedy Revenge of the Nerds, a performance that turned him into a pop culture icon of the 1980s. Decades later, he introduced himself to a new generation as Sam McGuire, the supportive father in Disney Channel’s hit series Lizzie McGuire.

His family said he had been living with bipolar disorder for nearly two decades. In a statement, they described him as a deeply creative spirit who remained resilient despite personal struggles, and they expressed hope that sharing his story would help reduce stigma surrounding mental health conversations.

Born into the legendary Carradine acting family, Robert was the son of actor John Carradine and part of a Hollywood dynasty that includes brothers David and Keith Carradine. Over a career spanning more than five decades, he built a resume that stretched far beyond his most famous roles.

In the early 1970s, he appeared in notable films such as The Cowboys alongside John Wayne and Martin Scorsese’s crime drama Mean Streets. Though often associated with comedy because of Revenge of the Nerds, Carradine demonstrated versatility across genres, working steadily in television and film throughout the 1980s, 1990s, and 2000s.

His portrayal of Lewis Skolnick became a defining character of its era; emblematic of underdog triumph and campus comedy culture. Meanwhile, his role in Lizzie McGuire secured his place in millennial childhood nostalgia, portraying a grounded, humorous father figure in one of Disney Channel’s most beloved early-2000s series.

Tributes from colleagues and fans have begun pouring in across social media, with many remembering his warmth, wit, and lasting cultural impact.

Robert Carradine leaves behind a body of work that bridged generations, from cult comedy classic to family television staple. 

May his soul rest in peace. 

The 2026 BAFTA Awards were full of celebration, but one moment quickly became the center of conversation and controversy. Akinola Davies Jr., the British-Nigerian filmmaker, won the Outstanding Debut by a British Writer, Director or Producer award for his acclaimed film My Father’s Shadow. On stage, his speech was heartfelt, emotional, and politically charged. Yet when the BBC aired the ceremony on television, a key line from his speech, including the phrase “free Palestine” was missing.

The omission has sparked debate online, raising questions about editorial decisions, broadcast priorities, and how political messages are handled in mainstream media.

In his acceptance speech, Davies Jr. highlighted the importance of storytelling, memory, and social responsibility. Speaking to an audience of filmmakers, actors, and guests, he said:

“Archive your loved ones. Archive your stories yesterday, today, and forever. For Nigeria, for London, the Congo, Sudan, free Palestine.”

This line, filled with solidarity and political resonance, was celebrated by the live audience. Yet it did not appear in the version of the ceremony broadcast on the BBC.

The BBC explained that the omission was due to time constraints rather than political reasons. The live ceremony lasted roughly three hours, while the televised broadcast was limited to two. Multiple speeches were shortened across the event to fit the broadcast window. Full speeches, including the unedited version of Davies Jr.’s remarks, are available on BAFTA’s official YouTube channel. 

Despite these explanations, critics noted that some other unscripted or controversial moments remained in the broadcast, leaving viewers questioning why Davies Jr.’s politically charged line was cut.

Social media has gone on to highlight these discrepancies. Many applauded Davies Jr. for using his platform to raise awareness for global struggles. Others criticized the BBC for “censoring” a moment that reflected real-world issues.

For many, the incident illustrates the tension between live audience experience and televised broadcast reality. On stage, his words were met with cheers and applause. On TV, millions of viewers missed a portion of that context, altering the perceived impact of the moment.

Watch the Full Speech

If you want the full context, BAFTA typically posts complete acceptance speeches on its official YouTube channel. Watching the uncut version allows viewers to experience the speech as it was delivered, including the line “free Palestine” and appreciate the full power of Davies Jr.’s words.

Nigerian singer Simi has responded after several of her old tweets resurfaced online, prompting criticism and debate across social media.

The posts, originally shared between 2012 and 2013, began circulating this week, with some users questioning their wording and intent. The resurfaced tweets referenced children at a daycare where the singer said she once lived and helped out while pursuing her music career.

In a statement posted on X (formerly Twitter), Simi acknowledged the tweets and addressed the growing conversation around them.

“I haven’t been on twitter today – but someone brought a few of my old tweets to my attention and I can’t not address it,” she wrote.

She clarified that at the time of the tweets; approximately 14 years ago,  she was 23 years old and assisting at her mother’s daycare. According to the singer, she frequently posted about everyday experiences during that period.

“In 2012, I lived and helped out at my mom’s daycare while I was hustling my music. I tweeted everything that happened in my life, as we all did at the time,” she stated.

Simi explained that the posts about children were expressions of affection or humor and denied any inappropriate intent.

“Nothing I tweeted was from perversion,” she wrote, adding that she would not allow her story to be twisted to fit what she described as false narratives.

She also disclosed that members of her team have deleted some of the resurfaced tweets due to the sensitivity of the situation for her family. While she said she initially did not want them removed, she acknowledged the broader implications.

The singer further emphasized her history of speaking out against sexual violence.

“I have always spoken against rape and sexual assault even before you knew I existed. It’s not a costume I’m wearing, it’s who I am,” she wrote. “I said stop raping women. I stand by it.”

As of the time of this report, there are no legal allegations linked to the resurfaced posts. The issue remains confined to online discourse and public reaction.

Simi has not issued additional statements beyond her initial response.